Relevant bibliographies by topics / Poetry of Mourning

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poetry of Mourning'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Poetry of Mourning"

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Weller-Passman, Ruth, Mackenzie Fluharty, and Ashley Starling. "Ghosts of Loss." Digital Literature Review 1 (January 6, 2014): 186–98. http://dx.doi.org/10.33043/dlr.1.0.186-198.

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This critical edition presents Christina Rossetti’s ghostly poetry, analyzing its overall cultural impact and influence. In addition to her poetry, we have included contextual documents pertaining to mourning, widowhood, and poetic expression. As a whole, this edition gives insight into how and why poetry canbe an appropriate method for women to express grief in the Victorian era.
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Thomsen, Torsten Bøgh. "Lykke i ulykkens tid." K&K - Kultur og Klasse 44, no. 121 (2016): 221–42. http://dx.doi.org/10.7146/kok.v44i121.23747.

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Taking its point of departure in two contemporary Danish poets, Victor Boy Lindholm and Theis Ørntoft, the article discusses affective poetic responses to the climate crisis. The concepts of ‘eco-mourning’ and ‘climate-melancholia’ are examined in order to deliberate the possibility for human happiness in late modernism. Poems by the writers are analysed with Sara Ahmed’s theories on happiness and perspectives from posthumanist theory (Cary Wolfe) and Timothy Morton’s notion of dark ecology. It is argued that the teleology, autonomy and futurism that, according to Ahmed, is inherent to the pro
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Ronell, Avital. "On the Misery of Theory without Poetry: Heidegger's Reading of Hölderlin's “Andenken”." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 16–32. http://dx.doi.org/10.1632/003081205x36831.

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The article considers the tendency among young theorists to forget or repress poetry. As symptom, the aberrant dissociation of poetry from theory reflects an increasing technicization, not to say impoverishment, of critical language. The theoretical elders, on the other hand, clung to poetic insight with the urgency of hunger. Focusing on tropes of greeting, celebration, and sending, I explore an exemplary instance in the encounter between poetry and thought—when Heidegger met Hölderlin. Still, Heidegger's appropriation of poetry leaves a violent residue, a kind of critical warping that has re
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Woof, Pamela. "The "Lucy" Poems: Poetry of Mourning." Wordsworth Circle 30, no. 1 (1999): 28–36. http://dx.doi.org/10.1086/twc24044096.

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Gana, N. "War, Poetry, Mourning: Darwish, Adonis, Iraq." Public Culture 22, no. 1 (2010): 33–65. http://dx.doi.org/10.1215/08992363-2009-015.

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Regan, Stephen. "Landscapes of mourning in nineteenth-century English poetry." Nineteenth-Century Contexts 41, no. 1 (2018): 23–33. http://dx.doi.org/10.1080/08905495.2018.1545434.

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Lindstrom, Eric. "Mourning Life: William Wordsworth and Percy Bysshe Shelley." Romanticism 23, no. 1 (2017): 38–52. http://dx.doi.org/10.3366/rom.2017.0305.

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What does it mean that Shelley publicly mourns the death a living Wordsworth in his poetry? This essay argues that Percy Bysshe Shelley's renunciation of a narrow concept of selfhood not only informs, but germinates, his psychological and political principles, and in the process shapes his response to William Wordsworth—not as an “egotistical” poet, but as one who paradoxically and enviably escapes mutability by being ontologically identified with forms of non-life. I argue that Shelley brilliantly (and correctly) attributes this position to Wordsworth's poetic thought through his own poetic t
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Reed, Anthony. "The Erotics of Mourning in Recent Experimental Black Poetry." Black Scholar 47, no. 1 (2017): 23–37. http://dx.doi.org/10.1080/00064246.2017.1264851.

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Beaudry, Jonas-Sébastien. "In the Yellow Margins: A Tribute for Professor Mosoff." Canadian Journal of Disability Studies 8, no. 3 (2019): 142–59. http://dx.doi.org/10.15353/cjds.v8i3.511.

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This creative work begins with a poem written to commemorate Professor Judith Mosoff, a colleague who passed away on December 20, 2015. Professor Mosoff’s work in disability law influenced both activists and researchers, and this loss has impoverished the Canadian disability community. The poem is followed by an essay that situates it and reflects on the possibility of knowing and relating to someone affectively through poetic imagination, as well as on the role that poetry can play in sharing mourning and fostering community.
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Viljoen, Louise. "“Die hart ’n droë blaar”: Verlies, rou en melancholie in Olga Kirsch se Afrikaanse poësie / “The heart a dry leaf”: Loss, Mourning and Melancholia in Olga Kirsch’s Afrikaans Poetry." Werkwinkel 9, no. 2 (2014): 31–58. http://dx.doi.org/10.2478/werk-2014-0011.

