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Journal articles on the topic 'Poetry, periodicals'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Rekašiūtė, Kotryna. "Publications of Fiction Texts in Prussian Lithuanian Periodicals in the Nineteenth and Early Twentieth Centuries: Statistics and Insights." Senoji Lietuvos literatūra 58 (December 26, 2024): 83–103. https://doi.org/10.51554/sll.24.58.05.

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In 1823, the first Lithuanian periodical appeared in Tilžė (Ger. Tilsit). It was a magazine-type publication called Nusidavimai Dievo karalystėje. It was followed by more Lithuanian newspapers and their supplements in Prussian Lithuania. Print shops produced the newspapers in German and Lithuanian, in Gothic typeface. Most of them appeared in the print shops of Tilžė and Klaipėda (Ger. Memel). The newspapers published a wide range of material: articles on various subjects (philosophy, religion, the natural sciences, art, geography, etc.), reviews, and also texts of fiction, in the disseminatio

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2

Lawrence, Lindsy. "Teaching Digital Literacy Through Indexing Poetry in Nineteenth-Century Periodicals for the Periodical Poetry Index." Journal of Victorian Culture 24, no. 3 (2019): 344–53. http://dx.doi.org/10.1093/jvcult/vcz029.

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3

Stone, David R. "Targets of the Censor." Journal of Intellectual Freedom & Privacy 4, no. 3 (2020): 56. http://dx.doi.org/10.5860/jifp.v4i3.7329.

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Stone, David R. "Targets of the Censor." Journal of Intellectual Freedom & Privacy 3, no. 1 (2018): 65. http://dx.doi.org/10.5860/jifp.v3i1.6744.

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Stainthorp, Clare. "Secular Community and Identity in the Poetry of British Freethought Periodicals." Partial Answers: Journal of Literature and the History of Ideas 23, no. 1 (2025): 105–29. https://doi.org/10.1353/pan.2025.a949630.

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Abstract: The poetry in British freethought periodicals in the second half of the 19th century illuminates how members of this radical secularist movement agitated for change, expressed their ideas, and self-fashioned their collective identity as a community of thought and action. This article examines the role of poetry in the National Reformer, Freethinker, Secular Review/Agnostic Journal , and Secular Chronicle . Their editors published lyrical and reflective poetry alongside poems of protest, expressing freethinkers' social and political struggles across poetic forms and bringing an often-

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6

Orlova, Ekaterina I. "M.A. Voloshin’s works in periodicals of southern Russia between 1917 and 1922." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2023): 3–10. http://dx.doi.org/10.20339/phs.1-23.003.

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Very few works written by Maximilian Voloshin during the Russian Civil War were published in Southern Russia’s periodicals or other printed media. Nonetheless, papers like Tavrichesky Golos (Simferopol) and Delo (Odesa), the Kamena magazine (Kharkiv), as well as a literary and political volume called Nakanune (Yekaterinodar, modern-day Krasnodar) published some of Voloshin’s poems and articles. These publications are, without a doubt, highly significant for the history of literature and journalism as Moscow and Saint Petersburg media published Voloshin’s works less often; nowadays, his publica

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Choma-Suwała, Anna. "Poezja Józefa Łobodowskiego w tłumaczeniach i krytyce Światosława Hordyńskiego." Acta Neophilologica 1, no. XXIV (2022): 123–36. http://dx.doi.org/10.31648/an.7433.

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This paper attempts to interpret and evaluate Ukrainian translations of Józef Łobodowski’s poetry. Already in the 1930s, he was known to the Ukrainian reader primarily as a translator of Ukrainian poetry. His original work was also particularly appreciated by the Ukrainian émigré, mainly due to its pro-Ukrainian character. One of the precursors of the translations of Łobodowski’s poetry in the Ukraine was Sviatoslav Hordynsky. In the early 1950s, he translated, inter alia, the following works: Praise of Ukraine, Horse of Ataman Łobody and October Elegy. Hordyński was also a critic of Łobodowsk

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Gayle Rogers. "A Spanish View of Modernist Poetry in American Periodicals (1925)." Journal of Modern Periodical Studies 3, no. 1 (2012): 10. http://dx.doi.org/10.5325/jmodeperistud.3.1.0010.

