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Journal articles on the topic 'Poetry in motion'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Schorb, E. M. "Poetry in Motion." College English 54, no. 6 (1992): 716. http://dx.doi.org/10.2307/377777.

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2

Churchland, Patricia. "Poetry in motion." Nature 450, no. 7166 (2007): 29–30. http://dx.doi.org/10.1038/450029a.

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3

Knight, David. "Poetry in motion." Physics World 7, no. 8 (1994): 20. http://dx.doi.org/10.1088/2058-7058/7/8/22.

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4

Moroney, Margaret. "“Poetry in motion”." Irish Educational Studies 17, no. 1 (1998): 292–99. http://dx.doi.org/10.1080/0332331980170125.

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5

Angel, Ronald W. "Poetry in Motion?" Science News 147, no. 7 (1995): 99. http://dx.doi.org/10.2307/3979024.

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6

Muller, Alan. "Poetry in Motion." Matatu 55, no. 2 (2024): 358–75. https://doi.org/10.1163/18757421-bja00016.

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Abstract This article examines how Imraan Coovadia’s The Institute for Taxi Poetry uses the taxi industry as a dynamic cultural space to explore intersections of mobility and identity in an alternate post-apartheid South Africa. Drawing on Mary Louise Pratt’s concept of contact zones and Mimi Sheller’s framework of mobility justice, this article argues that Coovadia reimagines the taxi as a metaphorical and literal space where diverse social and cultural interactions manifest. Through a comparative analysis of two central characters—Solly Greenfields and Gerome Geromian—the article highlights

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7

Zettsu, Tomoyuki. "Poetry in Motion." Leviathan 16, no. 1 (2014): 164–67. http://dx.doi.org/10.1353/lvn.2014.0015.

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8

Hampshire, Viv. "Poetry in motion." Child Care 8, no. 2 (2011): v—vi. http://dx.doi.org/10.12968/chca.2011.8.2.v.

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9

Swain, Kelley. "Poetry of motion." New Scientist 210, no. 2809 (2011): 50. http://dx.doi.org/10.1016/s0262-4079(11)60936-6.

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10

Cramer, Louise. "Poetry in motion." Trends in Cell Biology 11, no. 7 (2001): 313–14. http://dx.doi.org/10.1016/s0962-8924(01)02007-4.

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11

LaCombe, Michael A. "Poetry in motion." American Journal of Medicine 95, no. 6 (1993): 656–57. http://dx.doi.org/10.1016/0002-9343(93)90362-s.

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12

Pipe, Andrew L., and Willem Meeuwisse. "Poetry in Motion." Clinical Journal of Sport Medicine 11, no. 1 (2001): 1. http://dx.doi.org/10.1097/00042752-200101000-00001.

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Stevens, Marcus H. "Poetry in Motion." Journal of Customer Behaviour 22, no. 1 (2023): 119–20. http://dx.doi.org/10.1362/147539223x16838127399287.

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14

Campo, Rafael. "Poetry in Motion." JAMA 331, no. 8 (2024): 711. http://dx.doi.org/10.1001/jama.2023.26035.

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15

Smalls, Kamari. "Embodied Knowledge: Poetry in Motion." Visual Arts Research 47, no. 1 (2021): 73–78. http://dx.doi.org/10.5406/visuartsrese.47.1.0073.

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Abstract This essay explores feelings conjured through the poetic works of June Jordan, Sonia Sanchez, Carolyn M. Rodgers, and Audre Lorde performed through dance. In an effort to stray away from dance as representation, movement in the form of dance manifests the inner feelings and memories that poetry prompts. I argue for vulnerability and the intentional giving of the self that makes this process possible and felt by the viewer. The process entails an embodied knowledge that centers the knowing of Black women, girls, and femmes: a knowing that is experiential and rooted in the body.

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16

Lantz, Caden. "German Poetry in Musical Motion." Musical Offerings 15, no. 2 (2024): 37–52. http://dx.doi.org/10.15385/jmo.2024.15.2.1.

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17

Pica, Rae. "Quiet times: Poetry in motion." Day Care & Early Education 14, no. 4 (1987): 32–35. http://dx.doi.org/10.1007/bf01619810.

