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Journal articles on the topic 'Poets, English – 19th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Dedovic-Atilla, Elma. "Byron’s and Shelley’s Revolutionary Ideas in Literature." English Studies at NBU 3, no. 1 (2017): 27–48. http://dx.doi.org/10.33919/esnbu.17.1.2.

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The paper explores the revolutionary spirit of literary works of two Romantic poets: George Gordon Byron and Percy Bysshe Shelley. In the period of conservative early 19th century English society that held high regard for propriety, tradition, decorum, conventions and institutionalized religion, the two poets’ multi-layered rebellious and subversive writing and thinking instigated public uproar and elitist outrage, threatening to undermine traditional concepts and practices. Acting as precursors to new era notions and liberties, their opuses present literary voices of protest against 19th cent

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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze

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3

Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This art

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Saif, Mohammad. "Modernism and Romanticism: A Comparative Study of the Selected Poems of W.B. Yeats and John Keats." SMART MOVES JOURNAL IJELLH 7, no. 6 (2019): 10. http://dx.doi.org/10.24113/ijellh.v7i6.8849.

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Romantic poetry was especially concerned with the themes of country life which is also known as pastoral poetry; moreover it also employed mythological and fantastic settings. Romanticism focuses more on the individual than society. The Romantics were fascinated especially by the individual imagination and individual consciousness. “Melancholy” was quite the exhortation for the Romantic poets. A firm loosening of the persistent rules of artistic expression, during earlier times, was observed in the Romantic era. In English literature, modernism has its roots in 19th and 20th century; the

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Paszkowicz, Wojciech. "Inspirations, interactions and associations: On some links between the works of Vladimir Vysotsky and English-, French- and German-language poetry, theatre and pop music." Tekstualia 2, no. 53 (2018): 99–114. http://dx.doi.org/10.5604/01.3001.0013.3290.

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The threads binding the poetry of Vladimir Vysotsky with Russian and foreign literature have a diverse character – some convergences, similarities of his works to those of other authors can be identifi ed in the content, the subject, and the metre of the poems. Some of the literary associations are easily detectable for any recipient, others are more diffi cult to fi nd. The article focuses on the identifi ed links between the works of Vysotsky and those of foreign authors such as Pierre-Jean de Béranger, Robert Burns, and Bertolt Brecht. The convergences observed between Vysotsky’s and de Bér

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Priestly, Tom. "Multiple im/person/aliz/ations: Four Attempts to 'get under the skin' of Poets." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 4 (2011): 76. http://dx.doi.org/10.21992/t9g044.

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I have been actively translating for about twenty years. Looking back, I now realize that it made translation easier when I tried to ‘become’ the original writer: I was more successful when I asked myself, “what would they have written if they had had my knowledge of English?” and, for poetry, when faced with the clash between the demands of form and content, “which way would they bend?’ Rather than attempt any theorizing, I propose to relate my efforts to get under the skin of a number of poets, for example: one, surviving the siege of Leningrad; another, pioneering multiple poetic genr

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LEWIS, FRANK. "GERTRUDE BELL, The Hafez Poems of Gertrude Bell (Bethesda, Md.: Iranbooks, 1995). Pp. 176." International Journal of Middle East Studies 33, no. 1 (2001): 117–19. http://dx.doi.org/10.1017/s0020743801221060.

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Though Sir William Jones's captivating English version of a ghazal of Hafez, first published in 1771, inspired many translators in the final years of the 18th and early years of the 19th century, none succeeded in producing a living, breathing body of Hafez's work in English. Goethe, of course, lavished his admiration on Hafez in the West–Östliche Divan, and Ralph Waldo Emerson echoed and amplified this praise in America with a number of English translations of von Hammer-Purgstall's German renditions of Hafez. All this attention from trend- and style-setting literary figures did Hafez the fav

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O'Donnell, Kathleen Ann. "Translations of Ossian, Thomas Moore and the Gothic by 19th Century European Radical Intellectuals: The Democratic Eastern Federation." Lublin Studies in Modern Languages and Literature 43, no. 4 (2019): 89. http://dx.doi.org/10.17951/lsmll.2019.43.4.89-104.

