Academic literature on the topic 'Polanski'
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Journal articles on the topic "Polanski"
Tomczyk-Jarzyna, Izabela. "Polański i symulacje. Na marginesie tekstu Ewy Mazierskiej "Roman Polański (i inni) przed sądem"." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 607–14. http://dx.doi.org/10.21697/zk.2023.10.27.
Full textTosh, Jemma. "Celebrity ‘rape-rape’: An analysis of feminist and media definitions of sexual violence." Psychology of Women Section Review 18, no. 1 (2016): 27–42. http://dx.doi.org/10.53841/bpspow.2016.18.1.27.
Full textCzanik, Mark. "Mr Polanski." Wasafiri 25, no. 1 (March 2010): 59–61. http://dx.doi.org/10.1080/02690050903425524.
Full textCallan, Jamie. "Meeting Polanski." Baffler 6 (November 1994): 83–89. http://dx.doi.org/10.1162/bflr.1994.6.83.
Full textPiętka, Aleksandra. "Kat, ofiara i świadek w "Śmierci i dziewczynie" Romana Polańskiego." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 249–80. http://dx.doi.org/10.21697/zk.2023.10.13.
Full textPawłowska-Jądrzyk, Brygida. "Polański, Hitchcock i MacGuffin." Załącznik Kulturoznawczy, no. 9 (2022): 565–75. http://dx.doi.org/10.21697/zk.2022.9.28.
Full textCejtlin, Michel. "Le pianistede roman Polanski." Les Temps Modernes 657, no. 1 (2010): 260. http://dx.doi.org/10.3917/ltm.657.0260.
Full textChilstein, David, and Rémy Libchaber. "Retours sur l’affaire Polanski." Commentaire Numéro128, no. 4 (2009): 999. http://dx.doi.org/10.3917/comm.128.0999.
Full textEtkind, Charlene. "Roman Polanski Interviews (review)." Film & History: An Interdisciplinary Journal of Film and Television Studies 37, no. 1 (2007): 101. http://dx.doi.org/10.1353/flm.2007.0012.
Full textPieterse, Annel. "Polanski and perception: the psychology of seeing and the cinema of Roman Polanski." South African Theatre Journal 27, no. 2 (April 3, 2014): 151–55. http://dx.doi.org/10.1080/10137548.2014.901646.
Full textDissertations / Theses on the topic "Polanski"
Caputo, Davide. "Polanski and perception." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3183.
Full textCapozzi, Benedetta <1993>. "Macbeth on screen: Welles, Kurosawa, Polanski,Kurzel." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10743.
Full textGirling, Christine. "Auteurs of Macbeth : Akira Kurosawa, Orson Welles and Roman Polanski." Thesis, University of Birmingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633098.
Full textTylski, Alexandre. "Les génériques d'ouverture au cinéma : les longs-métrages de Roman Polanski." Toulouse 2, 2007. http://www.theses.fr/2007TOU20099.
Full textCan opening title sequences (re)present the audiovisual and thematic identity of a film and of a film maker ? Can we study the work of a movie maker (Roman Polanski) through the opening credits of his film ? To answer these questions, the first part of this thesis is divided into two main chapters : one chapter synthesizes the evolutions of film credits through the history pictures, the other chapter condenses diverse writings and definitions on the roles of credits in terms of sound, image, word and strucure. In the second part, a desciption of the main corpus (the opening title sequences of R. Polanski's seventeen feature-length films) leads to a synthesis of the audiovisual devices used in these main titles to serve the style of each film (through sound, images and editing), as well as an analysis on the themes revealed by the study of these film credits
RIBEIRO, Douglas Deó. "Os sujeitos e o mundo: Notas sobre a encenação no cinema de Roman Polanski." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/18082.
Full textMade available in DSpace on 2016-12-15T14:37:08Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) dissertação catalogação 2.pdf: 5341781 bytes, checksum: f9713e9d6e453efce7ed74f5bd1492f1 (MD5) Previous issue date: 2016-06-30
Este trabalho realiza um estudo estilístico da obra do cineasta franco-polonês Roman Polanski a partir de recorrências encontradas na encenação – e entendendo-se a encenação como a relação estabelecida entre corpos e espaços nas imagens de um filme. Partindo-se de uma análise que identifica a penetração do real na cena ficcional polanskiana, o estudo atravessa as questões presentes no posicionamento dos corpos no espaço até alcançar a encenação do próprio corpo enquanto matéria expressiva.
