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Journal articles on the topic 'Polish journalist'
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1
Ćwirlej, Ryszard, Dariusz Brzostek, and Justyna Tuszyńska. "Czytanie (o) PRL-u. Z Ryszardem Ćwirlejem rozmawiają Justyna Tuszyńska i Dariusz Brzostek." Literatura Ludowa, no. 3 (December 23, 2021): 81–89. http://dx.doi.org/10.12775/ll.3.2021.007.
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Ryszard Ćwirlej: sociologist, journalist, and writer; former Polish Television reporter and editor-in-chief of the newscast Telekurier. A lecturer at the Faculty of Political Science and Journalism, Adam Mickiewicz University in Poznań. An author of numerous detective novels and an inventor of Polish “neo-militia literature”, a literary genre depicting the everyday life of the militiamen in the PRL (The Polish People’s Republic).
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Ólafs, Helga, and Anna Wojtyńska. "Icelandic chapter in the Polish book: a narrative perspective on Polish migration to Iceland." Wrocławski Rocznik Historii Mówionej 6 (October 30, 2016): 101–19. http://dx.doi.org/10.26774/wrhm.151.
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The paper presents a narrative perspective on Polish migration to Iceland based on one example of a woman, called Irena. Her biography served for an anthropological analysis used in biographical approach in social sciences with the assumption that the story of one life of a particular person can give some general knowledge – in this case about migration patterns and experiences. The story of Irena presented in this article is also an interesting example of the narrative journalism, since the biography is presented like a non-fiction essay, written by a journalist who accompanied Irena for several months during her stay in Iceland and was actually a part of her migration experience.
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Johansson, Elena, and Jacek Nożewski. "Polish and Swedish journalist-politician Twitter networks: Who are the gatekeepers?" Central European Journal of Communication 11, no. 2 (2018): 129–50. http://dx.doi.org/10.19195/1899-5101.11.2(21).2.
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The relationship between journalists and political sources takes different forms and extends from adversarial to advocating. Th e question which side ‘leads the tango’ has always been central to this approach. Since technological development has led to hybridization of themedia systems, the nature of communication has been reshaped in many ways. The emergence of social media has challenged the journalistic profession, especially journalists’ role as gatekeepers, but provided extra space for interaction with sources. Increasing professionalization of politics has reinforced the role of press secretaries/advisers. This is a comparative study of interaction among Polish and Swedish journalists, ministers, and press secretaries in Twitter provided by network analysis and three social network concepts as density, modularity, and centralization. In this analysis, a more influential position is conceptualized in terms of ‘communicative resources’ or ‘accumulated capacity’. Swedish journalists have more opportunities to act as gatekeepers or ‘key users’ in the Twitter network; in Poland, it is rather the political side.
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Borkowski, Igor. "Współczesny prasowy wywiad dziennikarski: techniki prowadzenia, opracowanie, publikacja." Wrocławski Rocznik Historii Mówionej 1 (October 30, 2011): 57–79. http://dx.doi.org/10.26774/wrhm.8.
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A journalist interview is a well established and described genre. In many journalism textbooks it is recognized as highly important, as interview technique is both the key to acquiring information by a journalist (from people), and a way of conducting and analysing a longer literary text in a form of a dialogue between a journalist and interviewed person. The presented text discusses interview techniques, leading to creating an extensive text that would cover many topics. Such an interview, intended for publication, takes a shape of a live question-answer conversation between a journalist and his or her interlocutor. Attention is drawn to the most important steps of interview preparation: choosing the subject and the interlocutor, arranging scenery of the meeting, conducting and recording the interview, editing and preparing the text for publishing (in the light of Polish law all this has to additionally be hedged around with the right of the interviewed person to authorise the interview). The article presents the most basic typology of interviews: for a person (when the conversation focuses on the speaking person) and for a cause (when the subject matter of the talk is a field in which the interviewed person is a specialist). The author underlines an effort that has to be made by the journalist in order to prepare for an interview – there is the necessity for detailed research, acquainting oneself with the topic to be discussed, very good knowledge of the subject close to the interviewed person’s heart. He emphasizes also an important and widely discussed issue of the journalist’s responsibility for the person with whom he or she talks, as well as requirements regarding a successful interview: respect, interest taken in the interlocutor, keeping certain distance and also – fundamental for this profession – the problem of working under pressure of time and some brevity and the need to apply schematic attitude and simplify the journalistic narrative. The whole text is illustrated with numerous quotations taken from professional press and workshop materials in which famous and renowned masters of the press interview talk about their professional experience. In this text there are also remarks on the way a journalist works on the material he or she has collected and acceptable interferences in somebody’s statement. Also, the author mentions the issue of authorisation, which is an infamous remnant of the censorship which constituted a part of press law made in 1984 and – in its principles – valid till this day.
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Olaszek, Jan. "Powstaniec, dziennikarz, opozycjonista. Szkic o Jerzym Zieleńskim." Wolność i Solidarność 11-12 (2020): 158–89. http://dx.doi.org/10.4467/10.4467/25434942ws.20.011.15015.
