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Journal articles on the topic 'Poetry, Modern – 21st century'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Kon'kova, S. A. "PHILOLOGICAL REFLECTION ON THE BOOK “POETRY IN THE DIGITAL EPOQUE. ENTELECHY OF CULTURE (ESSAYS ON LOVE)”: ONTOLOGICAL STATUS OF THE POET OF XX CENTURY." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26 (2024): 64–70. https://doi.org/10.37313/2413-9645-2024-26-99-64-70.

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The object of the article is the phenomenon of modern poetry. The subject of the research is the relationship between the poet of the 21st century and his ontological status in the digital epoque. The material for the work is the monograph edited by professor of cultural studies M. A. Dudareva “Poetry in the Digital Age. Entelechy of Culture (Essays on Love)”. At the center of the hermeneutic and comparative analysis stands intent academic reading of cult poets referred to the almanac “Poetry Day - 21st Century”. The ontological self of the poet of the 21st century is revealed, emerging throug

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Khaybullina, Angelina Airatovna, Elvira Firdavilevna Nagumanova, and Kadisha Rustembekovna Nurgali. "Genre Strategy of Modern Russian-Language Poetry in Kazakhstan." International Journal of Criminology and Sociology 9 (April 5, 2022): 2609–15. http://dx.doi.org/10.6000/1929-4409.2020.09.321.

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At the end of the 20th century, the poetry of Kazakhstan made a great stride forward, which can be compared with the ideas of the cultural revolution. Unlike Russian poetry being changed throughout the 20th century, Kazakh poetry has made a breakthrough in its development only for the last two decades, allowing it to fit the conventions of modern world poetry. The present article aims at revealing the features of the functioning of the Russian-language poetry of Kazakhstan at the end of the 20th – the beginning of the 21st century. The authors of the article define those changes that have occu

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Shamilova, Shahnaz. "MODERN FRENCH AND AZERBAİJANİ POETRY AT THE LEVEL OF COMPARATİVİSTİCS." Scientific Journal of Polonia University 62, no. 1 (2024): 104–14. http://dx.doi.org/10.23856/6214.

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In the article, the stages of development of Azerbaijani poetry from the 19th century to the 20th–21st centuries, which were accompanied by fundamental changes, were reviewed. It has been noted that the wars that took place at the beginning of the 20th century and the strict rules and regulations applied by the Soviet regime had an undeniable influence on our literature. It was at that time, during the years of Repression, prominent representatives of Azerbaijani poetry were subjected to political oppression and persecution, exiled and shot. The names of the poets who played a special role in

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Barbakadze, Ketevan. "THE MAIN TENDENCIES OF THE MODERN GEORGIAN CHILDREN’S POEMS." Grail of Science, no. 43 (September 20, 2024): 379–83. http://dx.doi.org/10.36074/grail-of-science.06.09.2024.048.

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The issue of children's literature, particularly children's poetry, presents certain challenges in the 21st century. This genre was significantly impacted by the Soviet economic pressures that persisted throughout the 70 years prior to the restoration of Georgia's independence. With the transition to a free Georgia, it became necessary to explore new themes, forms, and expressive techniques to cultivate the literary knowledge and taste of the future generation. This issue, which affected literature for adults, also had a profound impact on children's literature, including children's poetry. Th

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NOVODVORCHUK, OLHA. "ЖАНРОВО-ІДЕОГРАФІЧНІ ТЕНДЕНЦІЇ У ПОЕТИЦІ СУЧАСНОЇ ДИТЯЧОЇ ЛІТЕРАТУРИ". Studia Ukrainica Posnaniensia 9, № 2 (2021): 153–64. http://dx.doi.org/10.14746/sup.2021.9.2.12.

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The article attempts to explore the features of early 21st century Ukrainian poetry for children. The purpose of exploration is to identify the genre and ideographic features of poetry: innovation and traditionalism. Tracing the genre modifications of poetry and their common and distinctive features, the author addresses the key features of poetry for children in general: artistic and literary discourse, the functions of poetry, thematic direction, strophic structure of the poem, the existence of images, characters and others. The article proves that the basis for the renewal of poetic genres

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Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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8

Marković, Bojan. "The Meaning of Writing Modern Poetry in a/the New Century." Transcultural Studies 11, no. 1 (2015): 22–34. http://dx.doi.org/10.1163/23751606-01101004.

