Academic literature on the topic 'Poetry of Everyday Life'

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Journal articles on the topic "Poetry of Everyday Life"

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Brown, Ashley, and John Hollander. "The Poetry of Everyday Life." World Literature Today 73, no. 3 (1999): 539. http://dx.doi.org/10.2307/40154955.

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Driscoll, M. J. "Herdís & Ólína: The Poetry of Everyday Life." Scandinavistica Vilnensis, no. 14 (May 27, 2019): 21–37. http://dx.doi.org/10.15388/scandinavisticavilnensis.2019.2.

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The twin sisters Herdís Andrésdóttir and Ólína Andrésdóttir were born on the island Flatey in Breiðafjörður, western Iceland, in 1858. Following the death of their father at sea three years later, the family was dispersed and the sisters did not see each other until half a century later, when they were reunited in Reykjavík. In the intervening years both sisters had become well known as capable verse-makers in the traditional style, but it had never, it seems, occurred to them to write any of their poems down, let alone publish them. They were encouraged by friends to do so, and in 1924 they brought out a collection of their verse, entitled simply Ljóðmæli (Poems). Their poetry was highly traditional both in its form, which principally made use of rímur and ballad metres, and in terms of its subject matter, dealing with nature, reflections on life’s joys and sorrows and so on. Ólína, like her cousin Theodóra Thoroddsen, also contributed to the revival of the þula, a form of poetry traditionally associated with children. The book sold well, and a second edition, with some additional poems, came out in 1930. A third edition was brought out in 1976, long after their deaths, containing much new material; this edition has since been reprinted twice. Critical reception was overwhelmingly favourable, both in the learned and more popular press. Though somewhat at odds with the literary establishment of the day, they nevertheless had several powerful supporters among the literary and intellectual élite, foremost among them professor Sigurður Nordal. Despite having been “world-famous in Iceland” in their old age, Herdís and Ólína are little known today, and their work – much of it very fine indeed – has yet to receive the scholarly attention it deserves.
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William, Jennifer Marston. "Beyond “Everyday Poetry”: The Life and Works of Mascha Kaléko." Shofar: An Interdisciplinary Journal of Jewish Studies 27, no. 1 (2008): 80–83. http://dx.doi.org/10.1353/sho.0.0305.

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Świerczewska, Beata. "Perseweracja motywów w poezji Jerzego Ficowskiego." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (December 12, 2017): 250–62. http://dx.doi.org/10.24917/20811853.16.19.

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Perseveration of motifs in Jerzy Ficowski’s poetry Reading Ficowski’s poems requires researchers of his work to be erudites, thanks to which it is easier for them to move smoothly through the meanders of tradition and culture but also of everyday life presented in Ficowski’s image of the world. The image itself consists of the recurring (in every poetry volume) motifs and depictions. While reading Ficowski’s poems it is difficult not to notice this repetitiveness – sometimes exact and detailed, sometimes modified. An attempt to systematize a phenomenon such as perseveration of motifs in Ficowski’s poems led me to identifying the following thematic areas: memory and attitude towards the past, glorification of everyday life and elements belonging to it, proverbs and sayings as elements of folklore occurring in this poetry. In this article, through the analysis of Ficowski’s poems a phenomenon of perseveration of motifs used by a poet to create his own image of the world was shown.Key words: perseveration; past; memory; everyday life; proverbs; myth; folklore;
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Darenskiy, V. Yu. "MOTIF OF SPIRITUAL “INITIATION” IN BORIS RYZHY’S POETRY." Bulletin of Udmurt University. Series History and Philology 30, no. 2 (May 7, 2020): 320–29. http://dx.doi.org/10.35634/2412-9534-2020-30-2-320-329.

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The article is devoted to the analysis of existential meanings of Boris Ryzhy’s poetry. It is shown that his texts are saturated with the symbolism of radical personal transformation, which is traditionally denoted by the term “initiation” or the metaphor of “second birth”. They reveal an important archetypal meaning of the experience of symbolic death for the spiritual resurrection of man into a new life. “Death” as an artistic symbol represents the primary existential state of the meaningless and finite world; accordingly, the poetic text reflects the existential effort of struggle with death and human repose in Eternity. Due to this, B. Ryzhy’s poetic text stimulates the reader’s consciousness to go beyond everyday life and experience the “ultimate” existential meanings and States.
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MIDDLETON, PETER. "Folk Poetry and the American Avant-Garde: Placing Lorine Niedecker." Journal of American Studies 31, no. 2 (August 1997): 203–18. http://dx.doi.org/10.1017/s002187589700563x.