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9

Latané, David E. "British Victorian Women's Periodicals: Beauty, Civilization, and Poetry. Kathyrn Ledbetter." Wordsworth Circle 42, no. 4 (2011): 262–63. http://dx.doi.org/10.1086/twc24043169.

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Chapin, Lisbeth. "British Victorian Women's Periodicals: Beauty, Civilization, and Poetry. Kathryn Ledbetter." Wordsworth Circle 41, no. 4 (2010): 261–62. http://dx.doi.org/10.1086/twc24043673.

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Lee, Kyung Ha. "Beiping Literary Periodicals in the 1930s and the Modern Poetry." Journal of Modern Chinese Literature 88 (January 31, 2019): 115–48. http://dx.doi.org/10.46487/jmcl.2019.01.88.115.

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Farahmandfar, Masoud, and Abdolrasoul Shakeri. "Between Desire and Deferral: A Narratological Study of Shamlu’s Poetry." International Journal of Persian Literature 7 (September 2022): 62–76. http://dx.doi.org/10.5325/intejperslite.7.0062.

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Abstract Shortly after August 1941 with the easing of censorship on the press, the literati took full advantage to better inform their milieu. Many new magazines and literary periodicals emerged and the first wave of post-Yūshij poetry was published. These poems, more often than not, represented a kind of languid and otiose romanticism,1 of which the early poetry of Ahmad Shamlu is symptomatic. After the August 1953 coup, romanticism in poetry and poetics was jettisoned for social activism. Shamlu’s poems are “reflexive,” real time images of his milieu. For him, poetry is the child of necessit

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YURKOITS, D. "THE IMAGE OF THE FUTURE THROUGH BINARY OPPOSITIONS IN “MASS POETRY” OF WESTERN BELARUS." Herald of Polotsk State University. Series A. Humanity sciences, no. 2 (February 28, 2024): 37–42. http://dx.doi.org/10.52928/2070-1608-2024-70-2-37-42.

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The article reveals the distinctiveness of revealing “the image of the future” in the work of representatives of the “mass poetry” of Western Belarus. The main emphasis is placed on the depiction of typical “binary oppositions” (on the example of poems by A. Ivers). It is claimed that consideration of the ideological and aesthetic specificity of literary creativity requires the correct use of the terms “the image of the future”, “binary oppositions”, “mass poetry”, “Western Belarusian poetry”. Using specific examples, it is shown that the analysis of different versions of the same works (which

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14

Holman Weisbard, Phyllis. "Using Women's Studies/ Feminist Periodicals as a Resource for Researching Jewish Women." Judaica Librarianship 10, no. 1 (2000): 71–74. http://dx.doi.org/10.14263/2330-2976.1159.

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Articles on Jewish women are frequently published in women's studies/ feminist periodicals, where they may not readily come to the attention of Judaica researchers owing in large measure to the difficulties inherent in the indexing of this new interdisciplinary field. From her vantage point as publisher of Feminist Periodicals: A Current Listing of Contents and with a background in Judaica librarianship, the author has taken note of a wealth of material on Jewish women, covering both religious and secular aspects of Jewish women's identity, upbringing, and psyche; the status of Israeli women a

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Mitzner, Piotr. "At Home and Abroad. Julian Tuwim and the Russian Emigration." Acta Universitatis Lodziensis. Folia Litteraria Polonica 36, no. 6 (2017): 111–28. http://dx.doi.org/10.18778/1505-9057.36.08.

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Julian Tuwim was an accomplished translator of Russian poetry. Until recently, hiscontacts with the Russian emigrants in Poland in the interwar period had been scarcely known. The article expands on the topic of the influence of Tuwim’s poetry on the members of the Russian emigration and attempts to describe his role in the life of the Russian diaspora. What is even more interesting, Tuwim maintained his Russian relations also int he communist Poland, helping and supporting those who were forced to hide their past. Members of the Russian emigration (especially a distinguished critic Dymitr Fił

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Védrine, Hélène. "Adverts in ‘Little Reviews’ (1890–1930): Networks, Poetry and Design." Journal of European Periodical Studies 1, no. 2 (2016): 87. http://dx.doi.org/10.21825/jeps.v1i2.2648.

