Relevant bibliographies by topics / Poets, Urdu

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poets, Urdu'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 March 2023

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Journal articles on the topic "Poets, Urdu"

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Nasir, Zayana. "Female Voice in Urdu Poetry." Orientalistica 4, no. 3 (2021): 758–67. http://dx.doi.org/10.31696/2618-7043-2021-4-3-758-767.

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This essay aims at understanding the development and struggles of a ‘female voice’ within Urdu poetic tradition through the writings of women poets of the Nineteenth century in contrast to the women poets of the twentieth-century feminist movement. The women in traditional Urdu poetry have remained a silent cruel beloved, the image offered is that of a ‘feckless beloved, endowed with heavenly beauty, reigned: fair to face, doe-eyed, dark hair, tall and willowy, a woman who vacillated from indifference, shyness and modesty to wanton cruelty. The essay is an attempt to understand the level of au
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Dr. Arshad Mohmood Malk and Hafiz Muhammad Saqib Niaz. "Role Of Meera Ji And Majeed Amjad In The Foundation Of Modern Urdu Poetry." Dareecha-e-Tahqeeq 3, no. 4 (2023): 22–29. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.79.

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Majeed Amjid and Meera Ji are pioneers of the modern school of poetry. Both are prominent and influential persons in the modern era of poems in Urdu literature. They have introduced new tech techniques and styles in the field of poems, which diverted ate the nation of new poets towards new thoughts and ideas in this field. Being modern iconic poets, they portrayed human nature and introduce new tones and unique styles of ambiguity to express outer and inner feelings. They are creative multiband i- directional and know all the ways to convey their feelings through modern urdu poems. We will exp
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Dr. Iram Saba and Dr. Fahmida Tabassum. "The Feminist Urdu Poem And Feminism After The Creation Of Pakistan." Dareecha-e-Tahqeeq 3, no. 3 (2023): 283–95. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.73.

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Urdu women poets are categorized as per the different strands of feminism and forms of women’ consciousness, the notion of sisterhood and the feminist methodology of consciousness raising in the poetry of women.Urdu poets have been explored. In Urdu Poetry here is countless prominent name (i.e Ada Jafri, Zahra Nigah, Sara Saghufta, Parveen Shakir, Fehmeda Riaz and Kishwar Naheed) among the female writers who are flag bearer of feminism and their poems offer a new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture.
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Dr Irum Saba and Dr Sanam Shakir. "CONTEMPORARY URDU POEM & CHAOS." Tasdiqتصدیق۔ 4, no. 2 (2022): 98–107. http://dx.doi.org/10.56276/tasdiq.v4i2.113.

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Problems and challenges of the modern era are the main sources to affect the human mind and soul. A poet is a sensitive person in society, he realizes, analyzes, and judges the issues of their era and these topics became a pivotal part of their poetry. Literature has a deep relation with society. The major expression found in Urdu poems is anger, grief, and distress over the devastation and destruction in Pakistan and all over the world, especially in the Islamic world. There is always a fear of 3rd world war which fills the mind with terror and a sense of insecurity that prevails around the g
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Muhammad Saeed Ahmad and Dr Saeed Ahmad. "Modern Urdu Poetry and Contemporary Requirements." Tasdiqتصدیق۔ 2, no. 1 (2020): 42–49. http://dx.doi.org/10.56276/tasdiq.v2i1.17.

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The contemporary needs, demands, and challenges and their impact on our modern poetry are very pertinent to mention here that contemporary consciousness is very necessary for modern poets and poetry. Challenges of the modern era and contemporary consciousness are the main sources to impress the mind and soul of the Creator and such literature plays a significant role in society. The poets realize, analyze and judge the surrounding issues of their era and discuss them in their poetry. Succinctly we can say that the contemporary demands and challenges have a deep impact on modern poetry.
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Tariq, Nida, Iqra Ijaz, Muhammad Kamran Malik, Zubair Malik, and Faisal Bukhari. "Identification of Urdu Ghazal Poets using SVM." Mehran University Research Journal of Engineering and Technology 38, no. 4 (2020): 935–44. http://dx.doi.org/10.22581/muet1982.1904.07.

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Urdu literature has a rich tradition of poetry, with many forms, one of which is Ghazal. Urdu poetry structures are mainly of Arabic origin. It has complex and different sentence structure compared to our daily language which makes it hard to classify. Our research is focused on the identification of poets if given with ghazals as input. Previously, no one has done this type of work. Two main factors which help categorize and classify a given text are the contents and writing style. Urdu poets like Mirza Ghalib, Mir Taqi Mir, Iqbal and many others have a different writing style and the topic o
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Vasilyeva, L. A. "“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad." Orientalistica 3, no. 5 (2020): 1437–49. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1437-1449.

