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Journal articles on the topic 'Poetry in prisons'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Bonzom, Alice. "‘Prison Echoes’: Composing Poetry to Compose Oneself in British Prisons (1830s–1910s)." Global Nineteenth-Century Studies 3, no. 1 (2024): 17–32. http://dx.doi.org/10.3828/gncs.2024.2.

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This paper intends to show how prison poems help paint a picture of the strategies of survival and dissent within British prisons. In a world where pencils and papers were at a premium, writing was at once subversive and vital, disruptive and essential. The study of Victorian and Edwardian prison poetry writing highlights strategies developed by prisoners to compose themselves. It contributes to a bottom-up history of prison life, as prisoners who wrote poetry sought to create – to borrow from Virginia Woolf – ‘a cell of their own’. While Victorian places of confinement may not immediately app

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2

عموري, نعيم. "A study of the poetry of the resisting prisoners under the Israeli occupation." Kufa Journal of Arts 1, no. 31 (2017): 71–94. http://dx.doi.org/10.36317/kaj/2017/v1.i31.6166.

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Most of the Palestinian youth entered the prisons of the occupation, and this research deals with the literature of the resistance of the poets who were in captivity, and they sang with the hope of release, and his hope was obtained from them. To address the poetry of resistance in prisons and detention centers, and to study this literature from the modern critical point of view, where we note the frequent use of symbols, especially women, among poets of resistance, and thus we note the large number of terms that have been related to the literature of resistance, such as words such as detainee

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3

Burlacu, Alexandru. "Andrei Ciurunga: Poetry of the Carceral Universe." Philologia, no. 3(315) (November 2021): 7–16. http://dx.doi.org/10.52505/1857-4300.2021.3(315).01.

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This article examines the poetry of Andrei Ciurunga (1920-2002), the pseudonym of Robert Esenbraun, born in a family of German settlers in southern Bessarabia. Under the communist regime he was sentenced on two occasions (the first time to four years, 19501954, the second time to 18 years to prison – from 1958), he was detained for a little more than ten years, undergoing amnesty in 1964. Memorable is the poem published after the fall of communism. It is a poem „coming from the heart”. The author has identified his destiny with the poetry of detention in all prisons and jails of Romania (Gherl

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4

Colesnic, Iurie. "POETUL ȘI TRAIECTORIA NEBĂNUITĂ A DESTINULUI (SERGIU GROSSU - 100 de ani)." Magazin Bibliologic 3-4, 2021 (December 10, 2021): 145. https://doi.org/10.5281/zenodo.5771865.

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The writer Sergiu Grossu began his career in the Bessarabian literary press, made his editorial debut in Bucharest and created most of his literary works living in Paris, France. He started with satirical and humorous poem and epigrams, but on the basis his work was theological, so he preferred religious poetry. In prisons of communist Romania he composed lyrics, memorized, got by heart and transposed on paper only after release from prison. In November 2020 we marked the 100th anniversary of the birth of this great Bessarabian writer, who left us a literary legacy written in two languages - R

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5

Nechita, Ana. "The poetry, a christian resistance support in Romanian prisons." Altarul Reîntregirii, no. 3 (2017): 131–78. http://dx.doi.org/10.29302/ar.2017.3.6.

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6

Denberg, Ken. "Poetry in the prisons: Coming back up with light." Journal of Poetry Therapy 4, no. 1 (1990): 21–26. http://dx.doi.org/10.1007/bf01080128.

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7

TUDORACHE, Dan. "Poezia ca parte a rezistenţei prin cultură în spaţiul concentraţionar din România. II. Rezistenţa prin cultură din spaţiul concentraţionar românesc în timpul regimului comunist/Poetry as Part of Resistance through Culture in Romanian Political Prisons. II." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 19 (June 8, 2021): 127–72. http://dx.doi.org/10.35219/history.2020.08.