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Between the 1880s and the 1920s, advertising proved fundamental to art and literature reviews since it fostered a new link between visual and consumerist culture. This article is based on fin de siècle and avant-garde magazines read in dialogue. It samples French and Belgian magazines illustrating innovations to 1880s periodicals and 1920s modernist magazines. The paper highlights the use of visual techniques in advertisements (page design, typography, etc.) that strengthen aesthetic and political stances. Advertising rhetoric masks aesthetic manifestos but also social and political agenda, re

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Dabrowska, Magdalena. "The Polish Enlightenment Poetry in the Kharkiv Periodicals and Books between 1819 and 1820." Zeszyty Cyrylo-Metodiańskie 13 (December 19, 2024): 57–73. https://doi.org/10.17951/zcm.2024.13.57-73.

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The paper presents the reception of the Polish Enlightenment poetry in the Russian-language periodicals (monthly ‘Ukrainski Vestnik’, 1816–1819) and books (a volume of poetry ‘The Attempts in Verses’ by Aleksander Skłabowski, 1819; a collection ‘The Works and Translations by the Students of the Imperial University in Kharkiv...’, 1820), published by the Kharkiv University Publishing House in the first half of the 19th century. The methods employed in the research are bibliographic heuristics, comparative literature and translation studies. The paper consists of three parts: the outline of hist

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18

Stauffer, Andrew M. "“THE KING IS COLD,” BY STODDARD, NOT BROWNING." Victorian Literature and Culture 36, no. 2 (2008): 361–62. http://dx.doi.org/10.1017/s1060150308080224.

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About a decade ago, I discovered an unknown poem attributed to Robert Browning in two New York abolitionist periodicals, and published an article about it here in Victorian Literature and Culture. I made the case that the poem, a dramatic monologue entitled “The King is Cold,” sounds like Browning in ways that suggest either its authenticity or the early familiarity of an American audience with Browning's style; and I closed the article with the statement, “By bringing ‘The King is Cold’ to light, I hope to encourage further speculation and inquiry as to its place either among Browning's colle

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19

Young. "British Victorian Women's Periodicals: Beauty, Civilization, and Poetry, by Kathryn Ledbetter." Victorian Studies 52, no. 4 (2010): 628. http://dx.doi.org/10.2979/vic.2010.52.4.628.

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Ledbetter, Kathryn. "Time and the Poetess: Violet Fane and Fin-de-Siècle Poetry in Periodicals." Victorian Poetry 52, no. 1 (2014): 141–59. http://dx.doi.org/10.1353/vp.2014.0002.

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21

Diedrick, James. "Secularism and its Discontents: Forms of Freethought in Mathilde Blind's Periodical Poetry." Partial Answers: Journal of Literature and the History of Ideas 23, no. 1 (2025): 131–49. https://doi.org/10.1353/pan.2025.a949631.

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Abstract: The poet and woman of letters Mathilde Blind (1841–1896) achieved her early fame — and notoriety — as a radical freethinker, especially as a translator and champion of David Friedrich Strauss's The Old Faith and the New: A Confession (1873), which articulates an antitheist form of historical and scientific materialism. Her subsequent prose works — essays, reviews, and translations — confirm this reputation. But her verse, which makes use of what Percy Bysshe Shelley in The Revolt of Islam called "a subtler language within language," speaks in a subjective, non-polemical voice. Focusi

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22

Novozhilova, Elena V. "Contemporary poetry book reviews: quantitative analysis." Neophilology, no. 26 (2021): 276–88. http://dx.doi.org/10.20310/10.20310/2587-6953-2021-7-26-276-288.

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The work displays progress and results of the quantitative study of poetry book reviews published in the Russian-language literary periodicals in recent years (2014–2019). We describe the method of material selection (chronological framework, range of sources – literary and philological journals, newspapers, – criteria for selection of literary-critical texts), the method of calculating the volume of material. We give the main quantitative characteristics of the received corpus: total number and total volume of texts, average annual number and volume, average volume of one review (calculated b

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23

Palmer, Tim. "Sun and Shadow: Musidora’s Self-Curated Stardom in Periodicals and the Archive." Journal of Modern Periodical Studies 14, no. 2 (2023): 252–73. http://dx.doi.org/10.5325/jmodeperistud.14.2.0252.

