Relevant bibliographies by topics / Poetry of the Tang Dynasty

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poetry of the Tang Dynasty'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Poetry of the Tang Dynasty"

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이해원. "Tang Poetry and Wines of Tang Dynasty." Journal of Chinese Cultural Studies ll, no. 15 (December 2009): 507–36. http://dx.doi.org/10.18212/cccs.2009..15.028.

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Wang, Yanning. "Qing Women's Poetry on Roaming as a Female Transcendent." NAN NÜ 12, no. 1 (2010): 65–102. http://dx.doi.org/10.1163/156852610x518200.

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AbstractYouxian shi (poetry on roaming as a transcendent) has long been a conventional poetic genre in Chinese literature. It has been the common conception that youxian poetry was most popular from the Wei dynasty (220-265) through the Tang dynasty (618-907), and up until now, scholarly studies on the genre seemed to focus exclusively on Tang and pre-Tang periods. This gives the impression that after the Tang nothing of interest was written in this particular genre. Consequently, very little scholarly attention has been given to the youxian poems composed in post-Tang periods. This article examines youxian poems by Qing (1644-1911) women, specifically those poems entitled Nü youxian (roaming as a female transcendent). With the increasing consciousness of "self," the rise of groups of women writers, and the popularity of women's culture in late imperial China, youxian poems provided a unique literary space for women's poetic and autobiographical voices, certainly deserving more scholarly attention. I argue that by presenting female transcendents or women pursuing transcendence at the center of a poem and re-inscribing the traditional literary images, the poets created a stronger female subjectivity that reflected women's desires in their intellectual and spiritual lives. I also propose that nü youxian was a new subgenre of youxian poetry, emerging only in the context of the efflorescence of women's poetry.
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Ying, Wang. "A National Flower’s Symbolic Value During the Tang and Song Dynasties in China." Space and Culture 21, no. 1 (January 4, 2018): 46–59. http://dx.doi.org/10.1177/1206331217749765.

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The concept of a national flower was an important part of the culture and poetry of the imperial courts of the Tang and Song dynasties. Li Bai and other poets in the Tang period used the tree peony as an icon of the imperial concubine Yang Yuhuan’s beauty. Later Tang poetry, however, also includes undertones of disquiet, using this flower-image as a sign of unhappiness at the state of the country. With the advent of the Song dynasty, the poetic focus exalts the plum blossom, a very different kind of flower than the tree peony. I argue that this reflects the Song dynasty’s different mentality. Writers of this age emphasized refinement, rationality, and introspection. For example, Lin Bu felt wedded to his plum tree. Su Shi developed a theory of the plum blossom’s character. The shift in government from North to South may have also contributed to the shift. The tree peony suited the northern climate; the plum tree thrived in the South.
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Chen, Jue. "The Tang Poet in Song Poetics, Song Poetics in the Tang Poet: The Construction of Du Fu’s Image as Verbal Master." T’oung Pao 104, no. 5-6 (December 10, 2018): 537–71. http://dx.doi.org/10.1163/15685322-10456p04.

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AbstractThe image of Du Fu as a poet who excels at using the most appropriate words in his poetry was, to a large extent, constructed by the poets and critics of the Song dynasty. When reading, transcribing, editing, and commenting on Du Fu’s poetic texts, the Song literati prioritized textual variants in Du Fu’s poetry that could in their opinion better demonstrate Du Fu’s poetic craftsmanship; by doing so, they defined Du Fu as a verbal master who was able to use the finest words in poetic composition. The Song literati’s interest in word usage in Du Fu’s poetry was essentially a projection of their own desire to pursue expressional effect in poetic composition, which drove them to learn from Du Fu.
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Kim, Junghee. "An Analyses on Tea Poetry in Tang Dynasty." Journal of Chinese Studies 81 (August 31, 2017): 221–43. http://dx.doi.org/10.35982/jcs.81.10.