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What is the effect of placing speech in a poem? What is the effect of placing a poem in a collection of poems by other poets? These ordinary cultural acts of displacement are taken for granted by most writers and readers, but for the Objectivist poet Lorine Niedecker they represented highly conscious acts alien to her everyday world. Although her fellow Objectivists were marginalized by the literary world for much of their careers, they mostly lived and worked within the metropolitan cultures where their avant-garde poetry was read. She spent almost all her life in rural Wisconsin in relative poverty, keeping her writing life quite separate from her various working-class jobs and the local community. By reading her relations with the poetic avant-garde in terms of these acts of displacement, it is possible to appreciate the complexity of a poetic style that can appear to dissolve meaning into a limpid clarity that leaves nothing to interpret, and to recognize that the poetic avant-garde makes rarely questioned assumptions about the universal transmissibility of poetry.
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Rowland, Susan. "Review of Leaning toward the poet; Eavesdropping on the poetry of everyday life." Humanistic Psychologist 43, no. 4 (2015): 412–14. http://dx.doi.org/10.1080/08873267.2015.1047937.

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Lehmann, Olga V., and Svend Brinkmann. "Revisiting “The Art of Being Fragile”: Why cultural psychology needs literature and poetry." Culture & Psychology 26, no. 3 (July 9, 2019): 417–33. http://dx.doi.org/10.1177/1354067x19862183.

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Writers devote their lives to find words that faithfully resemble what is at the core of human experience and existence. Thus, psychologists interested in understanding human development in everyday life could turn toward writers and poets with humble curiosity. In this article, we illustrate how a narrative analysis of a work of art can be done, taking “ The Art of Being Fragile. How Leopardi can Save your Life” by the Italian writer and teacher Alessandro D’Avenia as a case. In addition, we reflect upon the mastery with which the author sheds light on aspects that theories in cultural psychology have tried to unveil. Such aspects are: (a) poetic activism: a revolution of the poetics of everyday life; (b) the poetics of human development; (c) the beauty within the fragile as a master; and (d) the intuition of the spirit as an invitation.
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Yugai, Elena, and Irina Bogatyreva. "“A sage in poetry, a fool in life”: Self-representation of the contemporary poet in everyday life." Shagi / Steps 7, no. 1 (2021): 239–75. http://dx.doi.org/10.22394/2412-9410-2021-7-1-239-275.

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Markov, Aleksandr V. "EL GRECO IN RUSSIAN POETRY." Vestnik of Kostroma State University, no. 1 (2020): 93–101. http://dx.doi.org/10.34216/1998-0817-2020-26-1-93-101.

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The name El Greco (Doménikos Theotokópoulos) is rarely found in Russian poetry, although French romanticism included him in the canon of world classics. This article assumes that El Greco’s reception in Russian poetry is due not so much to the infl uence of French romanticism or Spanish surrealism as to the stylistic features of the artist himself, who inherited Cretan icon painting, while in his mature period he followed the Renaissance principles of life-like and rivalry. As a result, El Greco is perceived in Russian culture as a classic imitating nature, and stylistic features are then interpreted as existentially signifi cant rather than a strange and bizarre artist. El Greco is then compared with the characters of his paintings, such as the apostles and evangelists, and is considered to be an artist, communicating something existentially signifi cant about fate. His landscape style was then interpreted as the transformation of artistic conventions into ontologically signifi cant constructions. A close reading of poetic texts dedicated to El Greco (Konstantin Balmont, Anna Akhmatova, Yevgeny Yevtushenko, Viktor Krivulin, Bella Akhmadulina, Svetlana Kekova), and taking into account the theoretical statements about El Greco (Alexandre Benois, Dmitry Likhachov) allows us to show that El Greco was not perceived within the framework of expressionism or surrealism, but in the key of icon-painting ontologism. The techniques of El Greco were then understood in Russian poetry as plotsignifi cant: chiaroscuro and colour turned out to be symbols of life’s upheavals, and the mission of the apostle and Orpheus was then identifi ed as a model for a poetic attitude to everyday life.
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Dissertations / Theses on the topic "Poetry of Everyday Life"

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Landau, Mark Jordan. "The Poetry of Everyday Life: Toward a Metaphor-Enriched Social Cognition." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/193759.

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How, at a fundamental level, do people construe their social world? Mainstream perspectives on social cognition posit that we do so largely by applying hierarchically structured concepts (or schemas) about similar classes of people and events to selectively interpret and elaborate on the complex array of social information. In this dissertation I propose a complementary perspective according to which people lend meaning to the social world in large part through conceptual metaphors that use the structure of familiar, typically concrete concepts to reason about and evaluate information in dissimilar, typically more abstract conceptual domains. I describe a model of metaphor-enriched social cognition (MESC) that provides a preliminary framework for understanding the role of conceptual metaphor in everyday social thought and action. I review research supporting hypotheses derived from the model with respect to the effects of conceptual metaphor on social perception, attitudes, and behavior, and I present four studies designed to further test these hypotheses. Study 1 shows that the sensation of being physically burdened increased the subjective obligatory nature of everyday activities. Study 2 shows that images depicting historically significant people and events (both positively and negatively valenced) were perceived as larger in size than those depicting historically insignificant people and events. In Study 3, priming participants with the beneficial consequences of physical covering led to more permissive attitudes toward the government withholding information from the public, and this effect was specific to those with ambivalent prior attitudes toward the value of governmental secrecy. Study 4 showed that a heightened motivation to protect one's own body from contamination led to harsher attitudes toward immigrants entering the United States among those subtly primed to conceptualize the country as a body but not those primed with a literal conception of the country. Although further research and theoretical refinement are necessary, the MESC model is a step toward acquiring a richer, more general conception of everyday social meaning-making and its implications for social life.
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劉陽河. "清代女性詩詞的日常化書寫研究= A study of women's poetry on everyday life in the Qing dynasty." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/570.

