Relevant bibliographies by topics / Poetry Women poets

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Poetry Women poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Poetry Women poets"

1

Sandler, Stephanie. "Scared into Selfhood: The Poetry of Inna Lisnianskaia, Elena Shvarts, Ol´ga Sedakova." Slavic Review 60, no. 3 (2001): 473–90. http://dx.doi.org/10.2307/2696811.

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Sandler analyzes the poetry of three contemporary Russian women poets, focusing on one poem by each poet from the late Soviet period. Using psychoanalytical theory and philosophical theories of the sublime, she assesses how fear creates a sense of self for each poet. In all the texts examined, the poet's self is shattered in order to be built up again. Poetic identity means a writer's identity, particularly to Sedakova and Lisnianskaia, and all three poets find a sense of self by resisting some conventional notions of the woman poet.
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Mishra, Indira Acharya. "Voice of Protest in Nepali Poetry by Women." Molung Educational Frontier 10 (December 31, 2020): 51–62. http://dx.doi.org/10.3126/mef.v10i0.34057.

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This article explores feminist voice in selected poems of four Nepali female poets. They are: "Ma Eutā Chyātieko Poshtar" ["I, a Frayed Poster"] by Banira Giri, "Pothī Bāsnu Hudaina" ["A Hen Must not Crow"] by Kunta Sharma,"Ma Strī Arthāt Āimai"["I am a Female or a Woman"] by Seema Aavas and "Tuhāu Tyo Garvalai" ["Abort the Female Foetus"] by Pranika Koyu. In the selected poems they protest patriarchy and subvert patriarchal norms and values that trivialize women. The tone of their poems is sarcastic towards male chauvinism that treats women as a second-class citizen. The poets question and ri
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Zuhair Al-Wattar, Shaymaa. "Breaking the Spell of the Male Gaze in Selected Women's Ekphrastic Poems." Journal of Education College Wasit University 2, no. 37 (2019): 20. http://dx.doi.org/10.31185/eduj.vol2.iss37.1106.

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For centuries art and poetry have been inspiring each other and the relation between word and image constantly fascinates the poets. The literary world has given poems that tackle artwork the name: ekphrasis. Ekphrasis represents a rich hunting ground for references, allusions, and inspiration for poets. However, ekphrasis is powerfully gendered that privileged male gaze. Traditionally, the male is given the strong position as the gazer, while the woman is locked in her predetermined role that of the beautiful, silent, submissive, gazed upon.
 Women poets refuse to adhere to the gendered
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4

Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like
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Kaufman, James C., and John Baer. "I Bask in Dreams of Suicide: Mental Illness, Poetry, and Women." Review of General Psychology 6, no. 3 (2002): 271–86. http://dx.doi.org/10.1037/1089-2680.6.3.271.

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A consistent research finding in creativity research has been the tendency of poets—especially female poets—to suffer from mental illness. We explore (a) Why poets? and (b) Why female poets? We posit that poetry may attract those with a predisposition toward illness, the domain of poetry may particularly reward those who exhibit illness, and unusual aspects of the domain of poetry writing may increase the likelihood of poets succumbing to illness. These domain-specific aspects of writing poetry affect men and women alike. In addition, the greater difficulty that women tend to experience in ign
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Kord Gharachorlou, Tahmineh, and Javad Yaghobi Derabi. "Riding's poetry in the Theory of Gynocriticism." Journal of English Language and Literature 8, no. 2 (2017): 627–32. http://dx.doi.org/10.17722/jell.v8i2.334.

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Laura Riding Jackson is one of the influential poets of the early twentieth century in America. As a matter of fact, it is for her poetry, however, that Riding is best known, and her poems reflect her commitment to write with truth. In the other words, she knows poetry a process of a degree of awareness to recognize the capacity to know selfhood. Further, her accuracy as a writer lies in her extreme seriousness about the act of writing poems, with no attention to the outside. Nevertheless, the critics know her poems as a game, not something valuable to consider. Therefore, in the heart of trad
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7

Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic
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8

Conners, Carrie. "‘Ping Ping Ping / I break things’: Productive Disruption in the WorkingClass Poetry of Jan Beatty, Sandra Cisneros, and Wanda Coleman." Journal of Working-Class Studies 3, no. 1 (2018): 6–19. http://dx.doi.org/10.13001/jwcs.v3i1.6111.

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This essay explores how working-class lives are represented in the poetry of three American women poets, Jan Beatty, Sandra Cisneros, and Wanda Coleman. It discusses how the poets’ working-class backgrounds affect their poetics and their perceptions of poetic craft. Through analysis, I show how their poetry shares a sense of defiant resistance, communicated through imagery of violence, labor, and sexual pleasure, responding to societal and institutional limitations placed on working-class women and working-class women writers.
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Englund, Harri. "Love and homophobia in Malawi's spoken-word poetry movement." Africa 91, no. 3 (2021): 361–87. http://dx.doi.org/10.1017/s0001972021000255.

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AbstractBy the early 2010s, a number of Malawian poets in their twenties had begun to substitute the elliptical expression of earlier generations with a language that resonated with popular idioms. As poetry directed at ‘the people’, its medium is spoken word rather than print, performed to live audiences and distributed through CDs, radio programmes and the internet. Crafted predominantly in Chichewa, the poems also address topics of popular interest. The selection of poetry presented here comes from a female and a male poet, who, unbeknown to each other, prepared poems sharply critical of ho
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10

Chongstitvatana, Suchitra. "Modern Thai Buddhist Poetry by Women Poets: A Transformation of Wisdom." MANUSYA 8, no. 1 (2005): 38–50. http://dx.doi.org/10.1163/26659077-00801003.

