Relevant bibliographies by topics / Poets, Dominican

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Poets, Dominican'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Poets, Dominican"

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MARTÍN MARTÍNEZ, MACARENA. "CORPOREAL ACTIVISM IN ELIZABETH ACEVEDO’S THE POET X: TOWARDS A SELF-APPROPRIATION OF US AFRO-LATINAS’ BODIES." Revista de Estudios Norteamericanos, no. 25 (2021): 1–23. http://dx.doi.org/10.12795/ren.2021.i25.01.

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Scholars have typically studied Chicanas/Latinas in the US and African American women separately. However, this paper explores both the cultural appropriation of Afro-Latinas’ bodies in the US and the strategies they employed to reclaim their bodies and agencies through Elizabeth Acevedo’s novel, The Poet X. The protagonist’s body is simultaneously and paradoxically hyper-sexualized by racist discourses, and called to chastity by the patriarchal Catholic doctrine presiding over her Dominican community. Nevertheless, I argue that the protagonist makes her body a site of activism as she re-appropriates the agency over her body by moving from a self-imposed invisibility and silence in order to try to avoid the hyper-sexualization of her incipient curves, to a non-objectified visible position through her sexual desire, self-representative embodied narrative, and performance of her slam poetry.
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Cuello Ramírez, Henri. "Cómo piensan los intelectuales dominicanos sobre el poder." Revista ECOS UASD 19, no. 11 (November 11, 2011): 147–57. http://dx.doi.org/10.51274/ecos.v19i11.pp147-157.

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Lo primero que hacemos en el presente trabajo es abordar el problema conceptual y metodológico en torno a los intelectuales y el poder. Para el caso nos valimos de un enfoque que sobre los mismos elaboró Michel Foucault, el cual consideramos acertado. Lo segundo, es un análisis natatorio sobre las ponencias del libro Los Intelectuales y el Poder, del escritor y poeta Guillermo Piña Contreras.
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González-Barrera, Julián. "Un fénix para los años de hierro. Lope de Vega y la Orden de los Dominicos." Hispania Sacra 69, no. 139 (July 31, 2017): 233. http://dx.doi.org/10.3989/hs.2017.016.

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En 1618 Lope de Vega publicaba El triunfo de la fe en los reinos del Japón, una historia de mártires inspirada en la relación de un misionero dominico en aquellas lejanas tierras. El propio poeta confiesa que le fue enviada desde Manila, pero no aporta más detalles. Ahora, por primera vez, todo el proceso de encargo se desvela: qué frailes participaron, cómo le convencieron y por qué necesitaron de la ayuda de un poeta de vida y ejemplo no precisamente piadoso.
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Calderón Potes, Estefanía. "“Las nubes y todo eso” o “lo más vanguardista sigue siendo un libro” — un diálogo (a un siglo del vuelo de Altazor)." Orbis Tertius 26, no. 33 (May 3, 2021): e201. http://dx.doi.org/10.24215/18517811e201.

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Inspirados en la obra de Vicente Huidobro, y especialmente en Altazor, poema paracaidista, Estefaní­a Calderón y el poeta dominicano Frank Báez examinan en esta entrevista las relaciones e influencias de los movimientos vanguardistas históricos en la actualidad poética de Latinoamérica y el Caribe, y se preguntan si se refleja en ella aún un espí­ritu aviador. Simultáneamente, abordan temas tan urgentes como la migración y la exploración de nuevos territorios digitales en los espacios de difusión cultural y literaria.
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Oliva, Elena. "Blas Jiménez y Quince Duncan: dilemas del escritor afrohispano." ÍSTMICA. Revista de la Facultad de Filosofía y Letras, no. 19 (November 29, 2016): 105. http://dx.doi.org/10.15359/istmica.19.7.

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El artículo presenta una reflexión sobre la categoría ‘escritor afrohispano’ y las tensiones que involucra. En la primera parte se discute sobre el surgimiento, las utilizaciones y apropiaciones que intelectuales afrodescendientes han hecho de este concepto desde fines de los años ochenta. En la segunda parte se analiza el principal dilema de estos escritores en torno a las posibilidaddes de expresar una identidad específica,la de los afrodescendientes en la América de habla hispana,desde la lengua del colonizador, a través de las reflexiones y propuestas contenidas en la producción ensayística del poeta dominicano Blas Jiménez y del narrador costarricense Quince Duncan.
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Baeza Flores, Alberto. "Notas marginales a los poetas dominicanos de la generación de 1965, ampliadas." Revista Iberoamericana 54, no. 142 (March 24, 1988): 153–70. http://dx.doi.org/10.5195/reviberoamer.1988.4442.