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This study is the second part of a larger research project, which aims to study poetry as a form of cultural and spiritual resistance in the system of political prisons of communist Romania. The author focuses his research now on the detainees who were arrested after 1945.

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8

Owens, T. "QUENTIN BAILEY, Wordsworth's Vagrants: Police, Prisons, and Poetry in the 1790s." Notes and Queries 60, no. 1 (2013): 147–48. http://dx.doi.org/10.1093/notesj/gjs286.

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9

Benis, Toby R. "Wordsworth's Ethics; Wordsworth's Vagrants: Police, Prisons, and Poetry in the 1790s." European Romantic Review 25, no. 1 (2014): 62–68. http://dx.doi.org/10.1080/10509585.2013.866739.

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10

Grande, J. "QUENTIN BAILEY. Wordsworth's Vagrants: Police, Prisons, and Poetry in the 1790s." Review of English Studies 64, no. 265 (2012): 536–38. http://dx.doi.org/10.1093/res/hgs042.

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11

Bowers, Neal. "Review: The Light From Another Country: Poetry from American Prisons edited by Joseph Bruchac." Explorations in Ethnic Studies ESS-6, no. 1 (1986): 9–10. http://dx.doi.org/10.1525/ess.1986.6.1.9.

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12

Kassir, Amal, and Nina Zietlow. "Poetry, Identity, and Family: An Interview with Amal Kassir Conducted by Nina Zietlow." Review of Middle East Studies 53, no. 2 (2019): 321–27. http://dx.doi.org/10.1017/rms.2019.60.

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Amal Kassir is a 23-year-old Syrian-American spoken word poet and artist. Kassir has performed in 10 countries and over 45 cities and has conducted workshops, given lectures, and recited her poetry in venues ranging from youth prisons to orphanages, refugee camps to universities, and churches to community spaces. She hopes to take part in the global effort to support literacy in war-struck areas and refugee camps and runs a project called More than Metaphors that focuses on helping to educate displaced Syrian children. Recipient of multiple awards, including the Grand Slam at the Brave New Voi

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13

Del Gaudio, S., and A. Makarenko. "SOME CONSIDERATIONS ON THE ITALIAN TRANSLATION OF ŠEVČENKO'S POETRY BY GIOVANNA BROGI AND OKSANA PAXL'OVS'KA." Shevchenko Studies, no. 1(25) (2022): 76–102. http://dx.doi.org/10.17721/2410-4094.2022.1(25).76-102.

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The article is devoted to an analytic evaluation of the Italian translation of Taras Ševčenko's poetry ("Kobzar") carried out by G. Brogi and O. Paxl'ovs'ka. Despite the fact that Ševčenko's poetic works had been translated into many world languages, the Italian reader, until 2015 had a rather limited access to the poet's verses. In this context, the publication of a translated collection of the most substantial work of Ševčenko's poetry ("Taras Ševčenko. Dalle carceri zariste al Pantheon ucraino", Eng. translation: "Taras Ševčenko. From the Tsarist prisons to the Ukrainian Pantheon"), precede

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14

Anzures, Denise. "Escribir desde el encierro: un acto poético y de resistencia." Investigación Teatral. Revista de artes escénicas y performatividad 16, no. 27 (2025): 29–47. https://doi.org/10.25009/it.v16i27.2795.

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A través de los años, mujeres y hombres en espacios de privación de la libertad han encontrado en la dramaturgia penitenciaria un camino que los ha devuelto hacia ellos mismos. Los talleres de escritura teatral les han abierto una puerta que parecía clausurada, porque a través de la dramaturgia, las personas reclusas pueden redescubrir su capacidad de imaginar, de ser presencias. El artículo concluye con la reseña de tres textos dramáticos recientes que forman parte de las obras ganadoras del Concurso Nacional de Teatro Penitenciario en México. Writing from confinement: an Act of Poetry and Re

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15

Dobrinoiu, Maria. "Poetica Marilor Mărturisitori, reper creştin pentru angoasa sufletului." Comunicare interculturală și literatură 27, no. 2 (2022): 243–52. https://doi.org/10.35219/cil.2020.2.31.

