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Journal articles on the topic 'Poets, Egyptian'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Radwan, Noha. "Palestine in Egyptian Colloquial Poetry." Journal of Palestine Studies 40, no. 4 (2011): 61–77. http://dx.doi.org/10.1525/jps.2011.xl.4.61.

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Shi'r al-'ammiyya is a poetry movement whose emergence in Egypt in the early 1950s coincided with the heyday of Nasser's revolution, when the Palestine question was a national concern. With numerous practitioners today, the movement has yielded a large corpus of colloquial poetry that has become a significant part of Egypt's cultural landscape.This article presents a historical survey of shi'r al-'ammiyya's best known poets—Fu'ad Haddad, Salah Jahin, and 'Abd al-Rahman al-Abnudi—and their poems on Palestine. Among the essay's aims is to dispel the common misconception that the use of colloquia

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2

Ofer, Rachel. "Political Readings of the Hagar Narratives in Poems By Jewish Women." Nashim: A Journal of Jewish Women's Studies & Gender Issues 41, no. 1 (2022): 92–122. http://dx.doi.org/10.2979/nsh.2022.a880808.

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Abstract: The biblical story of Hagar, Sarah’s Egyptian maidservant, whom she gave to her husband, Abraham, as a concubine, appears in the Book of Genesis, Chapters 16 and 20. This article discusses poems written by modern Jewish women poets that use the Hagar narrative to comment on the conflict between the Jews, the descendants of Sarah, and the Arabs, the descendants of Hagar. Two themes are prominent: The conflict between Sarah and Hagar, and their common motherhood. Through these themes, which are both manifest in the biblical story, the poets give expression to their own worldviews regar

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3

Maysoon Fuad, Shibi. "The Evolution of the Rajaz Meter in Modern Arabic Poetry, Al-Rajaz Poem as Narrative Poetry, as Reflected in the Works of Ṣalāḥ ‘ABD AL-Ṣabūr". Journal of Semitic Studies 64, № 2 (2019): 583–603. http://dx.doi.org/10.1093/jss/fgz028.

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Abstract The rajaz meter has always been folkloric, from its inception to this day. It is easy to compose verses in it, so that poets used it to express the concerns of their nation, especially following the consecutive political defeats which the Arab world has experienced. Modern Arab poets use this meter in poems that express the concerns of the common people and urge them to stand together in the face of defeats and despotic, oppressive regimes. The rajaz meter allows them to write in one voice that represents the collective as a whole. The Egyptian poet Ṣalāḥ ’Abd al-Ṣabūr (1931–81) used

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4

Ziyaviddinova, Mukhlisa. "COMPARATIVE ANALYSIS OG THE POETRY OF BINT ASH-SHATI AND ZULFIYA." Oriental Journal of Philology 05, no. 03 (2025): 87–98. https://doi.org/10.37547/supsci-ojp-05-03-11.

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This article is dedicated to the work of the renowned Egyptian poet Bint ash-Shati and the equally well-known Uzbek poet Zulfiya. Their poems were examined and analyzed. Both poets extensively used various artistic means of expression in their work, such as isti'ara (metaphor), tashbih (simile), and tazad (antithesis). The creative paths of Bint ash-Shati and Zulfiya have much in common. Both were awarded various accolades and are known beyond the borders of their respective countries.

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Jaran, Mahmoud. "Voci italiane ed egiziane da Alessandria d’Egitto: un dialogo tra Fausta Cialente e Naǧīb Maḥfūẓ". Oriente Moderno 94, № 1 (2014): 32–54. http://dx.doi.org/10.1163/22138617-12340037.

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The city of Alexandria has always been a source of inspiration for many writers, poets and novelists, Western and Eastern. We may think of the works of Kavafis, the poems of Ungaretti and the novels of Lawrence Durrell. In addition to its historical value and its oriental charm, Alexandria remained in the collective memory as a multiethnic city par excellence in the first half of the Twentieth Century. After the coup of 1952, Alexandria has become a city-symbol of the Revolution of the Free Officers. There was born Ǧamāl ʿAbd el-Nāṣer and from its squares, he announced the nationalization of t

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6

Geshta, Hisham. "Those Who Shaped the Future." Nka Journal of Contemporary African Art 2021, no. 49 (2021): 120–31. http://dx.doi.org/10.1215/10757163-9435723.

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Author Hisham Geshta, literary and art critic and editor of Al Kitaba Al Ukhra (Other Writing), Cairo, Egypt, reminisces about his meeting and long-term relationship with writer and activist Anwar Kamel and their united efforts to publish established and emerging surrealist writers and poets in Al Tatawwur (Evolution) magazine in 1940 and after. Later, when Kamel is in his late seventies, in 1991, the author establishes and publishes Al Kitaba Al-Ukhra to continue the commitment. The author provides numerous excerpts from these and earlier publications that include the writings of Georges Hene

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7

El Sibaei, Bachir. "Georges Henein." Nka Journal of Contemporary African Art 2021, no. 49 (2021): 82–99. http://dx.doi.org/10.1215/10757163-9435695.