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Kalaivani, K. Ramya. "Excruciating Pain Within Pain: Significance of Disaster Management in K.V. Dominic’s Poems." Bioscience Biotechnology Research Communications 14, no. 8 (June 25, 2021): 66–68. http://dx.doi.org/10.21786/bbrc/14.8.16.

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Bittencourt, Rita Lenira de Freitas. "Abaixo o dedo de deus e os números redondos: performance surrealista e escritura do presente." Revista Crítica Cultural 3, no. 1 (June 1, 2008): 5. http://dx.doi.org/10.19177/rcc.v3e120085-9.

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O francês Antonin Artaud, poeta, ator, roteirista e diretor de teatro, segundo o escritor espanhol Enrique Vila-Matas, completaria 99 anos em 4 de dezembro de 1995, sendo o primeiro "resgatado", em artigo, na coluna dominical do Diário 16, de Madri. Compõe, com outros 51 textos-nomes, num pretenso avesso das homenagens, um mosaico de referências que é posteriormente transformado em livro: Para acabar con los números redondos, 1997. Na proposta jornalística inicial, de subverter datas e cânones, o que se destaca em Vila-Matas é o gesto performático e anacrônico de evocar uma potência política a partir de suporte alternativo e de cruzamentos an-estéticos com o surrealismo, permitindo ler a poética do presente em suas múltiplas relações disjuntivas.
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Sheller, Mimi. "Caribbean futures in the offshore Anthropocene: Debt, disaster, and duration." Environment and Planning D: Society and Space 36, no. 6 (September 25, 2018): 971–86. http://dx.doi.org/10.1177/0263775818800849.

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The devastating impacts of Hurricanes Irma and Maria across the Caribbean (especially in Barbuda, Dominica, Puerto Rico, St Martin/St Maarten, and parts of the British and US Virgin Islands) are haunting harbingers of a world of climate disaster, halting recovery, and impossible futures. Being at the leading edge of the global capitalist exploitation of people and other living and non-living beings in a world-spanning system of vast inequity and severe injustice, Caribbean thinkers, writers, poets, philosophers, activists, and artists have long lived with, dwelt upon, and offered answers to the problem of being human after Man, as Sylvia Wynter puts it. This reflection on island futuring and defuturing offers a critical analysis of Caribbean “disaster recovery” and “climate adaptation” based on an understanding of the disjuncture between three uneven spatio-temporal realities: (1) the decelerating “islanding effects” of debt, foreign aid, and austerity; (2) the accelerating mobilities of the “offshore” and extended operational landscapes of “planetary urbanization”; and (3) the durational im/mobilities of Amerindian survival, Maroon escape, and Black/Indigenous cultural endurance of alternative ontologies.
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Prosdocimi de Rivera, María del Carmen. "Los poetas dominicanos del 65: una generación importante y distinta de Alberto Baeza Flores." Revista Iberoamericana 54, no. 142 (March 24, 1988): 363–64. http://dx.doi.org/10.5195/reviberoamer.1988.4449.

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Dissertations / Theses on the topic "Poets, Dominican"

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Rojas, Danny J. García. "The Dominican Republic--Central American Free Trade Agreement (DR-CAFTA) understanding the reasons why the Dominican Republic (DR) joined the CAFTA negotiations /." Monterey, Calif. : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Jun/09Jun%5FRojas.pdf.

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Thesis (M.A. in Security Studies (Western Hemisphere))--Naval Postgraduate School, June 2009.
Thesis Advisor(s): Looney, Robert E. "June 2009." Description based on title screen as viewed on 13 July 2009. Author(s) subject terms: DR-CAFTA, Western Hemisphere regionalization, Free Trade Area of the Americas (FTAA), Central America Common Market (CACM), Caribbean Community (CARICOM), Caribbean Basin Initiative (CBI), economic restructuring, trade liberalization, nontraditional exports, Free Trade Zones (FTZs), Dominican Banking Crisis 2003-2004, niche markets Includes bibliographical references (p. 97-103). Also available in print.
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Moreno, García Barbara. "Le parcours poétique de Domingo Moreno Jimenes." Paris 8, 1998. http://www.theses.fr/1998PA081470.