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An inexhaustible source of spiritual value, the poetry written by the confessors in the communist prisons is outlined in a reading paradigm whose hermeneutics can be decoded from a completely new perspective, that of a universal panacea of the soul, healed by rediscovering Christian spirituality, in the context of the modern reader appealing to this kind of reading, while confronted with the anguish of an existence lived within another type of concentration camp universe, that of one's own home and one‟s own self, imposed by the new social circumstances. Thus, reading acquires therapeutic valu

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16

Czemiel, Grzegorz. "“When China Meets China”: Sinéad Morrissey’s Figurations of the Orient, or the Function of Alterity in Julia Kristeva and Paul Ricoeur." Text Matters, no. 4 (November 25, 2014): 116–31. http://dx.doi.org/10.2478/texmat-2014-0008.

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This article attempts to investigate the potential resonances between Paul Ricoeur’s and Julia Kristeva’s theories of otherness as applied to the study of poetry by the Northern-Irish poet Sinéad Morrissey. In all of her five poetry books she explores various forms of otherness and attempts to sketch them in verse. She confronts alterity in many ways, approaching such subjects as the relationship with the body and children, encounters with foreigners, and coming to terms with what is foreign within us. This article engages primarily with her experiences of China, which she recorded in the long

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17

Hanley, Natalia, and Elena Marchetti. "Dreaming Inside: An evaluation of a creative writing program for Aboriginal and Torres Strait Islander men in prison." Australian & New Zealand Journal of Criminology 53, no. 2 (2020): 285–302. http://dx.doi.org/10.1177/0004865820905894.

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Arts-based prison programs are often viewed as hobbies or as activities that have little impact on prisoner rehabilitation according to conventional understandings of the term. This is despite growing evidence that arts-based programs can assist with learning retention and can improve self-confidence and ways of coping with emotions. Generally, arts practices have been found to assist Aboriginal and Torres Strait Islander people who have grown up or live in urban areas with asserting and strengthening their cultural identity, but we know little about the effects of arts-based prison programs o

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18

Ali, Syed Siyar, та Munir Ahmad. "صورة النَّبي المَسجُون (يوسف عليه السَّلام) في شعر السُّجون الأندلسي". Journal of Islamic and Religious Studies 5, № 2 (2020): 85–100. http://dx.doi.org/10.36476/jirs.5:2.12.2020.12.

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Yousaf (AS) the Prophet of Allah was the son of Yaqub (AS). His brothers conspired and dropped him in a deep well jealously. A caravan pulled him out of that and sold him on the hand of Aziz (Governor of Egypt). As Yousaf (AS) grew to full manhood, he became adorably handsome that the wife of his master fell in love with him. She attempted to approach him with sinful intentions. Upon his avoidance had been thrown into prison on false charges of assault and remained imprisoned for several years. The Muslims ruled Andalus for about 8 centuries (711--1492 AD). There were several poets incarcerate

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19

Kuffner, Emily. "Sweet Chains and Happy Prisons: Collective Rituals of Pregnancy and Childbirth in Seventeenth-Century Spanish Occasional Poetry and Domestic Remedy Manuals." Early Modern Women 15, no. 1 (2020): 26–50. http://dx.doi.org/10.1353/emw.2020.0003.

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20

Hanish, Amal, and Abdeljawad Abdeljawad. "The Ego and the Other Dialectic in the Mariam Miriam Novel of Kamil Abu Hanish." Humanities and Social Sciences 13, no. 1 (2025): 49–57. https://doi.org/10.11648/j.hss.20251301.16.

