Relevant bibliographies by topics / Polidori, Robert

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Academic literature on the topic 'Polidori, Robert'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Polidori, Robert"

1

Polidori, Robert. "Fotografias." Em Tese 21, no. 1 (2015): 240. http://dx.doi.org/10.17851/1982-0739.21.1.240-247.

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2

Johnson, James. "Aggregates Unseen: Imagining Post-Katrina New Orleans." Perspectives on Politics 10, no. 3 (2012): 659–68. http://dx.doi.org/10.1017/s1537592712001673.

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Photography, understood as a technology for amplifying imagination, affords a useful tool for coming to terms with the massive forced migration caused by the Katrina catastrophe. Specifically, photographic projects by Robert Polidori and Richard Misrach reveal the exigencies of communicating in the wake of the disaster.
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Churner, Rachel, Malcolm Turvey, Giuliana Bruno, et al. "Annette Michelson Remembered." October 169 (August 2019): 105–63. http://dx.doi.org/10.1162/octo_a_00362.

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Nineteen scholars, writers, and friends remember Annette Michelson (1922–2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte.
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Woolf, Jonathan. "The thickness of paint." Architectural Research Quarterly 13, no. 3-4 (2009): 332–34. http://dx.doi.org/10.1017/s1359135510000205.

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A photograph by Robert Polidori, of a room within the city of Petra, shows a pristine cubic volume hewn out of the rock. The nature of the stone reveals different textural and figural qualities of the material when it becomes a floor, a wall or a ceiling. There is no need to ‘put’ the building together, to assemble it, because it is already exists. This, then, is the fantasy of the architect, to sculpt from a single substance that is both structure and surface, with the only remaining questions pertaining to shape and smoothness.
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5

Gaspar, Rafael Fontes. "A ruína na cidade através da literatura e da fotografia." Scripta 22, no. 46 (2018): 135–48. http://dx.doi.org/10.5752/p.2358-3428.2018v22n46p135-148.

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Este artigo analisa o processo de modernização do espaço urbano através de uma leitura de textos literários que apresentam a cidade como um cenário em ruínas. São incluídas fotografias de ruínas urbanas para compor junto à literatura, reflexões sobre o processo de degradação da paisagem citadina. Como modo de compreender a relação da experiência do sujeito na cidade, deve-se refletir sobre a destruição da memória de construções abandonadas, como as ruínas habitadas em Havana, descritas no conto Uma arte de fazer ruínas de Antonio José Ponte. Além disso, outras descrições literárias também cont
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6

Fraga, Mari. "Arte/Desastre." arte e ensaios, no. 34 (December 18, 2017). http://dx.doi.org/10.37235/ae.n34.14501.

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Um olhar sobre os desastres naturais/artificiais a partir dos trabalhos de Alice Miceli, Robert Polidori e Werner Herzog. O texto reflete sobre o uso da imagem técnica como documento e expressão, e a arte como provocadora de vulnerabilidades, à luz do pensamento de André Rouillé, Georges Didi-Huberman, Maurice Blanchot e Suely Rolnik.
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7

Giblett, Rod. "New Orleans: A Disaster Waiting to Happen?" M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.588.

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IntroductionNew Orleans is one of a number of infamous swamp cities—cities built in swamps, near them or on land “reclaimed” from them, such as London, Paris, Venice, Boston, Chicago, Washington, Petersburg, and Perth. New Orleans seemed to be winning the battle against the swamps until Hurricane Katrina of 2005, or at least participating in an uneasy truce between its unviable location and the forces of the weather to the point that the former was forgotten until the latter intruded as a stark reminder of its history and geography. Around the name “Katrina” a whole series of events and images
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8

Almila, Anna-Mari. "Fabricating Effervescence." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2741.

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Introduction In November 2020, upon learning that the company’s Covid-19 vaccine trial had been successful, the head of Pfizer’s Vaccine Research and Development, Kathrin Jansen, celebrated with champagne – “some really good stuff” (Cohen). Bubbles seem to go naturally with celebration, and champagne is fundamentally associated with bubbles. Yet, until the late-seventeenth century, champagne was a still wine, and it only reached the familiar levels of bubbliness in the late-nineteenth century (Harding). During this period and on into the early twentieth century, “champagne” was in many ways cr
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Books on the topic "Polidori, Robert"

1

C, Pedersen Martin, and Lappin Criswell, eds. Robert Polidori's Metropolis. Metropolis Books, 2004.

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2

Robert Polidori: Havana. Steidl, 2001.

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3

Robert Polidori: Topographical Histories. Steidl, 2019.

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4

Robert Polidori (Fotografie: Portfolio). Te Neues Publishing Company, 2006.

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5

Robert Polidori - Selected Works. Steidl Druckerei und Verlag, Gerhard, 2014.

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Robert Polidori - Hotel Petra. Steidl Druckerei und Verlag, Gerhard, 2017.

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Robert Polidori - 60-Feet Road. Steidl Druckerei und Verlag, Gerhard, 2017.

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8

Polidori, Robert. Robert Polidori: After the Flood. Steidl, 2006.

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9

Polidori, Robert. Robert Polidori: Zones of Exclusion: Pripyat and Chernobyl. Steidl/Pace/MacGill Gallery, 2003.

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10

Polidori, Robert, Martin C. Pedersen, and Criswell Lappin. Robert Polidori's Metropolis. Metropolis Books, 2004.

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Book chapters on the topic "Polidori, Robert"

1

Orvell, Miles. "Picturing Climate Change: “It’s the Apocalypse”." In Empire of Ruins. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190491604.003.0008.

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Ecological awareness goes back at least to Henry David Thoreau in the mid-nineteenth century, but it is only in the late twentieth century that a broader awareness emerged, centering on the effects of a changing climate on the Earth’s surface. The cataclysmic terror of Hurricane Katrina was most vividly photographed by Robert Polidori, among a dozen other New Orleans photographers, and his work is examined in this chapter. A different approach is taken by John Ganis, who has concentrated on the coastal regions of the East and Gulf states and has provided the perspective of a long-range view. Both photographers reveal the fragility of material structures, in which the movement from order to chaos can create shocking images of our disrupted environment. Yet another perspective is taken in the work of James Balog, whose time-lapse photographs and movies have disclosed the melting of polar glaciers at a speed that has startled scientists, even while it has confirmed the worst fears of climate change and the ruins it entails. The chapter concludes with a consideration of the way two popular climate movies by Roland Emmerich have imagined climate disaster, and the ambiguities of such representations.
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