Relevant bibliographies by topics / Poets, Tamil

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  2. Books
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Poets, Tamil'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Poets, Tamil"

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M, Munees Moorthy. "'Ur (Town)' in the classical theory of Thinai: Based on Aingurunooru." International Research Journal of Tamil 4, S-13 (November 21, 2022): 137–43. http://dx.doi.org/10.34256/irjt224s1319.

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The land is the basis for the survival of life. Therefore, the ancient Tamil poets and the ancient Tamil grammarians gave more importance to the land in the functions of creation and grammar. It is worth noting here that in the three-subjects distinction between the ecological and moral symbolism of human life (the triad of the first, thematic, and the object), the land and time are the primary objects. The strategies adopted by classical Tamil poets to place internal and external emotions as poems are essentially very important and should be identified separately. In particular, the poets who have written the Agam songs have inculcated in their minds the idea of Thinai theory (land, time, natural resources, etc.). One of the classical books in Tamil is Aingurunooru. The poets who have composed the chapters in this book, which have been planned and recited in five categories, have also composed poems with the names of the towns. The poets have composed the poems with a good understanding of the Thinai. Poets have given a significant place to the land (the habitat) in the singing of nature. This character can be seen in Aingurunooru. We can also take this as a general theoretical concept for the Sangam Classical texts on the place name post, like Orupanai chothukku is oru choru padham (for the entire pot, it is enough to test the single grain for the desired level of cooking).
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R, Subbulakshmi. "The Tamil Poets Unknown to the Tamil World." International Research Journal of Tamil 4, no. 2 (April 27, 2022): 146–58. http://dx.doi.org/10.34256/irjt22219.

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The foreword to the article titled 'Tamil Poets Unknown to the Tamil World' features a song composed to illustrate the development of the Tamil language. Based on that song, there is a news item in the article which will be set up an introduction to list of poets who were missed their honour by Tamil world. There are four Tamil poets of the same name by the name of Narayanaswamy Naidu, who lived in different cities and wrote different texts. There is a reference to Damodaram Pillai under the title 'Sirukulam Damodaram Pillai' and songs attested by their books Sathurch Siladai Venpa and Sirukulam Vinayakaranthadi. There is a news item titled 'Thiruvenkatachari Puluvar' which was silenced by most of the giraffes. Sodasavadanam Subbarayasettiar is a book written by Meenakshi Sundaram Pillai and inspired by Purasa Attavadanam Sabapathy Mudaliar. The miraculous event that took place at the launch of the book “Mikurasu Malai” written by Saikualip Puluvar under the title Seikualip Puluvar has been compared to the miraculous event that took place when Meenakshiyammai Pillai Tamil written by Kumaragurupar was staged. There are brief messages in the title of the songs sung by the poets who expressed their devotion to God. There are songs sung in praise of the poets, as well as songs sung by the poets. Short notes on poets and names of books written by poets are given in brief descriptions of some of the poets that the Tamil world may have come to know. Explanations for specialty, yatsakanam, vasakappa, sattukkavi, avatanam, etc. are given where necessary. English numbers are used in this article as Tamil numbers cannot be used. The concluding remarks outline the comments that are said to be the final conclusion of the article.
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G Ganeson, Navin. "Highlights of Poet Kannadasan's Poems." Indian Journal of Tamil 4, no. 2 (May 10, 2023): 9–14. http://dx.doi.org/10.54392/ijot2322.

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Kannadasan, the king of all poets. He is living as a poet who has taken a noble place for himself in the ranks of poets who have left an indelible mark in literature. It is as if the Tamil mother had given all the knowledge of Tamil available to only one poet named Kannadasan, and his poems leave us in awe. The purpose of this article is to explore the highlights found in poet Kannadasan's poems. This study was carried out with a qualitative approach. This research has been carried out in a descriptive approach using books, and research articles suitable for library research. All information has been analyzed based on the objective of the study. The research data has been classified according to the purpose of the study and analyzed in the text analysis method. Aesthetics, simple style, the personality of the Tamil language, life philosophies, realism, screenplays, and poetry have been identified as the highlights found in poet Kannadasan's poems. Therefore, the highlights of poet Kannadasan's poems are evident in this article.
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S, Mallika, and Vibasri R. "Aesthetic Thoughts found in Natrinai." International Research Journal of Tamil 4, S-13 (November 21, 2022): 213–18. http://dx.doi.org/10.34256/irjt224s1330.