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ABSTRACT Musidora is one of pre-sound cinema’s most globally acclaimed stars, whose career encompassed acting, film direction, creative writing, and poetry. Her work as archival curator is generally overlooked, however, and this article explores how this latter phase of her work actually consolidated her cultural identity as a pioneering woman star-filmmaker. To do this, the article focuses on the Musidora Collection at the Bibliothèque du Film in Paris, exploring how Musidora, star-turned-periodicals-compiler, distilled her professional emergence in the 1910s and 1920s. Historically revisioni

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24

Orlitskiy, Yuri B. "“In original poetic meter”: “Ethnographic” searches and finds of Russian translation verse of the Silver Age and their interpretations on the pages of periodical press." Philological Sciences. Scientific Essays of Higher Education 1, no. 2 (2024): 46–57. http://dx.doi.org/10.20339/phs.2.1-24.046.

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The article presents a wide range of phenomena of national rhythmic culture that appeared on the pages of periodicals (newspapers, magazines, almanacs) of the early twentieth century, primarily in the translation of foreign language poetic texts, for most of which there are still no adequate analogues in Russian versification. However, thanks to the persistent desire of the authors of that time, such analogues are either found among related phenomena or are reinvented. Moreover, this happens in publications of a wide variety of types: from the elite St. Petersburg “Vesi” to the mass “Samara Mu

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Dąbrowska, Magdalena. "Sny oświeconych o szczęśliwym społeczeństwie (z zawartości czasopism rosyjskich drugiej połowy XVIII – początku XIX wieku)." Studia Interkulturowe Europy Środkowo-Wschodniej 11 (November 6, 2018): 140–53. http://dx.doi.org/10.5604/01.3001.0012.7257.

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The article presents the literary descriptions of dreams, which were published in the Russian periodicals of the Enlightenment period: 1. The happy society: a dream by Alexander Sumarokov (“Trudolubivaya pchela”, 1759), 2. A dream by Sergey Domashnev (“Poleznoye uveselenye”, 1761), 3. A dream by Ivan Bakhtin, A dream by Timofey Voskresensky and A dream by Ivan Trunin (“Irtysh, prevrashchaiushchiisia v Ippokrenu”, 1789–1790). The works present an image of a good ruler, a happy society and an educational role of poetry.

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Lavrinec, Pavel. "Reception of Osip Mandelstam’s Creativity in Interwar Lithuania." Literatūra 62, no. 2 (2020): 80–91. http://dx.doi.org/10.15388/litera.2020.2.4.

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The presented materials on the reception of Osip Mandelstam’s work were revealed in memoir testimonies, published epistolaries, works on the biography of the writer and scientist Vincas Krėvė and his colleague at the University of Lithuania in Kaunas (Vytautas Magnus University since 1930) Mykolas Banevičius (Mikchail Podshibyakin), and periodicals in Lithuanian and Russian languages. The study showed that among the Lithuanian poets and translators there were connoisseurs of poetry and prose by Mandelstam, but translations into Lithuanian language did not appear during the interwar years. A po

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Lappo-Danilevskii, Konstantin Yu. "Nikolai Novikov as a Publisher of Aleksandr Sumarokov’s Poetry." Literary Fact, no. 17 (2020): 304–42. http://dx.doi.org/10.22455/2541-8297-2020-17-304-342.

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Among other things, the outstanding enlightener Nikolai Novikov (1744 –1818) contributed to Russian culture as the editor-publisher of the Complete Works in Verse and Prose by Aleksandr Sumarokov (1781 –1782, 10 vols.; 2nd ed.: 1787, 10 vols.). It was the first attempt of publishing the complete works of a modern Russian author. A part of Sumarokov’s papers Novikov had at his disposal were lost about the time of Novikov’s arrest. The paper examines the importance of Sumarokov’s poetry published in periodicals for Novikov’s edition; in the course of the study the manuscripts of these poems (pre

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Sivriev, Sava. "ON THE SONNETS OF HARALAN ANGELOV." Годишник на Шуменския университет. Факултет по Хуманитарни науки XXXIIIA, no. 2 (2022): 294–301. http://dx.doi.org/10.46687/egdl6095.