This paper makes a stylistic study of the oeuvre of the French-Polish filmmaker Roman Polanski from recurrences founded in staging – and understanding the staging as the relation between bodies and spaces in the images of a film. Starting with an analysis that identifies the penetration of reality in the Polanski’s scene, the study permeates the questions presents in the placement of the bodies in the space to reach the staging of the own body as an expressive subject.
Spooner, Kristin. ""This is not Dickens" fidelity, nostalgia, and adaption /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4608.
Full textThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (June 27, 2007) Includes bibliographical references.
Uutela, Robin. "”Alla dessa häxor” – En jämförande analys av Ira Levins Rosemarys Baby och Roman Polanskis filmatisering." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-73014.
Full textWearne, Olivia, and oliviawearne@hotmail com. "Crater Lake: A Study of the Monster Within." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20081209.160136.
Full textLagerkranser, Johanna. "Repulsion : Subjektivitet och frågor kring det sociala." Thesis, Stockholm University, Department of Cinema Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7031.
Full textThe scope of this investigation is the conditions under which readings of Repulsion (1965), and its depicted mental illness, took place in Sweden during the censorship debates in 1965, and also how the reception was related to narration and subjectivity in the film. The reason for this is the strong reactions to the images of the main character’s inner state, and concerns about negative effects in the public, that were raised. One major concern is how the film articulates discourses through which meanings are produced; that is, how it works as social technology. My thesis is therefore structured around two levels; textual analysis and discourse analysis. In this way, I try to locate meaning and power relations both within and outside the film. My work draws mostly on Edward Branigan’s cognitive theory of narration and Michel Foucault’s thoughts on power and knowledge. I have partly deployed the approach presented by Annette Kuhn, to study the relations of power that are put into play in specific instances. To draw any conclusions I have studied Swedish newspaper articles from 1965 and a summary of the discussion within the Board of Censors. The major findings of the investigation show how the struggles to locate and regulate the meaning of Repulsion ended in the questioning of the very practice of censorship, which even seemed to suggest a moment of transition for the Swedish Board of Censors. Another important finding shows that concerns about Swedish mental care were raised; however, only regarding hospitalisation and treatment of patients and not about underlying, deeper social problems
Rafiei, Masoomeh. "L'étude thématique du théâtre et du cinéma de Yasmina Reza." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA087.
Full textYasmina Reza, one of the most honored dramaturge artist internationally, does not hesitate to introduce her dramatic art on the cinematographic scene: in between the Romanesque forme and the dramatic one, the Yasmina Reza also experiments in the pictorial art. In the first instance, we have sought to focus this thesis on an analytic study of the Rezian theater to follow with her work of adaptation to the cinema. In her theatre plays, Yasmina Reza’s characters have often the same obsessions and often use the same language. Between tragedy and comedy, Reza’s dramaturgy weaves with monologue and dialogue to relate about everything and at times almost nothing. Time, space, the setting, often simple and neutral, daily objects, are used to compose the contemporary life in Reza’s plays. From this standpoint, Reza’s theatre plays are echoing with Iranian Kiarostami’s cinema.Beyond the presence of autobiographic elements and references to music in Reza’s plays, her writing is singles out specifically, alternating between silences, the not-said and the narrative, between the conversation and the dialogue. Yasmina Reza affirms enjoying using of mise en abyme in her theatre plays, thus she experiments her first movie as script writer and director of Chicas, an adaptation of Une pièce espagnole which uses many mises en abyme. Yazmina Reza continues writing with the script Le pique-nique de Lulu Kreutz directed by Didier Martiny, then with the writing of the script of Le dieu du carnage, in collaboration with Roman Polanski. In this thesis, we have attempted to study the adaptation of Reza’s plays to the cinema, their dramatization along with their characters who display their violence and anxiety in front of the screen
Books on the topic "Polanski"
Stefano, Francia di Celle, Polanski Roman, and Torino Film Festival (26th : 2007), eds. Roman Polanski. [Turin, Italy]: Torino Film Festival, 2008.
Find full textBook chapters on the topic "Polanski"
Jackson, Jeffrey E. "Oliver’s Auteurs: The Cases of Lean and Polanski." In Adaptation, Awards Culture, and the Value of Prestige, 97–113. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52854-0_6.
Full textReynolds, Bryan. "Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare." In Performing Transversally: Reimagining Shakespeare and the Critical Future, 111–35. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-10764-0_5.
