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Dissertations / Theses on the topic 'Poetry writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Cookson, Jennifer Colleen. "Topographies (Original writing, Poetry)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425798.

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2

Bonhomme, Desmond. "Creative Writing Thesis: Poetry." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/563.

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The title of this compilation of my own creative writings is Trees, Breathe, Paper. This unique collection of poetry, short stories and prose contains a range of work, composed from 2002-2012. The thematic goal of this undertaking is to ballast as many implicit and explicit meanings as are comprehensible, and to extrapolate a distinct spectrum of latent and straightforward explanations with discernible psycho-analytical accuracy. We all know poetry is truly formless and based on springs of natural inspiration. Thus, we derive our purest inspiration from the natural world and we prune it in its

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3

King, Willow. "Yantra: A creative writing thesis (Original writing, Poetry, Creative fiction)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425764.

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4

Nguyen, Alina. "Poetry as a Museum." Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10262632.

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<p> <i>Poetry as a Museum</i> is a two-part collection of poems that reveals different subject matter from the poet’s view of the world. The first part deals with family and the juxtapositions of life in the United States and Vietnam. The second part is focused on the poet, her voice, and lens outside of family. Both parts cohere as a collection around the idea of a poetry museum, one that curates the various stories, memories, experiences, and interests of family and poet, in Vietnam and the United States. Moreover, the poems rely on their strangeness in image as well as structure. </p>

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5

Fisher, Matt 1966. "Animated writing." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28047.

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Accompanying materials housed with archival copy.<br>Using an animation program on a Macintosh computer, I have animated poems, song lyrics and expressions in an experimental way to investigate alternatives to the restrictive poetics of the static medium of paper. Animated Writing is thus the process of enacting, in a visually rich and compelling fashion, the various semantic possibilities of text presented on a screen. While a CD-ROM or Web site would flawlessly display the pristine digital content of the animations which comprise the Creative Writing Master's Thesis, for ease of distribution

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6

Halliday, Simon D. "Intersections : a collection of poetry." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8087.

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7

Griffiths, David. "Song writing : poetry, Webern, and musical modernism." Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/song-writing--poetry-webern-and-musical-modernism(eda44e12-79d4-423f-887f-4d0543a03bc9).html.

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8

Beckerling, Philippa Mary. "Wings into darkness & Poetry - An Essay." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/6938.

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9

Banks, Annabel. "Poetry and the archive." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13328/.

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In 2006 selected Cornish mining areas were validated as UNESCO World Heritage Sites. Here are found numerous remnants of the mining industry that justified Cornwall’s prominence from the Industrial Revolution up to the close of the last major mine in the 1990s. An essential part of that history is the trade of The Boulton and Watt Mining Company, formed when Midlands businessman Matthew Boulton (1728-1809) joined forces with Scotsman James Watt (1736-1819). This partnership influenced the history of Cornish mining and the whole Industrial Revolution. Traces of their endeavours remain on the Co

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10

Beaulieu, Derek. "Text without text : concrete poetry and conceptual writing." Thesis, University of Roehampton, 2015. https://pure.roehampton.ac.uk/portal/en/studentthesis/text-without-text(9881aca7-f74a-4f6e-b8d2-58d83c01d7ae).html.

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Concrete poetry has been posited as the only truly international poetic movement of the 20th Century, with Conceptual writing receiving the same cultural location for the 21st-Century. Both forms are dedicated to a materiality of textual production, a poetic investigation into how language occupies space. My dissertation, Text Without Text: Concrete Poetry and Conceptual Writing consists of three chapters: “Dirty”, “Clean” and Conceptual.” Chapter One outlines how degenerated text features in Canadian avant-garde poetics and how my own work builds upon traditions formulated by Canadian poets b

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11

Goodson, R. P. "Writing 'The See-Through Man' : poetry and commentary." Thesis, Nottingham Trent University, 2011. http://irep.ntu.ac.uk/id/eprint/160/.

