Academic literature on the topic 'Poetry of Mark Strand'

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Journal articles on the topic "Poetry of Mark Strand"

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SPIEGELMAN, WILLARD. "POETRY IN REVIEW: MARK STRAND." Yale Review 103, no. 2 (2015): 166–78. http://dx.doi.org/10.1353/tyr.2015.0055.

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SPIEGELMAN, WILLARD. "POETRY IN REVIEW: MARK STRAND." Yale Review 103, no. 2 (2015): 166–78. http://dx.doi.org/10.1111/yrev.12273.

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DeJong, Tim. "Brief, Undeniable: Lyric Address in Mark Strand." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 79, no. 3 (2023): 101–26. http://dx.doi.org/10.1353/arq.2023.a909149.

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Abstract: This essay balances universalist and historicist approaches to reading lyric through an analysis of the poetry of Mark Strand. The ordering consciousness behind a given poet’s body of work offers an avenue to understanding Strand’s work and lyric more generally. Textual rather than biographical, this “lyric self” manifests the twin functions of the lyric poem, to challenge death and to reach out to the reader. Developments in late modernity have occasioned a turn from a self-enclosed mimetic model of lyric to a rhetorical one conscious of audience. Strand’s awareness of this change a
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Martínez Serrano, Leonor María. "The Audible Light of Words: Mark Strand on Poetry and the Self." ES Review. Spanish Journal of English Studies, no. 39 (December 14, 2018): 255–80. http://dx.doi.org/10.24197/ersjes.39.2018.255-280.

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The aim of this paper is to look at American poet Mark Strand’s thinking about what poetry is all about, as expressed in his poetry collections and prose works, especially in The Monument (1978), a book of “notes, observations, rants, and revelations” about literary immortality, but also a meditation on “the translation of a self, and the text as self, the self as book”; in The Continuous Life (1990), a collection of luminous pieces on various aspects of the literary enterprise, including reading, translation and the multitude of selves making up the self; and in The Weather of Words: Poetic I
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Martínez Serrano, Leonor María. "Lucky Form of Truth." Grove - Working Papers on English Studies 29 (December 23, 2022): 81–100. http://dx.doi.org/10.17561/grove.v29.6657.

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This article explores poet Mark Strand’s facet as an art critic and, more specifically, the way in which the pictorial universe of American painter Edward Hopper influenced his own poetry, both thematically and stylistically. Reading Hopper’s well-known oil on canvas House by the Railroad (1925) in a New York Times article entitled “Crossing the Tracks to Hopper’s World,” published on 17 October 1971, Strand dwells on “Hopper’s fascination with passage” (340). Years later, he would expand his critical exegesis of House by the Railroad and other canvasses by the American painter in a book-lengt
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Martínez Serrano, Leonor María. "Lucky Form of Truth." Grove - Working Papers on English Studies 29 (December 23, 2022): 81–100. http://dx.doi.org/10.17561/grove.29.6657.

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This article explores poet Mark Strand’s facet as an art critic and, more specifically, the way in which the pictorial universe of American painter Edward Hopper influenced his own poetry, both thematically and stylistically. Reading Hopper’s well-known oil on canvas House by the Railroad (1925) in a New York Times article entitled “Crossing the Tracks to Hopper’s World,” published on 17 October 1971, Strand dwells on “Hopper’s fascination with passage” (340). Years later, he would expand his critical exegesis of House by the Railroad and other canvasses by the American painter in a book-lengt
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Castiglione, Davide. "Difficult poetry processing: Reading times and the narrativity hypothesis." Language and Literature: International Journal of Stylistics 26, no. 2 (2017): 99–121. http://dx.doi.org/10.1177/0963947017704726.

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This study presents an experiment that uses reading times as a measure of the processing effort demanded by ‘difficult’ poems, where difficulty is defined as a text-driven response phenomenon associated with resistance to reading fluency. Reading times have been used before to explore the processing of literature, but seldom with the aim of shedding light on difficulty. There is then scope to redress this research gap, also in light of Shklovsky’s claim that the technique of art is ‘to increase the difficulty and length of perception’. In the current experiment, a group of participants read si
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Dornan, Steve. "Robert Burns and Modern Ulster-Scots Poetry." Burns Chronicle 132, no. 2 (2023): 204–15. http://dx.doi.org/10.3366/burns.2023.0087.