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Abstract Reading Olga Kirsch’s Afrikaans poetry, one is struck by the important role that the experience of loss occupies in her oeuvre. It is evident in the first two volumes of poetry she published while still living in South Africa, as well as in the five volumes she published after emigrating to Israel in 1948. Because her poetry, especially the volumes written in Israel, exudes an air of melancholy, this article uses Freud’s writings on loss, mourning and melancholia, as well as the historical tradition preceding his work, as a guideline in exploring the way in which the experience of los
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Dissertations / Theses on the topic "Poetry of Mourning"

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Campbell, Maria Regina. "Mourning the father-figure in modern American poetry." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551595.

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The purpose of this thesis is to illustrate the process of mourning within the works of five key 'confessional' poets: Robert Lowell, Theodore Roethke, John Berryman, Sylvia Plath and Anne Sexton. I will use a psychoanalytical framework to explore the reverberations of a father's death in their poetry. I will illustrate the various methods employed by these poets to reconnect with this deceased figure in their poetry. By using psychoanalytical theories from Sigmund Freud to John Bowlby, I will illustrate the various pathways of mourning adopted by each of these poets and show how contemporary
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Micconi, Giovanna. "Circus Aesthetics, Travel, History, and Mourning in the Poetry of Robert Hayden." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718732.

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Circus Aesthetics examines the work of the African American poet Robert Hayden and engages with the problem of identifying different frameworks with which to think about Hayden’s poetry and African American literature more broadly. In 1978, two years before his death, Hayden, the first African American poet to be nominated Poetry Consultant at the Library of Congress, was still struggling and fighting with the idea of being considered a “black poet” and with the socio-political implications and expectations that accompanied that label. During his address to the Library of Congress on May 8, 19
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Parker, Eleanor Francoise. "The Poetics of Loss and Mourning in the Later Poetry of Giuseppe Ungaretti." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519812.

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Blackburn, Jonathan. "Reading 'the experience of experience' : Jacques Derrida's mourning and the poetry of John Ashbery." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435769.

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Holloway, Tamara C. ""All Is Well": Victorian Mourning Aesthetics and the Poetics of Consolation." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12141.

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viii, 214 p.<br>In this study, I examine the various techniques used by poets to provide consolation. With Tennyson's In Memoriam, I explore the relationship between formal and thematic consolation, i.e., the ways in which the use of formal elements of the poem, particularly rhyme scheme, is an attempt by the poet to attain and offer consolation. Early in his laureateship after the Duke of Wellington's funeral, Tennyson wrote "Ode on the Death of the Duke of Wellington," but this poem failed to meet his reading audience`s needs, as did the first major work published after Tennyson was named Po
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Reibaud, Laetitia. "L’élégie en Europe au XXe siècle : persistance et métamorphoses d’un genre littéraire antique dans les poésies européennes de langue française, allemande, anglaise, italienne, espagnole et grecque." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040239.

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On croyait l’élégie disparue après l’apogée qu’avait connue le genre pendant le Romantisme et après les attaques dont il avait été la cible, les poètes « modernes » ayant choisi de s’affirmer contre les « excès » du lyrisme romantique dont l’élégie était devenue la caricature. Le lyrisme et la poésie de la première personne sont eux-mêmes restés au centre des attaques et des moqueries durant tout le XXe siècle. C’est pourtant à une renaissance du genre que l’on assiste, timide et progressive dans la première moitié du XXe siècle, puis à une véritable recrudescence dans la seconde moitié du siè
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O'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.

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Burkowski, Jane M. C. "The symbolism and rhetoric of hair in Latin elegy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:44e36b32-8c44-4dd0-8241-3206e40e67f9.

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This thesis examines the hair imagery that runs through the works of Propertius, Tibullus, and Ovid. Comparative analysis of the elegists’ approaches to the motif, with particular emphasis on determining where and how each deviates from the cultural assumptions and literary tradition attached to each image, sheds light on the character and purposes of elegy as a genre, as well as on the individual aims and innovations of each poet. The Introduction provides some background on sociological approaches to the study of hair, and considers the reasons why hair imagery should have such a prominent p
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Antici, Ilena. "Deux poètes lecteurs de Proust : mémoire et relation au tu dans l’œuvre lyrique d’Eugenio Montale et de Pedro Salinas." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100161.

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Cette thèse prend la forme d’une pyramide renversée : à la base, qui est en réalité la surface, il faut imaginer les deux poètes du XXe siècle, alors qu’à la pointe extrême se situerait Proust, point d’émanation d’une certaine énergie intellectuelle qui se diffuse dans toute la modernité. Pedro Salinas et Eugenio Montale ont lu À la recherche du temps perdu dans l’Europe du premier proustisme (1920-1930). Les poétiques du poète italien et du poète espagnol s’inscrivent dans une même recherche du secret invisible, de l’essence du monde. Le parallélisme, inédit et intertextuel, entre leurs poème
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Blackmore, Sabine. "In soft Complaints no longer ease I find." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2015. http://dx.doi.org/10.18452/17176.