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'Writing The See-Through Man: Poetry and Commentary' is a Creative Writing thesis in two parts. The first part is a collection of poems called The See-Through Man, written specifically for this project. It comprises thirty short poems (of approximately one page in length) and one long poem, '1969' (approximately sixty pages in length). The second part of the thesis is a personal, critical commentary which reflects on the evolution of the themes in this collection, from an initial desire to write about the male nude in art, to a desire to write about masculinity, to, finally, a desire to write

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12

Nelson, Walter (Jason). "Digital Poetry Interfaces: Interactive Engines for Digital Writing." Thesis, Griffith University, 2013. http://hdl.handle.net/10072/367030.

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Briefly and simply my PhD was to explore the creation of digital poetry through the lens of interactivity and interface. The result, after many years of part-time study, was to build two dozen new digital poems, each expanding, in their own way, both the field of digital poetry in general and our understandings of the digital interface as a poetic/content, navigation and user/reader experience. Nearly all the works included in this PhD project have already proven themselves through exhibition, reviews and wide acceptance in literary, artistic, gaming and other communities. This exegesis invest

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13

Dymond, Danielle R. "Bitter Soil| Mapping Generational Female Experiences Through Poetry." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10751007.

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<p> <i>Bitter Soil: Mapping Generational Female Experiences Through Poetry</i> is a collection of creative writing made up of a methodological essay and forty-three poems. This collection, produced during my time in California State University, Long Beach’s M.F.A. in Creative Writing program, explores both familial bonds and personal growth. The essay portion of this thesis uproots my family tree for closer inspection as I explain my subject matter, influences, and process, as well as the benefits and challenges of being a woman writer. The forty-three poems within my manuscript specific

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14

Wuenstel, Mary Catherine. "The reflective journal the emotions and consciousness states of poets within a transpersonal writing design /." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=946.

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Thesis (Ed. D.)--West Virginia University, 1999.<br>Title from document title page. Document formatted into pages; contains vii, 207 p. : ill. Vita. Includes abstract. Includes bibliographical references (p. 174-193).

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15

Malby, Mark Edward. "Hong Kong poetry a comparison of the developmental experience of Chinese writers writing in English and native speakers of English writing in English and their works /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38725496.

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16

Bamburg, Mary. "Votary." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1425.

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17

Bell, Robert N. "Sharing Control: Emancipatory Authority in the Poetry Writing Classroom." Thesis, Connect to resource online, 2008. http://hdl.handle.net/1805/1859.

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Thesis (M.A.)--Indiana University, 2008.<br>Title from screen (viewed on June 24, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen M. Kovacik, Susanmarie Harrington, Robert Rebein. Includes vita. Includes bibliographical references (leaves 77-78).

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18

Yu, Liwen. "Politicizing poetics the (re)writing of the social imaginary in modern and contemporary Chinese poetry /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42841628.

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19

Harmon, Thaddeus. "Sky Lifting His Skirts." Digital Commons @ Butler University, 2015. http://digitalcommons.butler.edu/grtheses/415.

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20

Chitwood, Chazz R. "North Atlantic Black." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3678.

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North Atlantic Black is a collection of contemplative, lyrical poems that explore issues of coming out, suicide, yearning, and male relationships. Woven together, North Atlantic Black moves through different questions of masculinity encountered by the poet through the process of coming out. Early poems explore themes of masks, of theater, and of dressing and costume as means of escaping the traditional bounds of masculinity North Atlantic Black further braids in concepts of home, how they relate to identity through heritage and expectation, and how they inform the poet’s thoughts on what it me

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21

Olson, Ted. "Book Review of The Oxford Book of American Poetry: The Difficulty of Anthologizing American Poetry." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1142.

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22

Stamy, Cynthia Scott. "Marianne Moore and China : orientalism and a writing of America." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307421.

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23

Barber, Rosalind. "Writing Marlowe as writing Shakespeare." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39699/.