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閨秀是清代文壇的一股新興力量,她們以獨特的女性寫作風格和視角為清代文學乃至整個中國文學注入了新鮮的水源。清代閨秀作家相較於前代,在詩詞創作方面出現一個不容忽視的特點,即在前代女作家重複傳遞的閨情閨怨之外,開拓了對日常生活的書寫。然而目前學界未有圍繞清代閨秀詩詞日常生活書寫的專著,涉及清代閨秀詩詞日常化的論文也十分稀少。有見於此,本文圍繞「清代閨秀如何書寫日常生活」這一問題展開論述,試圖彌補前人之不足。本文包含七章,除第一章「緒論」及第七章「結論」之外,二至六章的主要內容分別如下: 第二章主要通過史料文獻還原清代女性的日常生活樣貌。清代閨秀的日常生活,既有中饋理家和侍親課子等方面對於婦德的順從,又有讀書吟詠和閨外行旅等傳統婦德之外的內容。第三章以清代女性詠物詩詞為重點研究文本,主要分析詠物詩詞中大量湧現的日常化吟詠對象;同時探討詠物詩詞的日常化寫作手法和情志表達。第四章重點分析自清代才大量出現的女性家務詩詞。一方面與男性文人筆下對勞動女性的書寫作對比研究,另一方面探討家務書寫對於閨秀的意義。第五章從三個方面對清代閨秀書寫日常生活的方式進行梳理,包括拓展選材範圍、增添日記元素和關注現實生活。第六章考察清代女性詩詞日常化的原因。清代女性詩詞出現日常化的趨勢,是創作主體的改變、儒家禮儀道德規範的引導,以及文壇風氣等多重因素共同作用的結果。Elite women writers (guixiu 閨秀)were are vitalizing force in the literary field of the Qing Dynasty. With their unique gendered writing style and perspective, they brought fresh blood to Qing Dynasty literature, and in a broader sense, to Chinese literature as well. Compared with the previous generations, Qing elite women writers had a prominent feature in their writing of poetry. That is, in addition to the lyrical themes already repeatedly dealt with by earlier female writers, they started writing about their daily life. However, no monograph has been published on the writing of daily life in Qing elite women's poetry and little has been discovered on how their attention turned to the writing of daily life. This thesis fills this research gap through addressing the following question: how did Qing elite women write about everyday life? This article is divided into seven chapters, flanked by an introduction in Chapter One and a conclusion in Chapter Seven. Abstracts of Chapters Two to Six are as follows: Chapter Two outlines a reconstruction of the daily life of women in the Qing Dynasty through historical texts. It touches upon the expansion of Qing elite women's living space through comparison with previous generations. Besides taking on familial and parental responsibilities, Qing elite women expanded their living space by writing poetry and traveling. Chapter Three focuses on poems on objects (yongwu shici詠物詩詞) written by women in the Qing Dynasty. It analyzes the daily objects that appeared in a large number of poems. It also discusses the writing techniques and artistic expressions of these poems. Chapter Four focuses on women's poems on housework, a genre which did not appear until the Qing Dynasty. On the one hand, the chapter compares such poems with working women depicted by male literati; on the other hand, it discusses the significance of writing about housework for elite women of the time. Chapter Five organizes the approach Qing elite female writers had taken in writing about daily life from three aspects, namely, broadening their scope of topic selection, adding diary-like elements to their works and showing interests in family livelihood. The Sixth Chapter investigates the reasons behind the popularization of writing about daily life in Qing women's poetry. This trend is the result of a number of reasons: the change of writing subject, the guiding of Confucian moral norms and the climate of the literary circle at the time.
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Naismith, Earl George. "Bai Juyi (Bai Lo Tian) 易居白 772-846AD Tang Dynasty poet, midst everyday life, musings on the ordinary, influences of the not so obvious." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/6659.

