Academic literature on the topic 'Poets, English – 19th century'

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Journal articles on the topic "Poets, English – 19th century"

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Dedovic-Atilla, Elma. "Byron’s and Shelley’s Revolutionary Ideas in Literature." English Studies at NBU 3, no. 1 (2017): 27–48. http://dx.doi.org/10.33919/esnbu.17.1.2.

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The paper explores the revolutionary spirit of literary works of two Romantic poets: George Gordon Byron and Percy Bysshe Shelley. In the period of conservative early 19th century English society that held high regard for propriety, tradition, decorum, conventions and institutionalized religion, the two poets’ multi-layered rebellious and subversive writing and thinking instigated public uproar and elitist outrage, threatening to undermine traditional concepts and practices. Acting as precursors to new era notions and liberties, their opuses present literary voices of protest against 19th cent
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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze
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Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This art
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Saif, Mohammad. "Modernism and Romanticism: A Comparative Study of the Selected Poems of W.B. Yeats and John Keats." SMART MOVES JOURNAL IJELLH 7, no. 6 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i6.8849.

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Romantic poetry was especially concerned with the themes of country life which is also known as pastoral poetry; moreover it also employed mythological and fantastic settings. Romanticism focuses more on the individual than society. The Romantics were fascinated especially by the individual imagination and individual consciousness. “Melancholy” was quite the exhortation for the Romantic poets. A firm loosening of the persistent rules of artistic expression, during earlier times, was observed in the Romantic era.
 In English literature, modernism has its roots in 19th and 20th century; the
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Paszkowicz, Wojciech. "Inspirations, interactions and associations: On some links between the works of Vladimir Vysotsky and English-, French- and German-language poetry, theatre and pop music." Tekstualia 2, no. 53 (2018): 99–114. http://dx.doi.org/10.5604/01.3001.0013.3290.

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The threads binding the poetry of Vladimir Vysotsky with Russian and foreign literature have a diverse character – some convergences, similarities of his works to those of other authors can be identifi ed in the content, the subject, and the metre of the poems. Some of the literary associations are easily detectable for any recipient, others are more diffi cult to fi nd. The article focuses on the identifi ed links between the works of Vysotsky and those of foreign authors such as Pierre-Jean de Béranger, Robert Burns, and Bertolt Brecht. The convergences observed between Vysotsky’s and de Bér
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Priestly, Tom. "Multiple im/person/aliz/ations: Four Attempts to 'get under the skin' of Poets." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 4 (2011): 76. http://dx.doi.org/10.21992/t9g044.

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I have been actively translating for about twenty years. Looking back, I now realize that it made translation easier when I tried to ‘become’ the original writer: I was more successful when I asked myself, “what would they have written if they had had my knowledge of English?” and, for poetry, when faced with the clash between the demands of form and content, “which way would they bend?’
 Rather than attempt any theorizing, I propose to relate my efforts to get under the skin of a number of poets, for example: one, surviving the siege of Leningrad; another, pioneering multiple poetic genr
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LEWIS, FRANK. "GERTRUDE BELL, The Hafez Poems of Gertrude Bell (Bethesda, Md.: Iranbooks, 1995). Pp. 176." International Journal of Middle East Studies 33, no. 1 (2001): 117–19. http://dx.doi.org/10.1017/s0020743801221060.

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Though Sir William Jones's captivating English version of a ghazal of Hafez, first published in 1771, inspired many translators in the final years of the 18th and early years of the 19th century, none succeeded in producing a living, breathing body of Hafez's work in English. Goethe, of course, lavished his admiration on Hafez in the West–Östliche Divan, and Ralph Waldo Emerson echoed and amplified this praise in America with a number of English translations of von Hammer-Purgstall's German renditions of Hafez. All this attention from trend- and style-setting literary figures did Hafez the fav
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O'Donnell, Kathleen Ann. "Translations of Ossian, Thomas Moore and the Gothic by 19th Century European Radical Intellectuals: The Democratic Eastern Federation." Lublin Studies in Modern Languages and Literature 43, no. 4 (2019): 89. http://dx.doi.org/10.17951/lsmll.2019.43.4.89-104.