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Zhaopeng, Wang, and Qiao Junjun. "Geographic Distribution and Change in Tang Poetry: Data Analysis from the “Chronological Map of Tang-Song Literature”." Journal of Chinese Literature and Culture 5, no. 2 (November 1, 2018): 360–74. http://dx.doi.org/10.1215/23290048-7257028.

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Abstract This article uses data to analyze the geographic distribution and transformation of the poetic world in the Tang dynasty (618–907 CE). There are two ways we can examine spatial distribution and movement in Tang poetry. The first is a static examination of poets' hometowns (jiguan 籍貫). This method looks at the distribution of poets during a specific period to understand where greater or lesser numbers of poets were born, which places could be considered the center of Tang poetry, and what kinds of geographical changes occurred over time in the Tang literary world. The second is a dynamic examination of poets' activities. When we compare various Tang poets, what differences and changes can we find in the places they lived and traveled? Are the poets' spatial distribution patterns even, or do they favor certain regions? Where were the centers of poetic activity in this period? Were they the same as the political center (the two capitals), or were they located farther out in the provinces? Were they in culturally or politically developed areas or in more remote, less developed ones? In which areas was poetic activity most frequent and intense? This article attempts to answer these questions with data.
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Vedal, Nathan. "NEVER TAKING A SHORTCUT: EXAMINATION POETRY OF THE TANG DYNASTY." Tang Studies 33, no. 1 (November 24, 2015): 38–61. http://dx.doi.org/10.1179/0737503415z.00000000014.

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Mo, Lifeng. "The abridgement of famous Tang Dynasty poetry by later generations." Frontiers of Literary Studies in China 3, no. 3 (August 5, 2009): 455–78. http://dx.doi.org/10.1007/s11702-009-0018-5.

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Zhang, Bowei. "On the standardization of poetry writing in the Tang dynasty." Frontiers of Literary Studies in China 4, no. 1 (February 12, 2010): 55–92. http://dx.doi.org/10.1007/s11702-010-0004-3.

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Liuyue, Zhang, and Ma Yan. "Multi-modal Dissemination of Jingzhou Poetry in the Tang Dynasty." International Journal of English Literature and Social Sciences 6, no. 4 (2021): 294–99. http://dx.doi.org/10.22161/ijels.64.46.

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Dissertations / Theses on the topic "Poetry of the Tang Dynasty"

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Yuen, Wai-Leung, and 阮偉樑. "A study of "Ganyu poetry" of Tang dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48539958.

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In the history of Chinese literature, poetry is undoubtedly the most significant genre that could represent the Tang Dynasty. There were many great poets including Li Bai and Du Fu who wrote regarding a rich variety of topics. This thesis attempts to study the research works of Ganyu Poetry in the perspective of the literature history and aesthetic conception. It is hoped that this dissertation can give readers a clear understanding of Ganyu Poetry in the Tang Dynasty. Through studying the themes and aesthetic features and of Ganyu Poetry, we could discuss this kind of poetry written in different centuries. As the basis of this study is the "Quantangshi", the content and the aesthetic features of Tang Ganyu Poetry will be discussed. "Quantangshi", is a collection of the primary source of Tang poetry published in the Qing Dynasty, that was amended by different scholars. The 74 poems with the theme of Ganyu Poetry from Tang Ganyu Poetry will be studied. There are five chapters in this thesis, preceded by an introduction. Chapter one deals with the introduction of the structure of this thesis, the literature review, the research methods and the significance of the research. Chapter two explains the definition of Ganyu Poetry based on the literature review and previous research conducted by other scholars in order to define the meaning of Ganyu in this thesis and design the scope of study. Chapter three discusses the development of Ganyu Poetry in the early Tang, mid Tang and late Tang periods. Chapter four makes an analysis of the aesthetic features of in Tang Dynasty in order to give us a thorough understanding on Ganyu Poetry. Chapter five, the concluding chapter, summarizes the arguments stated in this thesis. 一代有一代之文學，最能代表唐代的文學是詩歌，詩人輩出，如李白、杜甫；詩派紛繁，題材多變。唐代感遇詩是十分重要的唐詩類別，不少作家均曾創作感遇詩，如陳子昂和張九齡。本論文選擇研究唐代感遇詩這個題目，以整體的文學史視野來研究唐代感遇詩的論著，運用美學觀念分析的研究。本文也希望能藉今次研究，加深我們對唐代感遇詩的認識，並且能對「感遇」這種文學的主題類型和美學特質加深理解，恊助我們討論不同時代的「感遇類」詩詞作品。 本論文將以《全唐詩》作為研究基礎，研究唐代感遇詩的內容和美學特徵。《全唐詩》是清代的唐詩總集，後經不同的學者修正，收錄第一手紥實的唐詩材料，作為研究的根據。本人搜尋《全唐詩》中以「感遇」為題的詩歌作為研究對象，共有74首詩，全文分為五個章節，第一章是導論，介紹全文的架構、研究回顧、研究方法和研究重要。第二章對「感遇詩」作出定義，爬疏文獻資料和前人學者的研究，說明本文對「感遇」的理解，劃出一個研究範圍。第三章會探討「感遇詩」在初唐、盛唐、中唐和晚唐發展情況，勾勒唐代感遇詩的發展概況。第四章以美觀念切入，探討唐代感遇詩的美學特質，配合第三章的主題分析，讓我們更全面認識唐代感遇詩。最後，第五章是結論，總結全文的論點。
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Chinese Language and Literature
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Master of Arts
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鄭華達 and Wah-tat Cheng. "Palace Laments of the Tang Dynasty (618-907)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213984.