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Bai Juyi (易居白, 772-846AD) was one of the greatest scholar-intellectuals and poets of China‘s Tang dynasty period (朝唐, 618-907 AD). He is generally considered to be one three most outstanding poets of his day, alongside Tu Fu(杜甫712-770) and Li Bai(李白 701-762). Arguably, he was by far the most popular amongst the general population. The aim of this thesis is to describe the poet‘s life, using as much as possible his own poetry and prose to provide a lens for Bai‘s sensitivity to those socio-cultural forces, particularly Buddhism, that powerfully influenced his desire to be effective and of value to his society and his family while seeking inner peace and tranquility. The ideological flux of Confucianism, Taoism and Buddhism permeated Bai‘s entire spiritual and psychological being, warring with a continual awareness of his self-proclaimed political and administrative incompetence. These ideologies are discussed in the context of the poet‘s life. His inner and outer life is regarded, indeed scrutinized, through the poet‘s own words as he candidly and poignantly deals with the great issues of loyalty and service to the sovereign, compassion for the sufferings of the common people, responsibility to family and friends, and the insatiable and driving need to write poetic verse. Buddhism reached its peak as a social force during the mid-Tang period around the reign of Empress Wu (武后reign period 684-705, lived 609-705). The evolution of Chan (禪) and other variant forms of Mahayana Buddhism is briefly studied while citing the monumental contributions of Fazang (法藏643-712) of the Hua Yan School (華嚴) and Hui Neng (慧能638-713) of the Chan School. Bai‘s own philosophical interests and religious proclivities seem derivative of his times. The influence of these ideological fluxes and social tensions, coupled with a growing awareness of his own mortality, is clearly evidenced in Bai Juyi‘s poetry and memorials. His temple poem You Wu Zhen Si Shi (詩寺真悟遊) will be examined closely to reflect some of these impressions.
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Toledo, Cláudia Gisele Gomes. "Entre o céu e a terra: a presença de Grande sertão: veredas na poesia de Adélia Prado." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08012013-142527/.

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O presente estudo propõe-se a explorar a carga de afinidades entre a poesia de Adélia Prado e a obra de Guimarães Rosa Grande sertão: veredas. Os aspectos característicos da poeta, que se aproximam e se afastam daqueles do escritor, mostram uma poética em que se reconhece a presença do romance, que a própria Adélia Prado assume como matriz de inspiração de seu fazer poético. Posteriormente, a pesquisa particulariza-se em relacionar trechos do romance rosiano a alguns poemas de Poesia Reunida e A duração do dia, em que a autora, movida pela percepção híbrida do sagrado em meio ao cotidiano, faz uso da linguagem como canal de passagem do imanente para o transcendente e da relação possível entre a experiência mística e a poesia, configurando-se para a poeta Grande sertão: veredas como sua Bíblia Literária.
The present study proposes to explore the burden of affinities between the poetry of Adelia Prado and the work of Rosa Grande sertão: veredas. The characteristic features of the poet, that approach and recede from those of the writer, show a poetics which recognizes the presence of the novel, which takes itself as matrix Adelia Prado inspiration of his poetic. Subsequently, research particularizes in excerpts of the Rosa\'s novel relate to some poems of Reunited Poetry and The duration of the Day, in which the poet, driven by the perception hybrid of the sacred amid the everyday uses of language as a channel for passage of immanent to the transcendent and the possible relationship between mystical experience and poetry, becoming Grande sertão: veredas as \"Literary Bible\" for her.
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Pereira, Érica Antunes. "De missangas e catanas: a contrução social do sujeito feminino em poemas angolanos, cabo-verdianos, moçambicanos e são-tomenses." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-04012011-101230/.