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This thesis consists of two components: a 70,000-word verse novel and a 50,000-word critical component that has arisen out of the research process for that novel. Creative Component: The Marlowe Papers The Marlowe Papers is a full-length verse novel written entirely in iambic pentameter. As with verse novels such as The Golden Gate by Vikram Seth, or The Emperor's Babe by Bernadine Evaristo, its inspiration, derivation, conventions and scope owe more to the prose novel than to the epic poem. Though there is as yet no widely-accepted definition, a verse novel may be distinguished from an epic p

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24

Vong, Lai Ieng. "Macao poetry today : a study of contemporary writing across cultures." Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1780762.

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25

Cooper, Karen G. P. "The knife's edge : empathy in poetry, science writing, and sacrifice." Thesis, University of British Columbia, 2006. http://hdl.handle.net/2429/30766.

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This dissertation argues that empathy is a nuanced and paradoxical capacity, which in action puts at risk 1) the common language perceptions of empathy as the intuitive grasp of another's emotional state, 2) our ability to set ourselves empathically apart from those who commit reprehensible acts, and 3) even our very belief in certain forms of severe trauma. The initial dissertation section, "Preliminary Materials," explores common language approaches to empathy alongside more technical definitions of empathy and other terms, especially sympathy. I contend for a version of empathy as a fu

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26

Wilson, Anthony Charles. "A study of teaching poetry writing at Key Stage Two." Thesis, University of Exeter, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400883.

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27

SAMPAIO, LUCIA BEATRIZ PITANGUY. "READING OGDEN: BODY, VOICE, POETRY A READING AND WRITING EXPERIENCE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2013. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=21854@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Esta pesquisa é um convite a um caminhar partilhado tendo como roteiro á obra de Thomas Ogden. Ao longo deste percurso, travaremos diálogo com Psicanálise através de Bion e Winnicott, e com a literatura através de Frost e Borges. Com Bion, podemos dizer que a experiência de leitura instrumentaliza o aparelho de pensar com novas formas que são o resultado da interseção entre as formas de pensar do autor e as do leitor. a partir de Winnnicott, concebemos que o contato profundo c

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28

Hundehege, Stefanie. "Writing the Nazi movement : the poetry of Baldur von Schirach." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/62985/.

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This thesis examines the literary output and influence of Baldur von Schirach (1907-1974) and - since he devoted his writing to the service of the party and its leader - his resultant cultural contribution to the establishment and consolidation of the National Socialist dictatorship. To date, Schirach's political role as Reichsjugendführer has overshadowed his literary work and influence. By demonstrating that his poems were not only supported by the National Socialist regime but also widely read in nationalist and right-wing circles in and before the Nazi party's rise to power, I aim to comp

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29

Lowe, Hannah Louise. "Writing the Empire Windrush (critical thesis), and, Chan (poetry collection)." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3325.

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This doctorate is comprised of a critical thesis (30%) and a creative submission of poetry (70%). The critical thesis examines representations of the arrival of the Empire Windrush at Tilbury on 22 June 1948, interrogating how it became symbolic shorthand for the beginnings of the post-war Caribbean diaspora to Britain, with a central place in the national historical imagination. Critics argue that the representation of the Windrush has undergone a dramatic transformation in its 65-year history, from its deployment in media discourses highlighting the problems of immigration, to its reclamatio

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30

Malby, Mark Edward. "Hong Kong poetry: a comparison of the developmental experience of Chinese writers writing in English andnative speakers of English writing in English and their works." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38725496.

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31

Higgs, Richard. "Translation of poetry as homicide, with reference to Anna Akhmatova's 'Last toast'." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11071.

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Includes abstract.<br>Includes bibliographical references.<br>The objective of this dissertation is to provide a critical examination of poetry translation, using as a framework the notion that translation of poetry is comparable to an act of murder or homicide. Constructs pertaining to detective fiction are used as a basis to expose critical theories and commentary on poetry translation, which validate the comparison, taking into account the integrity of the poetic text, the context in which it exists, and the identity (constructed or real) of the poet. Four published translations, by differe

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32

Martinuik, Lorraine A. "The Language of Trees." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1651.