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The paper deals with the sense of writing poetry as a form of text immanence that is antinomous to the contemporary age, which is also an alternative system of thought, of transformation, of imitation and of critical redefinition of the reality of that contemporary age. At the same time, poetry is a neglected, peripheral literary genre, but also a hyperbolized fictional form that opens the way to an alternative victory of opinions and feelings. Essayistic in structure, the paper discusses several poems and the poetics of three 20th century Serbian and Yugoslav Modernists (Kosovel, Dis, Crnjans

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Zubova, L. V. "Diminutives in word creation of modern poets." Verba Northwest Linguistic Journal, no. 1 (2025): 9–52. https://doi.org/10.34680/verba-2025-1(15)-9-52.

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The paper explores distinctive features of diminutive usage – particularly expressive and unconventional forms – in Russian poetry from the second half of the 20th century through the first quarter of the 21st century drawing on examples from the works of 70 poets, including A. Kondratov, V. Sosnora, G. Sapgir, D. A. Prigov, O. Yuryev, P. Barskova, V. Pavlova, L. Losev, V. Gandelsman, A. Levin, V. Strochkov, etc. It examines the conceptualization of diminutives within the poetics of the literary and artistic group “mit’ki”, the role of diminutives in textual composition, their clustering and f

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Mallillin, Leovigildo Lito D. "Contemporary Literature Genre in the 21st Century: Basis for Pedagogical Teaching and Writing." PUSAKA: Journal of Educational Review 2, no. 1 (2024): 98–116. https://doi.org/10.56773/pjer.v2i1.58.

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The study aims to navigate contemporary literature genres in the 21st century as a basis for pedagogical teaching and writing. Mixed methods and purposive sampling are utilized in selecting the study's sample to obtain fifty (50) respondents. Results show that contemporary literature genre in the 21st century as a basis for pedagogical teaching and writing defines genre of fiction in every short story with no set of words on traditional flash stories, show that contemporary novel is written at present and discusses about the genre of life, show that poetry evokes on the response of the languag

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Dr. Arshad Mohmood Malk and Hafiz Muhammad Saqib Niaz. "Role Of Meera Ji And Majeed Amjad In The Foundation Of Modern Urdu Poetry." Dareecha-e-Tahqeeq 3, no. 4 (2023): 22–29. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.79.

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Majeed Amjid and Meera Ji are pioneers of the modern school of poetry. Both are prominent and influential persons in the modern era of poems in Urdu literature. They have introduced new tech techniques and styles in the field of poems, which diverted ate the nation of new poets towards new thoughts and ideas in this field. Being modern iconic poets, they portrayed human nature and introduce new tones and unique styles of ambiguity to express outer and inner feelings. They are creative multiband i- directional and know all the ways to convey their feelings through modern urdu poems. We will exp

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Ulanov, Alexander M. "Russian and American Poetry: Towards New Language Abilities." Literature of the Americas, no. 16 (2024): 425–33. http://dx.doi.org/10.22455/2541-7894-2024-16-425-433.

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The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei Bely, Russian futurists, Alexander Vvedensky, Ezra Pound, Gertrude Stein, E.E. Cummings to the American poets of “language writing” and modern Russian-speaking young poets, the similarity of the philosophical and linguistic foundations of the language experiment, the convergence and differences of literatures, the personal interaction of autho

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Agum, Arjem Noryn Caringal. "Mobile textula: a possible new way of reawakening the marginalized Philippine poetry." Abstract Proceedings International Scholars Conference 7, no. 1 (2020): 2150–63. http://dx.doi.org/10.35974/isc.v7i1.885.

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Introduction: Poetry has long been part of any cultural and literary heritage. Despite poetry’s role in Philippine literature, the 21st-century Filipino learners lack the knowledge about folk poetry. Poems sent through short messaging service (SMS) or mobile textula were then introduced to capture the interest of the Filipino millennial learners. However, studies say little about this emerging means of literary propagation. Anchored in the Social Construction of Technology (SCOT) Theory, this study aimed to contribute to the body of knowledge to reawaken the marginalized Philippine poetry.&#x0

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Gudkova, Svetlana Petrovna, and Elizaveta Olegovna Sheyanova. "Problem-thematic originality of modern Crimean poetry." Philology. Theory & Practice 18, no. 6 (2025): 2390–96. https://doi.org/10.30853/phil20250336.

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This article is devoted to the study of the problem-thematic originality of modern Crimean poetry, as represented in lyrical anthologies and on Internet sites. The aim of the research is to identify the artistic features of the poetry of contemporary Crimean authors. The scientific novelty is determined by the fact that, for the first time, the main trends in the development of Crimean poetry at the beginning of the 21st century are considered monographically. The study found that modern Crimean poetry, formed under the influence of complex historical and political contexts, reflects many them

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Wang, Yi, and Wue Hiong Ser. "New Voices of The Boudoir Repinings Poems: Research on Chinese Popular Songs’ Inheritance and Development of The Traditional Boudoir Repinings Poems." ERUDITE: Journal Of Chinese Studies And Education 4, no. 1 (2023): 22–45. http://dx.doi.org/10.37134/erudite.vol4.1.2.2023.

