Academic literature on the topic 'Poets, Georgian'

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Journal articles on the topic "Poets, Georgian"

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Chogovadze, Lela. "FIRST WORLD WAR ISSUE IN GEORGIAN LITERATURE." European Journal of Learning on History and Social Sciences 1, no. 10 (2024): 12–15. https://doi.org/10.61796/ejlhss.v1i10.977.

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General Background: The First World War (1914–1918) significantly reshaped global political landscapes, dismantling monarchies and empires and giving rise to new states, including Georgia's First Democratic Republic. Specific Background: During this period, Georgian poets, notably Titian Tabidze, expressed strong patriotic sentiments, seeing hope in war as a means to revive Georgia. His essay, War Theme in Georgian Writing (1915), reflects the belief that war, while destructive, could defeat evil and death, and lead to national rebirth. Knowledge Gap: There is limited scholarly analysis on how
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დონდოლაძე, ნინო. "ტროპი ქართველ და ინგლისელ რომანტიკოსთა ლექსებში". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 440–44. https://doi.org/10.62119/cils.17.2024.8805.

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A trope can be an important charactertistic feature of a poem. Tropes can reflect changes happening in the time, national characteristics and aesthetics of a literary movement. They can convey not only a poet’s mood, but also part of his Weltanschauung. The aim of the article is to show essential chracteristics of verbal structures of Romantic poetry and explore similarities and differences between tropes applied by Georgian and English Romantic poets.The study of tropes is carried out mainly through Maia and Giorgi Natadze’s theory of imagery. Tropes in poems by English and Georgian poets are
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Lazarević, Dajana. "The role of Desanka Maksimović in the development of Belarusian-Serbian literary connections." Bastina, no. 65 (2025): 95–107. https://doi.org/10.5937/bastina35-56430.

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The renowned Serbian writer Desanka Maksimović (1898-1993) translated into Serbian mainly Russian poets, followed by Armenian, Georgian, Ukrainian, and other Soviet poets. Among her numerous translations, there are also two poems by Belarusian poets: "Who Goes There?" by Yanka Kupala and "Where to Begin?" by Yevdokiya Los, both translated from Russian. The study presented to the academic and professional public arises from the need to explain the connections between Desanka Maksimović and Belarusian literature, clarify misinterpretations, and realistically depict her role in developing Belarus
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Lekmanov, Oleg A. "Mandelstam in Georgia: New Information." Literary Fact, no. 32 (2024): 227–38. http://dx.doi.org/10.22455/2541-8297-2024-32-227-238.

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The article provides a detailed commentary on the first-ever publication in Russian of an entry from the diary of Georgian poet Galaktion Tabidze, dated October 31, 1930. This entry refers to Osip Mandelstam, Boris Pasternak, and the Georgian poetic group “The Blue Horns.” It reveals that Pasternak’s journey to Georgia in 1931 was conceived as early as the preceding year, 1930. Additionally, Tabidze’s diary entry contains crucial information about Mandelstam's attitude toward Pasternak in the late 1920s to early 1930s. Mandelstam perceived the invitation extended by Georgian poets to Pasternak
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Akhvlediani, M. "GEORGIAN VOCABULARI IN THE DICTIONARY OF THE RUSSIAN LANGUAGE." Sciences of Europe, no. 107 (December 24, 2022): 100–103. https://doi.org/10.5281/zenodo.7479768.

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The penetration of Georgian words into the Russian language is the sign of the close interconnection of these languages. When creating their works about the past and present of Georgia writers, poets and journalists include the Georgian lexical units excessively: not only to create the local atmosphere, but sometimes it is impossible to depict certain realia otherwise. Most scientists consider borrowings to be only the units recorded in explanatory dictionaries of the recipient language. If we accept this as the only criteria, then the number of the Georgian borrowings given in the dictionarie
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ცხადაია, ზოია. "ომი და პირველი შოკის ნარატივი ქართულ პოეზიაში". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 619–26. https://doi.org/10.62119/cils.17.2024.8848.