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Cette these concerne la presentation d'un poete hispano-americain au cours de son evolution poetique: domingo moreno jimenes (1894-1986). Son oeuvre est consideree comme le point de depart de la nouvelle poesie de son pays, la republique dominicaine. Tout d'abord, ce poete fut influence par le mouvement modernismo, il cultiva alors les differentes formes canoniques et mania les vers avec efficacite. En 1921 moreno, mecontent de la rhetorique classique, crea le postumismo qui fut le premier mouvement poetique de la litterature dominicaine. Ce mouvement proclama la liberte complete du vers (vers-librisme) et revendiqua les themes et motifs propres au terroir et a la culture dominicaine. Le posthumisme" est un postmodernismo. Moreno, ainsi que les poetes mariano lebron savinon et alberto baeza flores participerent a un nouvel essai poetique en 1943: los trialogos. Il s'agissait de traiter la poesie en tant que matiere tridimensionnelle", exercice proche d'une experience surrealiste. La poesie de moreno evolue ensuite vers un discours ontologique et metaphysique revelant le poete-philosophe. Les themes de sa poesie sont: dieu, l'esprit, le sens de l'existence, l'au-dela, la mort. Lepoete s'interroge, reflechit, medite. Ses vers auront souvent, jusqu'a sa mort parvenue en 1986, un ton prophetique et oraculaire, sentencieux et mystique.
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Rowe, Martha L. 1953. "A poet revealed: Elizabeth Barrett Browning as portrayed in Libby Larsen's "Sonnets from the Portuguese" and Dominick Argento's "Casa Guidi"." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290604.

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Composers Libby Larsen and Dominick Argento have each written song cycles based on the texts of Elizabeth Barrett Browning. Larsen's Sonnets from the Portuguese, for soprano and chamber orchestra, is a setting of six of the forty-four poems from Browning's amatory sequence of the same name. Argento's Casa Guidi, for mezzo-soprano and orchestra, is a setting of excerpts from letters written by Browning, primarily to her sister Henrietta, during her years in Florence. This study examines the two composers' images of Browning, and how those images are portrayed through choice of text and musical setting. The image of Browning depicted in Larsen's cycle is that of a woman who moves from a fear of love to an acceptance and embracing of it. The love that she comes to know is a love that recognizes the necessity of moving on in spite of unresolved issues. This image was gleaned from Browning's sonnets by Larsen and soprano Arleen Auger, who worked closely together to create a cycle that would speak of mature love, in contrast to the youthful love in Schumann's Frauenliebe und -leben. Three of the six sonnets in the cycle are analyzed for Larsen's use of compositional devices that reinforce the themes of the recognition and acceptance of love and of trust in non-resolution. The texts chosen by Argento were based on his desire to depict the feminine and vulnerable aspects of Browning during her years in Florence. Although the letter excerpts are not arranged in chronological order, they accurately reveal a woman who delighted in her home and family. The last three of the five songs are examined to show how Argento's careful text setting and use of orchestral color and motives enhance Browning's words and the overall mood of the letters.
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Moulin, Marie-Anne. "Argentan au Moyen Âge : aspects urbains, sociaux et économiques." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0145.

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La richesse des sources disponibles éclaire le développement de la ville d'Argentan, de sa naissance comme bourg castral contrôlant un carrefour et un guet de l'Orne, jusqu'à la fin de l'époque médiévale. Elle autorise à décrire les paysages urbains, à connaître l'évolution politique, les structures sociales et l'économie de cette petite ville normande. Dans ce contexte, les différents pouvoirs en présence - seigneurs, communauté urbaine et fabriques - matérialisent leur influence dans le bâti - château, murailles, églises et hôtels-Dieu, objets de travaux constants du XIIIe au XVe siècles. L'organisation des chantiers, de la décision à la mise en œuvre, varie en fonction de l'institution donneuse d'ordre. Les processus décisionnels, la direction et le suivi des travaux sont exposés pour les chantiers religieux, hospitaliers et castraux. La question des matériaux - approvisionnement, origine et qualités -permet de conclure à une bonne exploitation des ressources locales. Les artisans du bâtiment, majoritairement originaires des environs, font preuve d'une grande polyvalence et d'une bonne maîtrise technique transmise au sein de l'atelier familial
The important archives available allow to explain the development of the city of Argentan, from its beginning as a castle controlling a cross roads and the river Orne, till the end of the middle Ages. They also permit to knovv the political évolution, the social structures and the economy of this small Normandy city. In that context, the different local institutions - lords, urban organisation and parishes -become real through buildings - castle, city walls, churches and hospitals, always rebuilt from the 13* to the 15 century. The organisation of those works depends on the institution which is building. The decision, the direction and the following of those works are explained for churches, hospitals and the castle. The question of materials - how they are chosen and moved to the building area, where they are from, which quality - permit to discover a good exploitation of local resources. Building workers. Mainly from the close area, are able to work on différent kind of buildings and to do very different operations on the building and also have good technical capacities, learned in the family
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Yin-Hsin, Chang, and 張尹馨. "Poems and Interpretation of Dominick Argento’s Six Elizabethan Songs." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/65742477268398172405.