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Georges Henein was an important pioneer of modernism in Egypt, who played a critical role in the cultural and artistic movement of the country, despite critics who tried to distance him from contemporary Egyptian thought under the guise that he was a Francophone writer. This research presents Henein’s contribution to the historical, cultural, and national Egyptian trajectory, using some translated excerpts from his writings. The surrealist adventure Henein launched in Egypt was an important modernizing event in contemporary Egyptian culture. Although the influence of surrealist visions on Arab

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Raslan, Usama. "Patriarchy Rejected: A Feminist Reading in Some Selected Poems by Adrienne Rich and Fatima Naoot." English Language and Literature Studies 9, no. 1 (2019): 1. http://dx.doi.org/10.5539/ells.v9n1p1.

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The present paper offers a comparative feminist reading of the American poet Adrienne Rich and the Egyptian poet Fatima Naoot. It aims at analyzing both Rich&rsquo;s and Naoot&rsquo;s poetry in terms of feminist criticism demonstrated particularly in Beauvoir and Millett&rsquo;s theory of patriarchy. The collections from which the poems under study are selected are Rich&rsquo;s The Fact of a Doorframe: Poems Selected and New, 1950-1984 (2002), and Naoot&rsquo;s A Bottle of Glue (2007). The selected poems are Rich&rsquo;s &ldquo;Aunt Jennifer&rsquo;s Tigers&r

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9

Flores, Alexander. "Offenbach in Arabien." Die Welt des Islams 48, no. 2 (2008): 131–69. http://dx.doi.org/10.1163/157006008x335912.

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AbstractTwice, the theatre of Jacques Offenbach exerted a marked influence on musical theatre in Egypt. The first occasion was a number of performances of his most popular opéra-bouffes, in French and by French artists, around 1870. The ruler, Ismā'īl, tried to introduce European culture in Egypt and gave Offenbach's work a central role in that endeavour. With Ismā'īl's decline, that attempt was discontinued. The second appearance occurred in 1920/21. Then, two of the most popular musical comedies of the famous Egyptian composer Sayyid Darwīš had Offenbach's works as their sources. These works

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Drumsta, Emily. "Mourning Women." Journal of World Literature 8, no. 1 (2023): 123–44. http://dx.doi.org/10.1163/24056480-00801002.

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Abstract This article examines two modern women poets’ ambivalent engagements with Arabic elegy: the Iraqi Nazik al-Malaʾikah and the Egyptian Iman Mersal. Although they wrote in different national contexts and historical eras, with utterly distinct political and aesthetic projects, a close look at their verse reveals a specter of the bereft-yet-eloquent “ancient Arab woman” haunting their respective poetic voices. Looking in particular at a conventionally metered and rhymed ode like al-Malaʾikah’s “To My Late Aunt” (Ila ʿAmmati al-Rahilah) and at the quasi-elegiac threads woven through the pr

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Alfatawi, Ahmad Talkhis, and Fathin Masyhud. "Al-KHITAB AL-WATHANI FI QASAIDI AHMAD SYAUQI." Journal of Arabic Literature (JaLi) 3, no. 2 (2022): 95–108. http://dx.doi.org/10.18860/jali.v3i2.17083.

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Ahmad Syauqi is a well-known Egyptian poet. He also earned the nickname amīr al-syu'arā' (poet prince) from Middle Eastern poets. When World War 1 and 2 broke out, Syauqi loudly voiced nationalism in his poems, even he was exiled to Andalus (Spain) by the British who then colonized Egypt. Therefore, this research will discuss the various expressions of nationalism ala Ahmad Syauqi in his poetry. This research is a descriptive qualitative research using content analysis. The data obtained in this study were taken from several collections of Ahmad Syauqi's poetry and poetry, especially nationali

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Latifi, Yulia Nasrul. "Feminisme Sabirin dalam Novel An-Nida, Al-Khalid Ikon Revivalisme Perempuan Mesir." Musãwa Jurnal Studi Gender dan Islam 9, no. 2 (2010): 175. http://dx.doi.org/10.14421/musawa.2010.92.175-200.