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W artykule zaprezentowana została droga życiowa dziennikarza Jerzego Zieleńskiego. Omówione zostały jego wojenne losy, postawa powojenna, relacje z komunistyczną policją polityczną, kariera dziennikarska i działalność opozycyjna. Artykuł wpisuje się debatę historiograficzną o ewolucji postaw wobec systemu komunistycznego inteligencji w czasach PRL. The article presents the life path of the journalist Jerzy Zieleński: his wartime experiences, post-war attitudes, relations with the communist political police, journalistic career and opposition activities. The article is a part of the historiographic debate on the evolution of attitudes of intelligentsia towards the communist system in the times of the Polish People’s Republic.
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Skalińska, Ewangelina. "Natalya Gorbanevskaya — a poetess, a journalist and an ‘honoris causa’ Pole." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2021): 123–28. http://dx.doi.org/10.20339/phs.5-21.123.
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The paper concerns samizdat and tamizdat publications of Natalya Gorbanevskaya on Polish issues. The focus has been put on her relations with Jerzy Giedroyc, the editor-in-chief of “Kultura”, and the role of Gorbanevskaya in contacts between “Kultura”, “Kontinent” and “Russkaya Mysl”.
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Lytvynov, Volodymyr, and Ruslana Mnojivska. "Stanislaw Orychowski (1513-1566): from unia universalis to repudium romae." Ukrainian Religious Studies, no. 66 (February 26, 2013): 124–34. http://dx.doi.org/10.32420/2013.66.259.
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Stanislaw Orichovsky's coat of arms Oksha (Stanislaw Orzechowski, Stanislaus Orichovius Ruthenus / Roxolanus, 1513-1566) is an outstanding Ukrainian-Polish speaker, historian, journalist, philosopher and lawyer of the pan-European level. He is considered to be the leading representative of Renaissance humanism in Ukraine.
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Kolankowska, Małgorzata. "Three travellers or how to “translate” Holland to Polish readers: An approach to the image of the Netherlands in Polish travel books." Neerlandica Wratislaviensia 32 (September 3, 2021): 89–101. http://dx.doi.org/10.19195/0860-0716.32.6.
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Ryszard Kapuściński believed that a journalist was a translator from one culture to another. Therefore, the idea of the paper is to analyse the way contemporary Polish travellers write about the Netherlands. The analysis will focus on the stances adopted by them in relation to the country and the way they determine their perspectives. The authors of the analysed books use keywords as metaphors that permit them to translate complex characteristics of the Dutch. The paper concentrates mainly on three aspects: titles, landscape and mentality.
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Chwastyk-Kowalczyk, Jolanta. "Regina Wasiak-Taylor – animatorka kultury, dziennikarka, prezes Związku Pisarzy Polskich na Obczyźnie w Londynie." Czasopismo Naukowe Instytutu Studiów Kobiecych, no. 2(11) (2021): 73–116. http://dx.doi.org/10.15290/cnisk.2021.02.11.04.
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The aim of the article is to present Regina Wasiak-Taylor – a person of many talents, as a journalist, an efficient animator of the cultural life of the Polish diaspora in Great Britain, a president of the Union of Polish Writers Abroad [hereinafter: ZPPnO – Związek Pisarzy Polskich na Obczyźnie]. The following methods have been used: qualitative analysis of the press content, critical analysis of documents, heuristic analysis, interviews. We get to know Mrs Wasiak-Taylor’s scope of activity: involvement in the organisational life of the ZPPnO, in the Pamiętnik Literacki [Literary Memoir] edited in London, practicing socio-cultural journalism and literary criticism, writing scientific articles, popularisation of the emigration’s literary life and Polish ballet, organizing, among others, multimedia theatre and stage programmes – Poetic Scene [Scena Poetycka] at the Polish Social and Cultural Association [POSK – Polski Ośrodek Społeczno-Kulturalny] in London. Also: initiation of the Literary Parlour within the Polish Watchfire at the Exhibition Road, addressed to the Polish and international intelligentsia in London, active participation in international scientific conferences. Regina Wasiak-Taylor conducts editorial work on books. She is the author of readings, laudations, and her own publications: Dzieje Nagrody Literackiej ZPPnO 1951–2011 [The History of the Literary Award of the ZPPnO 1951–2011] (London 2011), Ojczyzna literatura [Literature Fatherland] (London 2013), Alfabet wspomnień Szymona Zaremby. II Rzeczpospolita, II wojna światowa, emigracja [Szymon Zaremba’s Alphabet of Memories, Second Polish Republic, World War II, emigration] (London 2015). She initiates and promotes books by Polish authors and moderates other meetings of literary and scientific circles at the Polish Embassy in London, at the International Book Fair in Warsaw and at literary events in various places.
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Wrzesińska, Katarzyna. "Megalomania narodowa w ujęciu twórców polskich początku XX wieku." Sprawy Narodowościowe, no. 42 (June 16, 2015): 85–100. http://dx.doi.org/10.11649/sn.2013.005.
