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Books on the topic 'Police subcultures'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Chen, Zheng. Measuring Police Subcultural Perceptions. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0096-6.

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2

Behr, Rafael. Cop culture, der Alltag des Gewaltmonopols: Männlichkeit, Handlungsmuster und Kultur in der Polizei. Opladen: Leske + Budrich, 2000.

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3

Subculture: The fragmentation of the social. London: Sage Publications, 2005.

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4

J. P. E. G. Smeets. Ver deeldheid en eenheid in het rijkspolitieapparat. Amsterdam: Boom, 2007.

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5

1965-, Terrill William, ed. Police culture: Adapting to the strains of the job. Durham, North Carolina: Carolina Academic Press, 2013.

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6

Krémer, Ferenc. A rendőri hatalom természete: Társadalmi szerep és foglalkozási kultúra. Budapest: Napvilág, 2003.

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7

Arvind, Verma, ed. Police mission: Challenges and responses. Lanham, Md: Scarecrow Press, 2003.

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8

Pęczak, Mirosław. Mały słownik subkultur młodzieżowch. Warszawa: Semper, 1992.

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9

Prejs, Bogdan. Bunt nie przemija: Bardzo podreczny slownik subkultur mlodziezowych. Katowice: Wydawnictwo "Slask", 2004.

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10

Prejs, Bogdan. Bunt nie przemija: Bardzo podręczny słownik subkultur młodzieżowych. Katowice: Śląsk, 2004.

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11

Dahniel, Rycko Amelza. Perilaku organisasi kepolisian. Yogyakarta: Pustaka Pelajar, 2014.

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12

Knowles, Roger. Broken cats and cowboy hats. London: Citron Press, 2000.

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13

Dudek, Sonja M. Diversity in Uniform?: Geschlecht und Migrationshintergrund in der Berliner Schutzpolizei. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009.

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14

Diversity in Uniform?: Geschlecht und Migrationshintergrund in der Berliner Schutzpolizei. Wiesbaden: VS Verlag für Sozialwissenschaften, 2009.

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15

Y, Bailey Frankie, and Floss Marty, eds. Stress in policing. Washington, D.C: American Psychological Association, 2002.

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16

L'e ́tat culturel: Une religion moderne. [Paris]: Éditions de Fallois, 1992.

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17

Fumaroli, Marc. L' Etat culturel: Une religion moderne. Paris: Editions de Fallois, 1991.

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18

Kunzelmann, Dieter. Leisten Sie keinen Widerstand!: Bilder aus meinem Leben. Berlin: Transit, 1998.

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19

Fumaroli, Marc. L' Etat culturel: Une religion moderne. Paris: Libraire générale française, 1992.

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20

Merle, Robert. La volte des vertugadins: Roman. Paris: Editions de Fallois, 1991.

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21

Magnet, Myron. Thed ream and the nightmare: The sixties' legacy to the underclass. New York: W. Morrow, 1993.

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22

Magnet, Myron. The dream and the nightmare: The sixties' legacy to the underclass. New York: W. Morrow, 1993.

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23

Danger, duty, and disillusion: The worldview of Los Angeles police officers. Prospect Heights, Ill: Waveland Press, 1999.

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24

Waites, Martyn. Candleland. London: Allison & Busby, 2000.

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25

Kajtoch, Wojciech. Świat prasy alternatywnej w zwierciadle jej słownictwa. Kraków: Wydawn. Uniwersytetu Jagiellońskiego, 1999.

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26

Alʹternativnoe dvizhenie v poiskakh alʹternativ. Moskva: "Myslʹ", 1988.

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27

Magnet, Myron. The dream and the nightmare: The sixties' legacy to the underclass. San Francisco: Encounter Books, 2000.

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28

Carver, Lisa. Drugs are nice. London: Snowbooks, 2006.

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29

Tropeles juveniles: Culturas e identidades (trans)fronterizas. Tijuana, B.C., México: El Colegio de la Frontera Norte, 2014.

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30

Knight, Deborah. Aesthetics and Cultural Studies. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0048.

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Cultural studies in its first and second phases was an avowedly political undertaking, clearly associated with the British New Left as well as with Marxist social and political philosophies. By the 1970s and 1980s, Birmingham-style cultural studies was producing work on subjects such as ideology, language, discourse and textuality, the role of police, youth subcultures, and audience response to popular and mass cultural texts. The third phase of cultural studies, roughly from the late 1980s to the present and especially in its ‘international’ tendencies, moves away from a commitment to Marxism — especially from a commitment to Marxist political economy — and focuses increasingly on what Douglas Kellner describes as a ‘postmodern problematic’ dealing with ‘pleasure, consumption, and the individual construction of identities’.

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31

Chen, Zheng. Measuring Police Subcultural Perceptions: A Study of Frontline Police Officers in China. Springer, 2016.