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Boudoir-plaint poetry is a common category in classical Chinese poetry. With the development of women's social and economic status since the 20th century, literary works related to "boudoir-plaint" seem to have gradually faded out, while a large number of songs expressing women's emotions and situations have emerged in the modern and contemporary pop music, conveying similar or novel boudoir plaints in both ancient and modern ways. This article selects several highly representative Chinese pop songs depicting boudoir plaints composed between 1930 when pop songs proliferated and the beginning o

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ALNEAIMI, NORA AHMED L. "MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS." Cognizance Journal of Multidisciplinary Studies 4, no. 6 (2024): 467–601. http://dx.doi.org/10.47760/cognizance.2024.v04i06.029.

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This study is a multi-theoretical explication of selected 21st-century literary texts with a focus on determining how literary pieces with experimental typography can be analyzed which places emphasis on a literary primer that can be produced from the textual analysis, interpretation, and explication of the texts analyzed. This research study examines the significance of experimental typography in selected literary texts, specifically focusing on Tahereh Mafi’s Shatter Me Novel, Austin Kleon’s Newspaper Blackout, and shape poetry. The findings revealed that authors employ various types of expe

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ALNEAIMI, NORA AHMED L. "MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS." Cognizance Journal of Multidisciplinary Studies (CJMS) 4, no. 6 (2024): 467–601. https://doi.org/10.47760/cognizance.2024.v04i06.029.

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This study is a multi-theoretical explication of selected 21st-century literary texts with a focus on determining how literary pieces with experimental typography can be analyzed which places emphasis on a literary primer that can be produced from the textual analysis, interpretation, and explication of the texts analyzed. This research study examines the significance of experimental typography in selected literary texts, specifically focusing on Tahereh Mafi’s Shatter Me Novel, Austin Kleon’s Newspaper Blackout, and shape poetry. The findings revealed that authors employ various t

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18

Sadzińska, Ewa, and Witold Sadziński. "Ekphrasis by Aleksandr Kushner and the Reception of Antiquity in the Russian Poetry of the 21st Century." Philologia Classica 15, no. 2 (2020): 354–70. http://dx.doi.org/10.21638/spbu20.2020.211.

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The article examines some of the features of A. Kushner’s reception of antiquity. The antique layer is an important component of the poetry of the St. Petersburg poet, starting with his very first poems of the 1960s. Particular attention is paid to the analysis of the poem “Перед лучшей в мире конной статуей…” (“In front of the world’s best equestrian statue”, 2008) in connection with the problem of literary ekphrasis. The theoretical part of the article clarifies the meaning of “ekphrasis” and gives a brief overview of the most significant concepts that exist in modern science. The term appea

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Kuchina, Tatiana G. "MODERN RUSSIAN POETRY IN OLYMPIAD ASSIGNMENTS IN LITERATURE." Philological Class 26, no. 2 (2021): 212–20. http://dx.doi.org/10.51762/1fk-2021-26-02-18.

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The article discusses approaches to a holistic analysis of poetic texts of the 21st century at Literature Olympiads. The main aim of this academic activity of senior schoolchildren is to teach them to demonstrate their own understanding of a poem through considering it as an integral unity of elements and analyzing the most essential features of its artistic structure. The author answers the following questions: what knowledge, skills, competences are tested by assignments on contemporary poetry? What poetics features of modern literature require special attention and how to teach senior schoo

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Danilova, Stefania A., and Evgenia V. Bilchenko. "The Creativity Phenomenon in the Media Strategies of XXI Century Poets." Polylinguality and Transcultural Practices 17, no. 2 (2020): 221–30. http://dx.doi.org/10.22363/2618-897x-2019-17-2-221-230.

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This research examines how modern poets use various creative media strategies as a means of promotion of their poetry as well as personal brands in the Internet and beyond. Promotional actions in their various forms used by XXI century Russian poets allow one to achieve new results both in offline and online events, so a cross-platform effect is at work here. The discourse analysis method, the content analysis method and the participant observation method were used to obtain analytical data. Such actions of art PR as gamification, hype, charity event, closed fan club and many others can increa

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Danilova, Stefania A., and Evgenia V. Bilchenko. "The Creativity Phenomenon in the Media Strategies of XXI Century Poets." Polylinguality and Transcultural Practices 17, no. 2 (2020): 221–30. http://dx.doi.org/10.22363/2618-897x-2020-17-2-221-230.