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18

Chen, Chih Ho, and Sheng-Min Hsieh. "The Research of Aesthetics of Type as Image in Motion-Targeting Video Poetics at Type Motion: Type as Image in Motion Exhibition in Taiwan." Advances in Social Sciences Research Journal 7, no. 6 (2020): 190–207. http://dx.doi.org/10.14738/assrj.76.8387.

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Characters are signs and symbols that record our thoughts and feelings and allow the documentation of events and history. Later, the appearance of motion images marked a new milestone in the use and application of characters. Not only were the original function of characters improved and enhanced, text that integrate sound and images are also able to communicate much more diverse and abundant information. This technique is commonly found in cinema, television, advertisement, and animation. Thanks to technological advances, the combination of characters, texts, or types and images once again ch

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19

Sangani, K. "Poetry in motion [gesture-based controllers]." Engineering & Technology 9, no. 2 (2014): 80–85. http://dx.doi.org/10.1049/et.2014.0211.

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20

Woźniak-Łabieniec, Marzena. "Poezja „w ruchu”. O dwóch „Elegiach” Tadeusza Różewicza." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 53, no. 4 (2021): 31–45. http://dx.doi.org/10.36770/bp.643.

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The author of this article discusses the textual changes in the subsequent publications of Tadeusz Różewicz’s two Elegie [Elegies] in the context of the artistic phenomenon of poetry “in motion”, also indicating the consequences of these changes. She agrees with the poet that the poem is a frequent phenomenon, while poetry is an extremely rare construct. Poetry, in contrast to the poem, does not, according to Różewicz, have a beginning and an end. In our times, therefore, it is not the finished form of a given poem that counts for a potential recipient, but the very process that forms a given

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21

Jarvis, Robin. "Poetry in Motion: George Dyer's Pedestrian Tour." Wordsworth Circle 29, no. 3 (1998): 142–51. http://dx.doi.org/10.1086/twc24043813.

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22

Baker, Edward N. "Poetry in motion: catching molecules in action." IUCrJ 11, no. 2 (2024): 129–30. http://dx.doi.org/10.1107/s2052252524002082.

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23

Arianti, Rita, Zuriani Putri, Hermawan Hermawan, Asih Ria Ningsih, and Misra Nofrita. "Citraan dalam Antologi Puisi Langit Air Langit Basah karya Akhmad T Bacco." Jurnal Bahasa dan Sastra 10, no. 3 (2022): 328. http://dx.doi.org/10.24036/jbs.v10i3.120845.

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The background of this research is the presence of motion imagery and auditory imagery in the poetry anthology of Langit Air Langit Basah by Akhmad T Bacco which raises the value of beauty and poetic poetry. The purpose of this study was to describe motion and auditory imagery in the anthology of the poem Langit Air Langit Basah by Akhmad T Bacco. This type of research is a qualitative research using descriptive method. This research was found 25 auditory imagery data and 36 motion data. The most dominant imagery is found in the poetry anthology Langit Air Langit Basah Akhmad T Bacco's literat

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24

Vrana, Laura. "Colloquial Circulations: The Poetry Society of America’s Poetry in Motion Public Transportation Project." College Literature 49, no. 2 (2022): 202–27. http://dx.doi.org/10.1353/lit.2022.0011.

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25

Carroll, Maureen. "A Race With Grace: Sports Poetry in Motion." Reading Teacher 64, no. 3 (2010): 219–22. http://dx.doi.org/10.1598/rt.64.3.12.

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26

Bicker, Janet. "Poetry in motion — an ode to free verse." Five to Eleven 2, no. 5 (2002): 19–24. http://dx.doi.org/10.12968/ftoe.2002.2.5.19.

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27

Staudohar, Paul D. "Tinker to Evers to Chance: Poetry in Motion." NINE: A Journal of Baseball History and Culture 14, no. 1 (2005): 114–29. http://dx.doi.org/10.1353/nin.2005.0052.

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28

Cao, Rangju. "The Comparative Study on the English Translations of Du Fu's Poems from the Perspective of Steiner's Hermeneutic Motion." Journal of Education and Educational Research 8, no. 2 (2024): 371–75. http://dx.doi.org/10.54097/ryh1ae38.