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張為群 and Wai-kwan Cheung. "The monk-poets of the mid-Tang period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31220617.

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Chan, Kwok-kou Leonard, and 陳國球. "The reception of Tang poetry in the Ming neo-classical criticism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31231081.

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Lau, Wai-lam, and 劉衛林. "The concept of Jing in mid-Tang poetics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31240483.

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吳錦龍 and Kam-lung Ng. "The Frontier Poetry of the T'ang Dynasty (618-907)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213480.

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張漢靑 and Hon-ching Cheung. "李白杜甫登高望遠詩硏究." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B29968276.

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Chan, Che-shan, and 陳芷珊. "A critical study of "Qian jian Du shi" =b《錢箋杜詩》硏究." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B36262663.

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朱蓓嫻 and Pui-han Dorothy Chu. "A critical study of Wei Yingwu's (737-795?) poetic works." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B3122068X.

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You, Li-Yu. "Facture et jeu de la cithare chinoise qin sous la dynastie des Tang." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040220.

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Au croisement de la sinologie, de la philologie, de l’histoire, de la musicologie, de l’organologie et de la pratique instrumentale, cette recherche se donne pour objet d’approfondir notre connaissance de la facture et des techniques de jeu de la cithare chinoise qin sous la dynastie des Tang (618-907) en traduisant et analysant des sources peu exploitées de cette période, à savoir le traité Tang Chen Zhuo zhifa 唐陳拙指法 (Techniques de jeu [du qin] par Chen Zhuo des Tang) et 1468 poèmes évoquant cet instrument. En complément d’autres sources anciennes, l’étude du corpus des poèmes précise notamment l’origine des matériaux utilisés pour le qin, l’usage d’accessoires, l’identification de luthiers amateurs et professionnels, la constitution du répertoire, l’emploi et l’évolution des partitions.La traduction et édition critique du Tang Chen Zhuo zhifa sert de support à un travail d’inventaire et d’analyse typologique des gestes décrits dans ce traité. Les techniques de jeu de l’époque s’y révèlent dans leur étendue et leur diversité.Afin d’en faciliter leur compréhension, plusieurs doigtés font l’objet des reconstitutions filmées, conservées sur le DVD en annexe. Des analyses d’acoustique musicale effectuées sur une sélection de techniques se sont également avérées riches d’enseignements en révélant les fondements concrets et subtils sous-jacents au jeu du qin à l’époque des Tang
At the intersection of sinology, philology, history, musicology, organology and instrument playing, this research aims at broadening our knowledge of how the qin Chinese zither was made and played throughout the Tang dynasty (618-907). The research draws on often overlooked or untapped sources of information from this period such as the Tang Chen Zhuo zhifa 唐陳拙指法 treatise (Qin Playing techniques by Chen Zhuo) and 1468 poems in which the instrument is referred to.Study of the body of poems and ancient texts sheds light on the origin of the materials used to make the instrument and how accessories were used, drawing a distinction between amateur and professional instrument makers and explaining how a repertoire is built and how sheet music was read and evolved over time.The translation and critical edition of Tang Chen Zhuo zhifa serve as a basis for an inventory and typological analysis of the techniques described in the treatise, which illustrates the wide range and different styles of playing. Some of the fingerings were filmed and recorded on a DVD included here in appendix. Analyses of the musical acoustics of a selection of techniques provide valuable insights into both the groundings and the subtlety of qin playing during the Tang period
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Books on the topic "Poetry of the Tang Dynasty"

