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Relevant bibliographies by topics / Poets, Irish

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Academic literature on the topic 'Poets, Irish'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Poets, Irish"

1

Frag, Asst Prof Dr Amal Nasser. "Irish Poets: Keepers of National Lore." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 1 (2019): 43–54. http://dx.doi.org/10.36473/ujhss.v58i1.834.

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This paper discusses three noteable Irish poets: Augustine Joseph Clarke (1896-1974), Richard Murphy (1927- ), and Patrick Kavanagh (1904–1967), who are considered as keepers of national lore of Irland. It explains these poets’ contribution to world literature through the renewal of Irish myths, history, and culture. Irish poets tackle the problems of Irish people in the present in a realistic way by criticising the restrictions imposed on the Irish people in their society.Augustine Joseph Clarke’s poems present a deep invocation of Irish past and landscape. While Richard Murphy offers recurri

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2

Welsch, Camille-Yvette, Mary Dorcey, Paula Meehan, Medbh McGuckian, and Eilean Ni Chuilleanain. "New Irish Poets." Women's Review of Books 20, no. 9 (2003): 17. http://dx.doi.org/10.2307/4024164.

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Grace, Stephen. "Contemporary Irish Women Poets." Irish Studies Review 28, no. 2 (2020): 283–86. http://dx.doi.org/10.1080/09670882.2020.1740399.

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Karhio, Anne. "Human Rights, Posthuman Ethics, and the Material Aesthetics of Flight in Contemporary Irish Poetry." Irish University Review 51, no. 2 (2021): 227–46. http://dx.doi.org/10.3366/iur.2021.0516.

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This article examines a series of poems by Irish authors, and focuses on their engagement with human rights violations and conflicts through the metaphors and imagery of flight and the aerial view. It argues that these poems address the need for a shift away from the perspective of a defined, distinct human subject, and towards a posthumanist framework which emphasizes relational, situated, and embodied ethics and aesthetics in an interconnected world. Since the introduction of modern aviation, Irish poets have frequently employed the imagery of flying to consider poetry's role in relation to

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Bethala, Melony. "Searching for ‘Maeve’: An Archival Examination of Medbh McGuckian’s Early Career as a Poet in Northern Ireland." Irish University Review 52, no. 1 (2022): 53–65. http://dx.doi.org/10.3366/iur.2022.0541.

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Writing to Peter Fallon of the independent Irish publishing house Gallery Press in 1985, the poet Medbh McGuckian uncharacteristically signed the note ‘Maeve’, the Anglicized spelling of her name, with the explanation that, ‘I use that name as the letter was written by me and the poems by the other. So rejecting me does not entail accepting either of us’. This enigmatic note suggests that McGuckian perceives the personae in her poems as separate from the woman who writes them. To comprehend her poems, which are at once intricate, dynamic, and oblique, we must attempt to understand the other ‘M

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Howley, Ellen. "The Mythic Sea in Contemporary Irish and Caribbean Poetry." Comparative Literature 74, no. 3 (2022): 306–25. http://dx.doi.org/10.1215/00104124-9722363.

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Abstract Myths of the sea are some of the most enduring cultural associations with oceanic spaces. In particular, literature written from islands and coastal locations often shares an interest in these mythic narratives. With a focus on this comparative element, this article investigates how contemporary poets from Ireland and from the Anglophone Caribbean engage with the myths of the sea in their work. It examines the poetry of Lorna Goodison (Jamaica), Seamus Heaney (Northern Ireland), Eiléan Ní Chuilleanáin (Republic of Ireland), and Derek Walcott (Saint Lucia), demonstrating the ways in wh

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Dolmányos, Péter. "“Now I could tell my story”. Eavan Boland’s motifs of revising the Irish poetic tradition." Ars Aeterna 14, no. 1 (2022): 9–20. http://dx.doi.org/10.2478/aa-2022-0002.