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National megalomania in Polish reflection in the early 20th centuryIn the early 20th century, a number of Polish thinkers betrayed a mentality in which was deeply rooted the notion of the Polish nation’s unique character. These thinkers also expressed a conviction that Poles had a special mission both in Europe in general and towards other European nations. The signs of the intellectual elite’s national megalomania were reflected in Polish journalistic writings in the final period of World War I and the initial period of regained independence shortly after it.The article analyzes the views of selected thinkers: the philosopher W. Lutosławski, the journalist and literary critic A. Górski, the publicist A. Chołoniewski, and the historian J.K. Kochanowski. All of them believed in an optimistic picture of Polish history and emphasized the significance of the Polish mission in an ethical dimension understood as a desire to establish European order based both on respect towards the individual and at the same time on national diversity. This attitude was clearly based on Romantic thought – a historiosophy tinted with mesianism. All these authors dealt with the same themes from Polish history, treating them as a justification of their attitudes (such as: the Republic of Nobility as an embodiment of the ideal of freedom, Poland as an intermediary between the East and the West, as well as the propagator of Christian civilization in the East; the prominent role of Poles among the Slavic peoples, the importance of Catholicism). All in all, they created a mythologized vision of the Polish Republic in order to integrate the Polish society and mobilize it to act. This stream of glorification of the Polish statehood met with severe criticism after Poland regained its independence. S. Zakrzewski, F. Bujak, J.S. Bystroń, Bocheński brothers and others protested against falsifying the history of Poland.
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Sieradzan, Jacek. "BETWEEN TRAVELLER, OBSERVER AND PILGRIM: MEETING OF POLISH ANTHROPOLOGIST/JOURNALIST AND LADAKHIAN BUDDHIST MONK." Folia Turistica 49 (December 31, 2018): 267–86. http://dx.doi.org/10.5604/01.3001.0013.0831.
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Purpose. Showing the ethical nature of the meeting of anthropologist and journalist Krzysztof Renik with Buddhist monk Tashi, in an environment alien to both of them. Analysis of Renik’s book to find out whether the borders between traveler, pilgrim and tourist are luminal and fluid in nature. Method. Critical analysis of literature. Results. Affirmation of the theory regarding the fluid nature of social categories, in this case that of the traveler, pilgrim and tourist. Both Renik and Tashi are pilgrims, but also travelers/ pilgrims who wander through unknown countries. Research and conclusions limitations. No possibility of contact with the monk, the main character of the book. Practical implications. The article can have meaning for persons who try to understand the religious and social landscape of Hindu countries, and want to broaden their perspective of the world taking the point of view of an anthropologist who practiced long-term observation of the behavior of a Buddhist monk into account. Originality. Renik’s book is probably the first work relating the day-by-day common pilgrimage of the Ladakhian Buddhist monk and the Catholic anthropologist and journalist. The latter wanting to better understand Tashi’s engagement, also participated in Buddhist practices. Being a traveler and anthropologist, he becomes a pilgrim, and pilgrim Tashi frequently behaves like a traveler or common tourist. Type of paper. Case study.
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Heck, Dorota. "Moral Dilemmas of Poles Born in the Late Twenties: Reflections on the Drama Their Time, Short Stories, and Novels by Literary Critic Zbigniew Kubikowski." Perspektywy Kultury 26, no. 3 (2019): 101–12. http://dx.doi.org/10.35765/pk.2019.2603.09.
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Zbigniew Kubikowski (1929-1984) was a literary critic, novelist, journalist, editor of monthly Odra in Wroclaw (Lower Silesia, Poland), and an activist of the Polish Writers’ Union. His biography seems to be representative for more or less independent intellectuals in the regime of communism. In spite of humiliation, persecutions, and invigilation he managed to preserve his ethical principles, although he was not able to achieve a full success as a man of letters. The ethics of his generation, so called “younger brothers” of war generation was founded on Polish independence and European existentialism.
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Kravchenko, Iryna. "EMIGRATION IN THE LIFE AND WORKS OF GUSTAW HERLING-GRUDZIŃSKI (based on the material of “Journal written at night”)." Polish Studies of Kyiv, no. 35 (2019): 475–80. http://dx.doi.org/10.17721/psk.2019.35.475-480.
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This article analyzes the problem of emigration in the life and works of one of the most impor- tant representatives of Polish literary emigration of the twentieth century – Gustaw Herling-Grudziński. He was a Polish writer, journalist, essayist, World War II underground fighter and political dissident abroad during the communist system in Poland. The work of the writer called “Journal Written at Night” was the material for this re- search. “Journal Written at Night” contains valuable information regarding his views on the problem of emigra- tion, and also describes the opinions of his Polish émigré colleges on this issue. In addition, the article describes the reason for the emigration of the writer and analyzes the works in which he described his emigration experience. Keywords: diary, emigrant, Polish literary emigration.
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Kaminski, Antoni Z., and Joanna Kurczewska. "Letter From Poland." Government and Opposition 26, no. 2 (1991): 215–28. http://dx.doi.org/10.1111/j.1477-7053.1991.tb01134.x.
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WE STARTED WRITING THIS LETTER ON 22 DECEMBER 1990, the day that Lech Walesa was sworn in before the Polish Sejm as the first President of Poland ever elected in national elections. Even during this memorable ceremony, some MPs could not hide their deep dissatisfaction. They shared with a large portion of intellectuals of the world the conviction that Mazowiecki, a journalist, would be a far better president for Poland than Walesa the shipyard - worker.Having followed with some curiosity the Western coverage of the Polish elections, and of the political struggles that preceded it, we have the impression that the coverage was biased, and often misleading. Commentators repeated misleading stereotypes, identifying themselves with one side in the political conflict in Poland. They presented a black-and-white picture of the conflict. Tadeusz Mazoweicki symbolized stability, democracy, tolerance, open-mindedness, ‘true’ pluralism, etc.; while the ‘terrible Lech Walesa’ represented dictatorship, obscurantism, anti-Semitism, populism, and chaos. Subtle references were made to Walesa's working-class background, to his lack of poise and education. We find such journalistic bad manners outrageous.