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The wars of recent decades have left an extremely painful mark on historical memory of Georgians. In connection with this, a great deal of significant works of poetry were created in Georgian literature. However, with the outbreak of the Russian-Ukrainian war in 2022, a renewed sense of shock has permeated Georgian poetry once again. The question was raised on websites if there was such immediacy in Georgian lyrics during the war in Abkhazia? – The answer is no, the technological capabilities at that time were not as advanced as they are today. For very obvious reasons, the war in Ukraine part
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ლომოური, სალომე. "გმირის სახე „ჩვენი თაობის“ პოეტებისა და ანა კალანდაძის ლირიკაში". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 594–603. https://doi.org/10.62119/cils.17.2024.8844.

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This study explores the portrayal of the hero in the poetry of "Our Generation" poets and Ana Kalandadze. During World War II, Soviet poets were tasked with glorifying war heroes, leading to the emergence of a monumental and invincible warrior figure. However, poets of "Our Generation" offered diverse perspectives. Mirza Gelovani depicted war as a tragedy rather than a patriotic triumph, emphasizing soldiers' hardships and inevitable death. Lado Asatiani, in contrast, drew inspiration from historical Georgian heroes, portraying patriotism as pure and sincere. Ana Kalandadze, following Asatiani
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ლომოური, სალომე. "მეორე მსოფლიო ომის რეფლექსია ქართველ „პოეტ-ჯარისკაცთა“ ლირიკაში". სჯანი 25 (18 жовтня 2024): 53–83. http://dx.doi.org/10.62119/sjn.25.2024.8106.

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The experiences and impressions of World War II (1939-1945) have been extensively reflected in the literature of the participating countries and have garnered significant attention. Almost eight decades have passed since the end of the war, yet this topic remains profoundly relevant. The war claimed the lives of 25 million soldiers and 55 million civilians, including 11 million who perished in concentration camps, making it the bloodiest conflict in world history. Many poets actively participated in the war, vividly describing what they witnessed and felt on the battlefield. However, the war's
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Голикова, Л. П., and М. В. Шаройко. "National History in the Mirror of Literature: On the 240th Anniversary of the Treaty of Georgievsk." Nasledie Vekov, no. 1(33) (March 31, 2023): 101–13. http://dx.doi.org/10.36343/sb.2023.33.1.009.

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В современной политической обстановке возникают многочисленные дискуссии по поводу значимости для Грузии заключения Георгиевского трактата о добровольном вхождении в Российскую империю. Статья обращается к творческому наследию видных грузинских политических и культурных деятелей XVIII–XIX вв. – Д. Гурамишвили, Г. Орбелиани, Н. Бараташвили, И. Чавчавадзе – современников происходящего, отразивших в литературных текстах свою позицию по этому вопросу. Рассмотрены особенности исторического развития Грузии в конце XVIII–XIXвв., проанализированы знаковые произведения и факты из жизни поэтов, свидетел
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SUGINO, Yuri. "On the Representation of the Terek River in Russian and Georgian Literary Works of the 19th Century." Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (December 20, 2024): 162–66. https://doi.org/10.62119/cils.17.2024.8709.

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This study provides a comparative analysis of the representation of the Terek River in Russian and Georgian literary works of the 19th century, focusing on the parable of water flow depicted as a beast, particularly a lion. The analysis reveals that the lion symbolizes the power of anti-Russian emperor. The study suggests that this symbolic meaning, representing rebellion, may have originated from Georgian cultural and political contexts of the 19th century, and later spread among Russian and Georgian poets and writers.
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Dissertations / Theses on the topic "Poets, Georgian"

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Yang, Okhee J. "A Study of Christina Rossetti's Poems on Death." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc501076/.

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Throughout her life Christina Rossetti was pursued by the thought of death. Many of her poems, especially her later poems, display her concerns about death. Her early poems show death as the destroyer of mortal things, reflecting her pessimism and her sometimes naturalistic views on life. Her death wish is sometimes associated with her thwarted desire for absolute love in the world. Her religious poems describe death as the gate to heaven or to hell, the final resting place from the pains of her life. Either as her religious yearning for a better place of Resurrection or as her way of expressi
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Henkel, John H. O'Hara James J. "Writing poems on trees genre and metapoetics in Vergil's Eclogues and Georgics /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2496.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Oct. 5, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics." Discipline: Classics; Department/School: Classics.
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Becherer, Nadine L. (Nadine Lee). "The Bifurcated Personalities of Christina Rossetti and Dante Gabriel Rossetti as Reflected in Their "Sister Poems"." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500837/.