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The material object of this writing is Najib Kylani's novel, An-Nida' al-Khalid, and the formal object is feminism literary criticism. For getting the idea of icons, this writing needs the sociology of literature, because the literature is the mirror of the reality. Of importance in this novel is its difference with the other modem Egyptian novels, that usually, the image drawn of women by Arab novelists and poets is the drawing of women who remain subjugated to men by the patriarchal system. The heroine in this novel, namely Sabirin, is described the strong and positive personality, mature, s

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Aljoumani, Said, and Konrad Hirschler. "A Glimpse into Egyptian/Syrian Elite Book Culture During the Seventh/Thirteenth Century: Booklist T-S Misc. 24.28 from the Cairo Geniza Corpus." Der Islam 100, no. 2 (2023): 504–18. http://dx.doi.org/10.1515/islam-2023-0026.

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Abstract This article discusses the fragment of an Arabic-script book list with a Cairo Geniza provenance that includes 33 identifiable titles. On the basis of the list’s provenance, its organization, and its content, we argue that it was part of a larger Cairene library catalogue dating to the seventh/thirteenth century. All titles in this catalogue refer to Arabic poetry ranging from pre-Islamic jāhilīʾ poets to poets living in the first half of the seventh/thirteenth century. A comparison with the poetry section of the Damascene Ashrafīya Library from the same period shows a distinct overla

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14

اللهيبي, حسين. "Shihab al-Din ibn al-Attar al-Danisari, his life and the rest of his poetry, study and documentation." Kufa Journal of Arts 1, no. 20 (2014): 219–94. http://dx.doi.org/10.36317/kaj/2014/v1.i20.6374.

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He was known by the title of Shihab al-Din ibn al-Attar, two Egyptian poets, one of whom is Shihab al-Din Ali ibn Ahmad ibn al-Attar al-Damiati, the well-known loyal poet who died in the year 811 AH, and the second is Shihab al-Din Ahmad ibn Muhammad ibn al-Attar al-Danisri, who we are about to introduce, collect and document his poetry. The status of Shihab al-Din ibn al-Attar al-Danisri among the poets of his time appears in many matters, including: that he is one of the most prominent figures of thought and literature in the eighth century AH in Egypt, with what he left behind of intellectu

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Rosul, Moh Sahumi, та Khafid Roziki. "TAGHYIRĀT AL-AUZAN AL-ARUDIYAH FI ṢYI’IR ‘ALA SAHIL AL-BAHR LANĀ GARĀBAH: DIRĀSAH TAHLILIYAH ARUDIYAH". 3rd Annual International Conferences on Language, Literature, and Media 4 (21 вересня 2022): 334. http://dx.doi.org/10.18860/aicollim.v4i1.1958.

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The changes of wazan in a verse is normal so that poets can choose the correct sentence and does not harm the beauty in poetry associated with wazan. Prosody is still used until today, although many modern poets do not use it to write poetry, but rather use free poets unconstrained in wazan. Abbas Mahmoud al-Akkad is a modern Egyptian poet best known for a form of classical poetry that still follows formulas in prosody. The objectives of this research are: 1) to know the bahr used in the poetry of Abbas Mahmoud Al-Akkad; 2) To know the wazan changes that occur in his poem. The researcher used

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Anjum, Salma. "The Views of Literary Critics and Poets about Najib al-Kaylani." Journal of Islamic and Religious Studies 1, no. 1 (2016): 137–49. http://dx.doi.org/10.36476/jirs.1:1.06.2016.11.

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Dr. Najib Al- Kailani (1931-1995) is one of the prominent poet and writer of Arabic literature. The multidimensionality of his personality is rare example of the history of Islamic literature. He was a renowned poet, writer, a medical professional, a thinker and overall a great human being. He laid the foundation of the Islamic literature and introduced a sound methodology. His precious literary works in Arabic and Islamic school of thought made his personality more prominent. He not only discusses the issues and challenges faced by Egyptian Muslims but also covers the whole Islamic world and

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Bauer, Martin M. "Schulübungen oder Kalenderblätter? Zur Interpretation einer Gruppe spätantiker Kulthymnen in der Appendix Claudianea." Philologus 166, no. 1 (2022): 134–49. http://dx.doi.org/10.1515/phil-2022-0103.

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Abstract Until now, the short cult hymns to Liber, Mars and Juno in the Appendix Claudianea have mostly been seen as rhetorical school exercises. Yet a philological-historical analysis shows that they could be remains of occasional poetry from everyday life. The hymns are structured according to the Roman festival calendar and, on the basis of language and content, should probably be dated to the final phase of public non-Christian cult practice in the fourth century. The anonymous poet was familiar with classical Greek and Latin poetry, but reveals weaknesses in Latin prosody and metre. It ca

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18

Ami, Naama Ben. "Memories in Translation." American Journal of Islam and Society 24, no. 4 (2007): 123–25. http://dx.doi.org/10.35632/ajis.v24i4.1524.