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Pycka, Anna. "Jak umierają współcześni bohaterowie i co po nich zostaje?" Kultura Popularna 3, no. 49 (2017): 60–69. http://dx.doi.org/10.5604/01.3001.0009.8045.
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Watching deaths belongs to natural human needs. Nowadays this need is fulfilled by popular culture. Here I am focusing on the last public statements by the late Polish VIPs and celebrities, recognized as the superstars of popular culture – Pope John Paul II, Zbigniew Religa, a prominent Polish cardiac surgeon and politician, Jan Kaczkowski, a Roman Catholic priest, and Maria Czubaszek, a writer and a journalist, and the best selling books seals with their names. My conclusions, in the context of Goeffrey Gorer’s essay, The Pornography of Death, put the new light on the issue of the death in popular culture.
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Celer, Bogumiła. "Zwierzęta w dziewiętnastowiecznej publicystyce i literaturze Adama Chodyńskiego." Polonia Maior Orientalis 7 (2020): 77–98. http://dx.doi.org/10.4467/27204006pmo.20.004.15490.
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Celem artykuły jest przybliżenie postaci polskiego prawnika, poety, historyka literatury, regionalisty, historyka Kalisza, dziennikarza, współzałożyciela „Kaliszanina” – Adama Chodyńskiego oraz zwrócenie uwagi szczególnie na jego twórczość publicystyczną, dotyczącą relacji pomiędzy człowiekiem a zwierzętami. W ostatnich latach coraz bardziej widoczne staje się zainteresowanie rozmaitymi kontekstami oddziaływania „animal studiem” w kulturze współczesnej oraz ekokrytyką. Interesującym aspektem jest także miejsce zwierząt w świecie nie tylko współcześnie, ale i dawniej. Autorka zwróciła uwagę na teksty kaliskiego publicysty poruszające tematykę statusu zwierząt w dziewiętnastym wieku. Animals in the nineteenth-century journalism and literature by Adam Chodyński Adam Chodyński, „Kaliszanin”, 19th century The aim of the article is to present the figure of a Polish lawyer, poet, literary historian, regionalist, historian of Kalisz, journalist, co-founder of „Kaliszanin” – Adam Chodyński, and to draw attention especially to his journalistic work on the relationship between humans and animals. In recent years, the interest in various contexts of influencing the „animal studio” in contemporary culture and in ecocriticism has become more and more visible. An interesting aspect is also the place of animals in the world, not only today, but also in the past. The author drew attention to the texts of the Kalisz columnist on the subject of the status of animals in the nineteenth century.
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Kopczyk, Michał. "Hermeneutyka pamięci. O Domu z dwiema wieżami Macieja Zaremby Bielawskiego." Białostockie Studia Literaturoznawcze, no. 17 (2020): 43–54. http://dx.doi.org/10.15290/bsl.2020.17.03.
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This article concerns an autobiographical narrative written by a Polish-Swedish writer and journalist Maciej Zaremba Bielawski (born in 1951). It focuses on the process of translating concepts and categories related to the Polish realities into the language and system of concepts that are comprehensive to Swedish readers. This process occurs at three levels: linguistic (Polish versus Swedish), cultural (realities related to the Polish, Swedish and Jewish cultures), and identity (a narrator who identifies himself with three cultures, though to a different degree and in different ways). The narrator lives in a few cultural and linguistic spaces, distancing himself from each of them. Keeping the distance allows him to focus on himself and to practice self-reflection (the main motivation for writing the book in question). It also instigates a process that is not only self-cognitive but also self-therapeutic for the writer.
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Śrama, Marcin. "Pierre Clément – prekursor tematyki wolnomularskiej w dramacie." Studia Europaea Gnesnensia, no. 22 (December 15, 2020): 21–46. http://dx.doi.org/10.14746/seg.2020.22.2.
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The paper is concerned with the life and work of Pierre Clément, a Geneva-born journalist, dramatist and poet, who was one of the first to make a freemason a protagonist in a play. Issues re- lating to that author have not been discussed in Polish so far, even though Clément was a significant figure in French playwriting as the precursor of Masonic themes
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Wood, F. "The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski." Literator 19, no. 1 (1998): 79–92. http://dx.doi.org/10.4102/lit.v19i1.514.
