Relevant bibliographies by topics / Poets, Haitian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poets, Haitian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Poets, Haitian"

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Spadijer, Sonja. "La domesticité, phénomène socioculturel, représentée dans les œuvres Zoune chez sa ninnaine de Justin Lhérisson et Rêves amers de Maryse Condé." French Cultural Studies 33, no. 1 (2022): 3–18. http://dx.doi.org/10.1177/09571558211044965.

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That childhood should be everywhere at home whatever the circumstances, has been implored by poets. Their powerful voices call on the international community to mobilize to protect the rights of the child. However, there are unfair practices; child domestic work is one of them. These children are called ‘domestic children’, ‘service children’ and les ‘restavèk’. Denounced by humanitarian institutions, child domestic work unfortunately still exists today. This issue has been taken up by writers, thus becoming one of the key themes of literature in French and Creole languages. Our aim is to reca
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Ielpo, Rodrigo. "As geografias do vento em Ton beau capitaine, de Simone Schwarz-Bart." Aletria: Revista de Estudos de Literatura 33, no. 4 (2024): 13–28. https://doi.org/10.35699/2317-2096.2023.44961.

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Written and staged in 1987 during the Troisièmes rencontres caribéennes de théâtre, in Guadeloupe, Ton beau capitaine, a Simone Schwarz-Bart’s play, stages the drama of Wilnor, a Haitian immigrant who leaves his homeland in search of a better life for himself and his family. A precarious worker in Guadaloupe, this character is part of this “strange conference of poets and great human beings” sung by Patrick Chamoiseau (2017) in Frères migrants. And it is through what Paul Gilroy (2012) names as characteristic of an “expressive culture” in opposition to the Enlightenment tradition that would se
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Ilea, Laura T. "The Secret Memory. How The Goncourt 2021, Mohamed Mbougar Sarr, Rewrites the Story of the “Black Rimbaud”." Studia Universitatis Babeș-Bolyai Philologia 69, no. 2 (2024): 51–60. http://dx.doi.org/10.24193/subbphilo.2024.2.02.

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The Secret Memory. How the Goncourt 2021, Mohamed Mbougar Sarr, Rewrites the Story of the “Black Rimbaud”. In a mixture of “savage detective story” à la Bolaño, of diary, journalism, interviews and discussions on “plagiarism,” the revolutionary book of Mohamed Mbougar Sarr rewrites the history of Western relations to Africa, to its cultures and its storytelling, but also to different forms of marginality, since its main character, Elimane Madag, is also travelling to South America, being part of its most interesting intellectual circles – through, for instance, Sábato, Gombrowicz, Silvina and
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Mingote Ferreira de Ázara, Michel. "Paisagens afrodiaspóricas em Diário de um retorno ao país natal, de Aimé Césaire." Texto Poético 17, no. 33 (2021): 32–52. http://dx.doi.org/10.25094/rtp.2021n33a796.

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O objetivo deste artigo foi investigar em Diário de um retorno ao país natal (2012), poema fundamental do poeta martiniquenho Aimé Césaire, a configuração das paisagens afrodiaspóricas. O longo poema, escrito em estilo livre, é um dos marcos do movimento político, estético, cultural e ideológico da negritude, lançado em Paris, na década de 1930, mas que aglutina em seu bojo diversas manifestações culturais da Diáspora Negra, tais como o Renascimento Harlem, surgido nos Estados Unidos, nos anos de 1920, o indigenismo da literatura Haitiana, da mesma década, e o negrismo cubano dos anos de 1930.
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Rocha, Michel Gomes da. "ENGAJAMENTO E CRÍTICA SOCIAL AO RACISMO NA SOCIEDADE ESTADUNIDENSE NO DOCUMENTÁRIO “EU NÃO SOU SEU NEGRO”." Sankofa (São Paulo) 11, no. 21 (2018): 90–98. http://dx.doi.org/10.11606/issn.1983-6023.sank.2018.150533.