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Abstract The prominent place that Eavan Boland occupies in the essentially male-defined and male-dominated canon of contemporary Irish literature is the result of the poet’s pioneering act of entering into a reconstructive and resituating dialogue with that tradition and which in turn has paved the way for numerous younger women poets to claim a place for their voices and redefine that tradition itself. The paper seeks to examine and explore a number of topoi with and through which Eavan Boland would negotiate her position in relation to the Irish literary tradition, from broad general motifs

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Loftus, Laura. "Preserving the Status Quo?: Periodical Codes in The Bell and Envoy during the Mid-Twentieth Century." Journal of Modern Periodical Studies 12, no. 2 (2021): 178–211. http://dx.doi.org/10.5325/jmodeperistud.12.2.0178.

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ABSTRACT This article is among the first to read two key Irish literary periodicals—The Bell and Envoy—to highlight how male literary inheritance, homosocial bonding, and subtle discouragement combined to marginalize women poets from mainstream Irish literature during the mid-twentieth century. Close analysis will be employed to uncover the homosocial, highly gendered language and “compositional codes” found in these magazines, sometimes through conscious decisions and sometimes through unconscious manifestations of ambient normative assumptions about proper gender roles/spheres, contributed t

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Mulhall, Anne. "‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century." Irish University Review 42, no. 1 (2012): 32–52. http://dx.doi.org/10.3366/iur.2012.0007.

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While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper line

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Theinová, Daniela. "Introduction." Review of Irish Studies in Europe 4, no. 2 (2021): 8–17. http://dx.doi.org/10.32803/rise.v4i2.2836.

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RISE 4.2 is a festive anniversary tribute to one of Ireland’s most eminent poets Medbh McGuckian. The articles to be found in this issue address McGuckian’s expansive oeuvre through a number of diverse foci. These range from the work’s engagement with political violence during the Troubles and their competing representations in cultural memory; through considerations of the commemorative thrust of individual poems and collections; and questions of knowledge, faith and scepticism; to the prominence of the image and the visual in McGuckian’s poetics. The question of reading is brought up repeate

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Dissertations / Theses on the topic "Poets, Irish"

1

Sewell, Frankie. "Extending the Alhambra : four modern Irish poets." Thesis, University of Ulster, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267793.

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Docherty, Brian Francisco. "Situational ethnicity and younger poets of the Irish diaspora." Thesis, University of Surrey, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685078.

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Holmgren, Michele J. "Native muses and national poetry, nineteenth-century Irish-Canadian poets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28493.pdf.

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Martin, Seth M. "The Poetics of Return| Five Contemporary Irish Poets and America." Thesis, The University of North Carolina at Chapel Hill, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3562770.

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<p> A thematic study grounded in transnational and transatlantic studies of modern and postmodern literatures, this dissertation examines five contemporary Irish poets—John Montague, Padraic Fiacc, James Liddy, Seamus Heaney, and Eavan Boland—whose separation from Ireland in the United States has produced a distinct body of work that I call, "the poetics of return." As the biological heirs of the Civil War generation and the intellectual heirs of the Irish high modernists, these poets are some of the leading lights of the renaissance in Irish literary arts after midcentury. </p><p

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Kendall, Tim. "The importance of elsewhere in five contemporary Northern Irish poets." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386484.

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Goodby, John. "Inner emigres : a study of seven Irish poets (1955-85)." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364516.

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Winterson, Kieron. "'England may keep faith' : two Irish women poets and the Great War." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494165.

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With the outbreak of the Great War and the consequent suspension of the third Home Rule bill, the ideological conflict in Ireland which had threatened to turn into armed confrontation was in part transposed to the battlefields of northern France. That ideological conflict can conveniently be broken down into three separate lines of thought: Unionism, Home Rule, and separatism. None of this was new: Irish political history from Grattan's Parliament onwards is the story of the evolution of those forces which were to come to a climax in the years following the introduction of the 1912 Home Rule b

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Clougherty, Robert James. "The historiography of three Irish poets W.B. Yeats, Seamus Heaney, and Richard Murphy /." Access abstract and link to full text, 1991. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9123419.

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McMullen, Maram George. "Irish Women Poets of the Twentieth Century and Beyond| Voices from the Margin." Thesis, King Saud University (Saudi Arabia), 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576677.