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Robert Burns’s influence on Scottish culture and literature is well attested, though in recent years bardology has been counterbalanced by a rising fashion for “bardoclasm”. In Ulster too Burns has featured prominently in official presentations of Ulster-Scots by the Ulster-Scots Agency and other public bodies. High-profile Burns Night concerts are now a staple and TV programmes have been commissioned to mark the occasion. Burns’s image also features prominently on the Ulster-Scots Agency websites and promotional materials. This essay will explore how Burns’s increased visibility in Ulster is
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Matt McNees. "George Herbert and Mark Strand." George Herbert Journal 32, no. 1-2 (2008): 83–97. http://dx.doi.org/10.1353/ghj.2008.0017.

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Coleman, Jane Candia. "The Continuous Life by Mark Strand, and: New and Selected Poems by Mark Strand." Western American Literature 26, no. 2 (1991): 178–79. http://dx.doi.org/10.1353/wal.1991.0143.

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Dissertations / Theses on the topic "Poetry of Mark Strand"

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Осіпенко, Т. В., Олена Володимирівна Попова, Елена Владимировна Попова та Olena Volodymyrivna Popova. "Міфологічна складова персоніфікації в поезії Марка Стренда". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/46651.

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Персоніфіковані образи – не лише словесна оболонка уяви автора. Це дещо глибше й сакральніше явище. Об’єкти уособлення, такі як вітер, місяць, сонце, тінь, світло, темрява та інше мають багатогранне міфологічне підгрунтя, укорінене в художню канву поетичних творів.
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Jump, Harriet Sarah. "Mark Akenside and the poetry of current events, 1738-1770." Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:2f5ebba5-9a25-4d93-aabb-b8e999433027.

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The aim of this thesis is to provide an analysis of the historical and political context of a group of poems which were written by Mark Akenside between 1738 and 1770. Most of these poems were composed in response to particular political events or situations, or to the publication of works of literature, history, or theology; the remainder are verse-epistles addressed to political figures who were personal friends of the poet. Arguments have also been included for the attribution to Akenside of a small number of anonymous poems. I have taken a broadly chronological approach. The first chapter
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Williams, Nerys Owen. "'Not exactly a mark, not exactly a trace' : error and the lyric in contemporary American poetry." Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393248.

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Reddy, Colleen. "Ecological consciousness in modern Australian poetry." Thesis, Queensland University of Technology, 1998.

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One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a conservation or environmental ethic. There follows a brief discussion of Deep Eco
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Blades, Andrew Michael. "Retroviral writings : reassessing the postmodern in American AIDS literature." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:2aa5ac09-bd75-4730-9ac0-6b448de7cbdd.

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This thesis reassesses American AIDS literature of the 1980s and 1990s by focusing on four major writers: the poets Thom Gunn (1929-2004), James Merrill (1926-1995) and Mark Doty (1953-), and the novelist Michael Cunningham (1952-). It questions the dominant critical discourse on literature of the epidemic, contending that while competing versions of the postmodern provided useful models for reading AIDS in the 1980s and 1990s, it is now necessary to adjust the critical position in line with the intellectual turn away from the cultural theories of that time. The introduction provides an overvi
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Woodward, Mark E. McNeil Ryan Woodward Mark E. Aubuchon Rachel McKenney W. Thomas. "Three songs for unaccompanied choir." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6259.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on January 26, 2010 Thesis advisor: Dr. W. Thomas McKenney. Includes bibliographical references.
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Campbell, Sam Nicole. "Blend it Like Beckett: Samuel Beckett and Experimental Contemporary Creative Writing." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3769.

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Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danie
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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing
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Books on the topic "Poetry of Mark Strand"

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Kirby, David. Mark Strand and the poet's place in contemporary culture. University of Missouri Press, 1990.

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Kirby, David K. Mark Strand and the poet's place in contemporary culture. University of Missouri Press, 1990.

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Harold, Bloom, ed. Mark Strand. Chelsea House Publishers, 2003.

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Nicosia, James F. Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9.

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Kovachev, Georgi. Strand of legends: Poetry. Crystal Print, 2006.

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Kovachev, Georgi. Strand of legends: Poetry. Crystal Print, 2006.

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Schilling, Betty. The broken strand. Linwood Publishers, 1992.

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Rock, Martin. Dear Mark: Poems. Brooklyn Arts Press, 2013.

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Milligan, Ian. Poetry to mark time: The poetry of Ian Milligan. Milligan Publishers, 1995.

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Lisa, Sperber, and Aragon Francisco, eds. Mark my words: Five emerging poets. Momotombo Press, 2001.