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This research examines how modern poets use various creative media strategies as a means of promotion of their poetry as well as personal brands in the Internet and beyond. Promotional actions in their various forms used by XXI century Russian poets allow one to achieve new results both in offline and online events, so a cross-platform effect is at work here. The discourse analysis method, the content analysis method and the participant observation method were used to obtain analytical data. Such actions of art PR as gamification, hype, charity event, closed fan club and many others can increa

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R. Zh. Saurbayev, A. K. Zhetpisbay, A. A. Bolatova, and F. T. Yerekhanova. "SOME COMPARATIVE CONSTRUCTIONS IN THE HISTORICAL CHRONICLES OF SHAKESPEARE." Bulletin of Toraighyrov University. Philology series, no. 3.2024 (September 26, 2024): 349–61. http://dx.doi.org/10.48081/dhon3637.

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This article examines some comparative constructions in the historical Chronicles of William Shakespeare. The study of the works of the great English playwright William Shakespeare mainly studied his creative activity or considered his comedies and tragedies (Karpova). Thus, it can be stated that Chronicles have remained out of the attention of researchers, in particular, the consideration of the genre in linguistic and stylistic coverage has remained the least studied. In this study, we consider comparative constructions as a means of imagery in Shakespeare’s Chronicles in comparison with the

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Gudkova, Svetlana Petrovna, and Anastasia Mikhailovna Rauzhina. "Features of the “Onegin text” reception in the literary process of the 21st century." Philology. Issues of Theory and Practice 17, no. 2 (2024): 527–32. http://dx.doi.org/10.30853/phil20240076.

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The present article is devoted to the study of the specifics of the “Onegin text” development in the modern literary process, which allows us to determine the nature of the reception of the classical text in the Russian poetry of recent decades. The aim of the research is to study the peculiarities of development and transformation of plots and motifs of the “Onegin text” in the literary process of modernity. The scientific novelty is determined by the fact that for the first time modern poetic revisions of A. S. Pushkin’s novel in verse “Eugene Onegin” are comprehended in the stated aspect, w

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Chernikova, Natalia. "THE WAYS OF PRESENTING RUSSIAN LITERATURE IN THE 21ST-CENTURY BULGARIA." Lomonosov Journal of Philology, no. 4, 2023 (August 23, 2023): 185–93. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-04-16.

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The article examines the translation of Russian literary works in 21stcentury Bulgaria. The reasons for the decline of the process at the beginning of the century are discussed. Reference is made to the editions of new works by authors who are already popular among Bulgarian readers (V. Pelevin, S. Lukyanenko, B. Akunin, S. Minayev, A. Bushkov), as well as writers who are relatively new to the Bulgarian public (E. Vodolazkin, S. Lebedev, A. Salnikov, D. Rubina) and recent translations of the works of authors who started their literary activity back in the 20th century but who have not been pub

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Rădulescu, Raluca. "Hope in the Modern Literary German Psalms." Analele Universității de Vest. Seria Științe Filologice, no. 59 (January 2022): 115–29. http://dx.doi.org/10.35923/autfil.59.08.

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"The modern literary psalms are almost unanimously interpreted in academic literature as a lament on an inaccessible empty transcendence and the unfathomability of God. Nihilism, negativity and the impossibility of dialogue come to the fore; the poems can often be perceived at first glance as blasphemous counterfeits. Yet, beyond the surface level, the aesthetics of modernity plead for a transfiguration of reality, from which the purest distillate of poetry emerges. It is in poetry that hope for the salvation of the individual resides, because it liberates the ego from the constraints of conti

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Shafranskaya, Eleonora F. "Armenian text: Poetry and prose." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2022): 135–43. http://dx.doi.org/10.20339/phs.6s-22.135.

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The article continues the analysis of the Armenian text — the phenomenon of Russian culture and literature, which we presented in the previous article “The Armenian text: the Children of Job” (Polylinguality and Transcultural Practices. 2022. No. 3). The algorithm for analyzing the Armenian text is presented on the basis of prose texts of the last third of the 20th century (and a dotted line of the 21st), as well as poetic texts of modern poets (Liana Shahverdyan, Maxim Amelin, Alessio Gaspari, Georgy Kubatyan). The article examines the patterns associated with the key names, attributes and sp

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Biliatska, Valentyna. "The Ukrainian novel in verse at the present stage: state and prospects of development." Philological Review, no. 1 (May 31, 2023): 136–48. http://dx.doi.org/10.31499/2415-8828.1.2023.281373.