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Tamil is one of the classical languages with an ancient literary and grammatical tradition. Sangam literature is proof of the classical nature of the Tamil language. The Ettutthokai and Patthuppattu, which appeared during the Sangam age, are called the Pathinenmelkanakku. These depict the domestic and public lives of Sangam Tamils. Through Sangam literature, it is possible to know the lifestyle, culture, customs, etc. of the ancient Tamils. In Sangam literature, the sense of aesthetics is as mixed as flowers and fragrances. It is possible to know through the Sangam poems that the poets of the Sangam period had an abundance of aesthetic sense, which makes the mind of the learner happy in the way of composing the poem, expressing the feeling, and visualizing the concept. The purpose of this study is to explain the aesthetic thoughts contained in Natrinai, one of the Ettutthokai books.
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M. S, Jesintha Grace. "Political Satire in the Collection of Kaiyoppam." International Research Journal of Tamil 4, S-8 (July 20, 2022): 93–99. http://dx.doi.org/10.34256/irjt22s813.

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Poetry penetrates human minds and deepens the light of life. In poetry of this nature, poets use a variety of techniques to convey their thoughts to others. Since the satire in them first refers to a literary genre, then the strategy has become systematic. Poet Puviarasu often used this element in his poems and was one of the leading poets of the Vanambadi movement who inspired the development of modern poetry. Diverse, he expresses the misfortunes of today's society in a simple way through his poetry. In his poems, we can see his loud thinking, anger and determination to oppose the ruling class. One who embodies the political and social tragedies in his poems with an satire. Although the regime and power have threatened the people, Tamil poets and thinkers have never accepted the powers of the state as such. Tamil poets are those who think that governance is better only if there is a norm for politics. Political honesty and morality are like two sides of the same coin. But today he is not only pointing out the geopolitical politicians, who have witnessed aspiring leaders fighting for the chair in assembly and parliaments, but also pointing out their rhetoric, actions, powers, and political conduct in their poems and expressing the tone of satire. The purpose of this article is in his long poem, he satire all the possible actions that take place in political systems and powers.
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J, Shyamala. "Contemporary Tamil Poems: Gyno Critic Approach." International Research Journal of Tamil 4, S-14 (November 28, 2022): 1–14. http://dx.doi.org/10.34256/irjt224s141.

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This article analyses the evidence on Gender – based issues in contemporary Tamil poems written by female authors. The aim of this paper is to find out female centric experience through poems by applying Gyno – Criticism. Gyno – Criticism is the branch of Feminist Literary Theory and studies. This critical term was coined by the famous critic Elaine Showalter. She analyses four theoretical models that explore these differences: Biological, Linguistical, Psychological and Cultural. This study shows that many Tamil poets (Women) represent their experiences and women issues in their work. This study also conveys resistance of social and cultural constructions which make the whole women society become a subordinate group through the attitude and life of women in their poems.
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G, Nirmaladevi. "Social Issues by Tamil Women Poets in their Poems." International Research Journal of Tamil 4, S-18 (December 8, 2022): 112–20. http://dx.doi.org/10.34256/irjt224s1816.

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Poetry is aesthetic, both readers and listeners enjoy its style. Poetry always requires concept, emotion, imagination and form. Through poetry writer can touch people’s emotions. As the culture of the people changes from time to time, poetry also changes accordingly. These changes are always evaluated by the question whether the changes in poetry relates to the present changes that took place in society. Earlier writers had an opinion that poetic richness do not have anything to do with social sentiments and political leanings. First the Vanampaadi poets added about society and miseries happening in the society in their poems. Following this metaphor, simile, allusion and imageries are used in the poetry. Many ideas that have been buried due to various methods of evaluation are now beginning to emerge. Due to this, we are getting a lot of information. This article examines about the social issues that poets have sung in their poems.
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M, Kowsalya. "Sociological Thoughts in Pathupaatu." International Research Journal of Tamil 4, S-23 (December 10, 2022): 57–66. http://dx.doi.org/10.34256/irjt224s22239.

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Even after two thousand years, the lifestyle of the ancient Tamil people and social organization are being talked worldwide and it is because of the ancient Tamil literary texts. Literature is all about creating best ideas of society through words. So Tamil literature is an ark that records culture, tradition, about the social organization of Tamil people, the living conditions, nature, gift, virtue, valor, war, and the tradition of learning. Among them, the Sangam literary book Pathupaatu occupies a prominent place. The purpose of this study is to describe the social thoughts of the ancient Tamils through Pathupaatu. Religious status of Sangam Tamil people, poverty of poets, society based on wealth, professional society, virtues based on life, generosity and excellence in hospitality and character are well explained Pathupaatu.
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R, Jaisankar. "The Family Structure in Puranaanooru." International Research Journal of Tamil 4, S-17 (December 17, 2022): 143–49. http://dx.doi.org/10.34256/irjt224s1724.