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Diese Dissertation untersucht die verschiedenen Konstruktionen poetischer Selbstrepräsentationen durch Melancholie in Gedichten englischer Autorinnen des frühen 18. Jahrhunderts (ca. 1680-1750). Die vielfältigen Gedichte stammen von repräsentativen lyrischer Autorinnen dieser Epoche, z.B. Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Vor einem ausführlichen medizinhistorischen Hintergrund, der die Ablösung der Humoralpathologie durch die Nerven und die daraus resultierende Neupositionierung
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Books on the topic "Poetry of Mourning"

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Kerr, Luella. Light of mourning. Ekstasis Editions, 1990.

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Kerr, Luella. Light of mourning. Ekstasis Editions, 1990.

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Wallace, Dale. In mourning. Late Bloomers, 2004.

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A season of mourning. Brick books, 1988.

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Greene, Vivian. Mourning glory: Love lives forever. Lifetime Books, 1998.

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Holender, Barbara D. Shivah poems, poems of mourning. Andrew Mountain Press, 1986.

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Mourning sickness: The art of grieving. Resurrection Press, 2003.

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A ritual of drowning: Poems of love and mourning. Tabor Sarah Books, 1999.

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Cox, Douglas A. Paloma: A love story. Seven Locks Press, 1996.

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Ramazani, Jahan. Poetry of mourning: The modern elegy from Hardy to Heaney. University of Chicago Press, 1994.

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Book chapters on the topic "Poetry of Mourning"

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Vine, Steve. "‘Shot from the locks’: Poetry, Mourning, Deaths and Entrances." In Dylan Thomas. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-0-230-21369-2_8.

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Johnson, George M. "Purgatorial Passions: “The Ghost” (aka Wilfred Owen) in Owen’s Poetry." In Mourning and Mysticism in First World War Literature and Beyond. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137332035_7.

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Mundal, Else. "Female Mourning Songs and Other Lost Oral Poetry in Pre-Christian Nordic Culture." In The Performance of Christian and Pagan Storyworlds. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.miscs-eb.1.100762.

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Brennan, Eugene. "Mourning and Mania: Visions of Intoxication and Death in the Poetry of Georges Bataille." In Literature and Intoxication. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-48766-7_4.

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"Mourning and Melancholia." In Victorian Poetry Now. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444340440.ch8.

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Tausig, Benjamin. "A Quiet Mourning." In Bangkok is Ringing. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847524.003.0008.

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This chapter argues for a poetry of dynamics within the Red Shirt movement. Rather than always aiming to be louder, various protesters found ways of producing sound that were intense and intensely affective without necessarily being volume-dependent. Working with the keyword “pity” or “pitiful,” which many dissidents used to describe themselves, I claim that different protest contexts valorize different modes of political engagement. For sound studies and music studies, it is necessary to consider the vernacular ways in which sound and dynamics are rendered poetic. The Red Shirts aimed toward pitiful sounding that hailed listeners to feel responsibility for their plight. The chapter engages three ethnographic examples: a man who sits in theatrical silence, orphan girls, and a stage musician.
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"MARTIAL’S MODES OF MOURNING. SEPULCHRAL EPITAPHS IN THE EPIGRAMS." In Flavian Poetry. BRILL, 2006. http://dx.doi.org/10.1163/9789047417712_022.

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"Memory, Mourning, and Malvern Hill: Herman Melville and the Poetry of the American Civil War." In Memory, Mourning, Landscape. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042030879_004.

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"War poetry, romanticism, and the return of the sacred." In Sites of Memory, Sites of Mourning. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781107050631.009.

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Freer, Alexander. "Metrical Pleasures." In Wordsworth's Unremembered Pleasure. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856986.003.0004.

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Chapter 3 reads Wordsworth’s poetic theory as a far-reaching account of compositional pleasure. It considers the crucial relation between of poetry’s claims to truth and its claims to produce and communicate pleasure, and uses the question of poetic pleasure to explore the tense relation in Wordsworth’s prose between real language and events and the artificial and mechanical operation of verse. It goes on to position Wordsworth’s theory of poetry in opposition to the persistent critical problem of sublimation. In place of the assumption that artistic pleasures must be substitute satisfaction or sheer fantasy, it explores the claim that poetry might disclose existing but unacknowledged pleasure in the world. The challenges and pleasures of metrical verse, it argues, are for Wordsworth constitutive of its retrospective, reparative forms of attention. The chapter concludes by returning to Wordsworth’s poetry and considering how metrical pleasure might function as a form of mourning.
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Conference papers on the topic "Poetry of Mourning"

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Zhang, Xinxin. "Research on the Emotional Direction of Mourning Poetry in the Song Dynasty." In 2015 International Conference on Management, Education, Information and Control. Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.102.

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