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Du Fu's influence in Chinese classical poetry is very far-reaching, and he is honored as the "Sage of Poetry" by later generations, and his poems are also known as the "History of Poetry". As a typical representative of traditional Chinese culture, Du fu's poems are loved by the public, and different translations have made the world better understand the culture of ancient Chinese poems. Based on the hermeneutic motion of George Steiner, this paper selects two English translations of Du Fu's poems by Mr. Xu Yuanchong, a domestic translator, and Mr. Watson, a foreign sinologist as the objects.

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29

Al-Baghdadi, Ahmed, and Mustafa Jasim. "Ecological Consciousness in American Poetry:A Study in Selected Poems by R. Ammons." Kufa Journal of Arts 1, no. 44 (2021): 815–24. http://dx.doi.org/10.36317/kaj/2020/v1.i44.1561.

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The present paper discusses the theme of ecological consciousness in American poetry with reference to the poetry of A.R. Ammons. It aims at highlighting Ammons's ecological perspectives in selected poems including: Prospecting, Sphere- the form of a Motion, Garbage, and Interval. The paper examines ecological themes and concerns such as the relationship between man and nature, the identification with the natural world, the one-many problem and the circle of life in Ammons's poetry. It also illustrates the notion of eco-poetry and presents a brief introduction to its historical development in

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30

Fitzpatrick, Katie. "Poetry in motion: in search of the poetic in health and physical education." Sport, Education and Society 23, no. 2 (2016): 123–34. http://dx.doi.org/10.1080/13573322.2016.1155149.

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31

Han, Gül Bilge. ""Blue and White Munich": Images of Germany in Stevensian Regeneration." Wallace Stevens Journal 48, no. 1 (2024): 35–50. http://dx.doi.org/10.1353/wsj.2024.a922170.

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ABSTRACT: Wallace Stevens's exploration of German cultural elements and figures, including his own heritage, functions as a creative source for his poetry and prose. While his early poetry romanticizes German culture and identity, Stevens grows skeptical in the mid-1930s and 1940s when his references to Germany increasingly inform his questioning of poetry's collective relevance and function. In several poems including "Martial Cadenza," "Chaos in Motion and Not in Motion," and "Imago," images of Germany provide key points of departure to contemplate the regenerative potential of the poetic im

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32

Eid, Salah. "On the Universal Top." Journal of Research in Philosophy and History 3, no. 2 (2020): p96. http://dx.doi.org/10.22158/jrph.v3n2p96.

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The circular motion is formed from two halves equal in magnitude, opposite in direction, every thing in our universe being alive or not alive moves according to circular motion, but when our human words are formed as to move the same circular motion with its two equal and opposite halves in original poetry(Eid, 2015), here we are before a very important event.

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33

Lares, Leandro Marinho ,., and Andréa Portolomeos. "Language in displacement: The word-image in the poetry of Marília Garcia." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 172–79. http://dx.doi.org/10.22161/ijels.92.25.

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This article studies the interactions between poetic language and cinematographic language in the poetry of Marília Garcia. Taking into account the research of Rosa Maria Martelo (2007, 2012), this work explores dialogs between poetry and cinema to analyze the poem “estereofonia” (stereophonia) in the book Camera Lenta (Slow Motion). In addition, the article positions the poem closer to the cinema of poetry, a cinematographic genre described by Pier Paolo Pasolini (1982). Ultimatley, it concludes that cinematographic syntax organizes the word-images of Marília Garcia’s poetics.

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34

Badri, Impon, Misra Nofrita, and Hermawan Hermawan. "Analisis Citraan dalam Antologi Puisi Titip Pesan pada Tuhan Karya Lenggok Media Production Rokan Hulu." LITERATUR: Jurnal Bahasa, Sastra dan Pengajaran 2, no. 1 (2021): 1–8. http://dx.doi.org/10.31539/literatur.v2i1.2865.