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Haralan Angelov's sonnets were written during the late Bulgarian Revival. They remained in his archive, and were known to the literary public after their publication in periodicals after the early twentieth century. These are the first known sonnets written in Bulgarian. The impetus for their writing was the theoretical cultural activity of Dobri Voynikov. The sonnets show the way of building secular poetry in the time of the Bulgarian Revival after the 60s of the XIX century and after the secularization of culture at that time.

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NIKČEVIĆ, Milorad. "BEGINNINGS OF MONTENEGRIN CHILDREN’S POETRY AT THE END OF XIX AND BEGINNING OF XX CENTURY." Lingua Montenegrina 7, no. 1 (2011): 151–65. https://doi.org/10.46584/lm.v7i1.212.

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While the Serbian children’s literature and other national literatures of contact nations had their own genealogy, continuity in development and renowned representatives of children’s literature, even back in the period of Romanticism, and while they had prominent children’s periodicals, in Montenegrin literature this literary genre could not develop for a long time. Al-though there have been attempts to create some forms of children’s literature, the results of those attempts were, on the aesthetic level and in terms of their contents, initially almost negligible, which is understandable when

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Bodenchuk, V. A., and V. V. Shadursky. "POETRY OF THE SILVER AGE IN NOVGOROD PERIODICAL PUBLICATIONS (POST OCTOBER PERIOD)." Memoirs of NovSU, no. 4 (2024): 702–11. https://doi.org/10.34680/2411-7951.2024.4(55).702-711.

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The article draws attention to the specifics of the perceptionof Silver Age poetry in newspapers and magazines of the Novgorod province (later Leningrad region) after the October Revolution of 1917. To understand the factors influencing the consciousness of the Novgorod readership and aspiring proletarian writers, documents from the State Archive of the Novgorod Region were studied, literary publications in provincial newspapers, magazines and collections in which Novgorod authors were published were analyzed.As a result of the study, the following was determined. 1. The editors of periodicals

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Collins, Lucy. "Figures of Infinity: Two Poems by Maurice Craig." Irish University Review 42, no. 1 (2012): 24–31. http://dx.doi.org/10.3366/iur.2012.0006.

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Maurice James Craig (1919–2011) is widely known as an architectural historian and biographer: those encountering his writing today may not even be aware that he was a poet of repute during his twenties, one expected to become a major figure on the Irish poetry scene. His poetry and reviews appeared regularly in both British and Irish literary periodicals in the nineteen forties, yet he published just one full-length collection, Some Way for Reason, with Heinemann in London in 1948. In 2011 Liberties Press published a new selection of Craig's poetry; this included poems from the Heinemann volum

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Dr., Biswa Ranjan Sahoo. "Law, Education, and Odia Identity: Reflections from Gopabandhu Das' Letters." Criterion: An International Journal in English 15, no. 5 (2024): 144–51. https://doi.org/10.5281/zenodo.14107816.

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Pandit Gopabandhu Das (1877-1928) was the most inspiring orator, the noblest socio-political worker, and the most visionary and progressive-minded educationist of late 19<sup>th</sup> century Odisha. He was a dedicated servant of humanity’s cause. Although he was marred slightly by speech deformity, it did not stop the Pandit from communicating his zeal to the millions of Odias living under the sun. Through letters, magazines periodicals, and poetry he has captivated the public's emotions that have never been seen in Odisha before. Although the gem of Utkal started his career in writing

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Baranskaya, E. M. "«SECRETS OF THE SOUL» AND REALITY IN THE LYRIC POETRY OF YA. P. POLONSKY." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 6(72), no. 3 (2020): 104–16. http://dx.doi.org/10.37279/2413-1679-2020-6-3-104-116.

