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Relevant bibliographies by topics / Poetry Wales

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Dissertations / Theses
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Academic literature on the topic 'Poetry Wales'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Poetry Wales"

1

Martindale, Kym. "Poetry, Geography, Gender: Women Rewriting Contemporary Wales." Contemporary Women's Writing 9, no. 2 (2014): 302–3. http://dx.doi.org/10.1093/cww/vpu024.

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Shipilova, Natalia Vitalyevna. "Returning to Wales: Lynette Roberts’s poetry in the 1940s." Philology. Issues of Theory and Practice 17, no. 1 (2024): 6–11. http://dx.doi.org/10.30853/phil20240001.

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The paper examines the poetry of Lynette Roberts (1909-1995), one of the most significant but little-studied authors of the late modernism era. A native of Argentina and Welsh by birth, in the 1940s, Roberts carried out a creative experiment, trying to reconstruct the Welsh heritage in her lyrical poetry based not only on traditional myth, but also on direct personal experience. This project resulted in the 1944 collection “Poems” analyzed in the paper. The aim of the research is to determine the specifics of Roberts’s 1940s poetry in the context of the poet’s search for her national identity.

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Pryce, Mark. "Women, identity and religion in wales: theology, poetry, story." Practical Theology 11, no. 5 (2018): 492–93. http://dx.doi.org/10.1080/1756073x.2018.1537572.

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Griffiths, Leslie. "‘As Kingfishers Catch Fire.’ The 2024 Hopkins Lecture at the University of Roehampton." Journal of Religious History, Literature and Culture 11, no. 1 (2025): 57–67. https://doi.org/10.16922/jrhlc.11.1.4.

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This article is the text of the 2024 Hopkins Lecture given at Southlands College, University of Roehampton. It adopts an experimental narrative form that connects Gerard Manley Hopkins’s life with his poetry. It also engages with those contemporary influences which inspired and shaped Hopkins’s poetry. It moves between an examination of the style and the religious substance of Hopkins’s life and poetry. Touching on Hopkins’s adoption of Wales, it concludes with his work as a source of inspiration for the author’s own life and work as a Methodist minister.

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Firchow, Peter, and David L. Lloyd. "The Urgency of Identity: Contemporary English-Language Poetry from Wales." World Literature Today 69, no. 3 (1995): 591. http://dx.doi.org/10.2307/40151473.

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Bureu, Nela. "The poetry of Judith Wright: Inventing Australia, Inventing the Self." Miscelánea: A Journal of English and American Studies 16 (December 31, 1995): 65–80. https://doi.org/10.26754/ojs_misc/mj.199511677.

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The poetry of Judith Arundel Wright, a contemporary Australian artist born in Armidale, New South Wales in 1915, offers us an interesting poetic reading of Australia's past and a deep meditation on the meaning and value of life.

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Breeze, Andrew. "Kathryn Hurlock, Medieval Welsh Pilgrimage c. 1100–1500. Basingstoke: Palgrave Macmillan, 2018, xvi, 262 pp." Mediaevistik 32, no. 1 (2020): 292–94. http://dx.doi.org/10.3726/med.2019.01.33.

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Pilgrimage in and beyond Wales is the concern of this New Middle Ages study. Well-written and with an attractive subject, it is a first-class addition to the series. It deals with the pious men and women who made their way to Bardsey out in the Irish Sea or St Davids on the Atlantic coast or Holywell in north-east Wales, while others were journeying to Santiago de Compostela or Rome or even Jerusalem, as shown by Welsh poetry and the like.

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Williams, Mark. "Astrological Poetry in late medieval Wales: the case of Dafydd Nanmor’s ‘To God and the planet Saturn’." Culture and Cosmos 12, no. 02 (2008): 3–22. http://dx.doi.org/10.46472/cc.0212.0203.

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This paper examines the major astrological poem which survives from late medieval Wales, Dafydd Nanmor’s ‘Cywydd to God and the planet Saturn’. A close reading of the poem suggests that actual horoscopes, rather than just a vague knowledge of astrology, were accessible in Wales at the end of the Middle Ages. As a result, Dafydd Nanmor’s poem can now be dated to September 1479. This is set in the context of the sociology of English astrology at the end of the Middle Ages; by the middle of the 15th century, astrology was percolating down from the court an universities into the cultural life of t

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Alghanem, Alanoud Abdulaziz Alghanem. "Predicting Future Events in Poetry." International Journal of Language and Literary Studies 6, no. 4 (2024): 398–407. https://doi.org/10.36892/ijlls.v6i4.1907.