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A closer examination of the ancient Tamil literature reveals that the ancient Tamils lived as an ethnic society and later became small kingdoms and empires and became sovereign societies. In this article, the family in the Sangam literature purananooru and their respective structural structures have been described by the poets Ponmudiyar, Oreruzhavar, Perungundroorkizhar, Pandian Arivudaiyanambi, Pandiya Nedunchezhiyan, Perunchithiranar, Kapilar, Paranar, and Arisilkizhar. Moreover, the above poets have pointed out the sense of duty of the family members in the progress of human life.
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N, Krishnaraj. "A Study of the Visionary Thoughts Expressed in Bharathi's Poems." International Research Journal of Tamil 4, S-11 (September 9, 2022): 98–103. http://dx.doi.org/10.34256/irjt224s1113.

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Bharathi was a poet who brought about a renaissance in Tamil literature in the twentieth century. Mahakavi Bharathi was a pioneer not only in literature but also for the betterment of society and the emergence of equality. At a time when traditional poetry was gaining influence, he began to see a change in Tamil literature with a new technique called modern poetry. Poets are naturally proud to be intellectual. In Bharathi, it was abundant. All creators are prophets. He is a divine seer. Not stuck in one field called creativity. Armed with the weapons of creation, he sowed freedom; raised awareness. The majority of poets write with the past and present in mind. Bharathi composed poems with visionary thoughts, considering the welfare of society and the country. This article is a study of the visionary thoughts recorded in his poems, such as women's education, women's rights, science, technological development, anti-superstition, social progress, etc.
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Books on the topic "Poets, Tamil"

1

Institute of Asian Studies (Madras, India), ed. On Tamil poems and poets: Essays and speeches. Chennai: Institute of Asian Studies, 2006.

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2

Cāminātaiyar, U. Vē. Pir̲kālap pulavarkaḷ. Cen̲n̲ai: Makāmakōpāttiyāya Ṭākṭar U. Vē. Cāminātaiyar Nūlnilaiyam, 1986.

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Caṇmukan̲ār, Cuntara. Pārati Tācaroṭu pala āṇṭukaḷ. Putuccēri: Putuvaip Paintamil̲p Patippakam, 1987.

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Reṭṭiyār, Na Cuppu. Nāvukkaracar. Madras: Venkatam Publication, 1986.

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Vicuvanātan̲, Cīn̲i. Makākavi Pārati varalār̲u. Cen̲n̲ai: Cīn̲i. Vicuvanātan̲, 1996.

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Piḷḷai, A. Catācivam. Pāvalar carittira tīpakam. New Delhi: Asian Educational Services, 1997.

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Jīvapārati. Kālamar̲intu kūviya cēval. Tañcāvūr: Snēkā Papḷikēṣan̲s, 1988.

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Vēlappan̲, Tē. Kavimaṇiyin̲ pan̲muka āḷumai. Nākarkōvil: Rōkin̲i Ējen̲sīs, 1997.

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Mutaliyār, Tā Vētācala. Auvaiyār carittiram. Cen̲n̲ai: Ṭ̄̄ākṭar U. Vē. Cā. Nūl Nilaiyam, 2006.

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Cuppiramaṇiyan̲, Ci. Veḷḷakāl Pa. Cuppiramaṇiya Mutaliyār. Putu Tilli: Cākittiya Akātemi, 2005.

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Book chapters on the topic "Poets, Tamil"

1

Prentiss, Karen Pechilis. "Defining a Community." In The Embodiment of Bhakti, 61–76. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0005.

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Abstract Many of the bhakti hymns suggest that there are three major components of good Tamil society: the presence of Siva, Tamils who meditate upon him, and the prosperity of the Tamil lands. The three are intimately related. Sometimes a hymn is thematically split: Half extols the beauty of Śiva, and half emphasizes the beauty of the Tamil lands. In these cases, the poets are suggesting that the power of Śiva and the productivity of the land are mutually related, as center to periphery. Śiva’s presence makes the land potent, and fertile land is an attractive home for Śiva. Between these two are the Tamil people, who meditate on Śiva and who live in and from the land. It was perhaps to facilitate people’s remembrance of Śiva that the mūvar sang in their mother tongue of Tamil.
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Clare, Jennifer, and David Shulman. "Folding Figures." In A Lasting Vision, 202—C4.P348. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197642924.003.0005.

