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Journal articles on the topic 'Poets, Marathi'
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1
Parulekar, Rajani, Arun Kolatkar, P. S. Rege, Narayan Surve, Mangesh Padgaonkar, and Dilip Chitre. "Six Marathi Poets." World Literature Today 68, no. 2 (1994): 313. http://dx.doi.org/10.2307/40150158.
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Bajaj, Nikita. "Suppression to Assertion: A Critical Study of the Selected Poems of Namdeo Dhasal and N.D. Rajkumar." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 21. http://dx.doi.org/10.24113/ijellh.v7i11.10128.
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This research paper deals with Dalit poetry in reference to the two collections of poems, namely, A Current of Blood by Namdeo Dhasal and Give Us This Day a Feast of Flesh by N.D. Rajkumar. The selected poems from these collections are critically analysed with the objective of seeking for the picture of Dalits’ life as created by the poets in their poems as well as analysing the poems as the critique of the caste hierarchy. Dhasal who is one of the significant poets of Marathi Literature and Rajkumar who has contributed immensely to Tamil literature spew out their anger and vehemence to castigate the upper-classes of the Indian society which have always acted as the oppressors of the Dalit caste. The poems of these two poets become the voice of the caste which had been silenced for long and thus their poetry has led to assertion of Dalit identity in the mainstream society.
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Dr Ravindra D. Hajare. "Exploring New Aesthetics of Tribal Poetry with Reference to Korku, Pawari and Banjara Dialects." Creative Saplings 1, no. 8 (November 25, 2022): 22–43. http://dx.doi.org/10.56062/gtrs.2022.1.8.171.
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Gond, Korku, Bhill, Pardhan, Madia, Pawar, Santhali are some tribal communities settled in the hills and forest of India. Many of them are found spread in Maharshtra. The area called Gondwan has the largest number of Gond and Pardhan communities, and once they had their territory there. Similarly, the Korku tribe is settled in the Melghat area of Vidarbha and Pawari in the western region of the Sahyadri. During the course of time, they lost their script, but they were able to preserve their dialects and culture, which is rich and erotic. They sing several folk songs at the festivities and cultural gatherings. Now, due to the spread of education and facilities, many talented poets and writers from the communities have come forward and produced a lot of literature, particularly poetry. They used Marathi script for their poetic expressions. The poets like Ramgopal Bhilavekar in Korku dialect, Santosh Pawara in Pawari dialect and Dr. Veera Rathod in Banjara dialect are some of the important names whose poems in their respective dialects have been taken for the study.
This research article is an attempt to bring fore the tribal consciousness expressed by them and a serious and novel attempt to explore their aesthetics with some examples by translating them into English. Hopefully, it will provide an international platform for these tribal senses and sensibilities and bring before the developed world community the richness of rebellious thoughts and a beautiful cadence of content essential in their short but simple compositions.
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Colombo, Stefano. "Silent Poetry: The Disputation on the Immaculate Conception by Carlo Maratti, Revisited." Zeitschrift für Kunstgeschichte 85, no. 2 (June 1, 2022): 152–80. http://dx.doi.org/10.1515/zkg-2022-2003.
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Abstract This paper re-examines the Disputation on the Immaculate Conception by Carlo Maratti (1686) and its reception in hitherto understudied poems which were first published in 1686 and 1687. Although the poems are chiefly celebratory and refer to the tradition of encomiastic pictorial description, this essay demonstrates how they help us understand the beholder’s engagement with Baroque art. It first analyzes the poems as both encomiastic speech and ekphrastic poetry to explain how epideictic description persuasively moves readers to venerate the Virgin, thus rekindling the cult of the Immaculate Conception. Subsequently, a comparative reading of the poems and the painting demonstrates how art and literature mutually informed each other to create new aesthetic and intellectual values. A detailed comparison between visual and verbal languages will therefore offer a new interpretative framework to reassess the painting, the poems, and their public.
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S, Jesintha, and Chitra A. "Bhagavatamela during the Maratha Period of Tanjore." International Research Journal of Tamil 3, no. 3 (July 15, 2021): 60–67. http://dx.doi.org/10.34256/irjt2138.
