Relevant bibliographies by topics / Poetry (Religious) English

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Poetry (Religious) English'

Author: Grafiati
Published: 4 June 2021
Last updated: 24 February 2023

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Journal articles on the topic "Poetry (Religious) English"

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Pinsent, Pat. "Religious Verse of English Recusant Poets." Recusant History 22, no. 4 (1995): 491–500. http://dx.doi.org/10.1017/s0034193200002041.

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The validity of bringing together the works of writers who may have little in common other than their religious allegiance is not something which could be justified in every age, especially within the current ecumenical climate. Two anthologies of Catholic poets, Shane Leslie's of 1925 and Frank Sheed's of 1943 may appear to today's reader rather more revelatory of the taste and beliefs of the compilers and their periods than of the poets concerned. Yet it can be claimed that scrutiny of the religious poetry of Catholic writers of the first half of the seventeenth century has a validity which
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Martz, Louis L. "English Religious Poetry, From Renaissance to Baroque." Explorations in Renaissance Culture 40, no. 1-2 (2014): 53–78. http://dx.doi.org/10.1163/23526963-90000463.

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Martz, Louis L. "English Religious Poetry, From Renaissance to Baroque." Explorations in Renaissance Culture 11, no. 1 (1985): 1–28. http://dx.doi.org/10.1163/23526963-90000072.

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Karmakar, Goutam. "A Theological Study of Nissim Ezekiel’s Religious Outlook." Asian Journal of Humanity, Art and Literature 2, no. 2 (2015): 71–76. http://dx.doi.org/10.18034/ajhal.v2i2.296.

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As the centuries passed by, the galaxy of Indian English Poetry become increasingly crowded. But the scenario was not like this during the early years. It is because only a few stars shine there, and Nissim Ezekiel is the pole star. His poetry contains so many aspects, themes, motives and symbols that sharpen and shape his poetic world. His poetry often shows irony, emotion, love, man-woman relationship, self- consciousness, a sense of discipline and self – criticism. He shows his concern for both modern and urban art and culture with the touch of Indian ethos and local colour. But as an India
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Abdel-Daem, Mohamed Kamel. "Postcolonial Elements in Early English Poetry." Khazar Journal of Humanities and Social Sciences 17, no. 1 (2014): 25–41. http://dx.doi.org/10.5782/2223-2621.2014.17.1.25.

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In this article, the writer highlights certain elements in Anglo-Saxon and Anglo-Norman verse, that can unsurprisingly be a precursor of postcolonial writing. These marks are: heroic spirit, religious devotion, chivalric pride and elegiac vein. All these topics were nothing but aids to the early English poets' attempt to coin a unified English identity. This study manifestly assumes that nineteenth and twentieth century, imperial England had once been a colonized nation that produced postcolonial culture and literature. This article proposes that postcolonialism is not restricted just to moder
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Rees, Christine. "Book Review: A Measure of English Poetry." Theology 95, no. 764 (1992): 154–55. http://dx.doi.org/10.1177/0040571x9209500233.

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Yang, Liu. "Cultural loss in the English translation of Chinese poetry." Babel. Revue internationale de la traduction / International Journal of Translation 56, no. 2 (2010): 168–85. http://dx.doi.org/10.1075/babel.56.2.05liu.

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Translation is to reproduce the meaning and style of a source language text in a target language text in consideration of the cultural differences. Because of dramatic differences between the cultures, translators have to sacrifice something, such as time, religious connotation, and the wording of the original poem to obtain its aesthetic value and its original beauty. In this paper the author examines the poetry translation focusing on the basic concepts of cultural translation and the difficulties of Chinese poetry translation, and special attentions are paid on losses and the strategies in
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Mahameed, Mohammed I., Emad A. Abuhammam, and Amjed A. Abu Hammam. "The Concept of Death in John Donne’s Poetry and The Holly Quran: A Comparative Study." Journal of Language Teaching and Research 13, no. 5 (2022): 1066–72. http://dx.doi.org/10.17507/jltr.1305.20.

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This study is a comparative descriptive investigation of the representation of death in the Holy Quran and the poetry of the English poet John Donne. It focuses on the concept of death as a real and ultimate truth. The study considers death as a thematic contemplation that every Man is worried about. Death in the Holy Quran and Donne’s poetry has been previously studied from different individual viewpoints, but none has adopted it comparatively from a thematic perspective. This study also adopts many echelons of the religious themes presented by these works in the treatment of death such as th
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Doelman, James. "The Accession of King James I and English Religious Poetry." Studies in English Literature, 1500-1900 34, no. 1 (1994): 19. http://dx.doi.org/10.2307/450784.