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32

(Editor), Stacy K. McGoldrick, and Andrea McArdle (Editor), eds. Uniform Behavior: Police Localism and National Politics. Palgrave Macmillan, 2006.

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33

Jenks, Chris. Subculture: The Fragmentation of the Social. Sage Publications Ltd, 2004.

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34

Jenks, Chris. Subculture: The Fragmentation of the Social. Sage Publications Ltd, 2004.

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35

Rethinking Police Culture: Officers' Occupational Attitudes (Criminal Justice Recent Scholarship). LFB Scholarly Publishing, 2001.

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36

Controversies in Policing. LexisNexis; Anderson, 2004.

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37

Thurman, Quint, and Andrew Giacomazzi. Controversies in Policing. Taylor & Francis Group, 2016.

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38

Slobin, Mark. Local Traffic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882082.003.0004.

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This chapter surveys the “neighborhood” music of Detroit’s many subcultures in a city based on massive migration for auto industry work: European immigrants (including Polish, Armenian, Greek, Croatian, and others); southern white immigrants, with a focus on country music; and African Americans from the South, bringing jazz, blues, church, and other community musical expressions. Details include the networks and institutions each community built in Detroit, with regional and national connections.

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39

Kruszewski, Zbigniew. May Sownik Subkultur Modziezowych: Na Czatach I W Oazie. Wydawn. Rhetos, 2004.

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40

Stress in Policing. American Psychological Association (APA), 2002.

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41

Fumaroli, Marc. L Etat Culturel. Livre de Poche, 1998.

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42

The dream and the nightmare: The sixties' legacy to the underclass. Quill, 1994.

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43

Magnet, Myron. The Dream and the Nightmare: The Sixties' Legacy to the Underclass. Encounter Books, 2000.

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44

Lombardo, Robert M. The Outfit. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037306.003.0007.

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This chapter examines the activities of organized crime in Chicago after 1950, with particular emphasis on the Chicago Outfit. It begins with a discussion of the Outfit's takeover of all illegal gambling in Chicago as well as its connection with Chicago mayor Ed Kelly and the political protection given to vice activities in Chicago. It then considers the often confusing relationship between the Outfit and narcotic trafficking, along with the role that African Americans played in Outfit activities, including policy gambling and the distribution of heroin in the black community. It also reviews the history of the West Side Bloc, a group of elected public officials who supported the efforts of organized crime in Chicago, and how it contributed to the rise of racket subcultures in Chicago's “street crew” neighborhoods. The chapter concludes with an assessment of government efforts against organized crime, noting that one of the reasons for the existence of organized crime was the failure of local municipalities and the national government to take effective enforcement action against it.

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45

Ilan, Jonathan, and Gregory J. Snyder. Graffiti. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935383.013.144.

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Graffiti writing is often intensely policed despite being a relatively low-harm crime. Graffiti can be read by members of the public as a visual indicator of lawlessness and thus induce a certain amount of alarm. While there are a range of different kinds of graffiti, the most ubiquitous is that practiced by subcultural “writers.” Research indicates that there is an order and logic to writing. Writers often cultivate skills, experiences, and dispositions that imbue them with particular value in the postindustrial economy, offering them heightened career prospects. Graffiti and street art are increasingly featured as part of mainstream commercial aesthetics, even as unsanctioned writing continues to be met with zero-tolerance policing and tough situational crime prevention measures. Ultimately, writing can be managed in a more subculturally sensitive manner that better balances the needs and visions of different kinds of urban residents in local contexts.

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46

Waites, Martyn. Candleland. MysteriousPress.com, 2011.

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47

Candleland. Ulverscroft Large Print, 2004.

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48

Candleland. Ulverscroft Large Print, 2004.

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49

Patton, Raymond A. Thatcher, Reagan, Jaruzelski. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872359.003.0006.

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This chapter examines punk’s intertwined relationship with the rise of neoconservative/neoliberal politics amid the regimes of US president Ronald Reagan, UK prime minister Margaret Thatcher, and martial law Poland under first secretary of the Communist Party General Wojciech Jaruzelski. In each country, punk was intertwined with a shift from a Cold War political framework toward neoliberalism and an increasingly culturally based political alignment. Examining Oi! and 2 Tone in the United Kingdom, and straightedge, hardcore, and the punks around the ’zine Maximum Rocknroll in the United States, it shows how punk scenes around the world became entangled in these shifts and found themselves fracturing along the newly relevant political categories. In Eastern Europe, market reforms and efforts to revive the Polish economy and cultural sphere exacerbated tensions between subcultural capital and actual capital, creating analogous divisions within its punk scenes.

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50

McIntyre, Iain, Peter Doyle, and Andrew Nette. Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 To 1980. PM Press, 2017.

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