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<p>This article will show how translated works by European radical writers of <em>The Poems of Ossian</em> by the Scot James Macpherson and <em>Irish Melodies</em> and other works by the Irishman Thomas Moore, were disseminated. Moore prefaced <em>Irish Melodies</em> with “In Imitation of Ossian”. It will also demonstrate how Celtic literature, written in English, influenced the Gothic genre. The propagation of these works was also disseminated in order to implement democratic federalism, without monarchy; one example is the Democratic Eastern Federati
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Fens–De Zeeuw, Lyda. "The HUGE presence of Lindley Murray." English Today 34, no. 4 (2018): 54–61. http://dx.doi.org/10.1017/s0266078418000354.

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The grammarian Lindley Murray (1745–1826), according to Monaghan (1996), was the author of the best selling English grammar book of all times, calledEnglish Grammarand first published in 1795. Not surprisingly, therefore, his work was subjected to severe criticism by later grammarians as well as by authors of usage guides, who may have thought that Murray's success might negatively influence the sales figures of their own books. As the publication history of the grammar in Alston (1965) suggests, Murray was also the most popular grammarian of the late 18thand perhaps the entire 19thcentury, an
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Schmid, Hans-Jörg, Quirin Würschinger, Melanie Keller, and Ursula Lenker. "Battling for semantic territory across social networks. The case of Anglo-Saxon on Twitter." Yearbook of the German Cognitive Linguistics Association 8, no. 1 (2020): 3–26. http://dx.doi.org/10.1515/gcla-2020-0002.

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AbstractIn Present-Day English, the term Anglo-Saxon is used with three dominant meanings, which have been labeled “historical/pre-Conquest”, “ethno-racial” and “politico-cultural” uses (cf. Wilton 2019). From at least the middle of the 19th century, the second sense has been politically appropriated to convey the racial notion of white supremacy. Recently, a fierce conceptual and socio-political controversy over the meaning and implications of the term Anglo-Saxon has spilled over into academia, ultimately causing the vote of the members of the International Society of Anglo-Saxonists (ISAS)
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Dissertations / Theses on the topic "Poets, English – 19th century"

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Simmonds, Clive. "Publishing Swinburne : the poet, his publishers and critics." Thesis, University of Cambridge, 2013. http://www.repository.cam.ac.uk/handle/1810/245120.

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This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of 'Poems and Ballads' in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and sho
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Moore, Lindsay Emory. "The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.

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In this project, I examine the impact of early literary criticism, early literary history, and the history of knowledge on the perception of the laureateship as it was formulated at specific moments in the eighteenth century. Instead of accepting the assessments of Pope and Johnson, I reconstruct the contemporary impact of laureate writings and the writing that fashioned the view of the laureates we have inherited. I use an array of primary documents (from letters and journal entries to poems and non-fiction prose) to analyze the way the laureateship as a literary identity was constructed in s
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Ghosh, Hrileena. "John Keats's medical notebook and the poet's career : an editorial, critical and biographical reassessment." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8247.

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This thesis explores the significance of John Keats's medical Notebook, and his time at Guy's Hospital (October 1815 – March 1817), for the poet's career. As a primary contribution, it offers a new transcription of Keats's medical Notebook (Appendix 1). The transcription reproduces Keats's text and indicates the layout of his notes, but is neither a facsimile, nor a new edition: the visual form of Keats's notes is not reproduced, nor do I offer critical annotations; commentary follows in subsequent chapters. The achievements, limitations and influence of the only edition of Keats's medical Not
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Sifakis, Eugenia Myrto. "Identity in travel : English poets in Italy in nineteenth century." Thesis, King's College London (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266155.

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Allsopp, Niall. "Turncoat poets of the English Revolution." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72c956c3-ec8b-4b07-ad91-a05b0e72fd39.

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Edmund Waller, William Davenant, Andrew Marvell, and Abraham Cowley were royalist poets who changed sides following the English Revolution, attracted to Cromwellian military power, and the reforming aims of the Independents. This thesis contributes to existing scholarship by showing that the poets engaged strongly with theories of allegiance, self-consciously returning to first principles - the natures of sovereignty and obligation - to develop a concept of allegiance that was contingent and transferrable. Their crucial influence was Hobbes. Hobbes collapsed partisan perspectives into a genera
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Heath, Veronica. "Tradition and innovation : Proust and 19th century English literature." Thesis, University of Reading, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327883.

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Holmgren, Michele J. "Native muses and national poetry, nineteenth-century Irish-Canadian poets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28493.pdf.

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Smitterberg, Erik. "The progressive in 19th-century English : a process of integration /." Amsterdam : Rodopi, 2005. http://catalogue.bnf.fr/ark:/12148/cb40036925c.