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碩士
國立臺灣師範大學
表演藝術研究所
102
Dominick Argento (b. 1927) is one of the most distinguished vocal composers in America in the twentieth-century. His song cycle “Six Elizabethan Songs” was commissioned by tenor Nicholas Di Virgilio and written for high voice and piano in 1958. Argento selected six lyric poems from five Elizabethan poets’ works, and used diverse compositional methods to express the text. This set of songs continues to be one of his most popular vocal works. This paper will discuss the following topics: an overview of American art song in the twentieth-century, the biography of Dominick Argento and his music style in art songs, literature in the Elizabethan Period in general, and the analysis of both music and poems, as well as suggestions for interpretating “Six Elizabethan Songs”. The purpose of this study is to explore how Argento made use of musical devices to express the English prosody and the artistic conception in six poems. Through such efforts, the author sincerely expects to perform the best of this set in the future.
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Books on the topic "Poets, Dominican"

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Lantigua, José Rafael. Domingo Moreno Jimenes, apóstol de la poesía. 3rd ed. Santo Domingo, República Dominicana: Taller, 1985.

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Basilio, Belliard, ed. El búho y la luna: Entrevistas a José Mármol. Santo Domingo, D.N., República Dominicana: Ediciones Librería La Trinitaria, 2005.

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Roca, Frank A. Semblanza de Ligio Vizardi. [Santo Domingo, Dominican Republic?]: Ediciones O & M, 1996.

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La palabra rebelada/revelada, el poder de contarnos. [New York, N.Y.?]: Ediciones FemLlbro, 2011.

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Ventura, Santiago Castro. Salomé Ureña: Jornada fecunda. Santo Domingo, República Dominicana: Editora de Colores, 1998.

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In the name of Salomé: A novel. New York, N.Y: Penguin Putnam, 2001.

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Alvarez, Julia. In the name of Salomé: A novel. New York, N.Y: Penguin Putnam, 2001.

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Alvarez, Julia. En el nombre de Salomé. Waterville, Me: Thorndike Press, 2002.

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Alvarez, Julia. En el nombre de Salomé. Nueva York: Vintage Espanol, 2002.

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In the name of Salomé: A novel. Chapel Hill, N.C: Algonquin Books of Chapel Hill, 2000.

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Book chapters on the topic "Poets, Dominican"

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Ramírez, Dixa. "Untangling Dominican Patriotism." In Colonial Phantoms, 36–74. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850457.003.0002.

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This chapter focuses on the ambivalent nationalism evident in the celebration of the first national Dominican poet, Salomé Ureña (1850-1897). Studying poems, letters, speeches, and essays by Ureña and some of her contemporaries, the chapter contends that the strong desire for Ureña’s poetry coexisted with the elite’s generalized assumption that the ideal citizen subject was a white man. It argues that Ureña’s embodiment of Dominican nonwhiteness combined with her status as a respectable woman allowed Dominicans of the intellectual and ruling elite to satisfy two intertwined impulses: to construct a national identity that could explain Dominican difference from Haiti, and, as such, justify a seat at the global table; and a tacit acceptance that a nonwhite woman such as Ureña could only be considered “the muse of the nation” because Dominican territory had a history of black freedom and leadership.
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Marshall, P. J. "The Making of the Free Ports Act." In Edmund Burke and the British Empire in the West Indies, 105–24. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198841203.003.0007.