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Few research studies on poetical works unintentionally revealed prophetic qualities, in contrast to many novels that have foreseen future events. The goal of this study, therefore, is to investigate two poems as representative examples of prophetic poetry: predictive aspects can be traced in the poem “My Last Duchess” by the Victorian poet Robert Browning, which parallels the story of Diana, Princess of Wales. Similar connections can also be seen between “September 1, 1939” by the modern British-American poet W. H. Auden and the events of the terrorist attack of 11 September 2001. Through text

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Olson, Katharine K. "‘Y Ganrif Fawr’? Piety, Literature and Patronage in Fifteenth- and Sixteenth-Century Wales." Studies in Church History 48 (2012): 107–23. http://dx.doi.org/10.1017/s0424208400001261.

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This essay offers a reconsideration of the idea of ‘The Great Century’ of Welsh literature (1435–1535) and related assumptions of periodization for understanding the development of lay piety and literature in fifteenth- and sixteenth-century Wales. It focuses on the origins of these ideas in (and their debt to) modern Welsh nationalist and Protestant and Catholic confessional thought, and their significance for the interpretation of Welsh literature and history. In addition, it questions their accuracy and usefulness in the light of contemporary patterns of manuscript production, patronage and

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Dissertations / Theses on the topic "Poetry Wales"

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Schoales, Elizabeth. "Praise and propaganda : prophetic poetry in Wales." Thesis, University of Wales Trinity Saint David, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683199.

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Smith, Kieron. "John Ormond and the BBC Wales Film Unit : poetry, documentary, nation." Thesis, Swansea University, 2014. https://cronfa.swan.ac.uk/Record/cronfa42379.

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This thesis is a detailed examination of the films of Swansea-born poet and BBC Wales documentary filmmaker John Ormond. It examines the uses of the documentary form within the context of a broadcasting institution that many have argued has been one of the central agents in the political and cultural development of this small nation. Given that the thesis is concerned with the work a decidedly creative figure, it seeks throughout to keep in focus Ormond's unique contribution to the documentary form. It begins with an interpretation of Ormond's broad cultural and philosophical framework as embo

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Messem, Catherine. "'Angers, fantasies and ghostly fears' : nineteenth century women from Wales and English-language poetry." Thesis, Aberystwyth University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364769.

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Huw, Maredudd ap. "A critical examination of Welsh poetry relating to the native saints of North Wales (c. 1350-1670)." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391018.

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Evans, Donald. "Egwyddorion beirniadol awdl yr eisteddfod genedlaethol 1950-1999." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683334.

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Dadswell, Richard David. "'England's Islands three': regional variations in the poetry of Chartism from the South Midlands, London, Scotland and Wales." Thesis, University of Buckingham, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.645207.

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Anderson, Crystal Lee. "The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html.

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This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart. The collection of poems, The Coagulate, consists of four parts: 1) Semi-personal poems focusing on nature both in a general sense and in specific reference to the natural British landscape. 2) Poems that explore the nature-based myths and contemporary social idiosyncrasies of Japan.3) Poems that explore the social perception of mental illness and the individual voices that exist in spite psychological classification.4) Poems by an alter-ego a

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Cooley, Shevaun. "Homing : poetry ; &, An essay on the poetic leap in the late work of R.S. Thomas." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/850.

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Homing, as a collection, speaks to the capacity and yearning to navigate our way towards something we might call home. In animal behaviour, this seems like an instinct, hard-wired to the body. It is something I envy. By comparison, the instinct, in human behaviour, feels muffled and complicated. These poems move between two places in which I feel ‘at home’, whatever that means: the south-west of Western Australia, where I was born and raised, and the north-west of Wales, where I lived for a time, and find myself returning to, drawn not by blood, but by longing, and a deep affinity for the land

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El-Darwish, Leia. "Four Walls." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3870.

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Jenkins, Manon Bonner. "Aspects of the Welsh prophetic verse tradition in the Middle Ages : incorporating textual studies of poetry from 'Llyfr Coch Hergest' (Oxford, Jesus College, MS cxi) and 'Y Cwta Cyfarwydd' (Aberystwyth, National Library of Wales, MS Peniarth 50)." Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/283669.

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Much of the corpus of medieval Welsh prophetic poetry, comprising as it does diverse and complicated strands of political, mystical, religious, and legendary material, has not previously been systematically studied, or even printed. The introductory chapter of this thesis makes a preliminary exploration of the historical context of the prophecies, the nature of their propagators and audiences, and also the influences prevalent on the authors, be these intellectual and literary influences, or sub-conscious and psychological influences which fall into the realm of anthropology. There follow edit

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Books on the topic "Poetry Wales"

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), Walton Ian (Ed, ed. Poetry Now Wales. Poetry Now, 1992.