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As angolanas Alda Lara e Paula Tavares, a cabo-verdiana Vera Duarte, a moçambicana Noémia de Sousa e as são-tomenses Alda Espírito Santo e Conceição Lima são as escritoras que melhor representam a poesia de autoria feminina em seus respectivos países e, embora pertençam a contextos socioeconômicos e culturais bastante diferentes, suas obras se aproximam tanto pela abordagem temática, quanto pela existência de um projeto de construção social do sujeito feminino. Assim, embasamo-nos, teoricamente, nos estudos em especial os de Michel de Certeau (2005) e Maria Odila da Silva Leite Dias (1992; 1994; 1998) em torno da hermenêutica do cotidiano feminino, a fim de demonstrar a importância dos papéis informais, das experiências vividas e da resistência das mulheres no processo de formação de suas subjetividades. Recorremos, ainda, a relatórios baseados em recenseamentos e a diversos documentos elaborados por organismos internacionais, a exemplo da ONU e da UNESCO, para estabelecer os pontos de contato entre a situação das mulheres e os contextos históricos-sociais em que estão elas inscritas, ou seja, Angola, Cabo Verde, Moçambique e São Tomé e Príncipe. Finalmente, aliando os aspectos teóricos e os contextuais, analisamos poemas contidos nas obras iniciais de cada uma das já referidas autoras respectivamente, Poemas (1966), Ritos de passagem (1985), Amanhã amadrugada (1993), Sangue negro (2001), É nosso o solo sagrado da terra (1978) e O útero da casa (2004) e procuramos demonstrar que as mulheres, muitas vezes portadoras de uma voz quase silenciosa e marcada pelas miudezas do cotidiano, inscrevem suas marcas na sociedade e têm o poder de (trans)formá-la e de transformar-se, decorrendo daí o título de nossa tese, De missangas e catanas, alusivo à simbologia da resistência empreendida por elas em favor do afloramento de suas subjetividades e do registro de suas historicidades.
The Angolan Alda Lara and Paula Tavares, the Cape Verdean Vera Duarte, the Mozambican Noémia de Sousa and the Santomean Alda Espírito Santo and Conceição Lima are the writers who best represent the poetry authored by women in their respective countries and, although belonging to very distinct socioeconomic and cultural contexts, their works approach both thematically and as a project of social construction of the female subject. Therefore, our work is based specially in the studies of Michel de Certeau (2005) and Maria Odila da Silva Leite Dias (1992, 1994, 1998) concerning the hermeneutics of everyday life of women in order to demonstrate the importance of informal roles, the experiences of women and the resistance in the formation of their subjectivities. We also recall the reports based on different censuses and documents prepared by international bodies such as the United Nations and UNESCO to establish points of contact between the situation of women and the social-historical contexts in which they are inscribed: Angola, Cape Verde, Mozambique and São Tome and Principe. Finally, combining the theoretical and contextual aspects, we analyzed poems contained in the initiation works of each of the aforementioned authors respectively - Poemas (1966), Ritos de passagem (1985), Amanhã amadrugada (1993), Sangue negro (2001), É nosso o solo sagrado da terra (1978) and O útero da casa (2004) and we demonstrated that even though women often suffer from an almost silenced voice, marked by the offal of daily life, they inscribed their mark on society having the power of (trans)form it. Hence, this is the origin of the title of our thesis, Of beads and machetes which illustrates the symbols of resistance undertaken by the authors for the blossoming of their subjectivities and for the registering of their historicities.
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Friskics, Scott. "Wilderness and Everyday Life." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84205/.

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I challenge the dualistic view of wilderness that has influenced wilderness philosophy, politics and experience in recent years. In its place, I offer an alternative vision that recognizes wilderness areas and working landscapes as complementary elements of a larger, inhabited landscape characterized by a heterogeneous mixture of human-land relational patterns representing various points along an urban-wilderness continuum. In chapters 2 through 4, I explore the philosophical, political and experiential implications of this wilderness-in-context vision. Experienced and understood as part of the landscape we call home, wilderness may engender, renew, and sustain an engaged and integrated wilderness practice involving regular contact with wilderness places, committed activism on behalf of wild lands and their inhabitants, and grounded reflection on the meaning and value of wilderness in our everyday lives.
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Stumpf, Jonathan Lee. "Pottery In Everyday Life." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1272910473.

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Endo, Jucimeire Ramos de Souza. "A poetização do cotidiano na poesia de Manuel Bandeira." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/14797.