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A resenha crítica analisa o documentário “Eu não sou seu negro”, que possui direção do cineasta haitiano Raoul Peck. A produção se debruça sobre um projeto inacabado do romancista, ensaísta, dramaturgo, poeta e crítico social estadunidense James Baldwin. A narrativa possui uma montagem cinematográfica em capítulos e três níveis, são eles: a escrita de Lembrem- se desta casa (livro que inspira o roteiro do documentário apresentado através de narrador Over), o engajamento de Baldwin para além de suas obras, em falas publicas, e o contexto atual como materialização do diagnostico dado pelo crític
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Arie, S. "Medical supplies are trapped in Haitian ports as NGOs struggle with paperwork and delays." BMJ 341, jul15 2 (2010): c3820. http://dx.doi.org/10.1136/bmj.c3820.

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Sago, Kylie. "Challenges in Commemorating the Abolition of the Slave Trade in the Académie d'Amiens Poetry Contest of 1819 and 1820." Nineteenth-Century French Studies 52, no. 3-4 (2024): 155–72. http://dx.doi.org/10.1353/ncf.2024.a926093.

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Abstract: This article considers the timing of the Académie d'Amiens poetry contest on "L'Abolition de la traite des Nègres" (1819–20), the little-known predecessor to the Académie française prix de poésie on "L'Abolition de la traite des Noirs" (1823). The Amiens concours attempted to offer a timely commemoration of the slave trade's abolition. Close readings of the competition's archival records, including twelve submitted poems and two reports, suggest reasons why a winner was never chosen. The persistence of the clandestine slave trade and pro-slavery arguments blaming abolitionism for the
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Viloria, Liz. "Marie Vieux-Chauvet: Haiti, duvalier, voces ventrilocuas." Revista do GELNE 26, no. 1 (2024): e35440. http://dx.doi.org/10.21680/1517-7874.2024v26n1id35440.

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La narrativa de Marie Vieux-Chauvet en Amour, Colère et folie presenta una polifonía de voces que reflejan las luchas y desafíos enfrentados por los personajes en medio de la dictadura de François Duvalier. Este fenómeno narrativo no solo enriquece la textura de la obra, sino que también ofrece un análisis profundo de las complejidades sociales y políticas del país bajo el yugo autoritario. Las diferentes perspectivas narrativas revelan no solo los dilemas individuales de los protagonistas, sino también la complejidad de las relaciones sociales y políticas en la sociedad haitiana.La estructura
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Figueroa, Víctor. "Occupying Makandal: Resistance from The Margins in Yolanda Arroyo Pizarro’s Yo, Makandal." Latin Americanist 69, no. 2 (2025): 170–93. https://doi.org/10.1353/tla.2025.a962908.

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Abstract: This essay examines the poetry collection Yo, Makandal (2017), by the Puerto Rican writer Yolanda Arroyo Pizarro. The book offers an innovative representation of the Maroon leader François Makandal, who remains a seminal figure in Caribbean history and a pivotal symbol in the region’s cultural imaginary. As a historical figure, he holds an important place in the centuries of resistance that led to the Haitian Revolution. Makandal’s role in the region’s culture is also linked to his presence important literary works, chief among them El reino de este mundo (1949), by the Cuban Alejo C
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Raquel, Ladeira Pereira, Grando Diego, and Maria Parise Normelia. "Terremoto, perdas e escrita em Inventaires, de Stéphane Martelly." Revista Letras Raras 11, Especial (2023): 168–85. https://doi.org/10.5281/zenodo.8072713.

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O presente artigo pretende apresentar a escritora, poeta, pintora e pesquisadora haitiana Stéphane Martelly (Porto Príncipe, 1974), ainda inédita no Brasil, dando ênfase a sua produção poética, sobretudo a coletânea Inventaires, publicado em 2016, através do comentário sobre alguns dos poemas contidos nessa obra. Para isso, empreendemos a tradução para o português dos poemas comentados, o estudo sobre a história recente do Haiti, especialmente as crises políticas e o terremoto de 2010, qu
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Dissertations / Theses on the topic "Poets, Haitian"

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Clervoyant, Dieurat. "Etzer Vilaire et les poètes romantiques haïtiens de la "génération de la ronde"." Thesis, Cergy-Pontoise, 2011. http://www.theses.fr/2011CERG0554/document.