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The relationship of the self with the other is always problematic, for the other as a cultural, religious or physical difference constitutes a horizon for the self, and part of our view of it, whether the other is presented as a peaceful partner, an invading entity, an arrogant occupier, or a compromising negotiator; he is always present in the public domain of self-awareness. Therefore, the other is the subject of both a temptation and source of precaution and caution. This study of the image of the other in the novel &lt;i&gt;Mariam Miriam&lt;/i&gt; by the Palestinian writer

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21

Wiley, Michael. "Wordsworth's Vagrants: Police, Prisons, and Poetry in the 1790s. Quentin Bailey.Crime, Courtrooms and the Public Sphere in Britain, 1700-1850. David Lemmings." Wordsworth Circle 45, no. 4 (2014): 332–33. http://dx.doi.org/10.1086/twc24311860.

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22

DeMay, Timothy. "Constraint against Constraint: Hunger Strikes and the Score." Comparative Literature 76, no. 1 (2024): 44–64. http://dx.doi.org/10.1215/00104124-10897107.

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Abstract In 1961, the poet Jacques Roubaud was dismissed by the French military in Algeria after undergoing a series of “clandestine hunger strikes,” an act he later referred to as his “very first constraint.” By using a term that at once refers to a particular and increasingly prevalent resistance act, the rules and procedures used by post–World War II avant-garde artists and writers, and oppressive structures like prisons that delimit lives, “constraint” provides a way to rethink the history of avant-garde procedural poetry through the act of the hunger strike. This essay analyzes the constr

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23

Smith, Ian C. "“Mugs”, “Rehabilitation”, and “Stitched Up”." Coolabah, no. 29 (February 28, 2021): 43–46. http://dx.doi.org/10.1344/co20212943-46.

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Smith’s poetry asks questions of crime and punishment from the victims’ and perpetrators’ perspectives. In “Mugs” an easy victim reflects on the burglar of his house. In “Rehabilitation” a former prisoner returns to his prison, converted into gentrified townhouses. In “Stitched” Up the boredom, inanity, banality, and a soft pain of prison life is exposed.

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24

Mary, Fairclough. "Quentin Bailey, Wordsworth's Vagrants: Police, Prisons and Poetry in the 1790s (Farnham, Surrey and Burlington, Virginia: Ashgate, 2011), pp. xii + 217. £55.00 hardback. 9781409427056." Romanticism 19, no. 3 (2013): 328–30. http://dx.doi.org/10.3366/rom.2013.0148.

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25

Viljoen, Louise. "Die leser in Breyten Breytenbach se tronkpoësie." Tydskrif vir Letterkunde 46, no. 2 (2017): 57–80. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i2.3419.

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Breyten Breytenbach is the most important prison writer in the Afrikaans literary tradition. This article briefly places his prison writing against the background of national and international prison writing before going on to investigate the way in which the reader is represented in his Afrikaans prison poetry. Research about prison writing points out the importance of communication with the outside world for the prisoner. To the prisoner who is also a creative writer, writing is one of the most important means of establishing contact with the outside world. Amongst the large number of poems

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26

Mwanza, Cornelius. "A Stylistic and Thematic Analysis of Zambian Prison Poetry: The Case of Mwembeshi Maximum Security Prison." Journal of Law and Social Sciences 5, no. 2 (2023): 43–54. http://dx.doi.org/10.53974/unza.jlss.5.2.1013.

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How the same theme is expressed in different poems, among different poets, is an interesting area of inquiry because style can determine the treatment of theme. Thus, this article dealt with a stylistic and thematic analysis of selected poems written by inmates of Mwembeshi Maximum Security Prison, and the relationship between the poetry and the prisoners’ prison experience. The study proceeded from the premise that inmate poetry offers authentic experience about life in prison. To achieve its aim the study utilised thematic and stylistic analysis of the poems. Among the key findings of the st

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27

LeGette, Casie. "The Lyric Speaker Goes to Gaol: British Poetry and Radical Prisoners, 1820–1845." Nineteenth-Century Literature 67, no. 1 (2012): 1–28. http://dx.doi.org/10.1525/ncl.2012.67.1.1.