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Cary, Archard, ed. Poetry Wales: 25 years. Seren Books, 1990.

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1952-, Minhinnick Robert, ed. Poetry Wales: Forty years. Seren, 2005.

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Jenkins, Nigel. Another country: Haiku poetry from Wales. Gomer, 2011.

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Meic, Stephens, ed. The Bright field: An anthology of contemporary poetry from Wales. Carcanet, 1991.

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1869-1941, Davies Walford Sir, ed. The loud Hill of Wales: Poetry of place. J.M. Dent & Sons, 1991.

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Elwyn, Edwards, ed. Englynion Barddas. Cyhoeddiadau Barddas, 2006.

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Gwynn, Ap Gwilym, and Llwyd Alan, eds. Blodeugerdd o farddoniaeth Gymraeg yr ugeinfed ganrif. Gomer, 1987.

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Elwyn, Edwards, ed. Englynion Barddas. Gwasg Dinefwr, 2007.

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Llywelyn Fardd I, ca. 1125-1200., Bramley Kathleen Anne, and Owen Morfydd E, eds. Gwaith Llywelyn Fardd I ac eraill o feirdd y ddeuddegfed ganrif. Gwasg Prifysgol Cymru, 1994.

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Book chapters on the topic "Poetry Wales"

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Moore, Jane. "Celtic Romantic Poetry: Scotland, Ireland, Wales." In A Companion to Romantic Poetry. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444390650.ch15.

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Fulton, Helen. "Class and Nation: Defining the English in Late-Medieval Welsh Poetry." In Authority and Subjugation in Writing of Medieval Wales. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614932_11.

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Fulton, Helen. "Cheapside in Wales: Multilingualism and Textiles in Medieval Welsh Poetry." In New Approaches to English Historical Linguistics. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30947-2_7.

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Jaillant, Lise. "Sylvia Plath, Women’s Poetry and the Canon Wars of the 1970s." In New Directions in Book History. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-84154-5_7.

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Abstract Books by Sylvia Plath did not appear magically in bookshops and library shelves in the 1960s and 1970s, at the time when the field of women’s studies was emerging in universities. This chapter gives credit to Faber for creating markets for Sylvia Plath, and positioning her in the emerging canon of women’s poetry. The first section looks at Faber’s crucial role in developing the Plath brand, a brand closely attuned to the social changes of the 1960s and 1970s. With rising suicide rates among women in England and Wales, the Plath brand resonated among readers unsettled by rapid social t

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Prescott, Sarah. "Archipelagic Literary History: Eighteenth-Century Poetry from Ireland, Scotland and Wales." In Women's Writing, 1660-1830. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-54382-0_11.

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Michaela, Morgan. "Waves." In How to Teach Poetry Writing: Workshops for Ages 8–13. Routledge, 2019. http://dx.doi.org/10.4324/9781315103693-15.

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Simpson, Louis. "Moving The Walls." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-082.

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Michaela, Morgan. "Workshop 6: Waves." In How to Teach Poetry Writing: Workshops for Ages 8–13. Routledge, 2019. http://dx.doi.org/10.4324/9781315103693-16.

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Morton, Timothy. "She walks in beauty like the night in which all cows are black." In Byron: The Poetry of Politics and the Politics of Poetry. Routledge, 2016. http://dx.doi.org/10.4324/9781315570686-6.

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"MARXISM, POETRY, WALES." In The Centenary Edition Raymond Williams. University of Wales Press, 2021. http://dx.doi.org/10.2307/jj.14491507.19.

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Conference papers on the topic "Poetry Wales"

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Thompson, Jayne, and Julie Wollman. "LISTENING FOR POETRY: READING AND WRITING POETRY BEHIND THE WALLS OF THE U.S. PRISON." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1020.

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Garcia-Matos, Marta, and Silvia Carrasco. "Light on the Waves: Science, music, poetry… and light!" In 12th Education and Training in Optics and Photonics Conference, edited by Manuel F. P. C. Martins Costa and Mourad Zghal. SPIE, 2014. http://dx.doi.org/10.1117/12.2070733.

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Tereshko, Ekaterina V. "(NON-)TRANSLATION OF MURALS POETRY IN THE NETHERLANDS: BACKGROUND AND REALISATION." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063589.

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When you come to the Netherlands, you don’t expect to see poems in Russian, Chinese, Berber, or North American Indian on city walls. Even more surprising is the lack of translation or explanation of these texts. However, the (non)translation of murals in the Netherlands has a social background: at the same time when the poetry projects were most active, there was a heated discussion in the Netherlands about the possibility of creating a multicultural society. This idea dictated to the creators of the projects the image of a potential reader and obviated the need to translate poetry. In this ar

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Nugroho, Arifin Rifan, and Wiyatmi Wiyatmi. "The Effectiveness of the Acrostic Technique Toward the Poetry Writing Class for Grade VIII Students of SMP Negeri 5 Wates." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.7.