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The Language of Trees is a poetry collection based on a series of walks, and rooted in the experience of place on a small island off the west coast of Canada. Prose poems and a serial poem that gives the collection its title, reflect the poet's leanings towards experiment. The preface discusses poetics and the poet's technical approach to form.

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33

Hall-Zieger, Anna. "Astigmatism: poems exploring the misshapen I." Thesis, Texas A&M University, 2006. http://hdl.handle.net/1969.1/4155.

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This thesis is a book of poems, containing two major sections. The first part is a critical introduction to the creative writing; the second part consists of poetry that I have composed, revised, and revisited during the time I have spent working on my Masters degree. The poems comprise the larger section and is a cohesive collection bound by a progression of theme, style, and mode. In the critical introduction, I discuss many influences on my poetry and I explore how my poetry adheres to various modes and styles as well as how it differs from them. While I remain drawn to the confessional sty

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34

Stumpo, Jeffrey David. "sylvae parvae: poems." Texas A&M University, 2004. http://hdl.handle.net/1969.1/1484.

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The following is a collection of original poetry, supplemented by a critical introduction tracing biographical, literary, and theoretical influences. The critical introduction takes the form of a series of loosely connected notes. The poems are divided into two major sections. I begin by discussing the difficulties involved in writing an overarching introduction to a collection which was never intended to be a cohesive whole, that is to say, a group of individual poems rather than a themed collection or sequence. I examine some of the influences on my work, including other poets and authors.

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35

Briante, Susan. "Pioneers in the study of motion." FIU Digital Commons, 2000. http://digitalcommons.fiu.edu/etd/1807.

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From the multitudinous streets of Mexico City through the lonely highways of the United States, this collection of poetry charts strategies of representation across complex territories of culture and gender. These poems represent dialogues and negotiations with popular and poetic narratives of the Americas, as well as individual quests for identification against a backdrop of postmodern and postcolonial concerns. The effect is like that of a collage that elicits the reader's participation in order to produce individual signification. The figures alluded to in these pieces enact the struggle to

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36

Camacho, John. "Chords." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/1984.

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CHORDS is a collection of diverse lyric and narrative poems. The book is primarily composed of free verse in the colloquial tradition of James Wright. CHORDS employs the Romantic device of a strong narrative "I," and utilizes four thematic sections, each named after a specific musical chord, which correspond to four periods in the narrator's life. Section one, "Suspended," follows the young narrator through a tumultuous childhood, underscored by family loss and the disruption of a move from Miami to rural Kentucky; section two, "Diminished," details his adolescence and young adulthood, a perio

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37

Bartman, Jennifer. "Apple." FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/1416.

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Apple is a collection of poems that explores the connection between human relationships and the evolution of an identity. Multiple speakers investigate gender and sexuality, plentitude and poverty, atheism and Christianity in order to better understand some of the forces that affect a woman's consciousness. An awareness of perceived dualities, such as self and other, reason and faith, nature and technology, socialization and loneliness are central to this exploration. The poems employ various forms, such as ultra-talk narratives, lyrical meditations, prose poetry, epistolary poems and hypertex

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38

Blanco, Ricardo De Jesus. "City of a hundred fires." FIU Digital Commons, 1997. http://digitalcommons.fiu.edu/etd/1693.

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These poems capture the "coming of age" experiences encountered by a Cuban-American narrator in the United States and in Cuba. The poems in the book appear chronologically, that is to say, not in the order they were written, but according to the age of the poet-speaker, ranging from early adolescence to young adulthood. The poems in Part I reveal the fragmented traditions and heritage inherited by a first generation Cuban-American, while questioning the complex merging of the two cultures encountered by the poet-speaker. In Part II, the majority of the poems are set in Cuba, as the poet-speake

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39

Carrion, Teresa. "Lazy tongue." FIU Digital Commons, 2004. http://digitalcommons.fiu.edu/etd/2058.