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Christina Rossetti and Dante Gabriel Rossetti both suffered from ambivalent feelings concerning the role female sexuality plays in the salvation of the soul. These ambivalent feelings ranged from seeing female sexuality as leading men to salvation, to seeing it as a trap for the destruction of women's souls as well as men's. The contradictory feelings of the Rossettis' typifies the Victorian people's experience and was caused by the nature of the times. Using the analysis of the period by Walter E. Houghton in The Victorian Frame of Mind: 1830-1870, this paper describes the affect the Victoria
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Dockins, Michael Scott. "Letter to So-and-So from Wherever." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_diss/53.

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Letter to So-and-So from Wherever is a collection of poems, perhaps even a “poem-cycle,” initially inspired by the epistolary poems of Richard Hugo. This dissertation is essentially the author’s second full-length poetry manuscript, and consists of more of a single “project” than the author’s first collection, which was published in 2007. These poems here are rooted in concrete imagery, metaphor, hyperbole, irony, and voice. The style is influenced in part by Beat Generation writers Allen Ginsberg and Jack Kerouac, and to some extent Charles Bukowski.
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Restrepo, Ana Catalina. "Analysis of storm surge impacts on transportation systems in the Georgia coastal area." Thesis, Georgia Institute of Technology, 2011. http://hdl.handle.net/1853/42897.

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Many Climate Scientists believe that global warming will produce more extreme weather events such as tropical storms, hurricanes, intense rainfall, and flooding. These events are considered to be the most catastrophic natural events for transportation systems especially in coastal areas. Due to the severe damage from storm surge and flooding. Evaluating the magnitude of possible storm surges and their impacts on transportation systems in coastal areas is fundamental to developing adaptation plans and impact assessments to mitigate the damage. This thesis focuses on existing transportation s
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Wills, Caitlin Mara. "An analysis of the consensus-based participation model in the Georgia Ports Authority's Stakeholder Evaluation Group." 2001. http://purl.galileo.usg.edu/uga%5Fetd/wills%5Fcaitlin%5Fm%5F200112%5Fphd.

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Books on the topic "Poets, Georgian"

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Dumbadze, Manana, ed. Georgian Female Poets: Kartveli poeti kalebi. Cezanne Printing House, 2016.

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1933-, Evtushenko Evgeniĭ Aleksandrovich, ed. Kolokol iz tridt︠s︡atykh godov: Vospominanii︠a︡, stikhotvorenii︠a︡. Azbuka-klassika, 2005.

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Agiashvili, Nika. I︠U︡nymi ostalisʹ navsegda. Merani, 1985.

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Surguladze, Akakiĭ. I.G. Chavchavadze: Znamenonoset͡s︡ nat͡s︡ionalʹno-osvoboditelʹnogo dvizhenii͡a︡ gruzinskogo naroda. Izd-vo Tbilisskogo universiteta, 1987.

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Pʻircʻxalaišvili, R. Kvlav Rustʻvelis biograpʻiuli problemis garšemo. Mecʻniereba, 1991.

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Dowsett, C. J. F. Sayatʻ-Nova: An 18th-century troubadour : a biographical and literary study. In aedibus Peeters, 1997.

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Bakʻraże, Akaki. Kardu, anu, Grigol Robakʻiżis cʻxovreba da ġvacli. Lomisi, 1999.

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Javaxišvili, Giorgi. Elene Darianis legenda da sinamdvile. [G. Javaxišvili], 2001.

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Cʻamcʻišvil-Pʻicʻxalauri, Amiran. Uaxlesi istoriuli študiebi Tʻamarsa da Šotʻaze: XII-XIII s.s. Sakʻartʻvelos mecʻniertʻa kavširis gamomcʻemloba "Geopʻoni", 1999.

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Lali, Avaliani, ed. Mziuri Paolo: Mogonebebi Paolo Iašvilze. Gamomcʻemloba "Merani", 1995.