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The article deals with the originality of the romantic method of Ya. P. Polonsky: the formation of the image of the lyrical hero in the poet’s early poetry in the spirit of romantic subjectivism of the early 19th century and its transformation in mature poetry, the refraction of the psychological personality of the creator in his work, the consonance of the image of the romantic hero to the mental and psychological constitution of Polonsky-the human. The artistic realization of the romantic worldview of Ya. P. Polonsky is viewed: in his appeal to fantasy plots, to the «parallelism» of the worl

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Gamalova, Natalia. "Osip Mandelstam in the French Anthologies of Russian Poetry (1925–1970)." Literatūra 62, no. 2 (2020): 92–111. http://dx.doi.org/10.15388/litera.2020.2.5.

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The fates and fortunes of any national literature in a foreign culture is a multifaceted subject. And this is where the perception of Russian culture in France belongs. In France, the general public became aware of the life and works of Osip Mandelstam in the early seventies, when Nadezhda Mandelstam’s memoirs were published. Before 1970, only some translations of Mandelstam’s poems, the first one made by Chuzeville back in 1925, found their way to periodicals and anthologies. Information about the poet was spread to a great degree thanks to anthologies, as befits this genre of reading matter.

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Zhilyakova, Natalia V., and Irina V. Gerasimchuk. "“I am all impulse, I am all seeking...”: “Tomsk period” in the life and work of G. A. Vyatkin." Sibirskiy filologicheskiy zhurnal, no. 2 (2022): 118–31. http://dx.doi.org/10.17223/18137083/79/9.

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This study aimed to identify the features of the “Tomsk period” of the work of G. A. Vyatkin and define the main directions of his literary activity. Publications in the Tomsk pre-revolutionary periodical press were analyzed, with the information from research papers generalized and systematized. Vyatkin is known to have lived in Tomsk from 1893 to 1915. He collaborated with many periodicals in Tomsk and Siberia, published his works in the capital magazines, and was personally acquainted with prominent contemporaries - I. A. Bunin, A. M. Gorky, and A. N. Tolstoy. Vyatkin was most in demand as

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Paskow, Jacqueline Merriam, and Lorie A. Vanchena. "Political Poetry in Periodicals and the Shaping of German National Consciousness in the Nineteenth Century." German Studies Review 24, no. 3 (2001): 604. http://dx.doi.org/10.2307/1433424.

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Seryagina, Yulia S. "GERMAN POETRY OF THE 18TH–19TH CENTURIES IN THE SIBERIAN PERIODICALS OF THE 1880S–1910S." Tekst. Kniga. Knigoizdanie, no. 13 (April 1, 2017): 57–75. http://dx.doi.org/10.17223/23062061/13/4.

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Dobiáš, Dalibor. "Die Anfänge der modernen tschechischen Dichtung im Spiegel der Rezensionskritik." Germanoslavica 35, no. 1 (2024): 73–97. http://dx.doi.org/10.58377/germ.2024.1.4.

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The paper considers how critical reviews in Central European journals could contribute to the formation of modern Czech poetry at the turn of the 18th and 19th centuries and in the first two decades of the 19th century, until the disputes around 1817 about prosody and poetic autonomy in general significantly affected its discourse. It places these mostly anonymous reviews within the broader framework of reviews of poetry in German and Czech from the Bohemian Lands, especially those in the major review journals (Jenaische allgemeine Literatur-Zeitung, Leipziger Literatur- Zeitung, Annalen der ö

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Chizhov, N. S. "Soviet Poetic Underground in Critical and Scientific Coverage (First Article)." Nauchnyi dialog, no. 8 (August 24, 2021): 221–47. http://dx.doi.org/10.24224/2227-1295-2021-8-221-247.

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The results of a research of literary critical works devoted to the study of Soviet under-ground poetry in the 1960s and 70s are presented in the review article. It is shown how the process of liberation of unofficial poetic culture from the collectivist attitudes of Soviet ideology and the search by its representatives for the spiritual and moral foundations of life and creativity was highlighted in the sam- and tamizdat periodicals. Special attention in the review is payed to the reflection of uncensored criticism in relation to the problems of restoring the connection with the literary trad

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Kobryn, Nataliia. "The Ukrainian periodicals of Galicia on Ostap Nyzhankivskyi’s musical activities in the 1880s." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 110–25. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-8.