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The level of literary research on the geneological characteristics of the 21st century, marked by the expansion of the traditional genre system, has noticeably intensified. The purpose of the article is to consider the Ukrainian novel in the poems of the 21st century, to determine its genre originality (author’s and reader’s) as an important regulator of aesthetic communication. The object of research is the texts of novels in verse, prefaces to them, comments of authors and critics regarding the creation of texts and genre modification. Ukrainian novel in poems of the 21st c. is charact

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Babii, Nadiia. "Reproduction and communication of the text in current practices of urban spaces of the XXI century." Culturology Ideas, no. 21 (1'2022) (2021): 78–92. http://dx.doi.org/10.37627/2311-9489-21-2022-1.78-92.

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The aim of the work is to explore alternative ways of communication between poets and audience and methods for reproducing poetry through topical practices at the beginning of the XXI century. Accordingly, it aims to consider cultural and artistic experiments of the second decade of the 21st century developed on the basis of language as a symbolic sign and sound system; to identify the main directions of intermedial interaction, the degree of socio-cultural differentiation and variability of communicative agents. The author applies the method of intermedial analysis formed on the basis of post

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Матрусова, А. Н., and А. А. Соломонова. "PUSHKIN - AN IMAGE AND A PRECEDENT PHENOMENON IN RUSSIAN SONG TEXTS OF THE 20TH–21ST CENTURIES." Russkii iazyk za rubezhom, no. 2(303) (April 24, 2024): 32–40. http://dx.doi.org/10.37632/pi.2024.303.2.006.

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В статье поднимается вопрос о функционировании имени Пушкина как прецедентного феномена в русской песенной поэзии от второй трети ХХ века до первой четверти XXI века. Отмечается, что прецедентность самого имени органично сочетается с использованием цитат пушкинских текстов, отсылками к биографии поэта и культурному контексту как Пушкинской, так и современной эпохи. В связи с этим авторы приходят к выводу, что потенциал прецедентности таких имен, как Пушкин, не снижается, а, скорее, наоборот, нарастает по мере изменения и раскрепощения текстовой песенной культуры современного русскоязычного про

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MAKARETS, Iuliia. "MODERN GAME WITH THE NORM: LANGUAGE SPACE OF UKRAINIAN POETRY OF THE END OF THE 20TH AND THE BEGINNING OF THE 21ST CENTURY." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 282–92. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.13.

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The article tries to analyze the linguistic space of the Ukrainian poetry of the end of the 20th and the beginning of the 21st century. Its purpose is to trace tendencies in the language behavior of the Ukrainian poets of the period, especially in the treatment of the language norm. The new cultural situation caused mixing in texts of linguistic features of different social groups. Poetry, which used to be the sphere of refined language, now is filled with abnormal and deviant units. Kitsch, chaos, and destruction, which guided the poets of this period, are manifested in the destruction of the

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Dudareva, M. A., and S. M. Morozova. "BLIZZARD TEXT IN THE POETRY OF KARINA SEYDAMETOVA: EXISTENTIAL LOVE." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 95 (2024): 74–79. http://dx.doi.org/10.37313/2413-9645-2024-26-95-74-79.

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The object of the study is the existential love, manifested in Russian artistic culture. The subject of scientific work is the figurative realization of the existential of love in modern poetry. The material for the article was the poetry of Karina Seydametova, namely her new poetic selection from the literary and socio-political almanac “Poetry Day - 21st Century”. At the center of the hermeneutic analysis are images of winter, blizzards in the poet’s poems: winter for Russian people is associated with an ontological search for “another kingdom”, the initiation path of a cultural hero, which

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Singh, Prateek. "The Poetics of Place: Regionalism and Landscape in Modern and Contemporary American Literature." International Journal of Research in Social Sciences and Humanities 14, no. 2 (2024): 26–37. https://doi.org/10.37648/ijrssh.v14i02.004.

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This paper explores the representation of regional identity and the American landscape in 20th- and 21st-century literature, focusing on the geographical diversity of the United States. Through the works of authors such as William Faulkner, John Steinbeck, Toni Morrison, and Leslie Marmon Silko, it examines how specific regions—such as the South, the West, the North, the Midwest, and Native American territories—serve as symbolic and literal settings for themes of cultural identity, racial dynamics, social conflict, and environmental change. The landscape is not merely a backdrop but a dynamic

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Khaninova, Rimma. "The Crane’s Curse (Kharal) in Kalmyk Poetry, 20th – Early 21st Centuries: Analyzing the Motif." Бюллетень Калмыцкого научного центра Российской академии наук 3, no. 23 (2022): 144–70. http://dx.doi.org/10.22162/2587-6503-2022-3-23-144-170.