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<p>This article will show how translated works by European radical writers of <em>The Poems of Ossian</em> by the Scot James Macpherson and <em>Irish Melodies</em> and other works by the Irishman Thomas Moore, were disseminated. Moore prefaced <em>Irish Melodies</em> with “In Imitation of Ossian”. It will also demonstrate how Celtic literature, written in English, influenced the Gothic genre. The propagation of these works was also disseminated in order to implement democratic federalism, without monarchy; one example is the Democratic Eastern Federati

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9

Fens–De Zeeuw, Lyda. "The HUGE presence of Lindley Murray." English Today 34, no. 4 (2018): 54–61. http://dx.doi.org/10.1017/s0266078418000354.

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The grammarian Lindley Murray (1745–1826), according to Monaghan (1996), was the author of the best selling English grammar book of all times, calledEnglish Grammarand first published in 1795. Not surprisingly, therefore, his work was subjected to severe criticism by later grammarians as well as by authors of usage guides, who may have thought that Murray's success might negatively influence the sales figures of their own books. As the publication history of the grammar in Alston (1965) suggests, Murray was also the most popular grammarian of the late 18thand perhaps the entire 19thcentury, an

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10

Schmid, Hans-Jörg, Quirin Würschinger, Melanie Keller, and Ursula Lenker. "Battling for semantic territory across social networks. The case of Anglo-Saxon on Twitter." Yearbook of the German Cognitive Linguistics Association 8, no. 1 (2020): 3–26. http://dx.doi.org/10.1515/gcla-2020-0002.

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AbstractIn Present-Day English, the term Anglo-Saxon is used with three dominant meanings, which have been labeled “historical/pre-Conquest”, “ethno-racial” and “politico-cultural” uses (cf. Wilton 2019). From at least the middle of the 19th century, the second sense has been politically appropriated to convey the racial notion of white supremacy. Recently, a fierce conceptual and socio-political controversy over the meaning and implications of the term Anglo-Saxon has spilled over into academia, ultimately causing the vote of the members of the International Society of Anglo-Saxonists (ISAS)

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11

Kikuchi, Shigeo. "Poe’s name excavated: The mediating function and the transformation of discourse theme into discourse rheme." Language and Literature: International Journal of Stylistics 22, no. 1 (2013): 3–18. http://dx.doi.org/10.1177/0963947012469748.

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This article examines the mediating function that transforms the topic presented, usually but not always in the initial position of a text, into the comment, in Edgar Allan Poe’s ‘The Haunted Palace’. In this text, a poem in ‘The Fall of the House of Usher’, the mediation, which is indicated in parentheses, is realized through various transformational devices, for example, a gradual change of lexical items (e.g. a graphological and voice inversion like III-2 saw – (III-8 was seen) – IV-2 Was….6 Was). This function mediates the discourse theme, PAST GLORY (EXISTENCE) into the discourse rheme, P

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12

Szaruga (Wirpsza), Leszek (Aleksander). "On various kinds of involvement of Avant-Garde." Tekstualia 4, no. 59 (2019): 173–90. http://dx.doi.org/10.5604/01.3001.0013.6443.

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The article analyses selected poems and tractates of poetry, with a special focus on the solutions regarding versifi cation, rhythm, and language (dialectological structures, syntactical forms and neologisms characteristic of poetic writing in Polish and Russian, as well as the contexts of English and German languages). Because the author attempts to distinguish the specifi city of poetry and the most important areas of literary biography in selected areas, he asks what the ways of poetry are, trying to present his point of view about the intellectual climate of the end of the 19th century, wh

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Biswas, Sankar. "NAGA IDENTITY POETICS IN CONTEMPORARY NAGA ENGLISH LITERATURE (A KALEIDOSCOPIC VIEW)." International Journal of Research -GRANTHAALAYAH 8, no. 11 (2020): 35–40. http://dx.doi.org/10.29121/granthaalayah.v8.i11.2020.2076.