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Book chapters on the topic "Poets, Georgian"

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Martin, Meredith, and Erin Kappeler. "The Georgian Poets and the Genteel Tradition." In A Companion to Modernist Poetry. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch16.

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Moeyes, Paul. "Georgian Poet." In Siegfried Sassoon Scorched Glory. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230374560_4.

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Ǵurčinova, Anastasija, and Ruska Ivanovska-Naskova. "Dante Alighieri nella lingua e nella cultura macedone." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.09.

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The aim of this paper is to examine the influence of Dante Alighieri in the Macedonian cultural context through the translations and reception of his most important work, the Divina Commedia. The first part of the paper presents the translations of fragments of the poem published in the 1950s, translated by various Macedonian poets, and continues by presenting the translations by Georgi Stalev, who published parts of the poem in the 1960s, Inferno in 1967, and the whole poem (Inferno, Purgatorio and Paradiso) in 2006. The second part of the paper traces Dante’s impact on the literary works of
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Janjghava, Rati, Avtandil Tsitskishvili, and Givi Tsitskishvili. "Implementing Cold Ironing Methods in Georgian Ports." In Green Energy and Technology. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-68497-5_3.

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Hibberd, Dominic. "New Influences: Georgians and Others." In Owen the Poet. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07698-7_7.

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Taylor, William M. "Ports and Pilferers: London’s Late Georgian Era Docks as Settings for Evolving Material and Criminal Cultures." In Port Towns and Urban Cultures. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-48316-4_8.

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Cain, Tom, and Ruth Connolly. "From George Chapman, The Georgics of Hesiod. To my worthy and honoured friend Master George Chapman, on his translation of Hesiod's Works and Days." In The Poems of Ben Jonson. Routledge, 2021. http://dx.doi.org/10.4324/9781315696195-203.

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Tabatadze, Khatuna Sh. "Translations of Lyrics and Poems by S. Esenin into Georgian". У Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-278-289.

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The article deals with the translations of Sergey Esenin’s works into Georgian. Georgian poets-translators have repeatedly turned to the work of the poet since the 20s of the 20th century. Esenin’s work has always been of great interest not only to Georgian poets-translators but also to Georgian readers. Translation activity began in Georgia in 1924 by Konstantin Chichinadze from the translation of the poem “Comrade.” It began to be actively continued by Mikheil Pataridze. In 1926 a collection of Esenin’s poems was published as a separate book, which combined 15 poems by the poet, in 1927 — a
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"The Georgian Poets." In A Little History of Poetry. Yale University Press, 2020. http://dx.doi.org/10.2307/j.ctvxkn77c.29.

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"27 The Georgian Poets." In A Little History of Poetry. Yale University Press, 2020. http://dx.doi.org/10.12987/9780300252521-027.

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Conference papers on the topic "Poets, Georgian"

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Balavadze, Nunu. "The Free Verse and the Freedom of Expression in Soviet and Post-Soviet Georgian Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9048.

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The paper will discuss the role of the free verse in diversifying the poetic process in Georgian literature of Soviet/Cold War period and after. The intensification of this role in Georgian poetry of the period of the Thaw is related with works by Lia Sturua and Besik Kharanauli. These poets stat to oppose the mainstream of Georgian poetry which was based on realist aestheticism and conventional poetic principles; thus, their poetic choice can be seen as an alternative to dominant literary tendencies. We can assess the appearance of the free verse in Georgian poetry of the period of the Thaw a
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Lomouri, Salome. "Georgian Poetry in the Face of Repression in the 1930s." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9026.

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The 1930s is one of the most tragic pages in the history of Georgian literature. As a result of Bolshevik rule, Georgian poets had to give up the search for versification and artistic-stylistic forms and, instead of developing modernist trends they almost wholly confined themselves to proletarian themes. Georgian verse, highly enriched in the 1910s-1920, nearly stopped evolving a decade later. The poets who failed to fit into a common pattern and tried to preserve their individuality were declared the "enemies of the people". They were faced with the choice of either to write Bolshevik poems o
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Oboladze, Tatia. "Georgian Symbolism: Reorientation of Cultural Centre and Redefinition of National Identity." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8402.