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In this article, I examine Ryszard Kapuscinski’s Another Day of Life (1987) and The Soccer War (1990). Kapuscinski is a Polish journalist who has written a number of books about his experiences as a foreign correspondent in Asia, Africa and Latin America. We encounter a range of diverse and sometimes contradictory approaches in his writing, since Kapuscinski utilises realist and fantastic, surreal, postmodern, intensely subjective techniques to convey his experiences and perceptions.As a result of his blending of realist and non-realist modes, Kapuscinki's work can be related to two important trends in contemporary literature: magical realism and New Journalism. Kapuscinski's writing illustrates certain significant points of comparison between these two approaches. These aspects of Kapuscinski's writing can, to an extent, be viewed in terms of Gilles Deleuze and Felix Guattari's concept of rhizomatics and nomadism. This article indicates that Kapuscinski's writing differs from some forms of magical realism and New Journalism in certain key respects.The significance of Kapuscinski's work lies partly in the way in which it juxtaposes and interrelates various modes, thereby challenging fixed, monologic ways of viewing events. As a result of this, his writing evades easy definitions and conclusive categorisation. Finally, one of the most striking aspects of Kapuscinki's work lies in the way in which it provides a dramatic reflection of the interface between the fantastic and reality and between the surreal, the postmodern and journalistic realism.
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Krzysztofiński, Mariusz. "Tadeusz Żenczykowski-Zawadzki — biografia polityka, publicysty i żołnierza Recenzja publikacji: Karolina Trzeskowska, Tadeusz Żenczykowski-Zawadzki (1907–1997). W kraju i na emigracji." Przegląd Sejmowy 5(160) (2020): 229–36. http://dx.doi.org/10.31268/ps.2020.74.
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The life of Tadeusz Żenczykowski-Zawadzki was sofull that it could be lived by more than one person. Karolina Trzeskowska’s book presents this outstanding politician, conspirator and publicist against the background of the 20th-century history of Poland, marked by the aggression and occupation of Polish lands by Germany and the USSR. Żenczykowski-Zawadzki, subordinating his life to the service to the country, wrote the honorable page in the history as a soldier, a politician, and finally a journalist and an activist in exile. In the latter role, he defended the good name of the Polish Underground State and the Home Army discredited by the communists.
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Dłuski, Stanisław. "Wieloimiennna kraina wygnania Edwarda Zymana." Tematy i Konteksty 16, no. 11 (2021): 656–60. http://dx.doi.org/10.15584/tik.2021.42.
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The article is an attempt to discuss the most important issues raised in the publication titled “Światy poetyckie Edwarda Zymana”, edited by Marian Kisiel and Bożena Szałasta-Rogowska. The author refreshes the readers’ memory of Edward Zyman, a poet, prose writer, journalist, and literary critic, and then briefly discusses the articles included in the book. New contexts allow for a reinterpretation of Zyman’s work and enrich the studies on Polish émigré literature.
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Lanosga, Gerry, and Jason Martin. "Journalists, sources, and policy outcomes: Insights from three-plus decades of investigative reporting contest entries." Journalism 19, no. 12 (2016): 1676–93. http://dx.doi.org/10.1177/1464884916683555.
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This study of American investigative reporting from 1976 to 2012 examines a random sample (N = 757) of prize contest entry materials created by journalists. This novel data source and methodology allow for analysis of the dynamics of journalistic process rather than relying on assumptions drawn from published news content. The results provide a fuller and more sophisticated explanation of how investigative journalism is related to democratic governance, including fresh insight into journalist/source relationships, story triggers, policy outcomes, and agenda-building relationships among journalists, sources, and policymakers. A model for predicting policy agenda-building in investigative journalism is proposed and tested based on attributes of the reporting process, policy results, and other actions by public officials produced by journalists’ investigations. While the analysis indicates a key role for sources in the origination of investigative news stories, it also reveals a more prominent place for journalistic enterprise than previously acknowledged. At the same time, investigative stories that are initiated by tips from sources and that have a more diverse array of sources are more likely to achieve substantive policy results. Overall, the findings point to a greater degree of interdependence among investigative reporters and policymakers that challenges conceptions of journalists as passive recipients of information but also reveals the limitations of news organizations’ ability to independently spark policy change.
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Jazdon, Mikołaj. "Dokumentarzyści i krytyk. Zygmunt Kałużyński a dokumentaliści „nowej zmiany”." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 20, no. 29 (2017): 15–46. http://dx.doi.org/10.14746/i.2017.29.2.
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The article offers the analysis of how Zygmunt Kałużyński, the film critic of Polityka weekly magazine, described and stigmatized documentary films by Krzysztof Kieślowski, Tomasz Zygadło, Grzegorz Królikiewicz and Krzysztof Gradowski presented at the Cracow short film festival in 1971. Kałużyński criticized and mocked the aesthetics of the Polish “new wave” documentary cinema in a series of articles published in Spring and Summer of 1971. He presented films by brave and talented directors, contradicting the current social and political situation, as the unreflective imitation of the banal television documentary style based on in-front-of-the-camera interviews. The author compares Kałużyński’s proceedings to actions of a British journalist Robert Pitmann described by Tadeusz Różewicz in his essay A Journalist and the Poet. Pitmann conducted a sneering interview with T.S. Eliot for Sunday Express in 1958 and Różewicz comments on the possible effects of his text for its readers.
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Mokhnach, Diana. "YULIAN STRYIKOVSKYI: “A CHRONICLER OF THE JEWISH DESTINY”." Polish Studies of Kyiv, no. 35 (2019): 496–502. http://dx.doi.org/10.17721/psk.2019.35.496-502.