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The Nagas originally a Sino-Mongoloid tribe are substantiated to have originated around 10th century B.C. in the plains between Huang Ho and Yangtze Ho in North Central China. As migration is a process which is reported to have been going on since time immemorial, the Nagas too could not have isolated themselves from being a part of the mass odyssey from their homeland with the anticipation of exploring and settling in naturally upgraded habitats. Hence today, the Nagas have been found to inhabit the banks of Chindwin and Irawaddy Rivers in Myanmar, and Nagaland in India. As far as their langu

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ΚΟΝΤΟΓΕΩΡΓΗΣ, ΔΗΜΗΤΡΙΟΣ Μ. "ΕΡΕΥΝΗΤΙΚΗ ΑΠΟΣΤΟΛΗ ΣΤΗ ΡΟΥΜΑΝΙΑ. ΕΛΛΗΝΙΚΕΣ ΚΟΙΝΟΤΗΤΕΣ (1829 - ΑΡΧΕΣ 20ΟΥ ΑΙΩΝΑ). ΚΑΤΑΣΤΑΤΙΚΑ - ΣΥΛΛΟΓΟΙ - ΤΑΥΤΟΤΗΤΕΣ. ΕΙΣΑΓΩΓΙΚΕΣ ΠΑΡΑΤΗΡΗΣΕΙΣ". Eoa kai Esperia 7 (1 січня 2007): 367. http://dx.doi.org/10.12681/eoaesperia.97.

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<p>While there exists already a voluminous bibliography on the GreekDiaspora in the Danubian Principalities during the 17th-18th centuries, it wasonly recently that interest was focused on the Greek communities, whichflourished in Romania in the period from the signing of the Andrianople Treatyto the 20th century.</p><p>It was during that era that a great number of Greeks, especially from Epirus,Cephallonia and Ithaca, merchants, sailors, artisans, doctors and intellectualsimmigrated to Wallachia and Moldavia. The majority of them established at theDanubian ports, mainly at B

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Maver, Igor. "Slovenian 19TH Century literary responses to the Poetry of Lord Byron Byronism on the the Slovene Territory in the 19th century." Futhark. Revista de Investigación y Cultura, no. 6 (2011): 193–203. http://dx.doi.org/10.12795/futhark.2011.i06.09.

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The article examines the influence of lord Byron's poetry through the translations into the Slovenian language in the 19th century. Byron is analyzed through the translations and cultural mediation of the poets dr. France Prešeren, Jovan Vesel Koseski and Josip Stritar, who all, particularly Prešeren, contributed to the development of the Slovenian Romantic Revival movement and Slovenian literature in its own right within the Habsburg and later the Austro-Hungarian monarchy. Lord Byron's poetry enabled Slovenian poets and translators to articulate their own national/political identification wi

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Niles, John D. "Old English Verse and Twentieth-Century Poets." Contemporary Literature 49, no. 2 (2008): 293–99. http://dx.doi.org/10.1353/cli.0.0025.

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17

Bush, Glen. "Teaching Ethnicity, Gender, and 19th Century English Literature: The Inclusive 19th Century." International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 8, no. 5 (2008): 183–90. http://dx.doi.org/10.18848/1447-9532/cgp/v08i05/39605.

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18

Paul, Robin. "English Society in the 19th Century." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 204–10. http://dx.doi.org/10.24113/ijellh.v9i5.11059.

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Prior to examining an artistic work, it is important to make an examination about the period and society in which the essayist lived just as its people and their method for living, custom and laws so as to comprehend the author's reality view and prepare for a however investigation of his work. At that point in this theme we survey the authentic, social and true to life foundations of the novel under investigation as to look at the ways by which these might have affected the substance and type of the novel .We will manage English society in the nineteenth century concentrating on the public ac

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19

Pinsent, Pat. "Religious Verse of English Recusant Poets." Recusant History 22, no. 4 (1995): 491–500. http://dx.doi.org/10.1017/s0034193200002041.