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Tang shi Song ci de shi wu tang ke: Poetry of the Tang & Sung dynasty. Taibei Shi: Wu nan tu shu chu ban gu fen you xian gong si, 2007.

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Ying yi Tang shi xuan: An anthology of the Tang dynasty poetry. Shanghai: Shanghai wai yu jiao yu chu ban she, 2007.

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Zhao, Changping, Minggang Cao, and Guoliang Gai. Tang Song ci san bai shou. Shanghai: Shanghai gu ji chu ban she, 1999.

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1857-1931, Zhu Zumou, ed. Tang shi san bai shou. Changsha Shi: Yue lu shu she, 2002.

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Tang shi san bai shou. [Hefei]: Anhui wen yi chu ban she, 2002.

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Tang shi san bai shou. Chengdu: Sichuan wen yi chu ban she, 2000.

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Hengtangtuishi and Ming Lu. Tang shi san bai shou. Changsha: Yue lu shu she, 2012.

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Shi, Nan. Tang Song ming pian song du. Nanjing: Jiangsu shao nian er tong, 1999.

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Tang shi Song ci gai shuo. [Guangzhou]: Guangdong ren min chu ban she, 1997.

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Ronghua, Huang, and Wang Ximing, eds. Chuan yue Tang shi Song ci. Shanghai: Fu dan ta xue chu ban she, 2008.

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Book chapters on the topic "Poetry of the Tang Dynasty"

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Yu, Hai, Zi-Xuan Li, and Yu-Yan Jiang. "Using GitHub Open Sources and Database Methods Designed to Auto-Generate Chinese Tang Dynasty Poetry." In Communications in Computer and Information Science, 417–28. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7530-3_32.

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Ch’ien, Mu. "The Tang Dynasty." In Merits and Demerits of Political Systems in Dynastic China, 29–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_2.

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Fu, Chonglan, and Wenming Cao. "and the of the Tang Dynasty." In Introduction to the Urban History of China, 163–84. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8207-9_15.

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Yuan, Jixi. "Xing’s Transformations After the Tang Dynasty." In Redefining Chinese Literature and Art, 25–52. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3555-6_2.

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Tatsihiko, Seo. "The Tang Dynasty I (618–756)." In Routledge Handbook of Imperial Chinese History, 126–43. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-12.

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DeBlasi, Anthony. "The Tang Dynasty II (756–907)." In Routledge Handbook of Imperial Chinese History, 144–56. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-13.

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Jiang, Lan. "Tang Poetry in Classical Chinese Poetry Anthologies." In A History of Western Appreciation of English-translated Tang Poetry, 151–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-662-56352-6_10.

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Mason, Colin. "Early Japan and the Tang Dynasty in China." In A Short History of Asia, 57–67. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-34061-0_6.

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Roberts, J. A. G. "From the Period of Division to the Tang Dynasty." In A History of China, 40–78. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27704-9_2.

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Roberts, J. A. G. "From the Period of Division to the Tang Dynasty." In A History of China, 41–77. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34536-2_2.

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Conference papers on the topic "Poetry of the Tang Dynasty"

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Zhao, Li-Xia. "On the Modern Value of Tourism Poetry in Tang Dynasty from the Perspective of Tourism Science." In 3rd Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/sschd-17.2017.33.