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The purpose of this study was to describe the imagery contained in the anthology of the poem Titip Message to God by Lenggok Media Production Rokan Hulu. This research method is a qualitative descriptive method. The results of this study were to find 179 images in the anthology of the poem Titip Message Pada God with Lenggok Media Production Rokan Hulu, namely 80 visual images, 45 auditory images, 15 olfactory images, 6 tasting images, 17 tactile images, and 16 motion images. In conclusion, in this poetry anthology visual imagery is more dominant because poetry is more poetry than dark poetry,

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35

FAIRCHILD, B. H. "MOTION AND STASIS IN THE POETRY OF ANTHONY HECHT." Yale Review 95, no. 3 (2007): 50–58. http://dx.doi.org/10.1111/j.1467-9736.2007.00308.x.

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36

Smith, Michael J., and Rodney Rothstein. "Poetry in motion: Increased chromosomal mobility after DNA damage." DNA Repair 56 (August 2017): 102–8. http://dx.doi.org/10.1016/j.dnarep.2017.06.012.

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37

Kusmadi Sitohang and Dzikrina Rahmah. "Analisis Citraan Kumpulan Puisi Surat Kopi Karya Joko Pinurbo." Jurnal Sadewa : Publikasi Ilmu Pendidikan, pembelajaran dan Ilmu Sosial 1, no. 3 (2023): 120–35. http://dx.doi.org/10.61132/sadewa.v1i3.40.

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This study aims to analyze the imagery of Joko Pinurbo's collection of Surat Kopi poetry. This type of research is a qualitative research using descriptive analysis method. The data sources in this study were 10 poetry titles contained in Joko Pinurbo's collection of Surat Kopi poems. Data collection techniques were carried out through documentation studies. Data analysis techniques were carried out through descriptive analysis. The results of this study, namely the imagery contained in the 10 poetry titles in the poetry ontology of Joko Pinurbo's Surat Kopi are 3 imagery, namely visual, audit

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38

Purwono, Prahoro Yudo. "Citraan pada Kumpulan Puisi Bertema Musim Gugur Karya Goethe." JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 6, no. 2 (2021): 107. http://dx.doi.org/10.36722/sh.v6i2.624.

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<p><strong>Imagery plays an important role in literary works, and poetry is no exception. In Goethe's poetry, the romantic era which tries to describe the beauty of nature as the main object is very strong. One of the natural beauties that are trying to be described and famous is autumn in Germany. This natural phenomenon is trying to be described through imagery, so readers need to understand the imagery in poetry to get a clear picture and understand the intent or message in the poem. This study aims to describe the meaning related to imagery and the types of imagery contained in

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39

Beaumont, Natasha Elizabeth. "Poetry and Motion: Rhythm, Rhyme and Embodiment as Oral Literacy Pedagogy for Young Additional Language Learners." Education Sciences 12, no. 12 (2022): 905. http://dx.doi.org/10.3390/educsci12120905.

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Literacy pedagogy that integrates oracy, poetry and embodiment can foster children’s language development in multiple ways: (1) oracy is foundational to children’s emergent literacy as writing extends from oral language, (2) poetry uses rhythm and rhyme to support letter-recognition and the learning of phonemes and morphemes, (3) embodiment and roleplay provide semiotic support and opportunities for expressive and receptive communication. This article shares findings from a phenomenological case study investigating how literacy pedagogy that integrated oracy, poetry and embodiment impacted thr

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40

Imanuel, Dodi Bramfi, Erlina Zahar, and Firman Tara. "CITRAAN DALAM ANTOLOGI PUISI SURAT KOPI KARYA JOKO PINURBO." Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 4, no. 2 (2021): 184. http://dx.doi.org/10.33087/aksara.v4i2.199.

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The purpose of this research is to describe the imagery contained in the poetry anthology of Joko Pinurbo's Surat Kopi. This research is qualitative descriptive. The main data in this research is written data in the form of expressions containing imagery elements found in the poetry anthology of Surat Kopi by Joko Pinurbo. The data is collected by using library study techniques focused in analyzing the imagery found in the poetry anthology Surat Kopi by Joko Pinurbo. Meanwhile in analyzing the data, analysis and description techniques were used. From the results of the research, it can be conc

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41

Frederick Luciani. "Poetry in Motion: A Mexican Vicereine's Verse Travel Diary (1757)." Calíope 16, no. 1 (2010): 179. http://dx.doi.org/10.5325/caliope.16.1.0179.