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After being part of the Russian Empire for more than a century, In the 1910s (1918-1921), Georgia obtained independence for a few years, but from 1921 was forced to become one of the members of the Soviet Socialist Republic. As for a cultural context, the beginning of the 20th c. is considered a period of stagnation. Subsequently, the significance of emerging the first symbolist group, “Blue Horns”, with clearly stated purposes and esthetic position was a significant event. As a result of the drastic transformation of the social formation, in parallel with the revolutions and World War I, Geor
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Vardoshvili, Eka. "Leadership and poetry: common tendencies in works of Georgian and European leader poets." In Proceedings of the 4th International Conference on Social, Business, and Academic Leadership (ICSBAL 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icsbal-19.2019.13.

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Sotome, Hayate. "Patriotism for Cosmopolitanism: Postcolonial Reading of Vazha-Pshavela’s Essay “Cosmopolitanism and Patriotism”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8406.

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Vazha-Pshavela is known as one of the most important poets in the history of modern Georgian literature. His epic poems, “Aluda Keterauli,” “Guest and Host” are regarded as masterpieces until today and are adopted into a film, “Vedreba” (“The Plea”), by Tengiz Abuladze, which consist of his trilogy (the others are “Natvris Khe” (“The Wishing Tree”) and “Monanieba” (“Repentance”). Beside poems, he wrote short tales as well as ethnographic or philosophical essays. Today I would like to make my presentation based on his one of the most important essays, “Cosmopolitanism and Patriotism” (1905). Th
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Gogiashvili, Nino. "Feminism, Post-feminism and Postmodern Feminism Reflections in Contemporary Georgian Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9038.

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The purpose of this study is to consider the manifestations and signs of feminism, post-feminism and postmodernist feminism in current Georgian poetry. In addition, according to the analysis of the viewpoints of Georgian classicists, feminism is confirmed as an ideology of the women’s rights and equality with the men, generally regarded as an issue for most of the Georgian scholars. Therefore, feminism declared in the current poetic texts, with its changes, is a kind of reflection, as referring to the same item and self-determination. Literature is the best space for reflecting and provoking a
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Churchelauri, Mariam. "Maritime Transport Cluster Development in Georgia." In Challenges in Economics and Business in the Post-COVID Times. University of Maribor Press, 2022. http://dx.doi.org/10.18690/um.epf.5.2022.22.

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The geopolitical location in Georgia creates opportunities for maritime cluster development. The functioning of the international transport corridor depends on the ports and maritime transport. The country’s strategic location on the ‘One Belt One Road’ (OBOR) route, positioned along the shortest route between China and Europe. The development of maritime cluster gives Georgia the function of international importanceand provides more opportunities for sustainable development. The purpose of this paper relates to the possibilities of establishing maritime clusters in Georgia. Creating a cluster
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"Georgian Ports and Establishing the Regional Status of Georgia." In Emirates Research Publishing. Emirates Research Publishing, 2016. http://dx.doi.org/10.17758/erpub.ea0516089.

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Dokhturishvili, Mzago. "The Black Sea in the Representation of the Coastal Population of Georgia." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8439.

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According to François Bellec, the sea, vector of discoveries, exchanges, is also a powerful engine of creation and inspiration at the literary and artistic level. The objective of this article is to continue the study of the symbolism of the Black Sea in Georgian poetry, the subject to which we have already devoted two investigations, the results of which have fueled the publication of two articles. In the first, we carried out a comparative analysis of the symbolism of water [of the sea, in this case] in Georgian and French poetry, in the second, we studied the representation of the sea, in g
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Tsitskishvili, Givi, Natia Dolidre, and Avtandil Tsitskishvili. "Assessment of Georgian marine pilots training and certification system." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006645.

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Pilots with knowledge of local specifications have been employed to safely navigate the vessels for centuries already. Georgian pilots have been safely navigating ships without any major incidents so far. However, the maritime industry in Georgia is expanding rapidly, with new ports and larger vessels, which will increase the demand for highly skilled pilots. In order to maintain navigation safety and prevent accidents, it is essential to elevate the standards of maritime pilot services and identify the areas for improvement in national requirements. This study compares Georgia's marine pilot
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