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Lutz, Angelika. "Æthelweard's Chronicon and Old English poetry." Anglo-Saxon England 29 (January 2000): 177–214. http://dx.doi.org/10.1017/s0263675100002453.

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The author of the Chronicon Æthelweardi is commonly identified with the ealdor-man of the western shires who signed charters from 973–98 and played an important political role particularly in King Æthelred's England. Ealdorman Æthelweard is also known as the patron of Abbot Ælfric, as the addressee of Ælfric's famous preface to his translation of Genesis and of his Old English preface to his Lives of Saints; that is, we know him as a person who took great interest in religious texts written in or translated into the vernacular. The Chronicon was written in Latin, although it was mainly based o
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Dissertations / Theses on the topic "Poetry (Religious) English"

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Updegraff, Derek Kramer Johanna Ingrid. ""Fore ðære mærðe mod astige" two new perspectives on the Old English Gifts of men /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2008. http://hdl.handle.net/10355/5623.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on October 6, 2009). Thesis advisor: Dr. Johanna Kramer. Vita. Includes bibliographical references.
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Welch, Mary T. "Early English religious literature : the development of the genres of poetry, narrative, and homily /." Read thesis online, 2009. http://library.uco.edu/UCOthesis/WelchMT2009.pdf.

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Buckner, Elisabeth. "Superior Instants: Religious Concerns in the Poetry of Emily Dickinson." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2195.

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When I decided to write a thesis on Emily Dickinson's poetry, my intention was to show that she did, indeed, implement a concrete philosophy into her poetry. However, after several months of research, I realized that this poet's philosophy was ongoing and sometimes inconsistent. Emily Dickinson never discovered the answers to all of her religious and spiritual questions although she devoted her entire life to that pursuit. What Dickinson did discover was that orthodox religion had no place in her heart or mind and she must make her own choices where God was concerned. Immortality was an intens
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Tocheva, Polya. "The Language of Man and the Language of God in George Herbert's Religious Poetry." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/TochevaP2003.pdf.

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Sadedin, Ann. "The uncentred self : image and awareness in the Middle English religious lyrics /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000220.

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Dawkins, Thom. "Rejoice in Tribulations: The Afflictive Poetics of Early Modern Religious Poetry." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1562630899327406.

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Seal, Jill. "Psalms, sonnets and spiritual songs : some traditions and innovations in English religious poetry, c. 1560-1611." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363689.

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Ross, Sarah C. E. "Women and religious verse in English manuscript culture c1600-1688 : Lady Anne Southwell, Lady Hester Pulter and Katherine Austen." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365585.

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Sibson, Carol Anne. "‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631.

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The Fourth Lateran Council of 1215 promoted regular and effective religious instruction for the parish laity. This was facilitated by the development of preaching and instructional texts – works known as pastoralia – which proliferated throughout Europe. This dissertation explores the phenomenon of vernacular pastoralia written in rhymed verse, works intended for oral performance to a lay audience. My focus is on the work of four writers of sacramental instruction in Anglo-Norman and Middle English. The earliest text considered is the Anglo-Norman Corset, written circa 1240-50 by Robert the Ch
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Pepperney, Justin R. "Religious Toleration in English Literature from Thomas More to John Milton." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1245245934.

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Books on the topic "Poetry (Religious) English"

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Religious thought in old English verse. Sampson Low, Marston, 1989.

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Solovyov, Vladimir Sergeyevich. The religious poetry of Vladimir Solovyov. Semantron Press, 2008.

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Elucidations: Medieval poetry and its religious backgrounds. Peeters, 2010.

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Pandey, M. S. The Religious poetry of W.H. Auden. Pointer Publishers, 1990.

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1935-, Murray Patrick, and Kennelly Brendan, eds. Treasury of Irish religious verse. Crossroad, 1986.

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Hall, William Lincoln. Personification in Middle English religious poetry, c. 1200-1400. University Microfilms International, 1988.

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Redcrosse: Remaking religious poetry for today's world. Continuum, 2012.

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Brendan, Kennelly. Poetry my arse: A poem. Bloodaxe Books, 1995.