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42

Beacham, Richard C. "Appia, Jaques-Dalcroze, and Hellerau, Part Two: ‘Poetry in Motion’." New Theatre Quarterly 1, no. 3 (1985): 245–61. http://dx.doi.org/10.1017/s0266464x00001639.

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In the first part of this feature, published in NTQ 2, Richard C. Beacham described how the pioneer of modern stage lighting, Adolphe Appia, and the creator of eurhythmics, Emile Jaques-Dalcroze, came to collaborate in 1906 – in the development of the Hellerau ‘garden-city’ project. Here, they planned to provide an opportunity for active artistic participation in a specially designed performance space. The author takes up the story with the beginning of classes at Hellerau in 1911, and preparations for the two festivals which followed – including the revelatory production of Gluck's Orpheus. T

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43

Inckle, Kay. "Poetry in motion: Qualitative analysis, I-poems and disabled cyclists." Methodological Innovations 13, no. 2 (2020): 205979912092498. http://dx.doi.org/10.1177/2059799120924980.

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In this article, I present three I-poems from a larger research project in which I explore the health, identity and social impacts of cycling for people with physical disabilities. I used I-poems as a means of kick-starting an in-depth, multi-perspective engagement with my interview transcripts after struggling to formulate insightful and productive thematic analysis. For me, this research project is something of a departure from my normal research processes and practices as it is taking place in partnership with a voluntary organisation. This organisation facilitated the recruitment of the re

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44

Watson, Thomas Ramey. "God's Geometry: Motion in the English Poetry of George Herbert." George Herbert Journal 9, no. 1 (1985): 17–25. http://dx.doi.org/10.1353/ghj.1985.0010.

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45

Funkhouser, Chris. "A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese." Sirena: poesia, arte y critica 2005, no. 2 (2005): 152–64. http://dx.doi.org/10.1353/sir.2005.0061.

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46

Cronin, Camille, and Caroline Hawthorne. "‘Poetry in motion’ a place in the classroom: Using poetry to develop writing confidence and reflective skills." Nurse Education Today 76 (May 2019): 73–77. http://dx.doi.org/10.1016/j.nedt.2019.01.026.

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47

Loos, Cornelia, and Donna Jo Napoli. "Depicting Translocating Motion in Sign Languages." Sign Language Studies 24, no. 1 (2023): 5–45. http://dx.doi.org/10.1353/sls.2023.a912329.

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Abstract: Visual manifestations of an object that moves from one place to another are common in sign languages. Here, we offer an overview of techniques for conveying motion of an entity based on an examination of storytelling and poetry in seven sign languages. The signer can use embodiment and/or classifiers to show translocating movement of an object, or they can adjust the dynamic properties of signs themselves, including the size of the signing space, rate of movement, trilled motion of manuals and nonmanuals, repetition, and adding a zigzag component to the movement path. Additionally, w

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48

Cheema, Amna Umer. "Seventeenth-century Poetry and the Baroque Space: George Herbert, John Donne and Elizabeth Bishop." Bishop-Lowell Studies 3 (August 2023): 102–36. http://dx.doi.org/10.5325/bishoplowellstud.3.0102.

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Abstract This article examines Elizabeth Bishop’s relationship with the metaphysical poetry of George Herbert and John Donne demonstrating a baroque consciousness in Herbert’s and Donne’s poetry. This consciousness is found in Counter-Reformation artworks and popular reform texts, such as St. Ignatius Loyola’s The Spiritual Exercises, in conjunction with the seventeenth-century’s cosmological findings of the plurality of the universe. In responding to these poets’ works, this article introduces some of Bishop’s poems that exemplify the baroque style of poetry as a spatial form, exhibiting a pl

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49

Barda, Jeff. "Perpetual motion studies in French poetry from surrealism to the postmodern." Modern & Contemporary France 27, no. 1 (2018): 133–35. http://dx.doi.org/10.1080/09639489.2018.1535487.

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50

HULSE, MICHAEL. "'I could have outlived myself there': the poetry of Andrew Motion." Critical Quarterly 28, no. 3 (1986): 71–81. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00030.x.

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