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Burke became involved with West Indian issues at the very beginning of his political career. The brief Rockingham administration of 1765–6 was committed to measures to improve flows of trade around the British Atlantic, of which the West Indies was a crucial component. As the prime minister’s secretary, Burke was deeply involved in these measures. The main problem which they sought to remedy was the inability of the British West Indies to produce commodities needed in other parts of the Atlantic in sufficient quantities. These commodities were principally sugar and raw cotton for Britain and molasses for British North America. The remedy chosen was to allow foreign supplies of these commodities to enter the British system through what were called free ports in two British islands—Dominica and Jamaica. Burke was particularly influential in the provisions of the act relating to Dominica, whose ports were intended to draw in produce, especially raw cotton, from French islands that the British had occupied during the war. In return, they would export British manufactures and slaves to foreign colonies. Getting the act through Parliament required the careful balancing of interests, notably those of the North American colonies and of the West Indies. Burke was in the thick of these negotiations, forming many contacts with merchants. The act, by letting in foreign produce to British islands, marked a significant breach in the hitherto sacrosanct doctrine of imperial self-sufficiency.
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Davis-Secord, Sarah. "Sicily in the Dār al-Islām." In Where Three Worlds Met. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501704642.003.0004.

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This chapter examines the connections between Sicily and other parts of the dār al-Islām during the years of Muslim dominion (ninth to mid-eleventh centuries), when Sicily's ports were most regularly in communication with those of North Africa and Egypt. The largest body of evidence for these connections comes from merchant letters from the Cairo Geniza, which detail trade and migration. The chapter discusses Sicily's intellectual connections with the dār al-Islām, economic connections with Egypt and Ifrīqiya, and connections with the wider Mediterranean world.
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O'Connor, Kevin C. "“This Accursed Place”: The Great Northern War." In The House of Hemp and Butter, 224–58. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501747687.003.0009.

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This chapter examines the city's experience during the Great Northern War (1700–1721). The end results of this war were the destruction of Swedish power in the Baltic Sea and Russia's acquisition of several new ports, including Riga. The chapter focuses on the actions of three powerful monarchs, Charles XII of Sweden, Augustus II of Poland-Saxony, and Peter I of Russia, as they clashed over the eastern Baltic. Its principal concern, however, is the experience of Rigans during these extraordinary times. The chapter ends with a scene of devastation in the starving and bombed-out city of Riga as its terrified residents surrendered to the victorious Russian state. It was in this manner that more than two centuries of tsarist dominion over Riga began in 1710.
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Jahner, Jennifer. "Coda." In Literature and Law in the Era of Magna Carta, 217–28. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198847724.003.0006.

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The conclusion to the book expands the terrain of “jurisdictional poetics” to include both contemporary and medieval poetry. It begins with the work of Carter Revard, Osage poet and medievalist, whose discovery of the scribe of Harley 2253 has fundamentally shaped contemporary scholarship on legal and literary copying in later medieval England. His poem “Starring America” provides an entry point into the tensions between epic and local histories that resonate as well in a set of cross-Channel satires that date to the time of the Second Barons’ War. The coda examines the earliest surviving Middle English sirventes, “Richard of Almaigne,” alongside two French satires on the English revolt, the Pais aus Englois and La chartre de la pais aus Englois. In both cases, language difference serves as a synecdoche for territorial dominion, parsing the boundaries between political desire and legal authority.
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Dufallo, Basil. "Caesar’s Mistakes and Horace’s Errores." In Disorienting Empire, 199–230. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197571781.003.0006.

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Although the book’s main concern is with Latin poetry of the Republic proper, Chapter 5 extends its analysis into the “Triumviral Period” (44–29 BCE) and thus closer to the Augustan Age. As Rome fell into a new round of bloody civil conflicts through which two essentially monarchic rulers—first Julius Caesar and then Octavian/Augustus—sought dominion over the whole empire, the poetic conceit of making one’s way through disorienting circumstances became freighted with new meaning. Vergil in the Aeneid was not the only poet to adopt this conceit in response to these events. But recognizing as much requires a different understanding of how the theme of becoming lost relates to the expansion of Roman power and the interplay between Greek and Roman culture. Rather than use the motif to figure travel in far-flung areas of the empire, Horace’s Satires, book 1, with its Epicurean satirist personae vulnerable to some of the same charges of queer attitudes and behaviors as Lucretius, limits its ramblings geographically to Rome and Italy. In doing so, however, it makes them into a means of suggesting the stable—and potentially universal—power of the man already dominant in the whole of the Western empire: Octavian. Horace’s presentation involves a skillful handling of Octavian’s links to the divine, particularly the divinity of his deceased adoptive father, Julius Caesar, whose worship Octavian himself had already introduced into state-sponsored cult. Satires 1 thus reveals awareness of the empire-wide projection of power on which Octavian’s position of leadership was coming to depend.
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