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En raison de circonstances historiques et sociales difficiles, la littérature haïtienne s'est enfermée pendant environ un siècle dans le patriotisme et le nationalisme. Rejet de l'indépendance par les nations occidentales, affaires judiciaires et diplomatiques louches, instabilités politiques et sociales ont marqué tout le XIXe siècle haïtien. A la fin du siècle, une nouvelle génération d'écrivains a opté pour la rénovation en proscrivant la matière nationale, notamment la veine nationaliste, et s'est tournée vers l'universalisme. Il s'en est suivi un remaniement de la pensée ou de la vision h
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Batraville, Nathalie. "Poésie de l'absence : le rapport à l'autre chez trois poètes haïtiennes." Thesis, 2008. http://hdl.handle.net/1974/1495.

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Although many in the contemporary academic world would avoid themes such as solitude, love, and, in the context of “francophone” literature, exile, I have decided to give these all the attention they deserve based on the importance they hold in the works themselves, and based on the depth they possess. It is thus from the perspective of the renewed light they bring on these topics that the following three works will be analysed: À vol d’ombre (1966) by Jacqueline Beaugé, Transparence en bleu d’oubli (1979) by Renée Marie-Ange Jolicœur, and La Fidélité non plus… (1986) by Yanick Jean. In order
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Books on the topic "Poets, Haitian"

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Charles, Christophe. Etzer Vilaire: Sa vie, son oeuvre. Choucoune, 2003.

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Maurouard, Elvire Jean-Jacques. Contes des îles savoureuses: L'hymne des héros : poémes. Éditions des écrivains, 2004.

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3

Charles, Christophe. La poésie au corps: Études et entretiens sur la poésie et la littérature haïtienne contemporaines. Éditions Choucoune, 1986.

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4

Charles, Christophe. La poésie au corps: Études et entretiens sur la poésie et la littérature haïtienne contemporaines. Editions Choucoune, 1986.

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5

John, Kauss St. L'archidoxe poétique (entretiens / conférences / manifestes). Humanitas, 2008.

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6

1951-, Charles Christophe, ed. Poésies choisies. Editions Choucoune, 1999.

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7

Viau, Jacques. J'essaie de vous parler de ma patrie: Poète haïtien-dominicain. Mémoire d'encrier, 2018.

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8

Narcisse, J.-P. Richard. Dans l'ombre d'une exécution - Toute l'enquête sur l'Affaire Coicou. Éditions de l'Université d'État d'Haïti, 2013.

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Narcisse, J. P. Richard. Dans l'ombre d'une exécution: Toute l'enquête sur l'affaire coicou. Haitian Book Centre, 2010.

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10

1953-, Lapointe Louis, ed. Chariot on the limp: Poems. Gaston Vilaire, 1992.

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Book chapters on the topic "Poets, Haitian"

1

Isbell, John Claiborne. "5. Writers from Latin America and the Caribbean." In Women Writers in the Romantic Age. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0458.05.

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This chapter reviews 12 women writers, 1776-1848, from Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Guatemala, Haiti, Honduras, Mexico, Nicaragua, Paraguay, Peru, Uruguay, and Venezuela. The whole of mainland America south of Canada obtained independence in the half-century 1776-1826, and that is reflected in the writings of this variety of Latin American and Caribbean women authors. For several countries, no women writers have as yet been identified for the period, a spur to future research. For others, one finds poets, novelists, journalists, even dram
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Mathes, Carmen Faye. "The Politics of Provocation." In Poetic Form and Romantic Provocation. Stanford University Press, 2022. http://dx.doi.org/10.11126/stanford/9781503630246.003.0006.

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This chapter explores revolutionary metaphors of the wind and weather in poems by William Wordsworth and Percy Bysshe Shelley. Two very different historical situations organize this chapter: the forced extraction and imprisonment of the Haitian leader Toussaint Louverture by the French in 1802, and the public outcry following the Peterloo Massacre in 1819. My readings of Wordsworth’s sonnet “To Toussaint L’Ouverture” (1802) and Shelley’s Mask of Anarchy (1832) reveal that, although border-crossing affects represent a condition of political possibility for both poets, there remains an irresolva
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Munro, Martin. "Sounding Francophone Caribbean Poetics." In The Music of the Future. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197759790.003.0002.