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Introduction. In 20th/21st-century Kalmyk poetry, the crane theme — like any other involving bird images — serves to symbolically address the fauna of the steppe region, native land, and ancestral home. Goals. The article aims to analyze Kalmyk poetic texts for the motif of the crane’s curse and/or revenge caused by the death of chicks, that of the spouse, and related grief, sadness, and loneliness of the bird. Both the motif and the crane theme in Kalmyk lyrics at large have never been subject to research. Methods. The work employs the historical/literary, comparative, and descriptive methods

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Strelkova, Guzel V., and Ksenia A. Lesik. "Socially-engaged narrative in contemporary Hindi poetry." RUDN Journal of Studies in Literature and Journalism 28, no. 2 (2023): 284–92. http://dx.doi.org/10.22363/2312-9220-2023-28-2-284-292.

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The influence of Marxist ideology has played a peculiar role in the formation of Hindi literature. Many writers believed that a literary word, illuminating the problems of inequality and oppression, could awake effective political, social and economic actions that could change an ordinary person’s life. In contemporary Hindi poetry there is the rise of young poets’ interest in socially-engaged narrative, which they clarify with the concept of “socialist”. It is aimed at criticizing the world order surrounding them and the desire to point out the problems of social peace. The authors discuss an

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Kennedy, Victor. "Musical Metaphors in the Poetry of Wallace Stevens." ELOPE: English Language Overseas Perspectives and Enquiries 13, no. 1 (2016): 41–58. http://dx.doi.org/10.4312/elope.13.1.41-58.

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Wallace Stevens’s “The Man with the Blue Guitar” (1937) is widely recognized as one of the most important and influential poems of the 20th century. Inspired by Picasso’s painting The Old Guitarist, the poem in turn inspired Michael Tippett’s sonata for solo guitar, “The Blue Guitar” (Tippett 1983) and David Hockney’s The Blue Guitar: Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso (Hockney and Stevens 1977). Central to “The Man with the Blue Guitar,” the metaphor of the musical instrument as a transformational symbol of the imagination is common

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Vellachami, Dr Parvathi. "பாரதியின் தொலைநோக்குப் பார்வையும் தற்கால தொழில்நுட்ப வளர்ச்சியும் ஓர் ஒப்பீடு (A Comparison Between Mahakavi Bharathi's Vision and Modern Technological Development)". Journal of Tamil Peraivu 13, № 1 (2024): 99–104. https://doi.org/10.22452/jtp.vol13no1.10.

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Abstract Futuristic thinking involves the speculative exercise of visionary, rational, creative, and dynamic mental processes to plan and shape society's response to evolving global challenges. This approach enables individuals to adapt proactively to future realities through interdisciplinary collaboration and creative imagination, fostering innovative solutions to pressing global issues and enhancing resilience amidst uncertainty. In the context of contemporary globalization, societies are increasingly required to think critically and creatively, solve complex problems, create new opportunit

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Satkauskytė, Dalia. "The myth of the nation of poets and mass poetry in Lithuania." Sign Systems Studies 31, no. 1 (2003): 261–69. http://dx.doi.org/10.12697/sss.2003.31.1.11.

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There are two problems discussed in the article. The first one is the phenomenon of mass literature and semiotic approach to it. According to Lotman, mass literature of the 20th (and 21st) centuries is not so much an object of semiotics as of sociology. However, it is possible to consider mass literature of earlier times as an object of semiotics of culture. Lotman discusses Russian mass literature of the 18th and 19th centuries as such an object in the article “Massovaya literatura kak istoriko-kulturnaya problema”. Considering mass literature a dynamic factor of the semiotic system, Lotman d

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Solntseva, Arina Yu. "THE INFLUENCE OF MODERN TRENDS ON THE SPECIFICS OF THE SUBJECTIVE ORGANIZATION OF ROCK TEXTS OF THE 21ST CENTURY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2022): 57–67. http://dx.doi.org/10.28995/2686-7249-2022-3-57-67.