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Our Tamil land has a rich history of art and culture. The popularly known ‘Muthamizh’ namely ‘Iyal’ – text or poetry, ‘Isai’ – music and ‘Nadagam’ – theatre has undergone various changes over a period of time due to various social and political factors in the society. Nevertheless, there are few art forms which follow the tradition with its original flavour. One such is the ‘Bhagavata Mela Nadakam’ which is an art form systemized during the Marata’s empire. This research work talks about it in detail. Marata’s period (17th to 19th century AD) is believed to be the glorious period for many art forms. During this period Bhagavata Mela gained its popularity with the patronage of the kings. With the support of literary evidences this research work aims at a detailed study of the patronage extended by the kings and about the growth of Bhagavata Mela and how it was systemized. Marata period plays a very important role for the growth of ‘Bhagavata Mela’. This work gives a detailed study on the systematic approach followed in Bhagavata Mela. An authority supervised the performing artist. There were certain rules to be strictly followed by the artist. They were honored with various titles and gifts, even with pieces of land sometimes. The Bhagavata Mela artists were also appointed as poets in King’s court during the Marata period. There are more such interesting facts. This research deals with the complete study of the evolution and growth of the Bhavata Mela during the Marata period including such interesting information.
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Halimi, Ahmad Jawid. "A Study of Nezami’s Haft Paykar and Its Counterparts in Dari Literature." International Journal for Research in Applied Sciences and Biotechnology 9, no. 1 (February 6, 2022): 112–17. http://dx.doi.org/10.31033/ijrasb.9.1.13.
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Nezami Ganjavi, one of the greatest romantic poets in Persian literature was born in 1141 in Ganja, modern – day Azerbaijan and lived at a time of intense intellectual activity. Since he was not a court poet, his name does not appear in the records of the dynasties. A prominent poet acquainted with Arabic and Persian literature, he was also learned in mathematics, astronomy, medicine, botany and the Quran. Nezami was one of the biggest Persian poets and the Haft Paykar perhaps his greatest work that translated twice before into English during the 20th century.
In this article, with a brief reference to the Haft Paykar of Nezami, and its counterparts are introduced, which have been made by imitating, following and adapting from it. In addition to identifying the Haft Paykar idols, the stories of each idol will also be discussed and analyzed. The purpose, product and result of this research work is; the study of Nezami’s academic life and explanation of the Haft Paykar with its details, such as (Hasht Golgasht, Haft Akhtar, Haft Paykar, Haft Keshwar, Haft Delbar, Noh Manzar, Haft Aurang Maraghi, Haft Orang Jamali, Hasht Behesht, Haft Manzar, Haft Naghsh, Asmane Hashtom, Haft Akhtar, Reshtaye Gawhar), in the area of Persian language and literature; which has added to the richness of this scientific article.
Purpose of research: Brief introduction of Haft Paykar Nezami Ganjavi and description of its peers in the field of Dari – Persian language and literature, with their modal and examples in details.
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Srika, M. "A Critical Analysis on “Revolution 2020” - An Amalgam of Socio- Political Commercialization World Combined with Love Triangle." SMART MOVES JOURNAL IJELLH 7, no. 10 (October 31, 2019): 6. http://dx.doi.org/10.24113/ijellh.v7i10.10255.
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Literature is considered to be an art form or writing that have Artistic or Intellectual value. Literature is a group of works produced by oral and written form. Literature shows the style of Human Expression. The word literature was derived from the Latin root word ‘Litertura / Litteratura’ which means “Letter or Handwriting”. Literature is culturally relative defined. Literature can be grouped through their Languages, Historical Period, Origin, Genre and Subject. The kinds of literature are Poems, Novels, Drama, Short Story and Prose. Fiction and Non-Fiction are their major classification. Some types of literature are Greek literature, Latin literature, German literature, African literature, Spanish literature, French literature, Indian literature, Irish literature and surplus. In this vast division, the researcher has picked out Indian English Literature. Indian literature is the literature used in Indian Subcontinent. The earliest Indian literary works were transmitted orally. The Sanskrit oral literature begins with the gatherings of sacred hymns called ‘Rig Veda’ in the period between 1500 - 1200 B.C. The classical Sanskrit literature was developed slowly in the earlier centuries of the first millennium. Kannada appeared in 9th century and Telugu in 11th century. Then, Marathi, Odiya and Bengali literatures appeared later. In the early 20th century, Hindi, Persian and Urdu literature begins to appear.
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Mandavkar, Veera. "मराठेतर संतकवींची कामगिरी (Performance of Non-Marathi Saint Poets)." SSRN Electronic Journal, 2021. http://dx.doi.org/10.2139/ssrn.3994139.
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Glushkova, Irina. "Janabai and Gangakhed of Das Ganu: Towards ethnic unity and religious cohesion in a time of transition." Indian Economic & Social History Review, September 8, 2021, 001946462110411. http://dx.doi.org/10.1177/00194646211041156.