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Book chapters on the topic "Poetry of Mark Strand"

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Nicosia, James F. "Introduction: “Between Two Great Darks”: How to Read Poetry." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_1.

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Kolb, Martina. "Strand, Mark." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18746-1.

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Nicosia, James F. "Staving Off the World: The Early Years." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_2.

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Nicosia, James F. "“Still We Feel Better for Trying,” or Why Write a Poem?: The Story of Our Lives, The Late Hour, “New Poems,” The Continuous Life." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_3.

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Nicosia, James F. "Earning One’s Wings: Dark Harbor." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_4.

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Nicosia, James F. "Reinventing the Self: Blizzard of One." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_5.

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Nicosia, James F. "Supplement: Angel Becomes Dog Becomes Camel: Man and Camel." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_6.

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Nicosia, James F. "Coda: Between Two Great Darks." In Reading Mark Strand. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08555-9_7.

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Kolb, Martina. "Strand, Mark: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18747-1.

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Heaney, Seamus. "Petals on Sandymount Strand." In The Japanese Effect in Contemporary Irish Poetry. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355194_2.

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Conference papers on the topic "Poetry of Mark Strand"

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Sagüés, Alberto A., Ivan Lasa, and Jacob Bumgardner. "Exploring Cathodic Protection of Strands in Post Tensioned Tendons." In CORROSION 2020. NACE International, 2020. https://doi.org/10.5006/c2020-15184.

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Abstract Unexpected corrosion related failures of post tensioned tendons, often associated with grouting deficiencies, have brought interest in examining new corrosion control alternatives. Among those, cathodic protection (CP) merits attention given its success in arresting corrosion in many applications. Several major challenges however are of concern. Those include among others the risk of hydrogen embrittlement, the need to reliably deliver protecting current to a crowded strand assembly in a constrained space and a highly resistive electrolyte, securing appropriate anode configuration, pl
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Mazzei, Alessandro, and Andrea Valle. "Combinatorics vs Grammar: Archeology of Computational Poetry in Tape Mark I." In Proceedings of the INLG 2016 Workshop on Computational Creativity in Natural Language Generation. Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-5509.

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MEHMETALI, bekir. "VIII. International Congress of Humanities and Educational Research." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi
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Mehmetali, Bekir. "Examples of the wonderful poetic image in ancient Arabic poetry." In VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi
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Teodosieva, Hristina, and Antonia Tsankova. "RECEPTION OF BAI JUYI’S PROSE IN BULGARIA: HOW DO FOREIGN AUDIENCES PERCEIVE HIS WORKS AFTER 1250 YEARS?" In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.09.

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The poet from the time of Tang dynasty (唐朝) Bai Juyi (白居易, 772–846) left a lasting mark on the history of Chinese literature. His innovation in literature and free spirit, which does not obey external requirements, are evident not only in his poetry, but also in his prosaic texts. Nowadays his prose is relatively less well known than his poetry. The paper presents a research on the reception of his work “A Script for the Thatched Cottage in Mount Lu” 《( 庐山草堂记》) in Bulgaria. It was conducted through surveys among Bulgarian students, who study Chinese, and students from other humanities majors.
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MEHMETALI, Doç Dr Bekir. "THE FEELING OF PRESENCE IN THE POEM THE SMALL STONE BY ELIA ABI MADI." In I. International Trabzon Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/trabzon.con1-6.

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Diaspora literature is a type of modern Arabic literature that originated at the hands of Arab writers in non-Arab countries who immigrated to it at the beginning of the twentieth century for several reasons. Many poets emerged from them and left a clear mark on modern Arabic literature, especially poetry, and Elijah Abu Madi was one of them. This poet gained great fame and a high position in modern Arabic literature, and more than one researcher addressed him, whether by introducing him and his poetry or by explaining his importance and literary status in the modern era. This poet was disting
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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figur
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Ermakova, Olga S., and Aleksandra N. Livanova. "BIBLE IN LANDSMÅL AS CULTURAL AND HISTORICAL PHENOMENON." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063572.

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The article discusses the prerequisites for creating translations of the Bible into Norwegian and the history of its first translation into landsmål. The authors describe the evolution of the Bible translation and incorporation in the translation of Norwegian words and expressions, and show the influence of society in changing the biblical text. Particular attention is given to the impact of the Bible translation on the spread of New Norwegian as a cultural language in present-day Norway. The paper compares excerpts from translations of the Gospel of Mark into Norwegian riksmål (1904) and land
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