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Dubinski, Roman R. English religious poetry: Printed 1477-1640 : a chronological bibliography with indexes. North Waterloo Academic Press, 1996.

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Richard, Roberts John, ed. New perspectives on the seventeenth-century English religious lyric. University of Missouri Press, 1994.

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Book chapters on the topic "Poetry (Religious) English"

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Driver, Martha W. "Poetry as Prayer: John Audelay’s ‘Salutation to St Bridget’." In Middle English Religious Writing in Practice. Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.lmems.1.101538.

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Kean, P. M. "The religious poetry." In Chaucer and the Making of English Poetry Volume II. Routledge, 2019. http://dx.doi.org/10.4324/9780429341748-5.

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Pearsall, Derek. "Anglo-Saxon religious poems." In Old English and Middle English Poetry. Routledge, 2019. http://dx.doi.org/10.4324/9780429200076-2.

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McEachern, Claire. "Devotional Poetry." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0020.

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This chapter surveys the origins and kinds of religious poetry that emerged over the course of the sixteenth century, from its inception in the Psalm paraphrases of Miles Coverdale, Thomas Sternhold, Thomas Wyatt, and the Sidney siblings (amongst others) to the lyric meditations of such poets as Robert Southwell, Michael Drayton, Edmund Spenser, and Anne and Henry Lock. Tracing the difference between versifier and poet to the divisions between Calvin and Luther on the relative merit of original composition inspired by Scripture, the chapter surveys the various types of poetry that emerged in this moment: renderings of the Psalms, versifications of Scripture, meditations, narrative poetry based on biblical characters, and devotional sonnets.
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Scheil, Andrew. "Sacred history and Old English religious poetry." In The Cambridge History of Early Medieval English Literature. Cambridge University Press, 2012. http://dx.doi.org/10.1017/cho9781139035637.019.

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"CHAPTER 10. Miscellaneous Religious and Secular Poetry." In A New Critical History of Old English Literature. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9780814738559.003.0016.

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"Religious and Devotional Epigram and Lyric." In A Literary History of Latin & English Poetry. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108131667.009.

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Hadfield, Andrew. "Social Contexts." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0003.

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Reading sixteenth-century poetry divorced from its social context is a problematic enterprise that can distort our understanding of such work. This chapter provides a survey of some of the most important contexts for writing in the period. The first section analyses rhetoric, poetry, and poetics, and considers the ways in which poets sought to manipulate the affective responses of the reader. The second section considers how a range of poets responded to the Reformation, the anxieties it generated and the ways they tried to produce religious poetry faithful to the Word of God. The third section explores the significance of political thought on poetry, in particular the tradition of the ‘mirror for princes’, the danger of tyranny and treason and the problem of speaking truth to power. Authors studied include William Baldwin, Richard Barnfield, John Donne, Christopher Marlowe, Philip Sidney, Mary Sidney Herbert, Edmund Spenser, and Richard Stanyhurst.
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Stegner, Paul D. "Complaint." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0019.

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This chapter examines the development of complaint poetry in sixteenth-century England. Grouping complaint poetry according to subject matter, it first analyses complaints directed towards social, political, and religious conditions and then treats complaints that involve love and spirituality. It focuses on the incorporation and adaptation of conventional poetic forms, such as the sonnet and verse epistle, as well as rhyme schemes, especially rhyme royal, in early modern complaint. This chapter attends to how early modern authors use complaint and personae, particularly the voice of female complainants, as a means for authorial self-promotion. At the same time, it also considers how women writers deploy complaint to authorise their own literary voices and to express their discontent regarding social abuses.
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Barajas, Courtney Catherine. "Introduction: Early Medieval Earth Consciousness." In Old English Ecotheology. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723824_intro.

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The existential threat of environmental collapse loomed large in the early medieval English imagination. In particular, the work of Wulfstan, Archbishop of York and Ælfric of Eynsham pointed to the imminence of the apocalypse. Wulfstan explicitly attributed environmental collapse to human sin, while Ælfric urged the faithful to look hopefully to the post-apocalyptic establishment of a new Earth. The broad audience and didactic intent of these prolific and well-connected theologians makes their work a useful representation of English theology at the turn of the millennium. Similarly, the 10th-century manuscript called the Exeter Book—the largest, most diverse extant collection of Old English poetry, including religious lyrics, obscene riddles, and elegies—may serve as a representative of the contemporaneous poetic corpus.
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