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The Varkari tradition of the Marathi-language area of Western India is characterised by devotion to the god Vitthal of Pandharpur as well as the medieval saint-poets who praised him in songs and longed for his company. Modern narratives present Janabai, a poetess who lived presumably during the thirteenth to fourteenth centuries, as one of the Varkari saint-poets. Her rise to fame started in the last decade of the nineteenth century, and by the 1920s, although of obscure origin, she had been geographically pinned to Gangakhed on the Godavari River. The association with this tiny settlement in Marathwada was established by the famous Das Ganu, an itinerant minstrel and preacher. Janabai’s own celebrity reached its peak by the 1960s, when a sign of sanctity in the form of symbolic sandals was installed at the site which went on to become her temple in Gangakhed. In 1975 a new procession, that of Saint Janabai, was added to the list of more than 100 processions travelling at the same time each year to Pandharpur. This article looks into the process of nationalist ‘awakening’ and the manner in which fostering bonds of ethnic unity and religious cohesion have been essential for shaping shared identity. The Varkari tradition and its poets, including Janabai, became the main tools for the creation of a Marathi-language cultural environment and for the domestication of the terrain by and through the power of comprehensible Hindu symbols.
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"Marathi Poem Classification using Machine Learning." International Journal of Recent Technology and Engineering 8, no. 2 (July 30, 2019): 2723–27. http://dx.doi.org/10.35940/ijrte.b1761.078219.
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Poem a piece of writing in which the expression of feelings and ideas is given intensity by particular attention to diction (sometimes involving rhyme), rhythm, and imagery. It is used for showing different views. Every poet writes a poem with a different intention and different views. In the proposed system we have classified the poem according to its sentiments by using words of different categories. Machine learning algorithm SVM classifier is used for differencing the class of the poem. This system also enables the user to search the poem based on the poet name and poet type. For 341 poems of five categories 'Friend', 'Prem', 'Bhakti', 'Prerna' and 'Desh' accuracy achieved is 93.54%.
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Patel, Kavita. "ARUN KOLATKAR’S SCEPTICISM IN JEJURI." Towards Excellence, September 30, 2021, 687–92. http://dx.doi.org/10.37867/te130354.
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Arun Kolatkar has secured a prominent place in the Indian English Poetry. Kolatkar, born in Maharashtra, is considered to be a chief bi-lingual poet. He has penned down several works in the Marathi language and has also translated many works from Marathi to English. The works of Arun Kolatkar are abundant with scepticism. He satirises religious practices. His attacks on blind faith are apparent in his works. The poems in Jejuri run between The Bus and The Railway Station. In his poems, he majorly speaks of temple of God Khandoba, one of the forms of Lord Shiva - the supreme power of the universe, pilgrimages, bus-stop, and the priests. The faith of the mass swarming up to the temple of lord Khandoba is rich in itself. Jejuri is a revered temple in the Pune district of the Indian state of Maharashtra. It has its religious and cultural significance as the temple is of lord Shiva, Khandoba. Jejuri presents that irrespective of any caste and community, all the people worship God Khandoba with a faith that they will be blesses by the God. On the other hand, being the modern man, the poet also expresses his disbelief in several customs and satirises the priest who is more worried about his materialistic needs.
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Kuduchkar, Indrayani R. "A Glass of Time by Tejaswini Patil: A Study of Major Themes." Creative Saplings, April 15, 2022, 1–8. http://dx.doi.org/10.56062/gtrs.2022.1.1.1.
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A Glass of Time is a volume of poetry by Dr. Tejaswini Patil, an established poet in English, Hindi and Marathi, having four volumes of poetry to her name. In A Glass of Time, she takes her readers to the inner psychological journey undertaken by her, unfolding various facets of her personality. Her theism, concern for nature, brooding over concepts like Culture and Humanity, deep faith in the power of Love, role of women in the development and enrichment of Life itself along with her deep roots in Indian culture and family system fascinate the readers. Her deep contemplation over life, relationships and humanity can be experienced through these poems. Along with thoughts, the poems are enriched with different stylistic and poetic devices.
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Zampieri, Marcos, Tharindu Ranasinghe, Mrinal Chaudhari, Saurabh Gaikwad, Prajwal Krishna, Mayuresh Nene, and Shrunali Paygude. "Predicting the type and target of offensive social media posts in Marathi." Social Network Analysis and Mining 12, no. 1 (July 9, 2022). http://dx.doi.org/10.1007/s13278-022-00906-8.
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Vinai, Maya. "“We live and love on a fissure”: an Interview with author Jerry Pinto." Writers in Conversation 6, no. 1 (February 3, 2019). http://dx.doi.org/10.22356/wic.v6i1.38.