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The article tells about the life and creative contribution of Yulian Stryikowski. In particular, special attention is paid to his works, which reflect the life of the Jewish people of the Polish-Ukrainian border in the XX century. The article also depicts the translational work of the writer. The aim of the work is to highlight biographical information and analyze the creative work of Julian Stryikowski, a Polish writer and journalist of Jewish origin. The article covers factors having influenced the formation of Stryikowski’s worldview, it tells about his education and the birth of his creative talent. A special place in Stryikowski’s life is taken by the Polish language, which allowed the future writer to make a living while still being a student. The turning point in the writer’s work was the Second World War. The pre-war period of the work can be described as the time of searches and discoveries. The future author of “Głosy w ciemności” was looking for himself and for inner harmony. He tried to overcome the traditional religious education received in the Jewish family in the pursuit of communist ideas. His Jewish culture and language were constantly confronted with polish and Ukrainian ones, especially because he lived on the polish-ukrainian border. Stryikowski dreamed of a writer’s career, but could not completely dive into it, because he was always forced to seek means for survival and existence. The article also talks about journalistic career of the writer. After the war, Stryikowski settled in the soviet-occupied Lviv, where he worked as editor and journalist in the communist newspaper “Czerwony Sztandar” (“The Red Flag”) and published his works there. The problematics of the Stryikowski’s works most deal directly with the fate of the Jews in the diaspora, their culture, the people who suffered for two millennia. When writing about this, he violates the themes that touch upon a human being in general, religious and ideological choice of every one of us, the themes of the good and the evil, love and hatred. The author also raises the question of the existence and essence of being a Jew, certain limitations and duties connected with it. Autobiographical motifs can be traced within the works of the writer. His characters often have a lot in common with his own life, and sometimes almost duplicate events from it. The main work of Stryikovski’s life is tetralogy, which consists of novels “Głosy w ciemności”, “Echo”, “Austeria”, “Sen Azrila”. This is a huge cycle, which was finally completed in the late 80’s of the XX century. Motives from the Old Testament, especially from the Talmud, are interwoven in it. The tetralogy shows the collapse of the traditional world, the indifference of young people to religion, their aspiration to assimilate with the multinational and multicultural society of the Austro- Hungarian Empire.
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Ślawska, Magdalena. "Gdy pisarz staje się dziennikarzem. Kilka uwag o „Gazecie Pisarzy”." ANNALES UNIVERSITATIS PAEDAGOGICAE CRACOVIENSIS. STUDIA LINGUISTICA, no. 13 (November 18, 2018): 149–60. http://dx.doi.org/10.24917/20831765.13.14.
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The article stems from a media linguistic perspective and serves as a case study for comparing the roles of a journalist and a writer. The author chose a textual experiment for that purpose, namely the 23–24 April 2016 edition of Gazeta Wyborcza, a Polish daily. On that day the paper turned into Writers’ Newspaper and was prepared in full by several dozen writers from Poland and abroad. The project’s aim was to promote reading the press and literature. The author analysed metatextual and paratextual elements along with self-commentaries regarding the project. The results show the experiment indicated the communicative specificity of the journalistic profession: the particularities of the editorial office, the importance of the topic, of character limits and fact-checking. As a communication experiment, the newspaper underlined the interactive nature of the modern-day press and its openness to the reader.
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Zawada, Alina. "Przyczyny upadku Polski według Iwana Kedryna-Rudnyckiego." Studia Polityczne 49, no. 3 (2021): 41–64. http://dx.doi.org/10.35757/stp.2021.49.3.02.
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This article discusses articles written by the Ukrainian journalist Ivan Kedryn-Rudnytsky, which were published in the journal Krakivs’ki Visti in the spring and summer of 1940. It was published by Ukrainians in German-occupied Cracow from 1940 to 1944 (until October), and later in Vienna. In his twenty-seven articles, the author discussed in detail the reasons which, in his opinion, led to the defeat of Poland in September 1939. In his deliberations he went back to the beginnings of the Second Polish Republic and analysed the system, politics, administration, foreign policy, policy towards national minorities, the state press strategy and actions taken by individual politicians. He was critical of people and phenomena, but based his judgments on facts. This article outlines his most important arguments and divides them into categories.
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Malužinas, Martinas. "Opozycyjna działalność polityczna prezydenta Antanasa Smetony w latach 1920–1926." Studia Interkulturowe Europy Środkowo-Wschodniej, no. 13 (November 25, 2020): 27–53. http://dx.doi.org/10.31338/2544-3135.si.2020-13.3.
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Antanas Smetona was the father of Lithuania’s independence, a journalist, lawyer, politician, but also Lithuania’s dictator. He is considered an architect of the country’s authoritarian and fascist regime and at the same time was a fugitive who fled the country at a decisive moment. Due to the lack of scientific publications in Polish scientific discourse, my aim is to present oppositional actions of Lithuania’s first president (during the years 1920–1926) as well as to explore new aspects of his political thought/ideology.
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Szpoper, Dariusz. "Michaił Katkow — u początków myśli politycznej apologety rosyjskiego samodzierżawia." Studia nad Autorytaryzmem i Totalitaryzmem 43, no. 2 (2021): 125–48. http://dx.doi.org/10.19195/2300-7249.43.2.8.
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Mikhail Katkov (1818–1887), a leading Russian political journalist, began his career as a liberal fascinated by German philosophy, especially the views of Friedrich Wilhelm Joseph von Schelling. At that time, he represented a moderate pro-Polish attitude. After the outbreak of the January Uprising in 1863, on the pages of Moskowskije Wiedomosti, which he edited, he promoted the Russian state’s viewpoint in favour of the monarchy and full dimension of the Russian Empire’s state integrity, which led to his conservative position.