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Made available in DSpace on 2016-04-28T19:59:00Z (GMT). No. of bitstreams: 1 LCL - Jucimeire Ramos de Souza Endo.pdf: 1725764 bytes, checksum: a2a1607eb0b8c0349d7c106f85c51497 (MD5) Previous issue date: 2006-10-20
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The purpose of this Master dissertation is to apprehend the process of poetic construction in Manuel Bandeira s Libertinagem s poems. The selected poems are Evocação do Recife , Poema tirado de um notícia de jornal and Poema de Finados , which were put together, rounded up in three thematic nucleus: childhood, social conscience and death. In its analysis, this study tries to explore the elements that led to lyric simplicity, the thematic of colloquialism, the prosaic, childhood reminiscences and death. It starts with the everyday life thematic, in which the self lyric retrieves its richest poetic element from commonplace and real life situations. Then it asks the questions: What formal or structural elements work as poetic resources to translate everyday life? How the hybridization of the lyric gender produce in Manuel Bandeira s poetry an effect that describes a peculiar treatment of his poetry? Trying to meet this poetic proposal, it was used as theoretical bases, Victor Chklovski, Roman Jakobson, Iuri Tynianov, Octavio Paz and Hugo Friedrich s conceptions. Among other aspects, were studied the irregular rhythmic movements, random or absent rhymes, multiplicity of sounds, arbitrary cut, proselike approach, generation of images particularities of poetic language. As a conclusion, the study suggests that when Manuel Bandeira introduced in his poetry everyday life elements, colloquial language and characteristics of narrative gender, for example, he broke the laws of the traditional poetic form and produced an hybrid poetic, which allowed him to go free and led him to a new form of poetic: the everyday life poetic
O propósito desta dissertação é apreender como se dá o processo de construção poética em poemas de Libertinagem (1930), de Manuel Bandeira. Foram selecionados os poemas Evocação do Recife , Poema tirado de uma notícia de jornal e Poema de Finados , nos quais se encontram marcas prosaicas na exploração de imagens brasileiras. Os poemas foram agrupados em torno de três núcleos temáticos: a infância, a consciência social e a morte. Procura-se explorar, na análise, os elementos composicionais que constroem a simplicidade lírica, a temática do coloquialismo, do prosaico, das reminiscências infantis e da morte. Partindo da recorrência da temática do cotidiano, em que o eu lírico extrai do lugar-comum, das situações concretas da vida, o seu mais rico elemento poético, perguntou-se: que elementos formais ou estruturais operam como recursos poéticos para traduzir o cotidiano? como a hibridização do gênero lírico produz, na poesia de Manuel Bandeira, um efeito que se caracteriza como tratamento peculiar de sua poesia? Para tentar responder a essa proposta poética, foram utilizadas, como fundamentação teórica, as concepções de Victor Chklovski, Roman Jakobson, Iuri Tynianov, Octavio Paz e Hugo Friedrich. Entre outros aspectos, refletiu-se sobre cadência rítmica irregular, rimas aleatórias ou ausentes, multiplicidade de tom, corte arbitrário, aproximação da prosa, geração de imagens, enfim, sobre particularidades da linguagem poética. Concluiu-se que Manuel Bandeira, ao introduzir em sua poesia elementos do cotidiano, a linguagem coloquial e características do gênero narrativo, por exemplo, rompeu com as leis da forma poética tradicional e produziu uma poética transgressora e híbrida, que o libertou e o enveredou para a construção de uma nova forma poética: a poetização do cotidiano
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Highmore, Benjamin John Nathaniel. "Everyday life and cultural theory." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395977.

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Schweitzer, Pierre. "Cognitive ageing in everyday life." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP061/document.

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Les objectifs de cette thèse sont multiples: 1. concevoir un nouvel outil d'échantillonnage des expériences utilisant les technologies mobiles, qui soit durable et évolutif, et qui permette d'implémenter des tests cognitifs mobiles; 2. utiliser cet outil pour obtenir des informations écologiques sur les comportements et les performances cognitives; 3. valider la méthode; 4. analyser les interactions entre comportement et performance afin d'identifier les comportements sains ou à risque
This thesis has several objectives: 1. design a new experience sampling tool that is durable and evolutive, and allows to implement mobile cognitive tests; 2. use this tool to obtain ecological information on behaviors and cognitive performance; 3. validate the method; 4. analyze the relationships between behavior and performance to identify which behaviors are healthy or risky
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Books on the topic "Poetry of Everyday Life"

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The poetry of everyday life. Ann Arbor: University of Michigan Press, 1998.

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Poet's choice: Poems for everyday life. Hopewell, N.J: Ecco Press, 1998.

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Museum of Fine Arts, Boston., ed. The poetry of everyday life: Dutch painting in Boston. Boston: MFA Publications, 2002.

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Heart beats: Everyday life and the memorized poem. Princeton: Princeton University Press, 2012.

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Parnell, Pat. Talking with birches: Poems of family and everyday life. King George, VA: Journal Press, 2004.

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The seven gates of soul: Reclaiming the poetry of everyday life. Abilene, Tex: Ancient Tower Press, 2004.

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Poetic theology: God and the poetics of everyday life. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 2010.

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The dust of everyday life: An epic poem of the Pacific Northwest. Seattle: Sasquatch Books, 1997.

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Hanley, Susan B. Everyday things in premodern Japan: The hidden legacy of material culture. Berkeley, Calif: University of California Press, 1997.

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Everyday things in premodern Japan: The hidden legacy of material culture. Berkeley, Calif: University of California Press, 1999.

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Book chapters on the topic "Poetry of Everyday Life"

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Moore, Natasha. "The Modern and the Everyday." In Victorian Poetry and Modern Life, 19–67. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137537805_2.

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Winkler, Clemens, and Soomi Park. "Erratum: ReFlexLab: Designing Transitive Wearable Technologies towards Poetic Aesthetics." In Design, User Experience, and Usability. User Experience Design for Everyday Life Applications and Services, E1. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07635-5_70.

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Winkler, Clemens, and Soomi Park. "Retracted Chapter: ReFlexLab: Designing Transitive Wearable Technologies towards Poetic Aesthetics." In Design, User Experience, and Usability. User Experience Design for Everyday Life Applications and Services, 731–38. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07635-5_69.

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Hodgetts, Darrin, and Ottilie Stolte. "Everyday Life." In Encyclopedia of Critical Psychology, 626–28. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_502.

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McCormmach, Russell. "Everyday Life." In Archimedes, 25–57. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-02438-7_3.