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The validity of bringing together the works of writers who may have little in common other than their religious allegiance is not something which could be justified in every age, especially within the current ecumenical climate. Two anthologies of Catholic poets, Shane Leslie's of 1925 and Frank Sheed's of 1943 may appear to today's reader rather more revelatory of the taste and beliefs of the compilers and their periods than of the poets concerned. Yet it can be claimed that scrutiny of the religious poetry of Catholic writers of the first half of the seventeenth century has a validity which

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20

Hurtado, Rosa Eugenia Rivas. "The English Romantic Poets." International Area Review 1, no. 1 (1997): 190–201. http://dx.doi.org/10.1177/223386599700100112.

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The period dating from 1789 to about 1830 is the epoch of the Romanticism, who first exponens among others were Blake, Coleridge, Southey, Wordsworth and in a second generation Byron, Shelley, and Keats who all died at young age. Many values and interest of the Romantic period remained alive through the nineteen century with poets such as Yeats and Stevens. Imagination, Nature, the Self, and Eternity are among the elements that the period named “Romantic”. Indeed imagination and insight are in fact inseparable and form for all practical purposes a single faculty. “For Coleridge imagination is

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21

Jones, JC. "Cool flames in 19th century English literature." Journal of Fire Sciences 36, no. 3 (2018): 291–92. http://dx.doi.org/10.1177/0734904118761642.

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Moody, Linda A. "Religio-Political Insights of 19th Century Women Hymnists and Lyric Poets." Janus Head 2, no. 1 (1999): 73–100. http://dx.doi.org/10.5840/jh19992119.

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23

Romanova, Alyona N. "Anna Gotovtseva, the interlocutor of poets." Literature at School, no. 2, 2020 (2020): 62–75. http://dx.doi.org/10.31862/0130-3414-2020-2-62-75.

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The article examines the history of the publication of some works by the little-known poetess of the first third of the 19th century Anna Gotovtseva, including her poem addressed to A.S. Pushkin, and poems by A.S. Pushkin and P.A. Vyazemsky, appealed to Gotovtseva. The author reveals some features of the historical and literary process, which influenced the poetic dialogue of writers, published in the “Northern Flowers” almanac, which marked the emergence of female professional poetry in the literature of the first third of the 19th century. A.I. Gotovtseva’s poems are analyzed in the context

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Шмігер, Тарас. "Review Article. How Poetry is Translated…" East European Journal of Psycholinguistics 4, no. 2 (2017): 95–96. http://dx.doi.org/10.29038/eejpl.2017.4.2.shm.

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James W. Underhill. Voice and Versification in Translating Poems. University of Ottawa Press, 2016. xiii, 333 p. After its very strong stance in the 19th century, the versification part of translation scholarship was gradually declining during the 20th century, substituted by the innovative searches for semasiology, culture and society in text. The studies of structural and cognitive approaches to writing, its postcolonial identity or gender-based essence uncovered a lot of issues of the informational essence of texts, but overshadowed the meaning of their formal structures. The book ‘Vo

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l

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Beck, Sigrid, Polina Berezovskaya, and Katja Pflugfelder. "The Use ofAgainin 19th-Century English versus Present-Day English." Syntax 12, no. 3 (2009): 193–214. http://dx.doi.org/10.1111/j.1467-9612.2009.00124.x.

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Akram, Habeeb. "Nineteenth century American metaphysical women poets." International Journal of English and Literature 7, no. 1 (2016): 1–7. http://dx.doi.org/10.5897/ijel2015.0853.

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Wakefield, Gordon S. "God and Some English Poets 9. Twentieth-Century Trends." Expository Times 106, no. 5 (1995): 138–42. http://dx.doi.org/10.1177/001452469510600503.

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Mahlberg, Michaela, Viola Wiegand, Peter Stockwell, and Anthony Hennessey. "Speech-bundles in the 19th-century English novel." Language and Literature: International Journal of Stylistics 28, no. 4 (2019): 326–53. http://dx.doi.org/10.1177/0963947019886754.