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The paper aims to analyze the areas of Ostap Nyzhankivskyi’s musical activities in the 1880s via a prism of the publications in «Dilo» and «Zorya» press publications. Their content and main topics as well as the aspects of his music career have been systematized and analyzed. Research methodology. The historiographical, chronological, comparative and analytical methods are employed to analyze the publications on musical topics in «Dilo» and «Zorya», as well as to explore the early stage of Nyzhankivskyi’s musical activities. Findings. The first musical performances of O. Nyzhankivskyi in Lviv

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Kotlerman, Ber. "SOUTH AFRICAN WRITINGS OF MORRIS HOFFMAN: BETWEEN YIDDISH AND HEBREW." Journal for Semitics 23, no. 2 (2017): 569–82. http://dx.doi.org/10.25159/1013-8471/3506.

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Morris Hoffman (1885-1940), who was born in a Latvian township and emigrated to South Africa in 1906, was a brilliant example of the Eastern European Jewish maskil writing with equal fluency in both Yiddish and Hebrew. He published poetry and prose in South African Yiddish and Hebrew periodicals. His long Yiddish poem under the title Afrikaner epopeyen (African epics) was considered to be the best Yiddish poetry written in South Africa. In 1939, a selection of his Yiddish stories under the title Unter afrikaner zun (Under the African sun) was prepared for publishing in De Aar, Cape Province (w

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Egorov, Mikhail Y. "B. Sh. Okudzhava in the periodicals of the third wave of emigration." Verhnevolzhski Philological Bulletin 3, no. 26 (2021): 50–59. http://dx.doi.org/10.20323/2499-9679-2021-3-26-50-59.

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The purpose of the article is to study materials on the work and life of B. Sh. Okudzhava, as well as all references to B. Sh. Okudzhava in the periodicals of the third wave of emigration – in three émigré journals, Time and Us (118 issues in total, 1975 (year of first issue) – 1992), Continent (74 issues in total, 1974 (year of first issue) – 1992), and Syntax (33 issues in total, 1978 (year of first issue) – 1992). To conduct the research, 225 issues of magazines of the Russian diaspora abroad were studied. Frontal sampling of information related to B. Sh. Okudzhava was done from the above m

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Kornienko, N. V. ""They fought for their Country": Russian literature in the days of the Battle of Stalingrad." Вестник Российской академии наук 93, no. 4 (2023): 317–22. http://dx.doi.org/10.31857/s0869587323040035.

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This article is devoted to the analysis of the most important dates in the historical chronicle of the Battle of Stalingrad and their reflection in Soviet literature of those years: journalism, poetry, stories, egodocuments of writers. Material from periodicals of the summer of 1942 is used; special attention is paid to works created during the days of the Battle of Stalingrad and included in the golden fund of Russian classics. The reconstruction of the chronicle of literary events of the summer and fall of 1942 proposed in the article highlights the special place of L.N. Tolstoy’s military p

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Soini, Elena Grigoryevna. "REBELLIOUS FLOWERS IN THE GARDEN OF KATRI VALA." Yearbook of Finno-Ugric Studies 16, no. 3 (2022): 451–61. http://dx.doi.org/10.35634/2224-9443-2022-16-3-451-461.

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The article is devoted to the images of flowers, gardens and Chinese literary reminiscences in the work of the Finnish poetess Katri Vala, one of the most prominent members of the literary group «Tulenkantajat» («The Flame Bearers»). The purpose of the work is to explore for the first time in Russian literary criticism the literary images in the poetry of Katri Vala in relation to the Chinese poetry throughout the entire career of the poetess. The subject of study is the lyrics of Katri Vala, which contains an alternation of poetic landscapes, sometimes overlapping, and sometimes sharply contr

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Amelina, Anna V. "Russian writers in the Czech environment during the first half of the 1920s: periodicals of the left political wing (newspaper “Rude pravo”)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 199–212. http://dx.doi.org/10.37816/2073-9567-2021-59-199-212.