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Thompson, Sue, and Neil Thompson. "Everyday life." In Mastering Arabic Vocabulary and Pronunciation, 68–73. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-352-00226-3_14.

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Truscott, Sandra, and Brian Hill. "Everyday Life." In Breakthrough Spanish 2, 17–32. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26655-5_2.

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Zeitlin, Steve. "Poetry on the Porch." In The Poetry of Everyday Life. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702358.003.0008.

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In this chapter, the author recalls how his family would spend afternoons and evenings reading poems on the screened porch overlooking the sand dunes, the beach, and the sea in a rented house in Garden City, South Carolina. His father-in-law, Lucas, eagerly anticipates those times, bringing along his 101 Favorite Poems, published in 1929. But they all bring a few poems to the porch—even the children. At age ten their nephew Aidan Powers came equipped with a full set of Shel Silverstein's ingenious poetry. Masterpieces and ditties are treated with equal weight: poems by Percy Bysshe Shelley, John Keats, William Wordsworth, and Lord Byron are interspersed with children's poetry and nonsense verses. The evenings of poetry reading on the porch at the beach were so enjoyed by the family that they spawned poetry nights in the Dargan living room back in Darlington, South Carolina, on a weekly basis.
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Zeitlin, Steve. "The Poetry in Science." In The Poetry of Everyday Life. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702358.003.0014.

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The author reflects here on the poetry of science and the ways scientists use homespun metaphors to make the mysteries of the universe as comfortable to lay audiences as a well-worn coat. The author marvels at the enormity of what was accomplished by men such as Thales, Democritus, Euclid, Archimedes, Galileo, Isaac Newton, and Albert Einstein, as well as the many scientists who collectively devised quantum theory. He says human beings used to look up into the sky and imagine stories about the gods written in the constellations; science and storytelling were one and the same. In modern times, storytelling and science appear to be different realms entirely. Nonetheless, scientists still turn to storytelling in order to explain the mysteries of the universe. Beyond their discoveries, scientists share an evolving body of stories—a kind of folklore of science—that conveys their ideas in lay terms.
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Zeitlin, Steve. "The AIDS Poets." In The Poetry of Everyday Life. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702358.003.0010.

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This chapter looks at how poetry has been used to serve people with AIDS at the AIDS Day Treatment Program, located on West Twentieth Street in New York City. At the center, the wall leading to the cafeteria is lined with poems, many from poets who have passed away. According to Lila Zeiger, creative and social director, the poems show the shift in the city's AIDS population, from the gay men and drag queens who died in great numbers in the 1980s to the many African Americans and Latinos who succumbed to the disease in the 1990s. Lila, an accomplished, widely published poet herself, taught creative writing informally at the center for eighteen years, from the early 1990s until her retirement in 2000. Her goal was to help her clients express their pain and leave a legacy. Lila passed away in 2013 at the age of eighty-four. Her family chose to hold her memorial service at the AIDS Day Treatment Program.
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Conference papers on the topic "Poetry of Everyday Life"

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Løvlie, Anders Sundnes. "Poetic augmented reality." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621847.

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Samokhina, O. D., and N. S. Iakovleva. "Mathematics in everyday life and everyday life." In All-Russian scientific-practical conference of young scientists, graduate students and students. Технического института (ф) СВФУ, 2018. http://dx.doi.org/10.18411/a-2018-114.

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Mols, Ine, Elise van den Hoven, and Berry Eggen. "Everyday Life Reflection." In TEI '20: Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3374920.3374928.

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Ballegaard, Stinne Aaløkke, Thomas Riisgaard Hansen, and Morten Kyng. "Healthcare in everyday life." In Proceeding of the twenty-sixth annual CHI conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1357054.1357336.

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Madsen, Jacob. "Everyday life innovation potential." In the 13th Participatory Design Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2662155.2662249.

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Epstein, Daniel A. "Personal informatics in everyday life." In the 2015 ACM International Joint Conference. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2800835.2801643.

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HERTEL, FREDERIK. "Creativity in everyday organizational life." In Second International Conference on Advances in Management, Economics and Social Science - MES 2015. Institute of Research Engineers and Doctors, 2015. http://dx.doi.org/10.15224/978-1-63248-046-0-59.

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Bagalkot, Naveen L., Tomas Sokoler, and Riyaj Shaikh. "Integrating physiotherapy with everyday life." In TEI'12: Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2148131.2148152.

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Mols, Ine, Elise van den Hoven, and Berry Eggen. "Technologies for Everyday Life Reflection." In TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2839462.2839466.

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McGregor, Moira. "The App in Everyday Life." In CSCW '15: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2685553.2699330.

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Reports on the topic "Poetry of Everyday Life"

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Lucas, Marilyn. The Influence of Cathar Philosophy, Thought and Everyday Life on the Works of Selected Troubadour Poets. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7194.