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We propose a lexico-grammatical approach to speech in fiction based on the centrality of ‘fictional speech-bundles’ as the key element of fictional talk. To identify fictional speech-bundles, we use three corpora of 19th-century fiction that are available through the corpus stylistic web application CLiC (Corpus Linguistics in Context). We focus on the ‘quotes’ subsets of the corpora, i.e. text within quotation marks, which is mostly equivalent to direct speech. These quotes subsets are compared across the fiction corpora and with the spoken component of the British National Corpus 1994. The c

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Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic

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Jackson, Virginia, and Yopie Prins. "LYRICAL STUDIES." Victorian Literature and Culture 27, no. 2 (1999): 521–30. http://dx.doi.org/10.1017/s1060150399272178.

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THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed,

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Duffell, Martin J. "The Italian line in English after Chaucer." Language and Literature: International Journal of Stylistics 11, no. 4 (2002): 291–305. http://dx.doi.org/10.1177/096394700201100401.

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This article argues that the English iambic pentameter (EIP) has other important features in addition to the five parameters identified by Hanson and Kiparsky’s (1996) parametric theory ( position number and size, orientation, prominence site and type). One of these features is that EIP contains a mixture of pausing (French) and running (Italian) lines, as determined by whether the syllable in position 4 is word-final. A study of the frequency with which the Italian line is used in the two centuries after Chaucer’s death reveals that Hoccleve and the Scots poets, Henryson, Dunbar and Douglas,

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Sinitsyna, Mariya V. "I. A. Kovanko’s Odes: Poetics in the Literary Context." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 4 (2020): 429–33. http://dx.doi.org/10.18500/1817-7115-2020-20-4-429-433.

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The paper considers the peculiarities of I. A. Kovanko’s odes written at the end of the 18th century and the beginning of the 19th century. The reminiscences from G. R. Derzhavin’s and M. V. Lomonosov’s poetry are revealed. The article focuses on the influence of classicism and sentimentalism on Kovanko’s work and the synthesis of heterogeneous elements that trace back to the 18th century poets.

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Hawk, Barry E. "English Competition Law Before 1900." Antitrust Bulletin 63, no. 3 (2018): 350–74. http://dx.doi.org/10.1177/0003603x18781397.

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English competition law before 1900 developed over many centuries and reflected changes in political conditions, economic theories and social values. It mirrored the historical movements in England, from the medieval ideal of fair prices and just wages to 16th and 17th century nation-state mercantilism to the 18th and 19th century Industrial Revolution and notions of laissez faire capitalism and freedom of contract. English competition law at varying times articulated three fundamental principles: monopolies were disfavored; freedom to trade was emphasized; and fair or reasonable prices were s

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Frolova, N. S. "Anglophone Poetry in Kenya at the Turn of the Century: Past Experience and Artistic Transformation." Nauchnyi dialog, no. 2 (March 3, 2021): 259–75. http://dx.doi.org/10.24224/2227-1295-2021-2-259-275.

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The main trends in the development of the English-language poetry of Kenya at the turn of the XX—XXI centuries are considered. The main material is a collection of poems by Kenyan poets, first published in the early 2000s. Particular attention is paid to the ideological and artistic transformation in the work of the young generation of Kenyan poets of the key directions in the development of Kenyan English-language poetry, which developed in the first half of the XX century. The novelty of the research lies in the conclusion about the continuity of the experience of the older generation poets

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Guseva, Ksenia E. "ENGLISH ARCHITECTURAL CAPRICCIO IN THE CONTEXT OF THE DEVELOPMENT OF LEADING ART STYLES OF THE XIX CENTURY." Articult, no. 4 (2020): 65–77. http://dx.doi.org/10.28995/2227-6165-2020-4-65-77.