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Baquero Masats, Paloma, and Juan Antonio Serrano García. "Taller Amereida: encuentros entre Arquitectura, Arte y Poesía." In Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2023. http://dx.doi.org/10.5821/jida.2023.12336.

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Taller Amereida embodies a space of multidisciplinary convergence between architecture, art, and poetry. Grounded in a scientific methodology, it has become a forum where the intersections between these disciplines are explored through lectures, workshops, walks, artistic interventions, and field projects that promote experimentation and reflection. The creation of ephemeral architectural works is one of its most significant pedagogical tools, fostering an understanding of architectural concepts and their interaction with the natural environment. El Taller Amereida representa un espacio de con

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Graber, S. David. "Perspective on the Tidal Bore: Background and Initiation." In ASME 2012 Fluids Engineering Division Summer Meeting collocated with the ASME 2012 Heat Transfer Summer Conference and the ASME 2012 10th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/fedsm2012-72112.

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Tidal bores have been the subject or cause of legend, poetry, recreation, tourism, shipping disasters, and scientific interest for centuries. They pose interesting theoretical questions for the engineer. Introductory details are presented regarding the remarkable tidal bore phenomenon, including discussion of the tidal bore in various locations and a recent photograph taken by the writer of the bore on China’s Qiantang River. A supplemental tabular summary is presented based on an extensive literature review. A simplified theory based on monoclinal rising waves is developed for the initiation

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Barrale, Julián, Melanie Waidler, Ester Higueras, and Bruno Seve. "Imaginabilidad de la sociedad analógica-digital: ecosistemas gráficos de derivas urbanas." In Jornadas sobre Innovación Docente en Arquitectura. Grup per a la Innovació i la Logística Docent en l'Arquitectura (GILDA), 2024. http://dx.doi.org/10.5821/jida.2024.13234.

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This paper addresses the relationship between physical experiences in urban spaces and digital maps. A representation tool sensitive to people's perceptions when walking through cities is proposed. The aim of the communication is to compare the results of three drifts organized in the field of academic training in architecture schools in Madrid and Barcelona. The study process includes collective walks, questionnaires designed to generate databases and from this information, the post-productions of cartographies called graphic ecosystems. The results show the scope of the urban drifts carried

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Delllape, Clarice, and Rachel Zuanon. "Art-Neuroscience: poetic-artistic investigations on the impacts of Hostile Architecture on the homeostasis of users in the central region of the Sao Paulo city, in the context of COVID-19 pandemic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.132.

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This research is based on the theoretical and poetic-artistic production on the theme "Hostile Architecture", which comprises urban elements and practices that restrict the permanence of individuals in public space, such as metal spikes on walls or boulders under viaducts. The reason why these elements are placed in the public space is related to security and they serve to inhibit undesirable social behavior, although they promote fear and, as consequence, leave abandoned spaces in the city which become susceptible to violence. It mainly affects the homeless population, but also affects delive

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Frroku, Norbert. "Castello di San Terenzo: rilievo aerofotogrammetrico delle mura, analisi del degrado e progetto di restauro conservativo." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20418.

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The Castle of San Terenzo is located in the hamlet of Lerici, in the Gulf of Poets, in the province of La Spezia. The first indirect evidence of a castle in the area dates back to 1360, with the mention of a certain Rossi as the castellan. The original fortification consisted of a watchtower built by the Republic of Genoa, with a quadrangular base measuring about 7x7 meters, walls one meter thick, and a height of ten meters. Subsequently, the castle was expanded with a first surrounding wall in the 15th century, capable of hosting eight crossbowmen and equipped with loopholes and three watchto

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Shulman, Ami, and Jorge Soto-Andrade. "A random walk in stochastic dance." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.71.

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Stochastic music, developed last century by Xenakis, has older avatars, like Mozart, who showed how to compose minuets by tossing dice, in a similar way that contemporary choreographer Cunningham took apart the structural elements of what was considered to be a cohesive choreographic work (including movement, sound, light, set and costume) and reconstructed them in random ways. We intend to explore an enactive and experiential analogue of stochastic music, in the realm of dance, where the poetry of a choreographic spatial/floor pattern is elicited by a mathematical stochastic process, to wit a

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Reports on the topic "Poetry Wales"

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Alderson, Sarah. A Land of Poets and Warriors: The Connection Between Warrior Culture and Bardic Culture in Medieval Wales c. 1066-1283. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7441.

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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len

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