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The book’s title and subtitle are both concise and apt characterizations. Aftermore than sixty years of work as a translator and a writer, Johnson-Daviestakes the reader on a journey through memories told as if relived throughwriting. The language is clear, fluent, and businesslike. Interspersed in theaccount are humorous anecdotes about some of his more embarrassing experiencesas a translator.The book has a foreword by Naguib Mahfouz (d. 2006), the Nobel Prizewinning(1988) Egyptian writer with whom the author had an acquaintanceshipgoing back sixty years and several of whose books he translat

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Khazindar, Mona. "Georges Henein." Nka Journal of Contemporary African Art 2021, no. 49 (2021): 64–81. http://dx.doi.org/10.1215/10757163-9435681.

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Georges Henein (1914–73) was a Francophone Egyptian writer who introduced surrealism to the artistic and intellectual milieu of Cairo as early as 1937. The author traces Henein’s engagement with the tenets of surrealism articulated by André Breton in France and his impact introducing, interpreting, and dispersing these ideas among writers, artists, and the public in Egypt for more than two decades. He was most active in Cairo during the years surrounding the Second World War, founding in 1938 the Art and Liberty group of writers and artists, who spread their ideas through the Arabic-language m

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20

Al-Rifai, Nada Yousuf. "Shawqi's Friends, Opponents and Contemporaries." Advances in Social Sciences Research Journal 11, no. 10 (2024): 216–312. http://dx.doi.org/10.14738/assrj.1110.17688.

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This research sheds light on Shawqi's friends, acquaintances and opponents. As the Islamic tradition says, a man follows the religion of his friend, so look at whom he likes. In contemporary history, friendships between writers decreased and feelings of envy, hatred and competition for glory, fame and influence prevailed among them. This is what we see through the tense relations between great Egyptian writers, such as Taha Hussein, Al-Aqqad and Mustafa Al-Sadiq Al-Rafi’i in the 1930s and 1940s. The conflicts between Arab poets were intense, even if they belonged to the same movement. In contr

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Hasanović, Bilal. "QASIDA-I BURDA AND ITS AURA IN OUR CLIMATE." Zbornik radova Islamskog pedagoškog fakulteta u Zenici (Online), no. 8 (December 15, 2010): 151–67. http://dx.doi.org/10.51728/issn.2637-1480.2010.151.

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First pre-Islamic fragments of poetry are registered in the fifth and sixth centuries before the occurrence of Islam. These fragments show a very rich and developed poetic tradition. The Qur`an has a negative attitude towards idolatry and the pre-Islamic poetry and poets excepting those who accepted Islam and continued their poetic journey respecting Islamic tradition. Among the poets who were active before and after the beginning of Islam (muhadramuni) the person that stands out is Ibn Ka'ba Zuhajr who became famous for his famous Qasida Su'ādu Bane which he wrote in the honor of the Prophet

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Najib, Emha Aenun. "Karakteristik dan Aplikasi Aliran Romantisme Arab." Insyirah: Jurnal Ilmu Bahasa Arab dan Studi Islam 4, no. 1 (2021): 41–50. http://dx.doi.org/10.26555/insyirah.v4i1.3988.

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Al-Masa poetry is the work of a famous Egyptian poet named Khalil Mutran. Khalil Mutran (1872-1949) is recorded as one of Egypt's last neo-classical poets. One of his works is the poem Al-zaman, the poem al-masa telling about the suffering of the figure both physical suffering. Meanwhile, the flow of romanticism is a village literary genre that emerged after the flow of classicism which is commonly called the urban literary genre. The purpose of this research is to find out the historical flow of romanticism and its application in the literary work of the poetry of al-zaman Karta Khail Mutran.

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Semaan, Gaby. "The Hunt In Arabic Poetry: From Heroic to Lyric to Metapoetic." American Journal of Islamic Social Sciences 35, no. 3 (2018): 76–79. http://dx.doi.org/10.35632/ajiss.v35i3.483.

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In his book, The Hunt in Arabic Poetry: from Heroic to Lyric to Metapoet- ic, Jaroslav Stetkevych traces the evolution of Arabic hunt poetry from its origins as an integral part of the heroic ode (qaṣῑda) to becoming a genre by itself (ṭardiyya) during the Islamic era, and then evolving into a meta- poetic self-conscious expression of poets in our modern time. The book is a collection of a revised book chapter and a number of revised articles that Stetkevych published between 1996 and 2013 discussing Arabic hunt poet- ry at different periods spanning from the pre-Islamic age, known in Arabic a

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Semaan, Gaby. "The Hunt In Arabic Poetry: From Heroic to Lyric to Metapoetic." American Journal of Islam and Society 35, no. 3 (2018): 76–79. http://dx.doi.org/10.35632/ajis.v35i3.483.