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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b4315256b56.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the recent development of breakwaters for a fishing harbor, the shore environments of this beach have changed significantly. In this study, the status of silt deposits and topographic changes on this beach arising from the construction of a harbor breakwater were evaluated by comparing aerial photographs taken in different years. Next, the changes in the shoreline visible from aerial photographs from 1947 to 2014 were analyzed. Lastly, the altitude of the beaches was measured using accurate survey methods. The following results were obtained: 1) coastal erosion made rock cliffs to fall off along the shore and deposited sand on this beach; 2) the more serious advances or retreats of the shoreline took place around shoreline structures; 3) sandbars and beach cliffs were formed.
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Sakamoto, Ryo, Ryo Sakamoto, Satoquo Seino, Satoquo Seino, Hirokazu Suzaki, and Hirokazu Suzaki. "COASTAL ALTERATION AND CHANGES IN SHORELINE MORPHOLOGY DUE TO ARTIFICIAL STRUCTURES IN MIIRAKU TOWN ON FUKUE IS. IN THE GOTO ARCHIPELAGO." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b9405463da4.93038143.

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A construction of breakwaters and other shoreline structures on part of a coast influences drift sand transport in the bay, and causes comprehensive topographic changes on the beach. This study investigated shoreline and coastal changes, taking as an example of Shiraragahama Beach in Miiraku on the northwestern end of Fukue Island, Nagasaki Prefecture (Kyushu, Japan). Miiraku, adjacent to Saikai National Park, appears in the revered 8th century poetry collection “Manyoshu” and served as a port for a ship taken by the Japanese envoy to China during the Tang Dynasty (618-709). Because of the recent development of breakwaters for a fishing harbor, the shore environments of this beach have changed significantly. In this study, the status of silt deposits and topographic changes on this beach arising from the construction of a harbor breakwater were evaluated by comparing aerial photographs taken in different years. Next, the changes in the shoreline visible from aerial photographs from 1947 to 2014 were analyzed. Lastly, the altitude of the beaches was measured using accurate survey methods. The following results were obtained: 1) coastal erosion made rock cliffs to fall off along the shore and deposited sand on this beach; 2) the more serious advances or retreats of the shoreline took place around shoreline structures; 3) sandbars and beach cliffs were formed.
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Lu, Cheng, and Cheng Ge. "Analysis of the arts and crafts of Tang Dynasty and Song Dynasty." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.82.

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Wang, Yuan. "Appreciating Beauty in Prosperous Tang Dynasty from the Fair Lady Portrayal of Tang." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.61.

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"The Beauty of Imagery in Tang Yin’s Poetry." In 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.099.

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Wu, Bo. "On the Buddhist Thought in Tang Yin's Poetry." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.120.

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Gu, Liping. "Study on the Contribution of Xiling's Poetry to Poetry Flourished in Earlier Qing Dynasty." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.39.

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Tang, Yongrui, Xumei Wang, Peng Qi, and Yan Sun. "A Neural Network-based Sentiment Analysis Scheme for Tang Poetry." In 2020 International Wireless Communications and Mobile Computing (IWCMC). IEEE, 2020. http://dx.doi.org/10.1109/iwcmc48107.2020.9148542.

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Tang, Xuemei, Shichen Liang, Jianyu Zheng, Renfen Hu, and Zhiying Liu. "Automatic Recognition of Allusions in Tang Poetry Based on BERT." In 2019 International Conference on Asian Language Processing (IALP). IEEE, 2019. http://dx.doi.org/10.1109/ialp48816.2019.9037679.

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Reports on the topic "Poetry of the Tang Dynasty"

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Sobolev, A. E. INFORMATION ON THE ROADS FROM THE TANG EMPIRE TO THE BOHAI STATE IN THE HISTORICAL CHRONICLE «THE NEW HISTORY OF THE TANG DYNASTY». "Росток", 2018. http://dx.doi.org/10.18411/sob-2018-30.

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