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Abstract This chapter explores the complex, evolving role of Dandin’s Mirror in the story of Tamil literature. The chapter focuses on three key moments, beginning with a profound shift in thinking about literary language that occurred between the sixth and ninth centuries in Tamil. This transformation had no single point of origin, yet clearly resonated with the discussion of figuration found in the Mirror, itself a product of this South Indian literary milieu. By the twelfth century, the Mirror had emerged as the dominant model for Tamil scholarship on figuration, while Tamil poets continued to explore new figures that played with increasingly complex linguistic relationships. The chapter concludes with a set of sixteenth-century texts that integrated Dandin’s poetics with other Tamil poetic systems, reflecting a move toward synthesis characteristic of this later period. By revisiting the Mirror’s key role in Tamil literary culture, the chapter complicates the standard narrative of the relationship between Tamil and Sanskrit, as well as the relationship between the translocal and vernacular more generally.
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Prentiss, Karen Pechilis. "Images of Tamil Bhaktas." In The Embodiment of Bhakti, 92–114. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0007.

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Abstract The hymns’ insistence that Siva lives in Tamil towns, their praise of the rivers and fertility of Tamil country, and their context of pilgrimage all point to the significance of land in the poets’ vision. In a beautiful hymn, Appar transforms an agricultural scene into a message of bhakti. Was Tamil Śiva-bhakti a religious path primarily directed toward, or embraced by, peasant peoples? One influential scholar suggests that it was. Many scholars of south Indian history have undertaken important research on the allocation and production of land, particularly that of the fertile Kāvēri delta region, to obtain information on economic, social, and political developments in early medieval times. Among them, Burton Stein envisioned a specific role for bhakti in these developments, primarily by linking bhakti to the peasant population. In his widely influential book, Peasant State and Society in Medieval South India, Stein locates bhakti within the context of what he calls the “segmentary state,” a dynamic image of state formation in the context of competing groups. Although scholars have criticized his idea of the segmentary state on many issues, especially his depiction of the village, my interest here is specifically the way he locates bhakti in his model of the developing social and political order in early medieval south India.
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"The Trajectory of Tamil in Cinema." In The Oxford Handbook of Dravidian Languages, C25S1—C25N1. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197610411.013.25.

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Abstract This chapter focuses on the centrality of the Tamil language for populist mobilization through cinema by a political party, the Dravida Munnetra Kazhagam (DMK), in the 1950s. It traces the journey of Tamil in cinema from its initial entry as song in the multilingual ‘Tamil talkies’ of the 1930s, through a transition to spoken language and realistic dialogue in the 1940s, to the post-Independence era starting in 1949, and concludes with a discussion of post-millennial Dalit cinema. In the 1950s, the golden era of Tamil cinema, film was the vehicle for Dravidian ideology, challenging irrational and exploitative structures in society, politics, and religion. The protagonist often addressed the audience to disseminate the ideology of the writers and directors in provocatively relevant narrative sequences, using ornate and florid language that privileged alliteration. The Tamil language in cinema was enriched by eminent poets and writers who drew on both its long and rich classical tradition and contemporaneous public political discourse.
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Mani, Preetha. "The Literary Management of Multilingualism in Postcolonial India." In The Oxford Handbook of Modern Indian Literatures. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.22.

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Abstract This chapter explores a tension in postcolonial Indian literature between the monolingual form of the nation and the multilingual tendencies of the linguistic regions through a comparison between the Sahitya Akademi’s (India’s national academy of letters) activities and Tamil putukkavitai (new poetry) writing. By promoting translation and constructing a Sanskritic literary past, the Akademi used literature to manage multilingualism and make it compatible with the monolingualism intrinsic to the nation. Putukkavitai writing, by contrast, epitomizes the challenge of linguistic regionalism to national integration, offering a view of Indian multilingualism in less hierarchical terms than those expressed in Akademi discourses. To understand Tamil literature as Indian literature, the chapter proposes, requires taking the monolingual dimensions of the region into greater account. Tracing Tamil new poets’ engagement with new poetry in other Indian languages in the magazine Eḻuttu, the chapter argues that Indian multilingualism is built on shared experiences of linguistic alienation.
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"Preface." In Poets of the Tamil Anthologies: Ancient Poems of Love and War, vii—viii. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-001.