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In his book, The Hunt in Arabic Poetry: from Heroic to Lyric to Metapoet- ic, Jaroslav Stetkevych traces the evolution of Arabic hunt poetry from its origins as an integral part of the heroic ode (qaṣῑda) to becoming a genre by itself (ṭardiyya) during the Islamic era, and then evolving into a meta- poetic self-conscious expression of poets in our modern time. The book is a collection of a revised book chapter and a number of revised articles that Stetkevych published between 1996 and 2013 discussing Arabic hunt poet- ry at different periods spanning from the pre-Islamic age, known in Arabic a

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Hamasat, Muhammed Hasan Jawad. "The Poem "I Will Never Forget For The Poet Muhammed Al-Mahi A Linguistic Study." Multicultural Education 7, no. 8 (2021): 548. https://doi.org/10.5281/zenodo.5254777.

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<em>This is a linguistic study to the poem of the Egyptian poet Muhammad Mustafa Al-Mahi. One of the classical poets from Damietta in Egypt died in 1967 and he one of the adheres to the classical poetry, and contemporary literary schools have not attracted him , so his poetry came with a strong formulation, gentle rhythm and clear meanings and he wrote about most of the poetry purposes. He passed away in 1976. He has a collection of three hundred twenty-seven pages in two editions and from this collection I chose a poem (I will never forget) which purpose is spinning, and he wrote it in fiftee

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Jaran, Mahmoud, and Asef Khaldi. "Narrating the Crusades in Two Contemporary Novels: Ideology and Dialogue Between Eastern and Western Perspective." Theory and Practice in Language Studies 15, no. 1 (2025): 209–15. https://doi.org/10.17507/tpls.1501.23.

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The Crusades, particularly the First Crusade, have long captivated the imagination of writers and poets in both the Christian West and the Muslim East. This study explores how the First Crusade is narrated and invoked in contemporary literature through a comparative analysis of two novels: The Awakening of the Knight by Egyptian author Mohamed Tarek (2022) and Jerusalem by Italian historian and novelist Andrea Frediani (2013). The research examines the relationship between these works and historical and literary sources on the Crusades, while also addressing their contemporary political and cu

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Khodjaeva`, Rano Umarovna. "The Role Of The Central Asians In The Socio-Political And Cultural Life Of Mamluk Egypt." American Journal of Social Science and Education Innovations 02, no. 10 (2020): 227–36. http://dx.doi.org/10.37547/tajssei/volume02issue10-38.

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The article considers the strengthening of the Turkic factor in Egypt after the Mamluk Emirs, natives from the Khwarezm, Turkmen and Kipchak tribes, who came to power in the second half of the XIII century. The influence of the Turkic factor affected all aspects of life in Egypt. Under the leadership of the Turkic Emirs, the Egyptians defeated the crusaders who invaded Egypt in 1248. This defeat of the 7th crusade marked the beginning of the General collapse of the Crusades. Another crushing defeat of the Mamluks led by Sultan Kutuz caused the Mongols, stopping their victorious March through t

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Orlitskiy, Yuri B. "“In original poetic meter”: “Ethnographic” searches and finds of Russian translation verse of the Silver Age and their interpretations on the pages of periodical press." Philological Sciences. Scientific Essays of Higher Education 1, no. 2 (2024): 46–57. http://dx.doi.org/10.20339/phs.2.1-24.046.

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The article presents a wide range of phenomena of national rhythmic culture that appeared on the pages of periodicals (newspapers, magazines, almanacs) of the early twentieth century, primarily in the translation of foreign language poetic texts, for most of which there are still no adequate analogues in Russian versification. However, thanks to the persistent desire of the authors of that time, such analogues are either found among related phenomena or are reinvented. Moreover, this happens in publications of a wide variety of types: from the elite St. Petersburg “Vesi” to the mass “Samara Mu

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Stewart, Jon. "Hegel's Analysis of Egyptian Art and Architecture as a Form of Philosophical Anthropology." Owl of Minerva 50, no. 1 (2019): 69–90. http://dx.doi.org/10.5840/owl2019501/26.

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In his different analyses of ancient Egypt, Hegel underscores the marked absence of writings by the Egyptians. Unlike the Chinese with the I Ching or the Shoo king, the Indians with the Ramayana and the Mahabharata, the Persians with the Avesta, the Jews with the Old Testament, and the Greeks with the poems of Homer and Hesiod, the Egyptians, despite their developed system of hieroglyphic writing, left behind no great canonical text. Instead, he claims, they left their mark by means of the architecture and art. This paper explores Hegel’s analysis of the Egyptians’ obelisks, pyramids, sphinxes

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Al-Rifai, Nada Yousuf. "Egyptology, Theodore Roosevelt and Lord Carnarvon in the Poetry of Ahmad Shawqi." Advances in Social Sciences Research Journal 9, no. 10 (2022): 259–84. http://dx.doi.org/10.14738/assrj.910.13287.