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Szapował, Jurij. "Bohdan Osadczuk jako rzecznik europejskiego dialogu cywilizacyjnego." Studia Polityczne 48, no. 4 (2021): 119–50. http://dx.doi.org/10.35757/stp.2020.48.4.09.
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The life and activity of the publicist, journalist and researcher Bohdan Osadchuk is a meaningful example of activities for the inter-civilisation dialogue. He was born in Galicia, which belonged to the Second Polish Republic, and he always treated Polish and Ukrainian cultures as his own. Osadchuk’s efforts to strengthen Polish-Ukrainian relations and understanding, as well as his cooperation with Jerzy Giedroyc, editor-in-chief of the Paris-based journal Kultura [Culture], which was unique in terms of content and influence, were of particular importance. The author of this article has collected and analysed little-known and so far undiscovered facts and previously unavailable archival documents. Bohdan Osadchuk grew up in a multicultural environment. Professing liberal values, he condemned all chauvinism. He managed to combine the identity of a Ukrainian emigrant with that of a European democrat. For seventy years, he lived in Berlin (1941–2011), where he graduated from the university and became recognised as a journalist Alexander Korab. He was known under this pseudonym to readers of German newspapers and the oldest Swiss daily newspaper Neue Zürcher Zeitung for decades. For over half a century, he wrote for this authoritative newspaper about the events in the Soviet Union, Poland, Ukraine and the countries of the socialist bloc. Moreover, when actively cooperating with German radio and television, he introduced Polish and Ukrainian issues to the media discourse. The communist special services of the People’s Republic of Poland and the Soviet Union hunted Bohdan Osadchuk, watched him and tried to recruit him. But he was playing his own game and was not fooled. This article also describes Osadchuk’s scientific achievements that he gained as a professor at the Free University of Berlin (Freie Universität Berlin) and the Ukrainian Free University in Munich, as well as the author of fundamental publications. Moreover, the circumstances of the last years of Osadchuk’s life, which ended in Poland, are presented for the first time.
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Kulczycki, John J. "My Experience as a Paid Informer of the Polish Security Service." East European Politics and Societies: and Cultures 23, no. 1 (2009): 126–34. http://dx.doi.org/10.1177/0888325408327849.
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An agent of the Polish Security Service posing as a journalist contacted me in January 1970 while I was doing research in Poznań, Poland, for a Ph.D. dissertation as a graduate student of Columbia University. He commissioned an autobiographical account of my life "on the road to a doctorate" for which I was paid. But the actual goal was to recruit me as an informer concerning professors at Columbia, particularly Zbigniew Brzeziński, and my fellow students and their connections with the FBI and the CIA. When my suspicions were finally aroused, on the advice of the American consulate in Poznań, I returned the money and broke off contact. This ended my career as an informer, while the agent pocketed the money. As a result of this contact, the Intelligence Unit of the Polish Ministry of Internal Affairs created a file on me currently in the Institute of National Remembrance.
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Marszał, Maciej. "Bolshevism in the political thought of Adolf Kliszewicz." Studia nad Autorytaryzmem i Totalitaryzmem 42, no. 3 (2021): 71–82. http://dx.doi.org/10.19195/2300-7249.42.3.4.
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Adolf Kliszewicz (born 1879) was one of the leading publicists of the Second Polish Republic connected with the Christian-conservative trend. He was a publicist for many conservative magazines, including Przegląd Powszechny, Nasza Przyszłość or Ateneum Kapłańskie. The article concerns views of Adolf Kliszewicz on the doctrine and political system of Bolshevism. It should be noted that Kliszewicz based his analysis of Russian communist thought on the background of political tendencies that began to dominate in Europe. For him, Italian fascism and German national socialism were the reference point for reflections on Bolshevism. Additionally, the Polish journalist saw in the Russian communist doctrine the great danger of national and state existence. Radical socialism, as he treated Bolshevism, was an expression of the perversion of man and his enslavement by materialistic ideology.
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Kierlańczyk, Karolina. "The American Polonia through the Eyes of Hieronim Derdowski: A Study Based on the Wiarus Weekly Magazine, 1886–1902." Polish Review 66, no. 3 (2021): 82–109. http://dx.doi.org/10.5406/polishreview.66.3.0082.
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Abstract The purpose of this article is to shed additional light on the hopes, conflicts, and struggles of the Polish diaspora in the United States in the late nineteenth and early twentieth centuries through an analysis of views on education, religious life, and fraternal organizations of the American Polonia presented in a popular weekly, the Wiarus, between the years 1886 and 1902. It is also to introduce Hieronim Derdowski—poet, journalist, and publisher—as a subject worthy of wider scholarly research and discussion.1
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Kaleta, Petr. "The Czech Polonophile Edvard Jelínek and the Topic of Russia in his Work." Slovene 9, no. 1 (2020): 292–321. http://dx.doi.org/10.31168/2305-6754.2020.9.1.10.