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"Introduction." In Poets of the Tamil Anthologies: Ancient Poems of Love and War, 1–16. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-002.

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"Aiñkuṟunūṟu." In Poets of the Tamil Anthologies: Ancient Poems of Love and War, 17–44. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-003.

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"Kuṟuntokai." In Poets of the Tamil Anthologies: Ancient Poems of Love and War, 45–88. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-004.

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"Naṟṟinai." In Poets of the Tamil Anthologies: Ancient Poems of Love and War, 89–106. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-005.

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Conference papers on the topic "Poets, Tamil"

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Gordeev, E. I. "Detecting near-tail current sheet formation using isotropic boundaries: lessons from global MHD." In Physics of Auroral Phenomena. FRC KSC RAS, 2020. http://dx.doi.org/10.37614/2588-0039.2020.43.002.

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A number of recent studies suggests an existence of magnetotail current sheet configurations with tailward Bz gradient during the growth phase of the substorm. Such configurations are especially interesting since they are potentially unstable for different types of instabilities and can lead to explosive reconfiguration of the magnetosphere. However, the observations are rare and ability to observe tailward gradients is very limited. Here we use the global MHD configuration with near-tail Bz minimum to investigate the regions with adiabatic and non-adiabatic behavior of energetic particles. Thus we estimate the locations of the isotropic boundaries for the modelled POES-type spacecraft flybys. We expect that the lessons learned from global MHD simulation may become helpful in exploration of non-monotonic tail current sheet configuration using observations on low-orbiting spacecraft.
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Donald A., Anschutz, Wildt Patrick J., Stribling K. Michelle, Craig Jim, Curimbaba Luiz R., Silva Pedro, and Abou-sayed Ibrahim S. "An Advanced Proppant Depositional Study with Post-Production Flow Evaluation in a 10' X 20', Transverse Fracture, Slot Flow Configuration." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206212-ms.

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Abstract While the shale revolution flourished prior to the pandemic, the increased supply bubble had already taken a toll on the profitability of horizontal wells with multiple transverse fractures. A significant shift previously occurred to reduce proppant costs by utilizing cheaper, smaller grained, lower strength, and broadly diverse grain sized sands. Due to the extremely low matrix permeability in active unconventional plays, the use of regional 40/70 and 100 mesh sands (50/140, 70/140, etc.) has become commonplace with adequate results. What remains is the need for enhanced conductivity near the wellbore to handle the radial flow convergence loss when the well is brought on-line. Research is being conducted to better understand how to efficiently increase near-wellbore conductivity using lead and tail-in stages with higher permeability (ceramic) proppant when frac sand is the majority of the material pumped into the well. A 10’x20’ Large Slot Flow (LSF) apparatus, equipped with multiple injection points, side-panel ports for leak-off and/or post-test injection, with the ability to be disassembled for sample analysis after testing, was utilized for this project. For this data, the inlet was moved to the centerline of the wall to allow for proppant and fluid to transport into an environment similar to a horizontal wellbore connecting with a transverse fracture. Various tests were conducted to study the depositional characteristics of lead and tail-in stages with ceramic proppant (15% BW-Lead, 5% BW-Tail) and a main stage of 100 mesh sand (80%). Three inlet positions were established in the lower, middle, and upper portion of the apparatus. Tests were recorded to visually capture the efficiency of placing the premium proppants near the wellbore for increased conductivity. A key addition to the study was the innovative, post-production analysis through the side-panel ports. Fluid was injected into the proppant pack to observe the effect of increased near-wellbore conductivity. To improve visibility, the fluid was colored with a fluorescent dye and observed under black lights. The injection front geometry was radial initially, but typically elongated toward the exit point after contacting the ceramic proppant. The amount of time and distance for the fluid to travel through the sand pack, as well as that for the fluid to reach the offtake point once the ceramic bed was reached, were monitored and recorded. The ratio of the velocities should represent a valid qualitative indication of the conductivity contrast of the two proppants. This paper will describe the unique experimental configuration, outline the testing program for both deposition and post-production assessments performed on the deposits, along with results that could provide better design practices leading to improved transverse fracture performance.
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G. Faal, Siamak, Fuchen Chen, Weijia Tao, Shadi T. Kalat, Payam Razavi, Vahideh Eshaghian, and Cagdas D. Onal. "Design, Fabrication, Experimental Analysis, and Test Flight of an Origami-Based Fixed-Wing Aerial Vehicle: µPlane." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-60477.