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It was Shawqi's right or rather his duty for which he was entrusted with his submissive talent, creativity, and ability to master the elements of poetry and the tools of art in addition to his strong patriotic sense and sincere national conscience to glorify the ancient civilization of Egypt. In this works, Shawqi praises Egypt’s monuments and its glory and indicates what happened to the ancient Egyptians who preceded him in the fields of science, art, building, architecture, engraving, painting, photography, and others. Shawqi referred to the pharaonic monuments in a group of his poems as par

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UZUN, Adnan. "Divan Şiirinde Hz. Musa / The Prophet Moses In Divan Poetry." Journal of History Culture and Art Research 5, no. 1 (2016): 64. http://dx.doi.org/10.7596/taksad.v5i1.454.

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<pre><strong>The Prophet Moses In Divan Poetry</strong></pre><p><strong>Abstract</strong></p><p>Divan poetry is a conglomerate formed under the influence of eastern societies' common culture and geographical advantages shared by various communities which is shaped by Islamic civilization and the sense of art. Prophet Moses is known by his place in Abrahamic religions. According to Islam, as a baby he was found in the Nile River, adopted by the Egyptian royal family, and grew up in the palace of the Pharaoh although in that time the Pharaoh

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S. Sultan, Sabbar. "The Poetic Innovation in the Poetry of Ahmed Hijazi." International Journal of Comparative Literature and Translation Studies 6, no. 1 (2018): 65. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.1p.65.

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The contemporary Egyptian poet, critic, editor and convener of many conferences and cultural committees Ahmed Abdul Mu'tiHijazirepresents a case of dispute and discussion thanks to the selection of the material of his poems as well as the distinct shape and innovative aspects of his verse. As will be shown in the following pages,Hijazi's version of poetic modernism is devoid of mythology, intersexuality and deliberate obfuscation or self-indulgence. Every word in his poem is aligned in a seamless mosaic that eventually succeeds in conveying the poet's message in clear and lucid but highly sugg

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Rosenmeyer, Patricia. "Greek Verse Inscriptions in Roman Egypt: Julia Balbilla's Sapphic Voice." Classical Antiquity 27, no. 2 (2008): 334–58. http://dx.doi.org/10.1525/ca.2008.27.2.334.

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In 130 ce, Hadrian and Sabina traveled to Egyptian Thebes. Inscriptions on the Memnon colossus document the royal visit, including fifty-four lines of Greek verse by Julia Balbilla, an elite Roman woman of Syrian heritage. The poet's style and dialect (Aeolic) have been compared to those of Sappho, although the poems' meter (elegiac couplets) and content are quite different from those of her archaic predecessor. This paper explores Balbilla's Memnon inscriptions and their social context. Balbilla's archaic forms and obscure mythological variants showcase her erudition and allegiance to a Greek

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Ayu Rizkia Silviana та Supardi. "Feminism in the Poem Tukhotibu Al-Mar’ah Al-Miṣriyah by Malak Hifni Nasif Based on Michael Riffaterre's Semiotics Concepts". Islah: Journal of Islamic Literature and History 4, № 1 (2023): 25–40. https://doi.org/10.18326/islah.v4i1.227.

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This article aims to describe the application of Michael Riffaterre's semiotic theory to the poem Tukhatibu al-Mar'ah al-Miṣriyah by Malak Hifni Nasif, an Egyptian-born feminist fighter. This study uses a qualitative descriptive method that focuses on narrative accompanied by detailed sentence descriptions. The results of this study show that through heuristic and hermeneutic readings it is revealed that the poem reflects the poet's message or advice to Egyptian women in 1900, in which many women began to leave their headscarves as a symbol of feminism. The matrix is in the form of the poet'

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Sharaan, Mahmoud, Abdelazim Negm, Moheb Iskander, and Mohamed El-Tarabily. "Analysis of Egyptian Red Sea Fishing Ports." International Journal of Engineering and Technology 9, no. 2 (2017): 117–23. http://dx.doi.org/10.7763/ijet.2017.v9.955.

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Sharaan, Mahmoud, Mona G. Ibrahim, Hosam Moubarak, et al. "A Qualitative Analysis of Climate Impacts on Egyptian Ports." Sustainability 16, no. 3 (2024): 1015. http://dx.doi.org/10.3390/su16031015.