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The study is an attempt to explore and explain the transformation of Thai didactic poetry, especially Buddhist poetry by women poets. The texts selected are Dawn in the Night by Chomchand, Under the Rain and Thunder by Khunying Chamnongsri Rutnin. In Thai Theravadin tradition women poets rarely hold a high position nor have authority in teaching Dharma. In the realm of didactic poetry, monk-poets or male poets are the norm. These two women poets convey the teaching of Dharma through expressing artistically their personal experience of practicing Dharma. This aspect transforms the tradition of
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Dissertations / Theses on the topic "Poetry Women poets"

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Galloway, LaToya B. "Mess and madness /." Full text available online, 2005. http://www.lib.rowan.edu/find/theses.

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Groom, Kelle. "Five Kingdoms." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2168.

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GROOM, KELLE . Five Kingdoms. (Under the direction of Don Stap.) Five Kingdoms is a collection of 55 poems in three sections. The title refers to the five kingdoms of life, encompassing every living thing. Section I explores political themes and addresses subjects that reach across a broad expanse of time--from the oldest bones of a child and the oldest map of the world to the bombing of Fallujah in the current Iraq war. Connections between physical and metaphysical worlds are examined. The focus narrows from the world to the city in section II. The theme of shelter is important to these poems
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Biedka, Kathleen G. "Life begins at fifty /." Full text available online, 2005. http://www.lib.rowan.edu/find/theses.

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Mulvey, Bern. "The mirror kingdom /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3137731.

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Bell, Sylvia Noreen. "Peace education and poetry, dialoguing toward transformation with women poets of the South." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0015/MQ47129.pdf.

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Kovacik, Karen. ""Poetry should ride the bus": American women working-class poets and the rhetorics of community /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487945015616132.

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Park, Christopher 1966. "La modernité poétique des femmes chinoises : écriture et institution." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56656.

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Women's poetic writing in modern China, its context and position in literary history as well as its ideological and social constitution are at the root of this thesis' subject. Having stated my intellectual and personal limitations regarding its writing as an introduction, examples of contemporary women's poetic text will serve to broaden its conclusion. My analysis begins with a reflection on its own terminology in philosophical debate, followed by a study of the modernist background that from 1977 leads to what is termed as neo-modernity in literature. A paradox in the women's avant-garde of
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Underwood, Jan. "Revolution, connectedness and kinwork : women's poetry in Nicaragua." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61970.

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Messem, Catherine. "'Angers, fantasies and ghostly fears' : nineteenth century women from Wales and English-language poetry." Thesis, Aberystwyth University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364769.

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Muñoz, Tracy Manning. "Peripheral visions Spanish women's poetry of the 1980s and 1990s /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149000160.

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Books on the topic "Poetry Women poets"

1

Anthology of Scottish women poets. Edinburgh UP, 1991.

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Women creating women: Contemporary Irish women poets. Syracuse University Press, 1996.

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Haberstroh, Patricia Boyle. Women creating women: Contemporary Irish women poets. Attic Press, 1996.

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Jade mirror: Women poets of China. White Pine Press, 2013.

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5

Bishop, Michael. Contemporary French women poets. Rodopi, 1995.

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Michael, Bishop. Contemporary French women poets. Rodopi, 1995.

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Veramendi, Judy. The empty chalices: Life and poetry of Delmira Agustini. s.n.], 2003.

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8

Harold, Bloom. American women poets. Bloom's Literary Criticism, 2011.

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9

Pérez, Janet. Modern and contemporary Spanish women poets. Twayne Publishers, 1996.

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Modern and contemporary Spanish women poets. Twayne, 1995.

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Book chapters on the topic "Poetry Women poets"

1

Hickman, Miranda. "Modernist Women Poets." In A Companion to Modernist Poetry. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch21.

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Curran, Stuart. "Romantic Women Poets: Inscribing the Self." In Women’s Poetry in the Enlightenment. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27024-8_9.

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3

Doody, Margaret Anne. "Sensuousness in the Poetry of Eighteenth-Century Women Poets." In Women’s Poetry in the Enlightenment. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27024-8_1.

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Groth, Helen. "Victorian Women Poets and Scientific Narratives." In Women’s Poetry, Late Romantic to Late Victorian. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27021-7_16.

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Tarlo, Harriet. "‘The New Comes Forward’: Anglo-American Modernist Women Poets." In Teaching Modernist Poetry. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289536_5.

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Landry, Donna. "The Labouring-Class Women Poets: ‘Hard Labour we most chearfully pursue’." In Women and Poetry, 1660–1750. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230504899_16.

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Grant, Charlotte. "Women Poets and Their Writing in Eighteenth-Century Britain." In A Companion to Eighteenth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996638.ch9.

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Kinnahan, Linda A. "Contemporary British Women Poets and the Lyric Subject." In A Concise Companion to Postwar British and Irish Poetry. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310306.ch9.

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Pykett, Lyn. "Women Poets and ‘Women’s Poetry’: Fleur Adcock, Gillian Clarke and Carol Rumens." In British Poetry from the 1950s to the 1990s. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25566-5_14.

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Eger, Elizabeth. "Fashioning a Female Canon: Eighteenth-Century Women Poets and the Politics of the Anthology." In Women’s Poetry in the Enlightenment. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27024-8_12.

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