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This essay considers a collection of poems written by nineteenth-century political prisoners and published in the radical press. I situate these poems in the context of debates that raged at the time over whether or not political prisoners should have access to reading and writing materials. Thanks both to the sheer number of these prisoners and to their determination to remain politically active, the prison became a primary site of nineteenth-century radical print culture. Although radical prisoners wrote in a variety of genres, the short lyric poem offered a particularly apt form for express

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28

Barberena, Ricardo. "O FETICHE DOS QUEPES SEBASTIANISTAS." Revista Prâksis 2 (July 23, 2018): 101. http://dx.doi.org/10.25112/rpr.v2i0.1655.

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No limiar entre a filosofia e a poesia, existe uma territorialidade híbrida na qual se operam intercâmbios analógicos e ficções epistemológicas. E é justamente nessa área de contágio que se encontra a escritura de Teixeira Coelho, em História natural da ditadura. Através de uma narrativa filosófica. Ou seria uma filosofia narrativizada? Afinal, como bem ressalta Sartre, em toda filosofia há uma “prosa literária escondida”. No íntimo da filosofia, aloja-se a eterna tentação do poético, quer nos congratulemos com o fato, quer o deploremos. Esse inquietante texto contemporâneo de Teixeira Coelho

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29

Zim, Rivkah. "La nuit trouve enfin la clarté: Captivity and Life Writing in the Poetry of Charles d’Orléans and Théophile de Viau." European Journal of Life Writing 2 (October 1, 2013): 79–109. http://dx.doi.org/10.5463/ejlw.2.70.

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This article seeks to broaden literary and historical approaches to poetry written by Charles d’Orléans (circa 1433–1440) and Théophile de Viau (1623–1626) by focussing on their respective achievements as prison poets in dialogue with the outside world; it examines the precise impact of each writer’s verse epistles in terms of rhetorical strategies associated with the figure of the prisoner for targeted and pragmatic purposes; it defines and analyzes each writer’s affective means of rhetorical persuasion in evoking the consolations of memory and friendship to mitigate suffering and, most impor

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30

Michelson, Seth. "Count-Time: Neoliberalism, Subjectivity, and Jimmy Santiago Baca's Prisoner Poetry." Pacific Coast Philology 48, no. 1 (2013): 25–47. http://dx.doi.org/10.2307/41932638.

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ABSTRACT In the mapping of global struggles for subjective reemergence from state domination and oppression in the neoliberal age, one fascinating form of resistance comes from Pinta/o, or Chicana/o prisoner, poets in the United States. Written from deep within systems of carcéral control, their poetry exposes and contests the ontological, social, political, and material violence of the U.S. prison regime. It is argued that a layered network of violences is constitutive of the state, not tangential to it. Furthermore that violent process of state formation is posited as a function of neolibera

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31

Hussain, Amir. "From the Felon’s Cell: The Subaltern Ballads of Lady Jane and Oscar Wilde." Global Nineteenth-Century Studies 3, no. 1 (2024): 95–112. http://dx.doi.org/10.3828/gncs.2024.7.

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This essay examines Lady Jane Wilde’s ballads of Irish resistance together with Oscar Wilde’s imprisonment and his ballad from prison, The Ballad of Reading Gaol . Thinking of Lady Jane Wilde, a consistently understudied figure in nineteenth-century literary studies, in close relation to Oscar Wilde illuminates the resistance of both authors to imperialism and its penal institutions. The Wildes’ use of the language and form of poetry from the felon’s cell to confront imprisonment within transnational borders of imperialism provides a significant example of resistance poetry within a historical

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32

Suharsono, Suharsono, Ivan Adilla та Syofyan Hadi. "Kerinduan pada Tanah Air dalam Antologi Puisi ‘Āsyiq Min Falisṭīn Karya Mahmoud Darwish (Analisis Semiotika Riffaterre)". Jurnal Ilmiah Universitas Batanghari Jambi 23, № 1 (2023): 1. http://dx.doi.org/10.33087/jiubj.v23i1.3226.