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Architectural capriccio in the context of the development of the landscape genre, formed in Italy in the 15th – 16th centuries, has gained currency in English art 19th-century. This was facilitated by cultural, historical, political and social reasons. The methodological features of architectural capriccio in the 19th century was influenced by various artistic and art styles in English. The article is devoted to the prerequisites for the formation and dissemination of “capriccio” in the work of English architects and artists: C. Cockerell, J. M. Gandy, T. Cole and others in the cultural and hi

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Petrov, Alexej, Angelina Dubskikh, and Aleksandr Soldatchenko. "Poetic cosmogony in poems of Russian poets of the 18th – early 19th century." SHS Web of Conferences 55 (2018): 04017. http://dx.doi.org/10.1051/shsconf/20185504017.

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The research is significant due to the undiminishing interest shown by philosophers, philologists and culture experts to an eternal question of all times – the creation of the world by God. This aspect demands special consideration. That is why, the article aims to define the cosmogony as a part of the historiosophy, more precisely, the poetic cosmogony as a part of the artistic historiosophy. To achieve this aim, it is necessary to answer the following questions: 1) what is the fundamental principle of the world (universe), and is the poet focused on this particular problem? 2) what does this

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Oyebode, Femi. "Baudelaire and The Flowers of Evil." Advances in Psychiatric Treatment 19, no. 1 (2013): 77–80. http://dx.doi.org/10.1192/apt.bp.110.008391.

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SummaryThis article examines Charles Baudelaire's life, works and his most important collection, The Flowers of Evil. Baudelaire is regarded as one of the most important 19th-century French poets. He revolutionised the content and subject matter of poetry and served as a model for later poets around the world. He continues to exert immense influence on writers. He contracted syphilis early in life, experienced episodes of depression, and had intense and complicated relationships with his mother and other women in his life.

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Gurkina, Natalya Semenovna. "English combination and staged photography of middle 19th century." Vestnik of Saint Petersburg State University of Culture 3 (September 2017): 129–32. http://dx.doi.org/10.30725/2619-0303-2017-3-129-132.

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Southcott, Jane E. "Early 19th century music pedagogy – German and English connections." British Journal of Music Education 24, no. 3 (2007): 313–33. http://dx.doi.org/10.1017/s0265051707007607.

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Calls to improve congregational psalmody in 18th century England strongly influenced early music pedagogy. In the first decades of the 19th century English music educators, concerned with psalmody and music in charitable schools, looked to Germany for models of successful practice. The Musikalisches Schulgesangbuch (1826) by Carl Gotthelf Gläser (1784–1829) influenced the music materials designed by Sarah Anna Glover (1786–1867). These, in turn, directly influenced John Turner (dates unknown), William Hickson (1803–1870) and, indirectly, John Curwen (1816–1880). It is illuminating to explore h

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Carretti, Emiliano, Marco Milano, Luigi Dei, and Piero Baglioni. "Noninvasive physicochemical characterization of two 19th century English ferrotypes." Journal of Cultural Heritage 10, no. 4 (2009): 501–8. http://dx.doi.org/10.1016/j.culher.2009.02.002.

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Kuzmina, O. A. "“The House That Jack Built” by Jessie L. Gaynor as an example of an English language operetta for children." Aspects of Historical Musicology 15, no. 15 (2019): 231–49. http://dx.doi.org/10.34064/khnum2-15.12.

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Background. The children’s opera in all its diversity has undergone a rapid path to its formation and development, responding to changes in the art and aesthetic space of musical culture. The active being and the practical use of this phenomenon only emphasize the gaps in musicology science more acutely. Some researchers combine with the notion of «children’s opera» both works that involve children to participate in the performing process, and those which are aimed at a certain age audience. Other authors put the term «opera for children» as universal, but use it to describe various works. How

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Walczak-Delanois, Dorota. "Poems by Polish Female Poets and the Burning Issue of Religion." Religions 12, no. 8 (2021): 618. http://dx.doi.org/10.3390/rel12080618.