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The article studies the influence of modern trends on the specifics of the subjective organization of rock texts of the musicians generation in the “pro-Western” period, starting from that of the “era” of the emo subculture and ending in 2021. The main purpose of the article is to establish the peculiarity of the subjective organization of texts in rock poetry of the 2000s–2010s, as well as to determine the influence of social events on the change of the lyrical hero. In the course of the study, conclusions are drawn about the importance of the performer in the communicative chain “author-hero

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Polevodov, G. V., and A. V. Makulin. "FRONTLINE MEDIA OF THE 21ST CENTURY: REFLECTIONS ON THE BOOK "THE FIELD NOTEBOOK OF SMO"." Experience industries Socio-Cultural Research Technologies, no. 1 (2025): 180–206. https://doi.org/10.34680/eiscrt-2025-1(10)-180-206.

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The article is devoted to understanding the specifics of the formation and principles of operation of modern Russian front–line media using the example of a recently published book, the inter-author's project "The Field Notebook of the SMO". The special military operation that began on February 24, 2022 by decision of the President of the Russian Federation, Vladimir Putin, identified a number of problematic issues both in the field of worldview and an existential approach to understanding these issues, as well as in the field of purely practical, directly related to psychological assistance t

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Chuyko, Tetyana. "The Image of Taras Shevchenko in modern artistic practices." Art Research of Ukraine, no. 22 (November 29, 2022): 72–79. http://dx.doi.org/10.31500/2309-8155.22.2022.270887.

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The interpretation of the image of T. Shevchenko in modern artistic practices is analyzed. Its characteristic features are noted and its correspondence to the main trends outlined in the early 10s of the 21st century is traced: the desire to articulate and understand the basis of the pain points of modern society through the image of Shevchenko and to present him as a certain image-thoughtform (spirit, energy). It is noted that, turning to the interpretation of the image of the poet in modern artistic practices, artists adhere to the transmission of his physiognomic features. Accordingly, the

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Farhana, M. N. F., M. N. P. Rifasha, P. M. A. Aleeshan, and Mohamed Haniffa Mohamed Nairoos. "Contribution of Muslim Women in Writing Field: A Survey Based on the Noorul Ain Najmul Husain Works." International Journal of Research and Innovation in Applied Science VIII, no. IV (2023): 11–16. http://dx.doi.org/10.51584/ijrias.2023.8402.

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In the 21st century, the media is an instrument of vigilance. Historically, women’s contribution to the media has been marginal. In the 21st century, women’s contributions in the media industry began to increase after various struggles. As a result women are participating in various media activities. And although women have contributed massively to the success of modern media, men’s contribution to the media industry is greater than that of women. Moreover, many studies show that the contribution of women has not reached a significant level compared to the contribution of men. Nevertheless, th

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Kirichenko, Olha, Olha Skyba, and Svitlana Shpetna. "Regional features of the functioning of engagements and weddings on the territory of the modern Slobozhansk region." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 281–88. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-281-288.

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The article is aimed at deepening the understanding of the importance of recording and popularizing family ritual poetry, wedding customs of the 21st century. The authors substantiated the relevance of the topic of collecting and studying wedding rituals and the folklore that accompanies them in the territory of the Sumy region. Emphasis is placed on the local history aspect of oral folk art. The published sources of folklore collectors of the Sumy Oblast were elaborated and the existing source base was supplemented with materials of own field research with a description of family rites, custo

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AYDOĞDU, ÇELİK Merve. "DEATH OF THE AUTHOR: A SURVEY ON ARTIFICIAL INTELLIGENCE IN LITERATURE." Journal of Communication Science Researches 3, no. 2 (2023): 142–54. https://doi.org/10.5281/zenodo.7853093.

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Artificial intelligence technology, which is an important landmark in computer science, is a field of study which focuses on forming smart machines performing tasks that naturally necessitate human intelligence. AI, which models and mimics the human behaviour such as reasoning, learning, and planning as well as the tools humans handle, has been widely used in several fields of expertise such as economy, finance, education, agriculture, and healthcare. Coupled with deep learning, artificial intelligence turns out to be one of the most significant technological advancements of the 21st century a

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Fitriana, Atin. "Studi Diakronis Pronomina Persona Pertama aku dan kami dalam Bahasa Jawa." Linguistik Indonesia 42, no. 1 (2024): 37–56. http://dx.doi.org/10.26499/li.v42i1.536.

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In Old Javanese, the personal pronouns aku and kami can appear simultaneously in a speech and refer to the same person. However, in Modern Javanese first-person pronouns of kami are no longer used in daily conversation; while aku was also limited in the ngoko register. This research focuses on changing the grammatical aspects of the personal pronouns aku and kami diachronically using a grammaticalization and corpus linguistics approach (Mair, 2004; 2012). The data sources used in this research come from literary texts in the form of prose and poetry from the 10th century to the 21st century. I

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Qin, Cai, and Cheng Ta Seah. "Chinese Ethnic Minorities and their Oral Poetry: A Perspective from Ethnopoetics." Advances in Language and Literary Studies 12, no. 5 (2021): 6. http://dx.doi.org/10.7575/aiac.alls.v.12n.5.p.6.