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Jerry Pinto is one of India’s most prominent names in literature; equally appropriated and applauded by staunch critics and connoisseurs. Apart from being an author, he has worked as a journalist and as a faculty member in his native city of Mumbai. Apart from his fiction, non-fiction, poems and memoir, he has written books for children and has put together some very well-received anthologies. Jerry Pinto’s works have won him a plethora of accolades. His first novel, Em and the Big Hoom (2012) was awarded India’s highest honour from the Academy of Letters, the Sahitya Akademi, for a novel in English; the Windham-Campbell Prize supervised by the Beinecke Library, Yale, USA; the Hindu ‘Lit for Life’ Award, and the Crossword Award for fiction. Helen: the Life and Times of a Bollywood H-Bomb (2006) won the National Award for the Best Book on Cinema. His translations from Marathi of Mallika Amar Sheikh’s autobiography I Want to Destroy Myself was shortlisted for the Crossword Award for Fiction. Furthermore, his graphic novel in collaboration with Garima Gupta was shortlisted for the Crossword Award for Children’s Fiction. His translation of the Dalit writer Baburao Bagul’s When I Hid My Caste won the Fiction Prize at the Bangalore Literary Festival in 2018 and his novel Murder in Mahim (2017) won the Valley of Words Prize, and was shortlisted for the Crossword Award for Fiction and the Mumbai Academy of the Moving Image Prize.But there was a time when he feared rejection. In this interview Jerry Pinto touches on various issues, revealing the story of how he became a writer, a career option which wasn’t then recognised as a very reliable job prospect in India. He also discusses his social engagements and his connection with the city of his birth, Mumbai.
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G, Niranjana. "Review Article on A Fragmented Feminism: The Life and Letters of Anandibai Joshee By Meera Kosambi, Ram Ramaswamy, Madhavi Kolhatkar & Aban Mukherji." Rupkatha Journal on Interdisciplinary Studies in Humanities 12, no. 6 (December 30, 2020). http://dx.doi.org/10.21659/rupkatha.v12n6.26r.
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A Fragmented Feminism: The Life and Letters of Anandibai Joshee is the seminal work on social history about the first woman doctor of India, Anandibai Gopal Joshee written by the sociologist Meera Kosambi and Edited by Ram Ramaswamy, Madhavi Kolhatkar and Aban Mukherji. It provides insight into the psychosocial impacts of culture on Indian women through the life of Dr. Anandibai Gopal Joshee, India’s first women doctor. The author collected the letters written by Anandibai, newspaper reports on her, her poems in Marathi and rare photographs of her to craft the biography of her life. This book resembles an epistolary style in its narrative quality accompanied by annotations and explanations by the author and Editors. Anandibai, who was graduated in western medicine at America, lived during the nineteenth century pre-independence India where access to basic education was a distant dream. This book stands as a witness to practices of child marriage, physical and emotional abusement on women. (Kosambi, 19) ‘In childhood the mind is immature and the body undeveloped. And you know how I acted on these occasions. If I had left, you at that immature age, as you kept on suggesting, what would have happened? (And any number of girls have left their homes because of harassment from mothers-in-law and husbands). I did not do so because I was afraid that my ill-considered behaviour would tarnish my father’s honour… And I requested you not to spare me, but to kill me. In out society, for centuries there has been no legal barrier between husband and wives; and if it exists, it works against women! Such being the vase, I had no recourse but to allow you to hit me with chairs and bear it with equanimity. A Hindu woman has not right to utter a word or to advise her husband. On the contrary she has right to allow her husband to do what he wishes and to keep quiet.’
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Casadio, Simona. "«I Will Eat You and Spit You Out»: A Reading of the ‘Lesbian Machine’ in Dacia Maraini’s Lettere a Marina." altrelettere, December 31, 2020. http://dx.doi.org/10.5903/al_uzh-48.
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This article analyzes the «lesbian-machines» (Grosz 1995, 184) at work in Dacia Maraini’s novel Lettere a Marina (1981) and collection of poems Mangiami pure (1978). To this purpose, I engage with two conceptions of desire within the western philosophical tradition. Firstly, examining the development of the metaphor of cannibalism or ‘eros fagico’, I argue that Maraini avoids the ontologization of the notion of desire considered as a lack and thus disengages it from its historical association with the denigration of the female other. Secondly, conceiving desire as a force of production, relational and creative, I explore a particular use of metaphors in the novel which leads to bodily transformations or metamorphosis, without, however, reaching the subject’s imperceptibility through progressive identification. The co-presence and re-elaboration of two, apparently incompatible, theories of desire underline female same-sex desire’s potential to be thought and actualized as a lack and a production, its tendency to annihilate and being annihilated as well as its creative impulses. As a result, Dacia Maraini’s Lettere a Marina and Mangiami pure complicate and destabilize the fixity of representational categories, expanding discourses on lesbianism and lesbian desire. Indeed, the convolution of negative and positive dilates the domain of desire and multiplies its possibilities, carving out a «narrative space in which women might desire differently» (Ross 2015, 16), beyond the heterosexual norm and in diverse ways, who and how they please.