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The aim of this paper is to show the presence of religion and the particular evolution of lyrical matrixes connected to religion in the Polish poems of female poets. There is a particular presence of women in the roots of the Polish literary and lyrical traditions. For centuries, the image of a woman with a pen in her hand was one of the most important imponderabilia. Until the 19th century, Polish female poets continued to be rare. Where female poets do appear in the historical record, they are linked to institutions such as monasteries, where female intellectuals were able to find relative l

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Spaggiari, Barbara. "The decasyllable in Portugal." Linguistic Approaches to Poetry 15 (December 31, 2001): 173–86. http://dx.doi.org/10.1075/bjl.15.12spa.

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We propose a new classification of the Portuguese decasyllable into periods, as well as an overview of the specific features which have, over the centuries, marked the variety of this verse form. We thus distinguish between: the decassílabo trovadoresco (Middle Ages); the decassílabo quatrocentista (15th century); the decassílabo clássico (16th century); the decassílabo romântico (19th century); the decassílabo decadente e simbolista (late 19th and early 20th century). Whether in medieval or modern poetry, the Portuguese decasyllable exhibits an extreme variety of forms, rhythms and scansion p

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Lundgreen-Nielsen, Flemming. "Grundtvig i guldalderens København." Grundtvig-Studier 46, no. 1 (1995): 107–39. http://dx.doi.org/10.7146/grs.v46i1.16185.

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Grundtvig and Golden Age CopenhagenBy Flemming Lundgreen-NielsenThe article has originally been given as a public lecture at the University of Copenhagen during the Golden Days in Copenhagen festival in September 1994. By way of introduction the question is posed to which extent Grundtvig belongs to the Golden Age period in Danish cultural and artistic life. Though he lived in the capital for 65 years, he never orientated himself towards the places that interested most other educated Copenhageners. The University rejected his applications for a professorate, and he in return vehemently attacke

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van Nieukerken, Arent. "Powrót poezji mistycznej na przełomie XIX i XX wieku." Przegląd Humanistyczny 61, no. 4 (459) (2018): 9–17. http://dx.doi.org/10.5604/01.3001.0012.0642.

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The article discusses the issue of the return of the forgotten poets as a function of the literary paradigm subjected to changes at the turn of the 19th and 20th centuries. In the light of such a view, the crisis in the development of poetry would be one of the factors letting the forgotten poets’ voice be heard. Another one seems to be the alienation of late 19th-century authors seeking or involuntarily finding partners for a dialogue in tradition, not in contemporary times. The text raises the subject of the sacredness of the poetic word, referring it both to the socio-literary realities of

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Wojciechowski, Paweł. "Góry kaukaskie w liryce Władysława Strzelnickiego i Tadeusza Łady-Zabłockiego." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 51, no. 2 (2021): 259–74. http://dx.doi.org/10.36770/bp.610.

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The text presents the motif of the mountains – the Caucasus, described in the poetic works of Władysław Strzelnicki (1820–1846) and Tadeusz Łada-Zabłocki (1813–1847), belonging to the so-called “groups of Caucasian poets” (Poles exiled to the Caucasus in the first half of the 19th century). A beautiful image of the Caucasian nature emerges here with woven existential reflections.

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Bekker, Ian. "South African English as a late 19th-century extraterritorial variety." English World-Wide 33, no. 2 (2012): 127–46. http://dx.doi.org/10.1075/eww.33.2.01bek.

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This article argues that the external history of South African English (SAfE) points towards the merits of conceptualizing SAfE as the product of a three-stage koinéization process, the last stage of which takes place contemporaneously with the establishment of Johannesburg. This is at odds with the standard position, which views SAfE as an early-to-mid 19th-century variety with its characteristic features having been fixed during the earlier colonization of the Cape and Natal. This reconceptualization is, in turn, usefully employed to solve Trudgill’s (2004) so-called “South African puzzle’’:

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Winer, Lise S., and Glenn Gilbert. "A 19th Century Report on the Creole English of Tobago." English World-Wide 8, no. 2 (1987): 235–62. http://dx.doi.org/10.1075/eww.8.2.05win.

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Bækken, Bjørg. "The Progressive in 19th-century English. A Process of Integration." English Studies 89, no. 3 (2008): 370–71. http://dx.doi.org/10.1080/00138380801912677.

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