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Ports are vital in the global trading system but are also vulnerable to climate-related threats. This problem has not been widely studied, especially in Egypt. However, there is an urgent need to address climate-related threats to Egyptian ports, which could have significant economic and trade-related consequences. Therefore, exploring the Egyptian port administrations’ and stakeholders’ perceptions regarding climatic hazards is an urgent and essential matter for sustainable and resilient ports, considering their strategic economic importance. Consequently, this article is the first to examine

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Selden, Daniel L. "Alibis." Classical Antiquity 17, no. 2 (1998): 289–412. http://dx.doi.org/10.2307/25011086.

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This is a general reading of Callimachus' work within the socio-political context of Ptolemaic Alexandria. "Alibis" refers to the constitutionally expatriate nature of the populace and culture established there, which in Callimachus gives rise to a poetics based on the principles of displacement and convergence. Close analysis of a wide variety of passages, drawn principally from the epigrams, Aetia, and Hymns, demonstrates how the "order of the alibi" informs all major aspects of the poet's work, from the lexical make-up of his texts to their larger narrative and thematic structure. Certain p

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El Saadani Gazar, Ola Abd El Kawi, Hend Auda, and Aliaa A.A. Youssif. "The Role of Applying Artificial Intelligence in Improving Supply Chain Management and Sustainability: Evidence from Egypt Ports." International Journal of Mathematical, Engineering and Management Sciences 9, no. 5 (2024): 1145–62. http://dx.doi.org/10.33889/ijmems.2024.9.5.060.

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This study aims to determine to what extent the application of AI could optimize supply chain management and contribute to the sustainability of Egyptian ports? Egyptian ports were selected to serve as an empirical study in this research, assessing their application of AI and their supply chain management. Interviews were conducted with a group of 7 managers from different Egyptian ports. The results of the interviews showed the main potential risks, ethical principles, and sustainability goals of applying AI to optimize the supply chain and thus ensure the sustainability of Egyptian ports. It

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محمد ساجد الحق. "الشعر المسرحي في الأدب العربي: دراسة تحيلية (Dramatic Poetry in Arabic Literature: An Analytical Study)". Journal of Islam in Asia (E-ISSN: 2289-8077) 16, № 2 (2019): 1–34. http://dx.doi.org/10.31436/jia.v16i2.814.

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الشعر المسرحي جزء مهم للأدب العربي وإضافة جديدة في الشعر العربي، وقد عرف الأدب العربي هذا اللون الشعري في العصر الحديث حيث اتجه الناس إليه لأشعاره الموسيقية وعاطفته العميقة، وكانت المحاولة الأولى للشعر المسرحي في الأدب العربي على يد خليل اليازجي، اشهر من قام في هذا المجال هو الشاعر المصري أحمد شوقي، فهو الذي سعى سعيا بالغا لتنمية هذا الفن الرائع وفكر فكرا واسعا في تطوره؛ حيث اشتهر هذا الفن واتسع بمسرحياته الشعرية، وفي الحقيقة كان الشعر المسرحي في الأدب العربي مجهولا حتى أظهره شوقي بين الناس، فيقال له أبو الشعر المسرحي في الأدب العربي، ويعتبره الأدباء والنقاد رائد هذا الفن. واستمرت هذه المحاولا

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Isaak, Sonya. "“Debugging De Bug”: Tracing Hidden Egyptian Legends in Poe’s “The Gold-Bug” and “The Sphinx”." Edgar Allan Poe Review 25, no. 2 (2024): 197–210. https://doi.org/10.5325/edgallpoerev.25.2.0197.

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Abstract This article explores hidden allusions to Egyptian legends in Edgar Allan Poe’s tales “The Gold-Bug” (1843) and “The Sphinx” (1846), arguing that Poe integrated Napoleonic sources, such as the monumental La Description de l’Égypte (1809). Publications like these, alongside Jean-François Champollion’s 1824 groundbreaking decipherment of the Rosetta Stone, sparked widespread fascination with Egyptian culture in North America. Ancient Egypt, as a resilient and independent civilization, naturally appealed to a burgeoning American nation seeking cultural and ideological models. Egyptian he

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Khoiriyah, Amilatul, Wildana Wargadinata та Faris Maturedy. "تصوير مجتمع مصر في مجموعة القصيدة "الديوان الأول" لهشام الجخ عند نظرية آلان سوينجوود". Journal of Arabic Literature (Jali) 2, № 2 (2021): 109–20. http://dx.doi.org/10.18860/jali.v2i2.12467.

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The purpose of this study was to know the representation of Egyptian society in Hisyam Algakh poems “Ad- Diwaan Al-Awwal” based on the perspective of Alan swingewood's first literary work as social document at the time of the work's creation.This type of research is descriptive qualitative. The primary source of data used in the study are the three of Hisyam Algakh poems “Ad- Diwaan Al-Awwal” entitled ar-Risalah al-Akhirah, Masyhadu Ra’si Fi Miidan at-Tahrir dan at-Ta’syirah. The data collection techniques used by researchers in this study are reading, translation, and note-taking techniques.