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Anthology of poetry Mahmoud Darwish's work Āsyiq min Falisṭīn is a poem about longing, which shows the poet's love for his homeland. On the other hand, the poetry in the anthology also describes the condition of the poet who is in prison, isolated and without a family. To discuss the poetry anthology above, this thesis utilizes the semiotic theory developed by Michael Riffaterre. There are three problems studied in this thesis, they are: 1) What is the form of indirect expression in the poetry anthology of Āsyiq min Falisṭīn by Mahmoud Darwish, 2) What is the meaning contained in the anthology

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33

Weiss, Melissa. "Prison Poetry: Sighet, Romania." World Literature Today 87, no. 2 (2013): 160. http://dx.doi.org/10.1353/wlt.2013.0269.

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Melissa Weiss. "Prison Poetry: Sighet, Romania." World Literature Today 87, no. 2 (2013): 160. http://dx.doi.org/10.7588/worllitetoda.87.2.0160.

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35

Zhang, Ying. "Religion and Prison Art in Ming China (1368–1644)." Brill Research Perspectives in Religion and the Arts 3, no. 3 (2020): 1–102. http://dx.doi.org/10.1163/24688878-12340009.

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Abstract Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368–1644), Ying Zhang introduces a few important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry

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36

Nibedita, Paul. "Nationalism and Politics through Bina Das's Memoir." postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 6, no. 1 (2021): 52–62. https://doi.org/10.5281/zenodo.4506946.

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The paper, ‘Nationalism and Politics through Bina Das’s Memoir’ is an analysis of the author’s politicalprison memoir which probes into the much argued domain of nationalism with the prime focus being on colonial Bengal. One of the youngest patriots to have dared to shoot the then Governor of Bengal, Stanley Jackson at the Convocation Ceremony of University of Calcutta, Bina Das continues to be an unacknowledged nationalist. A common facet of Bengali women’s political participation in the nationalistic strife against the British hegemony was their ungrudging compl

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37

Mandri, Hajri. "Grotesque As Archetype of Poetic State In The Poetry of Frederik Rreshpa." International Journal of Scientific Research and Management 9, no. 09 (2021): 728–31. http://dx.doi.org/10.18535/ijsrm/v9i9.sh01.

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Frederik Rreshpja, a famous Albanian poet, was born in Shkoder in 1940 and died in 2006. His first literary work, the poetry collection, "Albanian Rhapsody" was published in 1967. He was imprisoned and served 17 years in prison during the communist regime.After he was released from prison, lived in Tirana and published the volumes "The time has come to die again" - 1994, "Selected lyrics" - 1996, a collection that was announced the best national book of the year, as well the volume of poetry "In solitude " was to be published in 2004.The focus of the article is on the features of the poetic st

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38

Van Vuuren, Helize. "“Labyrinth of loneliness”: Breyten Breytenbach’s prison poetry (1976–1985)." Tydskrif vir Letterkunde 46, no. 2 (2017): 43–56. http://dx.doi.org/10.17159/2309-9070/tvl.v.46i2.3414.

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Breytenbach’s prison poetry is first contextualized as part of a South African subgenre that flourished under apartheid, and then interrogated for its specificities: the singular prison conditions under which he wrote, the nature of the poetry, specific leitmotifs in each of the five volumes published between 1976 and 1985. A psychoanalytic approach is indicated to this strong middle phase in his extensive poetical oeuvre, comprising seventeen collections of poetry.

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39

Glukhova, Nadezhda I. "Perception of the Space of Bondage in the Poetic Works by A.I. Solzhenitsyn." Proceedings of Southern Federal University. Philology 2021, no. 1 (2021): 135–42. http://dx.doi.org/10.18522/1995-0640-2021-1-125-142.