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The paper examines perceptions of Russian literature in the first half of the 1920s by a Czech literary criticism of the left-wing political orientation, namely by Rudé Právo, newspaper of the communist party of Czechoslovakia. On the one hand, at this time, the Russian classics are being rethought in terms of their usefulness for the purposes of proletarian movement, up to discrediting individual authors (for example, F. M. Dostoevsky) and adjusting ideas of other writers to the communist ideology (L. N. Tolstoy). On the other hand, much attention of the editors is paid to the modern literatu

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Savova, Dora. "THE HISTORY OF THE “EMANUIL VASKIDOVICH” LIBRARY IN THE TOWN OF SVISHTOV (FROM A PRIVATE COLLECTION TO INSTITUTIONALIZED MEMORY)." Izdatel XXVII, no. 1 (2025): 48–60. https://doi.org/10.70300/gfjg5sx9igbjaqs9ylp.

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At the “Elenka and Kiril D. Avramovi – 1856” Community Centre (Chitalishte) in Svishtov, approximately 200 volumes from the personal library of Emanuil Vaskidovich are preserved in a specially designated section named after him. These volumes are part of the 800 titles he bequeathed to the First Bulgarian Community Centre upon its founding. The collection is marked by great linguistic and thematic diversity. It contains a significant number of textbooks, attesting to the high educational level of its owner, as well as later acquisitions representing examples of Greek book publishing. The books

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Meskhiya, Diana. "TOPOS OF SHADOW IN THE COLLECTION OF BOLESŁAW LEŚMIAN “SAD ROZSTAJNY”." Polish Studies of Kyiv, no. 35 (2019): 486–89. http://dx.doi.org/10.17721/psk.2019.35.486-489.

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The article is devoted to the shadow topos in the work of Bolesław Leśmian, the definition of its varieties and functions. The analysis is based on the collection of poems “Sad rozstajny”. There is some information about Bolesław Leśmian as one of the most famous literary figure in Polish literature and his way to become that popular at the beginning of the article. Also here is names of literary scholars (not only Polish, but also Ukrainian, American) that were engaged in the investigation of his works. Next paragraph describes Leśmian’s poetry, its themes, genres, ideas and artistic means

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Tanasescu, Raluca. "Transnacionalismo Desmantelando o Cânon: Uma leitura próxima e distante de várias redes literárias transatlânticas na tradução." Belas Infiéis 10, no. 4 (2021): 01–21. http://dx.doi.org/10.26512/belasinfieis.v10.n4.2021.36354.

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This essay argues that random acts of poetry translation in transnational context play a significant role in turning any apparently homogenous literary system into a network with many access points. In doing so, they overtly or covertly undermine the idea of a literary canon, since they position, more or less explicitly, such canon against their own literary taste and network of acquaintances. In addition, the lack of financial conditioning makes this kind of translation barters reach literary audiences more easily. Since these exchanges are more commonly initiated by translators working in le

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Malínek, Vojtěch. "Poezie na křižovatce : poznámky ke kvantitativním aspektům české poezie v letech 1945–1959." Bohemica litteraria, no. 2 (2023): 7–28. http://dx.doi.org/10.5817/bl2023-2-1.

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This study, based on the quantitative analysis of bibliographical data, investigates changes in the way Czech literature was published in the period 1945–1959. Fundamental political, cultural, and social transformations during this period repeatedly impacted literary and cultural periodicals, as well as the daily press. The immediate post-war period, characterized by the swift renewal of literary and cultural life, as well as a rapid increase in the publication of literary texts, was in 1948 followed by growing restrictions on the freedom to disseminate one's own work, peaking in 1952. After t

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Mitrofanov, Viktor V. "«One of the Opinions About Nekrasov's Poetry»: S.F. Platonov's Review." Nizhnevartovsk Philological Bulletin 8, no. 2 (2023): 26–36. http://dx.doi.org/10.36906/2500-1795/23-2/03.

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The biography and scientific work of the outstanding Russian historian S.F. Platonov continues to arouse the natural interest of modern researchers. But the years of his youth, the period when there was a process of folding ideological attitudes, professional preferences, youthful hobbies remain little developed. At the same time, the time, starting from the age of 13 and before entering the university, as it turns out, is filled with numerous poetic, prose, dramatic, even scientific experiments. They allow us to talk about great literary inclinations that found expression in specific works, s

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