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This article covers details the design, fabrication, experimental analysis, and first flight tests of μPlane, an origami-inspired aerial vehicle. μPlane is a monoplane with a straight wing planform that has a wingspan of 580 millimeters and can reach a maximum linear velocity of 6.12 meters-per-second. The body of the μPlane is fabricated by folding a single, unified crease pattern which includes all the sections required to construct the wing, tail, fuselage, and connection ports for external components, such as actuators and batteries. The wing of the plane utilizes a cambered profile to generate the required lift force. An optimization problem is formulated to find a solution to the set of constraints that provides the desired camber form. To validate the proposed design, a 3D scan of the top surface of the wing is accrued using a high-resolution fringe projection system. Finally, the flight performance and stability of μPlane are tested in both indoor and outdoor environments.
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Schondel, J. Patrick, and Michael R. Robinson. "VECTOR Program Background and Plan." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-145.

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The U.S. Navy in cooperation with the Ministries of Defense of Germany and Sweden are initiating a 3-year demonstration program in 1998 to evaluate and define the benefits of thrust vectoring beyond those already understood for Close-in-Combat (CiC). The VECTOR (Vectoring ESTOL Control and Tailless Operational Research) program will capitalize on the X-31 airframe and a contractor team that includes Boeing, G.E., DASA, Volvo, and SAAB to demonstrate the following technologies: • AVEN® Nozzle - a G.E. designed vectoring nozzle applicable to the F404 family of engines • Extremely Short Takeoff and Landing (ESTOL) - employ thrust vectoring and precision control for poststall flight in approach to landing and during take off • Reduced Tail/Tailless - rely on thrust vectoring for primary aircraft stability and control • Advanced Air Data System (AADS) - flush air data ports or optical air data system integrated with the control system to handle the extensive angle-of-attack and sideslip envelope. The flight test activity will be conducted in the United States. However, technical development activities will be conducted in all three countries. Germany and Sweden will contribute technical expertise primarily related to flight control and propulsion system integration, respectively.
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Adewuya, Opeyemi, Mahmoud Alqurashi, Rommel Urbina-Arias, and Faisal Alodah. "Multidiscipline Well Construction Process Integrates Advanced Engineering Design and MSF Technologies to Deliver Arabian Gulf Trilateral Well." In Middle East Oil, Gas and Geosciences Show. SPE, 2023. http://dx.doi.org/10.2118/213406-ms.

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Abstract The use of multilateral well designs and architectures have progressed significantly since the introduction nearly three decades ago. It has become the de-facto approach for unlocking incremental production performance and increasing drainage density in sands and limestone reservoirs. The tri-lateral well featured in this paper is a TAML Level-2 design with each 6000 ft lateral geosteered and completed by running open-hole packers equipped with ball-activated frac-ports and sleeves on a non-cemented liner hanger system in the motherbore and drop-off systems in laterals-1 and 2. The pre-drill exercise encompassed technical considerations to determine from ---- reservoir type to well architecture, MSF technology, modelling for fracture stimulation effectiveness and well construction techniques --- to ensure success. Beyond established reservoir development strategies such as Maximum Reservoir Contact (MRC), the robustness and effectiveness of directed stimulation fluid to achieve frac stage deep acid stimulation at design pressures requires open-hole stage isolation technologies and devices that enable confirmation of completion of treatment operation. Additionally, working from bottoms-up, junction construction, debris management, securing well integrity during whipstock installation, window milling and whipstock retrieval are operational phases that pose significant challenge and risk to loss of well. The collaboration between Multilateral equipment design and engineering companies and Operators focus on simplifying junction construction, High frac pressure Open-hole packers as well as affirmative frac port open and close surface indicators. Innovative engineering solutions has produced advanced open-hole isolation and completion hardware and material science developments are offering path clean-up and unobstructed reservoir fluid flow after stage stimulation. The integration of the latest multilateral construction technologies and techniques for ensuring mission-critical objectives leverages a multidiscipline collaboration approach to ensure well delivery and reservoir performance. Critical success factors discussed in this paper are, 1. Tri-lateral wellbore construction and recovery of junction construction devices, 2. Running and setting lower completion string, 3. Operating stage isolation devices and effective stimulation of each stage guided by advanced frac-stimulation modelling analysis and 4. Unrestricted reservoir flow through lower completion flow control devices.
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