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Simakov, Evgenya. Accelerators as tools for discovery, innovation, and everyday life [Slides]. Office of Scientific and Technical Information (OSTI), July 2021. http://dx.doi.org/10.2172/1807810.

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Serbulo, Leanne. "Whose streets? Our streets!" Urban social movements and the transformation of everyday life in Pacific Northwest cities, 1990-1999. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.737.

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Mehta, Goverdhan, Alain Krief, Henning Hopf, and Stephen A. Matlin. Chemistry in a post-Covid-19 world. AsiaChem Magazine, November 2020. http://dx.doi.org/10.51167/acm00013.

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The long-term impacts of global upheaval unleashed by Covid-19 on economic, political, social configurations, trade, everyday life in general, and broader planetary sustainability issues are still unfolding and a full assessment will take some time. However, in the short term, the disruptive effects of the pandemic on health, education, and behaviors and on science and education have already manifested themselves profoundly – and the chemistry arena is also deeply affected. There will be ramifications for many facets of chemistry’s ambit, including how it repositions itself and how it is taught, researched, practiced, and resourced within the rapidly shifting post-Covid-19 contexts. The implications for chemistry are discussed hereunder three broad headings, relating to trends (a) within the field of knowledge transfer; (b) in knowledge application and translational research; and (c) affecting academic/professional life.
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Haider, Huma. Scalability of Transitional Justice and Reconciliation Interventions: Moving Toward Wider Socio-political Change. Institute of Development Studies (IDS), March 2021. http://dx.doi.org/10.19088/k4d.2021.080.

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Literature focusing on the aftermath of conflict in the Western Balkans, notes that many people remain focused on stereotypes and prejudices between different ethnic groups stoking fear of a return to conflict. This rapid review examines evidence focussing on various interventions that seek to promote inter-group relations that are greatly elusive in the political realm in the Western Balkan. Socio-political change requires a growing critical mass that sees the merit in progressive and conciliatory ethnic politics and is capable of side-lining divisive ethno-nationalist forces. This review provides an evidence synthesis of pathways through which micro-level, civil-society-based interventions can produce ‘ripple effects’ in society and scale up to affect larger geographic areas and macro-level socio-political outcomes. These interventions help in the provision of alternative platforms for dealing with divisive nationalism in post-conflict societies. There is need to ensure that the different players participating in reconciliation activities are able to scale up and attain broader reach to ensure efficacy and hence enabling them to become ‘multiplier of peace.’ One such way is by providing tools for activism. The involvement of key people and institutions, who are respected and play an important role in the everyday life of communities and participants is an important factor in the design and success of reconciliation initiatives. These include the youth, objective media, and journalists. The transformation of conflict identities through reconciliation-related activities is theorised as leading to the creation of peace constituencies that support non-violent approaches to conflict resolution and sustainable peace The success of reconciliation interventions largely depends on whether it contributes to redefining otherwise antagonistic identities and hostile relationships within a community or society.
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Thompson, Stephen, Brigitte Rohwerder, and Clement Arockiasamy. Freedom of Religious Belief and People with Disabilities: A Case Study of People with Disabilities from Religious Minorities in Chennai, India. Institute of Development Studies (IDS), June 2021. http://dx.doi.org/10.19088/creid.2021.003.

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India has a unique and complex religious history, with faith and spirituality playing an important role in everyday life. Hinduism is the majority religion, and there are many minority religions. India also has a complicated class system and entrenched gender structures. Disability is another important identity. Many of these factors determine people’s experiences of social inclusion or exclusion. This paper explores how these intersecting identities influence the experience of inequality and marginalisation, with a particular focus on people with disabilities from minority religious backgrounds. A participatory qualitative methodology was employed in Chennai, to gather case studies that describe in-depth experiences of participants. Our findings show that many factors that make up a person’s identity intersect in India and impact how someone is included or excluded by society, with religious minority affiliation, caste, disability status, and gender all having the potential to add layers of marginalisation. These various identity factors, and how individuals and society react to them, impact on how people experience their social existence. Identity factors that form the basis for discrimination can be either visible or invisible, and discrimination may be explicit or implicit. Despite various legal and human rights frameworks at the national and international level that aim to prevent marginalisation, discrimination based on these factors is still prevalent in India. While some tokenistic interventions and schemes are in place to overcome marginalisation, such initiatives often only focus on one factor of identity, rather than considering intersecting factors. People with disabilities continue to experience exclusion in all aspects of their lives. Discrimination can exist both between, as well as within, religious communities, and is particularly prevalent in formal environments. Caste-based exclusion continues to be a major problem in India. The current socioeconomic environment and political climate can be seen to perpetuate marginalisation based on these factors. However, when people are included in society, regardless of belonging to a religious minority, having a disability, or being a certain caste, the impact on their life can be very positive.
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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