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Ethnopoetics involves in the conducting of translation experiments on oral poems of native ethnic groups, converting its relevant oral texts into written forms. The theory of ethnographic poetry begins in the 1970s and was translated and introduced to China in the early 21st century. However, most ethnic minorities in China do not have textual writings. Their oral creations from primitive society to modern society such as epics, long poems, narrative poems, ballads, and folk songs are mostly in form of oral poetry. The collection and translation of oral poems of ethnic minorities in China bega

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Yuan, Bocong. "The Inspiration of the Lake Poetry from the Perspective of Ecological Literature and Art to Postmodern Dilemma: A Homeward Journey from Enlightenment to Enchantment." Communications in Humanities Research 4, no. 1 (2023): 322–28. http://dx.doi.org/10.54254/2753-7064/4/20220533.

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Modern technological development has brought about severe natural environmental problems, and the resulting train of global events such as the ecological crisis, nihilism, population problems and the nuclear threat has caused indelible damage to people in modern society. Traditional moral values have been subverted, a wave of capitalism has swept the world, and enlightenment has become a myth to paralyze modern man. Modern art and postmodern thought have failed to save people from sinking under nihilism. Nihilism has re-emerged in the 21st century as the most serious ideological dilemma of the

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Franke, Astrid. "Vom Problem einer demokratischen Ästhetik zur Ästhetik einer problematischen Demokratie." Volume 62 · 2021 62, no. 1 (2021): 321–39. http://dx.doi.org/10.3790/ljb.62.1.321.

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From the Problems of a Democratic Aesthetic to the Aesthetics of a Problematic Democracy In analyses of poems from the 18th, 20th and 21st century, this article juxtaposes different degrees of trust in a democratic political order and the role of poetry in it. Philip Freneau, who supported a radical interpretation of the American Revolution as initiating a new and better social order, searched for a democratic poetics commensurate with the value placed on common people. For Muriel Rukeyser and even more so, Langston Hughes in the 1930s, democracy felt threatened not only by fascism abroad but

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Novodvorchuk, Olha. "Lexical and stylistic features of Olesya Mamchych’ poetry for children." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 63–67. http://dx.doi.org/10.34079/2226-3055-2019-12-21-63-67.

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The article deals with the consideration of lexical and stylistic features of poems for children of the modern writer O. Mamchych. The study contains a selective analysis of the poetry of the writer, which reveals the peculiarities of modeling the poetry of different genres (in the form of small folklore genres and contemporary lyrics), the use of a mix of traditional and contemporary images, allusions to the works of oral folk art and works of classical literature for children. The article covers the plot, thematic and ideological content of poetry. The author analyzes the peculiarities of th

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Šroma, Nataļja. "From Bestial to Human: Neo-Mythological Reinterpretations of the Image of Delilah in Russian Literature at the Turn of the 20th-21st Centuries." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 94 (June 15, 2024): 32–36. https://doi.org/10.26565/2227-1864-2024-94-05.

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The article examines one of the eternal images of the world culture in a diachronic aspect, namely the interpretation and reinterpretation of the image of Delilah in Russian literature, primarily in poetry, from the 19th century to the present day. The novelty of the article involves the introduction into the scientific context of a number of neo-mythological texts and the provided scholarly commentary, as well as the study of the poetics of the myth and neo-myth with an emphasis on the ethical aspect in the context of ideas of Dmitry Ovsyaniko-Kulikovsky. The relevance of the goal is connecte

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Шишхова, Неля Магомедовна, and Кирилл Николаевич Анкудинов. "A. Blok and poetic strategies of postmodernism." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 2(277) (October 6, 2021): 153–60. http://dx.doi.org/10.53598/2410-3489-2021-2-277-153-160.

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Анализируется поэзия А. Блока, ее взаимосвязь с реалистическими, семантическими и перфомативными аспектами творчества русских постмодернистов. Тексты рассматриваются как способ мотивирования поэтических знаков в постмодернистской традиции. Они позволяют контекстуализировать модели выразительности в авангардистской поэзии и выделить основные парадигмы в ее трактовке, адаптировать художественные приемы и поиски нового языка. Отдельное вимание уделяется особенностям поэтического высказывания и ее взаимодействию с пространством стиха. Интерес акцентируется на диалектике разрушительных и созидатель

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