Full textGrimm, Bruno. "Rosemary's Baby und Blue Velvet." In Ästhetische Eigenlogiken des europäischen Genrebildes, 339–56. Bielefeld, Germany: Bielefeld University Press / transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468982-013.
Full textRachman, Arnold Wm. "Celebrity privilege and sexual abuse: the case of Roman Polanski." In Psychoanalysis and Society's Neglect of the Sexual Abuse of Children, Youth and Adults, 237–43. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429298431-26.
Full textWächter, Lars. "Polanyi, Karl." In Ökonomen auf einen Blick, 415–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29069-6_55.
Full textMuukkonen, Martti. "Polanyi, Karl." In International Encyclopedia of Civil Society, 1–2. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99675-2_270-1.
Full textWigner, E. P., and R. A. Hodgkin. "Michael Polanyi." In Historical and Biographical Reflections and Syntheses, 156–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-07791-7_21.
Full textWächter, Lars. "Polanyi, Karl." In Ökonomen auf einen Blick, 315–19. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-14307-7_49.
Full textBendix, John. "Polanyi, Karl." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15781-1.
Full textHamenstädt, Ulrich. "Polanyi Twisted." In Theorien der Politischen Ökonomie im Film, 57–73. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-658-03949-3_4.
Full textConference papers on the topic "Polanski"
Tylski, Alexandre. "Étude des génériques dans l’œuvre cinématographique de Roman Polanski." In Le début et la fin. Roman, théâtre, B.D., cinéma. Fabula, 2007. http://dx.doi.org/10.58282/colloques.664.
Full textGdulova, Marketa. "FFLORIST AND VEGETATION SURVERY AT POLANKA?S PONDS." In 15th International Multidisciplinary Scientific GeoConference SGEM2015. Stef92 Technology, 2011. http://dx.doi.org/10.5593/sgem2015/b51/s20.047.
Full textGraebin, Rosani Elisabete, Janine Bertelli, Juliana Matte, and Ana Cristina Fachinelli. "Conhecimento Tácito: revisitando o conceito de Michael Polanyi." In Mostra de Iniciação Científica, Pós-graduação, Pesquisa e Extensão. Educs, 2016. http://dx.doi.org/10.18226/610001/mostraxvi.2016.68.
Full textSnyman, Bailey. "L.I.F.E.: Articulating an Embedded Choreographic Process." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35882.
Full textDutra, Catherine Chiappin, Cristiano Wagner Tesser Pavinato, and Roberto Clamer. "Conhecimento Tácito Desenvolvido por Polanyi (1958; 1966) Referenciado nos Estudos Nacionais Publicados nas Bases SciELO e SPELL." In Mostra de Iniciação Científica, Pós-graduação, Pesquisa e Extensão. Educs, 2017. http://dx.doi.org/10.18226/610001/mostraxvii.2017.50.
Full textLonergan, Hamish. "Explicitly Tacit: Polanyi’s “Tacit Knowledge” in the Architectural Theory of Charney and Rowe." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4003p7gqw.
Full textLu Chao and Hu Xiaoguang. "Conversion of Relative Humidity in SF6 Gas-Insulated Equipment at Different Temperatures Based on the Polanyi Adsorption Potential Theory." In 2006 IEEE Instrumentation and Measurement Technology. IEEE, 2006. http://dx.doi.org/10.1109/imtc.2006.328658.
Full textLu Chao. "Conversion of Relative Humidity in SF<inf>6</inf>Gas-Insulated Equipment at Different Temperatures Based on the Polanyi Adsorption Potential Theory." In 2006 IEEE Instrumentation and Measurement Technology. IEEE, 2006. http://dx.doi.org/10.1109/imtc.2006.235507.
Full textAksenov, Viktor, Igor Nosakov, Yulia Chemodanova, and Nikolay Shimin. "Dynamics of organizational culture and behavior of commercial enterprises personnel in modern Russia." In Human resource management within the framework of realisation of national development goals and strategic objectives. Dela Press Publishing House, 2022. http://dx.doi.org/10.56199/dpcsebm.mfor5668.
Full textSimion, Doina irina. "TEACHING VISUAL AIDS PRESENTATIONS TO ADVANCED E_ENGINEERING STUDENTS DEVELOPMENT VIA SELF-TEACHER MONITORING." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-149.
Full textReports on the topic "Polanski"
Rodrigues, João. Endogenous Preferences and Embeddedness: Implications for Economic Theory. A Reappraisal of Karl Polanyi. DINÂMIA'CET-IUL, 2002. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2002.27.
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