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The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Azad identifies five major periods of Urdu poetry and briefly describes each of them. His work comprises biographical facts, characteristics, vivid word
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Muhammad Jahanzaib, Samina Ashraf, and Ghulam Fatima. "Awareness Level of Visually Impaired College Students about Urdu Poets and Poetry in Punjab: A Qualitative Inquiry." Journal of Business and Social Review in Emerging Economies 6, no. 3 (2020): 1151–55. http://dx.doi.org/10.26710/jbsee.v6i3.1380.

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Language has been the most popular source of communication in human society since the start of civilization. The tradition of Folk Tales appeared as the foundation of literature in ancient times. Poetry is a significant way of expression in human literature. Urdu language possesses uncountable master pieces of prose and poetry. Visually impaired persons have proved themselves as literature lovers, good readers and visionary poets in past and present. This study is an effort to depict the awareness level of visually impaired college students about Urdu poets and their creations. The population
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Dr Zafar Hussain Haral and Zaib-un-Nisa. "AN ANALYSIS OF TAZKARA HAZAR DASTAAN KNOWN AS KHUMKNANAE JAVEED BY LALA SRI RAM." Tasdiqتصدیق۔ 4, no. 2 (2023): 111–21. http://dx.doi.org/10.56276/tasdiq.v4i2.124.

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Tazkara is a type of biography in Urdu literature. In Tazkara the researcher compiles the data and events of the lives of poets and other literary personalities. Tazkara Hazar Dastaan known as Khumkhanae Javeed was gathered by Lala Sri Ram. This biography consists of Six volumes. There are 689 pages in Volume 1 and a list of 634 poets according to the Urdu alphabet ا تا بby poetic names included in it. Volume 2 consists of 751 pages with a list of 485 poets by poetic names according to پ تا ح. Volume 3 consists of 737 pages with a list of 534 poets by poetic names according to خ تا ز. Volume 4
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Dr Muhammad Mohsan. "THEMATIC SIMILARITIES BETWEEN IQBAL AND HIS CONTEMPORARY POETS." Tasdiqتصدیق۔ 4, no. 2 (2022): 127–38. http://dx.doi.org/10.56276/tasdiq.v4i2.110.

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Iqbal was a great poet of modern Urdu poetry and his contemporary poets directly accepted his influence. Iqbal's poems were published in Sir Abdul Qadir's magazine "Makhzn", so he gained fame very quickly. His contemporary poets started imitating his themes and styles when he became famous. In the beginning, Iqbal made the phenomena of nature the subject of his poems. His contemporary poets have also presented the beauty of nature in their poetry. Soon Iqbal changed his direction of thought and awakened the consciousness of the nation. When Iqbal started patriotic, national, and reformist poet
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Dissertations / Theses on the topic "Poets, Urdu"

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Lee, Christopher R. "Banaras, Urdu, poetry, poets (India)." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2002. http://wwwlib.umi.com/cr/syr/main.

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Books on the topic "Poets, Urdu"

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Yūnus, Aḥmar. Modern Urdu poets. Royal Book Co., 1995.

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Bhadarvāh ke numāʼindah Urdū shuʻrāʼ: Bhaderwa ke numainda Urdu shura = Bhaderwah ke numainda Urdu shura. Mīzān Pablisharz, 2011.

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Kamal, Daud. Four contemporary poets: English translation of Urdu poems. National Book Foundation, 1992.

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1935-1987, Kamal Daud, ed. Four contemporary poets: English translation of Urdu poems. National Book Foundation, 1992.

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1927-, Rahbar Daud, ред. Urdu letters of Mi̲rzā Asaduʼllāh K̲h̲ān G̲h̲ālib. State University of New York Press, 1987.

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Farrūk̲h̲ī, Aslam. Angan main sitarey. Shahrza, 2001.

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Badāyūnī, Shams. Ḥaqāʾiq o baṣāʾir. Shams Badāyūnī, 1986.

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Singh, Verma Rajinder, ed. Contemporary Urdu verse: Hundred masterpieces of eighty major Urdu poets. Atma Ram, 1989.

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1932-, Partau Rūhīlah, ed. G̲h̲ālib ke muntak̲h̲ab Fārsī maktūbāt: Urdu tarjamah. G̲h̲ālib Insṭīṭiyūṭ, 2006.

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1947-, Abbas Jafar, та Cultural Arts Foundation (Hyderabad, India), ред. Muraqqaʻ shuʻrāʼe Urdū. Cultural Arts Foundation, 2007.

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Book chapters on the topic "Poets, Urdu"

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Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_37.

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Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_37.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_26.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_26.

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Narang, Gopi Chand. "The Neoclassicists." In The Urdu Ghazal, translated by Surinder Deol. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0006.