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The article examines the psychological situations in which A.I. Solzhenitsyn puts the lyric character of the poem “Dorozhenka” and poems in order to reflect the degree of his freedom and lack of freedom in the surrounding space. The perception of places of captivity is conveyed by the author not only through images of a prison cell, a prisoner transport vehicle, a prisoner train car, a barrack, a labor camp zone, but also through a generalization – the territory of the country surrounded by barbed wire. The space of enslavement appears in the form of concentric circles: the character himself i

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Glukhova, Nadezhda I. "Perception of the Space of Bondage in the Poetic Works by A.I. Solzhenitsyn." Proceedings of Southern Federal University. Philology 2021, no. 1 (2021): 135–42. http://dx.doi.org/10.18522/1995-0640-2021-1-135-142.

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The article examines the psychological situations in which A.I. Solzhenitsyn puts the lyric character of the poem “Dorozhenka” and poems in order to reflect the degree of his freedom and lack of freedom in the surrounding space. The perception of places of captivity is conveyed by the author not only through images of a prison cell, a prisoner transport vehicle, a prisoner train car, a barrack, a labor camp zone, but also through a generalization – the territory of the country surrounded by barbed wire. The space of enslavement appears in the form of concentric circles: the character himself i

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41

De Gruchy, John W. "Book Review: Bonhoeffer’s Prison Poetry." Expository Times 121, no. 10 (2010): 528–29. http://dx.doi.org/10.1177/00145246101210100814.

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42

Abou-bakr, Randa. "The Political Prisoner As Antihero: The Prison Poetry Of Wole Soyinka And ʾAhmad Fuʾad Nigm". Comparative Literature Studies 46, № 2 (2009): 261–86. http://dx.doi.org/10.2307/25659716.

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Abou-bakr, Randa. "The Political Prisoner As Antihero: The Prison Poetry Of Wole Soyinka And ʾAhmad Fuʾad Nigm". Comparative Literature Studies 46, № 2 (2009): 261–86. http://dx.doi.org/10.2307/complitstudies.46.2.0261.

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Randa Abou-bakr. "The Political Prisoner as Antihero: The Prison Poetry of Wole Soyinka and 'Ahmad Fu'ad Nigm." Comparative Literature Studies 46, no. 2 (2009): 261–86. http://dx.doi.org/10.1353/cls.0.0080.

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Magdalen, Daniel. "Poetry as a “Sanctuary” Amidst Barbed Wire: The Dialogue of Symbols." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 2 (2020): 24–33. http://dx.doi.org/10.31178/ubr.9.2.3.

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Abstract:

With the 1990s, after the communist regime collapsed in Romania, the reading public could see the rapidly increasing publication of poetry composed by former prisoners of conscience. Still, to this day, such works have remained a somewhat peripheral concern of literary critics and the society alike. These writings, nevertheless, have a lot to offer in terms of meanings, beyond the aesthetic plane, in gaining further insight into the human condition and creativity amid traumatic circumstances. One may find studies about Romanian prison poetry, on the one hand, describing the abusive political p

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Burns, Richard Allen. "Prison Folk Poetry: The Barone Trilogy." Ethnologies 15, no. 1 (1993): 41. http://dx.doi.org/10.7202/1082538ar.

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Mcmillin, Arnold. "Punishment Without Crime: Belarusian Prison Poetry." Journal of Belarusian Studies 7, no. 1 (2013): 69–82. http://dx.doi.org/10.30965/20526512-00701004.

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Mcmillin, Arnold. "Punishment Without Crime: Belarusian Prison Poetry." Journal of Belarusian Studies 7, no. 1 (2013): 69–82. http://dx.doi.org/10.1163/20526512-00701004.

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Zebrowski, Ernest. "Physics poetry in a women’s prison." Physics Teacher 29, no. 8 (1991): 536–37. http://dx.doi.org/10.1119/1.2343413.

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Rodriques, Elias. "The Poetry of a Prison Uprising." Dissent 70, no. 1 (2023): 100–105. http://dx.doi.org/10.1353/dss.2023.0033.

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