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<p> This dissertation study explores the rise of Irish women poets of the twentieth century, in particular Eavan Boland from the southern Republic of Ireland and Medbh McGuckian from Northern Ireland. It investigates the birth of Irish Feminist Literary Theory and Irish Postcolonial Literary Theory and uses these two theories to analyze the poetry found therein. This project shows that, unlike Irish women novelists and playwrights, Irish women poets were excluded from the Irish canon until poets such as Boland and McGuckian destabilized their once rigid national literary tradition and challeng

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Matthews, Steven. "'When centres cease to hold', 'locale' and 'utterance' in some modern British and Irish poets." Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.238683.

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Books on the topic "Poets, Irish"

1

Selina, Guinness, ed. The new Irish poets. Bloodaxe Books, 2004.

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1963-, Boran Pat, ed. Flowing, still: Irish poets on Irish poetry. Dedalus Press, 2009.

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1963-, Boran Pat, ed. Flowing, still: Irish poets on Irish poetry. Dedalus Press, 2009.

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Kruczkowska, Joanna. Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9.

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5

1952-, Dawe Gerald, ed. The New younger Irish poets. Blackstaff Press, 1991.

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6

Boland, Eavan. Three Irish poets: An anthology. Carcanet, 2003.

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Eavan, Boland, O'Malley Mary, and Meehan Paula, eds. Three Irish poets: An anthology. Carcanet, 2003.

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8

Seamus, Cashman, Clarke Alan 1976 ill, and Askin Corrina ill, eds. Something beginning with P: New poems from Irish poets. O'Brien Press, 2004.

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9

Brown, Terence. The life of W.B. Yeats: A critical biography. Gill & Macmillan, 1999.

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10

Heaney, Seamus. Seamus Heaney in conversation with Karl Miller. BTL, 2000.

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Book chapters on the topic "Poets, Irish"

1

Hanna, Adam. "Introduction: Politicised Houses and Poets." In Northern Irish Poetry and Domestic Space. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137493705_1.

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Kruczkowska, Joanna. "Island Visions: Derek Mahon’s Cyclades." In Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9_1.

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Kruczkowska, Joanna. "Mainland Hellas: Seamus Heaney’s Peloponnese and Delphi." In Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9_2.

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Kruczkowska, Joanna. "The Winding Road of Translation: Derek Mahon’s Versions of Cavafy." In Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9_3.

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Kruczkowska, Joanna. "Mediating the Canon: Seamus Heaney’s Versions of Cavafy." In Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9_4.

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Kruczkowska, Joanna. "Asphodels and Aspalathoi—Seferis, Heaney, Mahon: Politics and Landscape." In Irish Poets and Modern Greece. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58169-9_5.

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7

Russell, Richard Rankin. "Belfast Poets: Michael Longley, Derek Mahon, and Medbh McGuckian." In A Companion to Irish Literature. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch48.

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Theinová, Daniela. "Original in Translation: Poets Between Languages." In Limits and Languages in Contemporary Irish Women's Poetry. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55954-0_7.

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Dawe, Gerald. "An Absence of Influence: Three Modernist Poets." In Tradition and Influence in Anglo-Irish Poetry. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09470-7_8.

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Theinová, Daniela. "Revolutionary Laughter: Irish Poets Dismantling Old Icons and Shibboleths." In Limits and Languages in Contemporary Irish Women's Poetry. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55954-0_2.

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Conference papers on the topic "Poets, Irish"

1

Mgallad, Ali. "Leave the Hedgehog Alone! The Problem of Privacy in Paul Muldoon's Hedgehog." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.942.

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Paul Muldoon is an outstanding Irish poet. One of his poetry's characteristics can be coined as the 'intricate spontaneity,' which does the most that it does, inspires. This paper deals with the problem of privacy in his poem the Hedgehog. Privacy is an essential right that everyone must have. Its importance is huge as it relates to such areas as identity, sovereignty... etc. The paper is an attempt to follow the brush touches by which the poet draws the object of his painting, the hedgehog. It aims at observing the animal closely both externally as well as internally. In respect to the extern

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