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Neal, Allison Jayne. "(Neo-)Victorian impersonations : 19th century transvestism in contemporary literature and culture." Thesis, University of Hull, 2012. http://hydra.hull.ac.uk/resources/hull:7208.

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Hanes, Stacie L. "The sense and sensibility of the 19th century fantastic." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618887.

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<p> While studies of fantastic literature have often focused on their structural and genre characteristics, less attention has been paid to the manner in which they address social issues and concerns. Drawing on theoretical, taxonomic, and historical approaches, this study argues that 19th-century England represented a key period of transformation during which fantastic literature evolved away from its folkloristic, mythic, and satirical origins and toward the modern genres of science fiction, feminist fantasy, and literary horror. </p><p> The thesis examines the subversive and transformati
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Books on the topic "Poets, English – 19th century"

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Byron and Greek love: Homophobia in 19th-century England. Faber, 1985.

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Image, Selwyn. Poems and carols. Woodstock Books, 1994.

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Keats. Farrar, Straus and Giroux, 1998.

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Keats. University of Chicago Press, 1999.

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Sturman, Christopher. Poems by two brothers: The lives, work and influence of George Clayton Tennyson and Charles Tennyson d'Eyncourt. Paul Watkins, 1993.

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Women poets of the nineteenth century. Northcote House Publishers, 2006.

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Nicholas, Murray. A life of Matthew Arnold. Hodder & Stoughton, 1996.

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A life of Matthew Arnold. St. Martin's Press, 1997.

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Nicholas, Murray. A life of Matthew Arnold. Sceptre, 1997.

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Byron and Greek love: Homophobia in 19th-century England. University of California Press, 1985.

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Book chapters on the topic "Poets, English – 19th century"

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Eitner, Lorenz. "English Landscape." In An Outline of 19th Century European Painting. Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-6.

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Caller, Paloma Tejada. "English consciousness in 19th century Spain." In The Dynamics of Language Use. John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/pbns.140.25cal.

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Hickey, Raymond. "Feature loss in 19th century Irish English." In Studies in Language Variation. John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/silv.2.19hic.

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Newton, K. M. "Christopher Caudwell: ‘English Poets: The Decline of Capitalism’." In Twentieth-Century Literary Theory. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_32.

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Downey, Charlotte. "Trends That Shaped the Development of 19th Century American Grammar Writing." In English Traditional Grammars. John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/sihols.62.05dow.

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Busse, Beatrix, Kirsten Gather, and Ingo Kleiber. "Paradigm shifts in 19th-century British grammar writing." In Norms and Conventions in the History of English. John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/cilt.347.04bus.

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Montgomery, Michael, and Janet M. Fuller. "What was verbal —sin 19th-century African American English?" In Varieties of English Around the World. John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/veaw.g16.12mon.

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Downey, Charlotte. "Factors in the Growth of the English Language in 18th and 19th Century Ireland." In English Traditional Grammars. John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/sihols.62.08dow.

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"Poetry: American—19th Century." In Reader's Guide to Literature in English. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-67.

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Gerrard, Christine. "Eighteenth-century women poets." In The Cambridge History of English Poetry. Cambridge University Press, 2010. http://dx.doi.org/10.1017/chol9780521883061.021.

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Conference papers on the topic "Poets, English – 19th century"

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Bokos, Borbala. "CITIES AND TOURIST SIGHTS IN TRANSYLVANIA IN 19TH CENTURY ENGLISH TRAVELOGUES." In 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.4/s04.010.

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Hock, Hans Henrich. "Foreigners, Brahmins, Poets, or What? The Sociolinguistics of the Sanskrit “Renaissance”." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.2-3.

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A puzzle in the sociolinguistic history of Sanskrit is that texts with authenticated dates first appear in the 2nd century CE, after five centuries of exclusively Prakrit inscriptions. Various hypotheses have tried to account for this fact. Senart (1886) proposed that Sanskrit gained wider currency through Buddhists and Jains. Franke (1902) claimed that Sanskrit died out in India and was artificially reintroduced. Lévi (1902) argued for usurpation of Sanskrit by the Kshatrapas, foreign rulers who employed brahmins in administrative positions. Pisani (1955) instead viewed the “Sanskrit Renaissa
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MaZixin, Cindy. "Analysis on Women Education in the 18th and 19th Century Based on Jane Eyre and Other Famous English Literature Written by Women Authors." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.114.

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