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By the early twentieth century, Urdu literature had grown in variety and richness—it consisted of not only divans of ghazals but novels, dramas, historical accounts, biographies, and even books on medicine and astronomy. However, the ghazal as a genre had suffered a reversal, first by a movement by some British educationists aimed at promoting poems, and then by the loss of master poets like Dagh, Hali, and Shibli, without any replacement by the poets of the same caliber. Under such circumstances, it was left to poets like Hasrat Mohani, Akbar Allahabadi, Allama Iqbal, Chakbast, and Yagana to take up the ghazal’s banner. All of them helped in its vigorous restoration and revival with a captivating lyrical touch.
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Narang, Gopi Chand. "The Progressives." In The Urdu Ghazal, translated by Surinder Deol. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0007.

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Several Urdu poets drew their inspiration from revolutions in Russia and China and advocated similar transformation in India. The Progressive Writers’ Movement, established by Mulk Raj Anand and Sajjad Zaheer, held its first conference in 1936. The ghazal had been marginalized for quite some time due to a misconception by some progressives that the ghazal was anti-progressive. Thankfully, poets like Faiz Ahmed Faiz kept writing ghazals using love and Sufi phraseology with new revolutionary import. Faiz reframed concepts of love and beauty to be in tune with the needs of changing times. This chapter makes the point that literature and fine arts are social acts, and if creativity is impeded and freedom of the mind is compromised, poetry will lack freshness and spontaneity. Thus, in spite of the harsh criticism of some mistaken people, the ghazal reappeared in a decade or two and thrived together with the wave of rising social consciousness and revolutionary zeal.
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Narang, Gopi Chand. "The Modernists and the Postmodernists." In The Urdu Ghazal, translated by Surinder Deol. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0008.

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This chapter opens with a conceptual history of literary movements like modernism and postmodernism in Europe, and goes on to discuss the origins of these trends in Urdu literature, particularly Urdu poetry, about which much has not been written before. This chapter also contains samples of representative ghazal verses from a wide variety of modern and postmodern poets, including Javed Akhtar and Gulzar.
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"Chapter 1. BIOGRAPHIES OP PERSIAN AND URDU’ POETS." In A Catalogue of the Arabic, Persian and Hindustany Manuscripts, edited by A. Sprenger. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218980-002.

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Dudney, Arthur. "Building a Vernacular Culture on the Ruins of Persian?" In India in the Persian World of Letters. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192857415.003.0006.

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Modern scholars and critics have generally accepted the false premise that Indians started using Urdu more widely in the eighteenth century because Mughal politics were in a shambles and feckless nobles could no longer fund poetry in Persian, the language of cosmopolitan prestige, and nationalist pride meant they needed their own language (Hindi/Urdu/reḳhtah/khaṛī bolī) rather than the supposedly “foreign” Persian. The Urdu literary historical tradition credits Ārzū with having developed such a language ideology, but the relationship between the ideas addressed in Ārzū’s surviving works, which are nominally about Persian alone, and the Urdu tradition have not been developed in detail. This chapter considers how Ārzū’s mentorship of poets and ideas on language, particularly the “everyday” (rozmarrah) usage, influenced the vernacular literary tradition of Delhi and was a catalyst in building the consciousness of a pre-existing, dispersed community of language users across India.
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Razzack, Azra, and M. Atyab Siddiqui. "Celebrating a Legacy." In The School at Ajmeri Gate. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9788194831624.003.0006.

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Abstract Chapter V titled Celebrating a Legacy presents what can be considered to be the legacy of this school. Over the years the school has contributed in many ways but the three areas which stand out and are discussed in this chapter are—outstandingly the game of football, personalities associated with the institution, and the Urdu language. Interesting aspects of the affinity of the institution with the game of football and its magical heroes which have made a name at the highest level has been highlighted. Some of the well-known teachers, students, and Urdu poets affiliated with the school are mentioned. There is also a discussion on some of the prominent office bearers of the Delhi Education Society, under the aegis of which the school runs. The school’s contribution to the Urdu language too is discussed. Its legacy is enviable and unmatched.
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Conference papers on the topic "Poets, Urdu"

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Nabeel, Zahra, Maseeha Mehmood, Anees Baqir, and Anam Amjad. "Classifying Emotions in Roman Urdu Posts using Machine Learning." In 2021 Mohammad Ali Jinnah University International Conference on Computing (MAJICC). IEEE, 2021. http://dx.doi.org/10.1109/majicc53071.2021.9526273.

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Sohail, Muhammad, Azhar Imran, Hameed Ur Rehman, and Muhammad Salman. "Anti-Social Behavior Detection in Urdu Language Posts of Social Media." In 2020 3rd International Conference on Computing, Mathematics and Engineering Technologies (iCoMET). IEEE, 2020. http://dx.doi.org/10.1109/icomet48670.2020.9073857.

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