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Lazy Tongue is a collection of poems that follows the path of a first generation Latin American woman on her trail of self-discovery. Both critique and celebration, the poems zero in on a woman's psychological, social, and sexual encounters, trying to find acceptance of self in the mirror of Catholic indoctrination and culture clash. The poems move through a variety of forms as if each poem were a word moving, searching, stumbling into eloquence, echoing the awkwardness the speaker feels as she moves through childhood into adolescence, and the awkwardness she feels positioning herself in adult

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40

Beer, Nicky. "The diminishing house." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/6024.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 16, 2007) Vita. Includes bibliographical references.

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41

Morris, Marianne. "Problems of the 'political' in British avant-garde poetry and poetics, 2003-2012." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/7772/.

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This investigation addresses formal and conceptual problems in poetry, identified through critical investigations of my own and my poetic peers’ work, and through theoretical and philosophical texts (Butler, 2000; Hegel, 1807; Owens, 1980; Rose, 1996; Kappeler, 1986). The notion of a ‘political’ poetry, as loosely posited by contemporary critics (Archambeau, 2009) is discussed, using Ancient Greek readings of polis (Arendt, 1958; Yunis, 1996). Subsequent related topics for discussion include critical irony, subjectivity, feminist theory, and fantasy. Source material for their identification in

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42

Stewart, Jennifer. "Out of Chaos." ScholarWorks@UNO, 2006. http://scholarworks.uno.edu/td/361.

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This is a collection of poetry on a variety of themes, namely, personal identity, travel, southern upbringing, and interaction with daily ennui. It also presents a range of different poetic techniques, from collage and pastiche to more traditional lyric formats.

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destiche, aurielle. "From the Same Branch." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1868.

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44

Szabo, Brittany R. "Grey Slate." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1151.

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GREY SLATE is a collection of poems that focuses on the natural world in order to explore the mysteries of life with the intent to create a meditation on what it means to be a human being interacting with this world. Inspired by John Keats’ theory of Negative Capability, GREY SLATE does not seek to explain, but to dwell in the mysteries it explores. The poems are tied together through similar images or ideas in order to mimic the way the mind works as it jumps from thought to thought. GREY SLATE also mixes different types of poems: from haiku to sonnet to paradelle, and from lyric to narrative

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45

Evans, John William. "The Five-Dollar Shirt." FIU Digital Commons, 2007. http://digitalcommons.fiu.edu/etd/3216.

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THE FIVE-DOLLAR SHIRT is a collection of poems that explores the connection between the author's experiences working and living in South Asia, Chicago, and South Florida; the phenomenon of global capitalism; and the formative influences of place and culture, both while living in a foreign place and upon returning home. The collection is organized into three sections that loosely follow the chronology of the author's life: "Middle West," "Far East," and "Deep South." Each section includes longer free-verse narratives, shorter lyrical meditations on the associations of specific images, and forma

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Lockridge, Tim. "Survival Tips For A Parallel Universe." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/77492.

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Survival Tips For A Parallel Universe is a collection of poems concerned with sudden change, limitations, and the way those changes and limits might develop and burden intimate relationships. The collection’s central sequence, “Survival Tips For A Parallel Universe: Parts One, Two, Three, and Four,"? works through an imagined alternate world where the human and the mechanical suddenly and inexplicably merge, creating avenues of possibility that ultimately end in the unknowable, the unreachable, or failure. The surrounding poems further explore the nuance of the unknowable—through language both

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47

Rousseau, Jacques. "Dispatches from an older war." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/17457.

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48

Gaffney, Michaelle Brett. "Now is the Time to be Ghosts." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1349.

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49

Schoenfeld, Staci Renee. "The Blue Notebook." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1351.

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50

Tokarz, Beverly Joan. "Landscape beyond Corot and other poems." Thesis, Boston University, 1991. https://hdl.handle.net/2144/35679.

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