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Abstract The chapter explores the way sound is a key marker of Caribbean being. It analyzes poetry of the region, beginning with the early nineteenth century works anthologized in Poetry of Haitian Independence, a bilingual volume that gathers many forgotten and neglected poems written between 1804 and the late 1840s. The chapter explores the various ways in which sounds are used by the poets as the new nation sought to assert itself on its own terms and create a sense of unity and common purpose in a land torn apart by a long period of war and by the legacies of colonialism and slavery. By re
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Thomas, Bonnie. "Teaching Haiti through the Work of Rodney Saint-Éloi, écrivain engagé." In Teaching Haiti. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402107.003.0003.

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The French term engagement is generally understood to mean politically committed or involved. Many writers from the Caribbean can be considered to write littérature engagée, including Aimé Césaire (Martinique), who occupied the dual roles of poet and politician throughout his long life, and Edouard Glissant (also from Martinique), who consistently remarked upon the inextricability of poetry and politics. This chapter focuses on lesser-known Haitian poetry, and a writer whose work beautifully encapsulates the power of literary engagement. Rodney Saint-Eloi (b. 1963) is a distinguished Haitian p
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Ehlers, Sarah. "Lyric Internationalism." In Left of Poetry. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651286.003.0007.

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This chapter considers Haitian communist poet Jacques Roumain and his reception in the United States. Analyzing the production, circulation, and reception of Roumain’s writings and his authorial persona, the chapter explores several connected variants of a communist internationalism that is imagined through the idea of “lyric,” or “lyricism,” and it demonstrates how such international imaginaries are tied to different conceptions of history. The chapter begins by sketching the import of Roumain as a figure for U.S. radicals. It then turns to Roumain’s friendship with Langston Hughes, showing h
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Lecznar, Adam. "The Tragedy of Aimé Césaire." In Classicisms in the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198814122.003.0008.

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This chapter examines the forms of classicism that proliferate in the writings of the Martinican poet-politician Aimé Césaire (1913–2008), focusing in particular on his 1963 drama The Tragedy of King Christopher. The classical form of tragedy, mediated through Nietzsche, provides Césaire with a way of reconsidering the reverberations of the Haitian revolution throughout the black Atlantic as a foundational event of black identity. Césaire uses tragedy to dramatize the story of Henri Christophe, the creator of a monarchy in the northern part of Haiti in the early nineteenth century, as a way of
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Castera, Georges. "Four Poems." In The Haiti Reader, translated by Nadève Ménard. Duke University Press, 2020. http://dx.doi.org/10.1215/9781478007609-099.

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Castera, Georges. "Four Poems." In The Haiti Reader. Duke University Press, 2020. http://dx.doi.org/10.2307/j.ctv1220qc0.103.

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Wolff, Tristram. "Radical Diversions." In Against the Uprooted Word. Stanford University Press, 2022. http://dx.doi.org/10.11126/stanford/9781503632769.003.0005.

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Chapter 4 places the much debated desire for the vernacular in Wordsworth’s early poetics—or the infamous “real language of men”—in the context of a dissolution of linguistic categories under way in British radicalism of the 1790s. It recounts the stir caused by John Horne Tooke’s immensely influential etymologies in The Diversions of Purley (1786/1812), which grafted political radicalism onto linguistic roots. This philological lens leads to new insights into the grayer undertones of Wordsworth’s so-called “green language.” The chapter culminates in a reading of “Hart-Leap Well,” building on
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Ramírez, Dixa. "Untangling Dominican Patriotism." In Colonial Phantoms. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850457.003.0002.

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This chapter focuses on the ambivalent nationalism evident in the celebration of the first national Dominican poet, Salomé Ureña (1850-1897). Studying poems, letters, speeches, and essays by Ureña and some of her contemporaries, the chapter contends that the strong desire for Ureña’s poetry coexisted with the elite’s generalized assumption that the ideal citizen subject was a white man. It argues that Ureña’s embodiment of Dominican nonwhiteness combined with her status as a respectable woman allowed Dominicans of the intellectual and ruling elite to satisfy two intertwined impulses: to constr
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Conference papers on the topic "Poets, Haitian"

1

Dorang, Christopher, Melynne Chiariello, David Mock, and John Weis. "Design and Construction of a Cruise Pier with Time and Location Constraints at Royal Caribbean's Private Destination in Labadee, Haiti." In Proceedings of Ports '13: 13th Triennial International Conference. American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784413067.106.

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