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Quesada, Sarah M. "Latinx Cosmopolitanism in the Global South: Víctor Hernández Cruz and the Nostalgia of Egypt." Comparative Literature 76, no. 4 (2024): 429–50. https://doi.org/10.1215/00104124-11316373.

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Abstract This essay addresses the undertheorized three-decade engagement of US Puerto Rican poet Víctor Hernández Cruz with North Africa. In his poems on Egypt, the author argues that Cruz’s particular brand of south–south engagement is excluded from cosmopolitan theory—one that tends to privilege either a Latin American elite or US American mobility. Yet Cruz’s nostalgia for Egyptian antiquity goes as far as to unsettle major conceptions of modernity, especially in his book of poems Beneath the Spanish (2017). By privileging North African epistemologies, Cruz’s poetry challenges the internali

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Kelly, Adrian. "Homer and History: Iliad 9.381-4." Mnemosyne 59, no. 3 (2006): 321–33. http://dx.doi.org/10.1163/156852506778132400.

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AbstractThe description of Orkhomenos and Egyptian Thebes in Akhilleus' famous comparison at Iliad 9.381-4 seems to reflect the political and economic climate of the Late Bronze Age, and not the seventh century as Walter Burkert has argued in an influential article (1976). A Mycenaean context is indicated by two factors: (1) the idea that wealth 'goes into' (πoτινíσεται, 9.381) a city fits well with Mycenaean economics, but is individual within the Homeric poems; (2) the history of the thirteenth century explains both the onomastic equation between Egyptian and Boiotian Thebes and the replacem

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B., A. Essam, and Mustafa Esra'a. "Challenges in Translating Colloquial Egyptian Arabic Poetry into English: The Case of Register and Metaphors-A Contrastive Study." International Journal of English Language and Translation Studies 02, no. 03 (2014): 14–22. https://doi.org/10.5281/zenodo.15949.

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This study tackles the challenges of translating poem composed in colloquial Egyptian Arabic (CEA) into English. It applies Halliday’s concept of register on a CEA poem and its translation to determine the different varieties used in the original and how far they are maintained in the translation. It pays a special attention to the usage of metaphors and its relation to the register, highlighting the translation challenge of rendering culture-specific and register-specific metaphors into English. It is evident that both the register and the metaphors carry an essential weight of both the

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Millard, Alan. "Where did Israel’s God come from?" HIPHIL Novum 9, no. 2 (2024): 14–21. https://doi.org/10.7146/hn.v9i2.150758.

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According to Exodus 3, God revealed himself as YHWH to Moses. Biblical poems refer to him active in Sinai and Midian, Hebrew graffiti connect him with the south, and Egyptian inscriptions list a place similarly named there. Was YHWH a local deity whom the Israelites adopted? The case is made for the name existing among Israelites earlier.

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Franke, Detlef, and R. B. Parkinson. "The Tale of Sinuhe and Other Ancient Egyptian Poems, 1940-1640 BC." Journal of Egyptian Archaeology 84 (1998): 241. http://dx.doi.org/10.2307/3822228.

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Ezz Eldin, Hesham. "Origin of Some Contemporary Social Habits in the Ancient Egyptian Love Poems." مجلة کلیة السیاحة والفنادق - جامعة مدینة السادات 1, no. 1 (2017): 96–110. http://dx.doi.org/10.21608/mfth.2017.26069.

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Ali, Mahetab, Shaker Rizk Taky Eldin, and Heba Nayef. "A Transitivity Analysis of Linguistic Sexism in Egyptian Comic Posts on Facebook." CDELT Occasional Papers in the Development of English Education 85, no. 1 (2024): 155–71. http://dx.doi.org/10.21608/opde.2024.349210.

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Moneim, Mohammed Abdel, Iman Siam, and Ashraf A. Zahran. "ENVIRONMENTAL IMPACT ASSESSMENT OF EGYPTIAN PORTS "A COMPARATIVE STUDY BETWEEN ALEXANDRIA AND SOKHNA"." International Journal of Agriculture, Environment and Bioresearch 05, no. 06 (2020): 92–115. http://dx.doi.org/10.35410/ijaeb.2020.5579.

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El Falaky, May Samir El Falaky. "Serious Humor about the Egyptian Nuclear Program: A Pragmatic Analysis of Facebook Posts." Egyptian Journal of English Language and Literature Studies 9, no. 1 (2018): 211–56. http://dx.doi.org/10.21608/ejels.2018.134077.

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