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In scholarly circles, the name of the Czech writer and journalist Edvard Jelínek is usually associated with interest in Polish topics. Most of his friends and scholarly contacts were Polish, which also was in line with his numerous publications concerning Polish cultural traditions. However, Jelínek also had significant knowledge of the cultural, political, and social life in other Slavic areas, which he utilized as the editor of «Slovanský sborník» (Slavic Proceedings), a journal focused on all Slavic areas (published in 1881, 1883–1887). In this article, we demonstrate that, mostly at the beginning of Jelínek’s career, Russian topics also appeared in his texts, mainly Russian literature, culture, theater, and the issue of the beginning of Russian-Czech contacts. He published these texts primarily after his first visit to Russia in 1877. In the 1870s, the retired Russian officer Nikolaj M. Yendogurov had a significant influence on him, helping him to understand some Slavic issues and to perfect his knowledge of Russian. Starting from the 1890s, he expressed his opinions regarding the Russian-Polish conflict in several texts. There, he disagreed with the Russification of the Polish cultural environment and drew attention to the language rights of the Polish people. However, his works were not anti-Russian in character, and he expressed appreciation for Russian culture. The issue of Russian-Polish relations also appears in his literary prose works, e.g. in the novel «Motýlek z Norské pohádky» (The Butterfly from the Norwegian Fairytale).
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Bush, Clive. "Escape from Marseille: An American Story? Writing Victor Serge's, Laurette Séjourné's, Dwight and Nancy Macdonald's Balzacian Book." Prospects 28 (October 2004): 311–40. http://dx.doi.org/10.1017/s0361233300001526.
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Occupying part of a single paragraph in the published autobiography, Memoirs of a Revolutionary, the Polish-Belgian novelist, journalist, and revolutionary, Victor Serge, almost casually speaks of his escape in 1941 to Mexico from Marseille in Vichy France:Some of us whose lives were in danger eventually made our exit. The Battle of the Visas which their friends have had to wage for their sake would stand some description: a single escape would provide material for a book of Balzacian proportions, packed with unexpected incidents and dark happenings behind the scenes.
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Hříbková, Hana. "The Shoah in Poland in the Work of Jiří Weil: Translations and Literary Reference*." Poznańskie Studia Slawistyczne, no. 12 (September 21, 2017): 139–51. http://dx.doi.org/10.14746/pss.2017.12.9.
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Jiří Weil (1900–1959) is currently associated in particular with novel-writing. His works Moskva- -hranice (Moscow to the Border), Život s hvězdou (Life with a Star) and Na střeše je Mendelssohn (Mendelssohn is on the Roof) has been translated into several world languages. Jiří Weil was also a journalist, a researcher at the Jewish Museum in Prague and a translator. This study The Shoah in Poland in the work of Jiří Weil focuses on his translations of Polish poets and his literary work dealing with the Shoah and set in postwar Poland, Warsaw, Łódź and Auschwitz.
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Kolankowska, Małgorzata. "Spotkanie dwóch kobiet — Rosa Montero i Maria Skłodowska-Curie." Dziennikarstwo i Media 13 (January 14, 2021): 127–42. http://dx.doi.org/10.19195/2082-8322.13.9.
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The idea of the article is to describe the relationship between the journalist and writer Rosa Montero and Maria Skłodowska-Curie that was aroused as an effect of the work on the explorer’s diary. Montero was supposed to create a prologue to Maria’s diary written after her husband’s tragic death, but the text con-verted into a book. La ridícula idea de no volver a verte is an example of the combination of journalism and literature as an experiment; it takes the form of an intertextual dialogue between the transmitters (Rosa, Maria) and the recipient (Rosa who is reading Maria’s diary, the reader that is reading Rosa’s and Maria’s texts). In the stormy life of Skłodowska-Curie, Rosa finds elements binding her own experiences as well as those of other women. By introducing highlights in the form of hashtags, she pays attention to the universal problems of women: she sees that there are many aspects that bound not only Polish and Spanish women, but all the representatives of that sex living in a world dominated by men. She shows, step by step, the efforts of the Polish explorer, underlying at the same time, her emotionality and the capacity of manipulating the word. Rosa proves that words are the element that makes possible the interaction between her, Maria, and the reader, who is forced to reflect and cannot stay indifferent to the message directed to him. Montero also shows the way in which words permit us to adjust to the pain and suffering after a loss of a loved one, and find inner peace.
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Rott, Dariusz. "„Asystował wybuchowi cholery” Autor i recenzenci o książce Lucjana Wolanowskiego „Klejnot Korony. Reporter w Hongkongu w czasach zarazy”." Tematy i Konteksty 16, no. 11 (2021): 372–82. http://dx.doi.org/10.15584/tik.2021.23.
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Lucjan Wolanowski (1920–2006) was an outstanding journalist, writer and traveler. Today, he is a forgotten author. In 1963, he published a short book titled “The Crown Jewel. Reporter in Hong-Kong in tmes of cholera”. Written during the epidemic of cholera in Hong-Kong where was staying, the book was a success and was translated into many foreign languages. It is a factual report on illnesses and suffering of Hong-Kong residents. The author combined his passion to explore, travel experience and observation skills with his great storytelling abilities and appreciation for details. His book inspired the modern trend of reports on tropical diseases in the Polish literature.
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Юрій Іванович Шаповал. "BOGDAN OSADCHUK: THE LIFE AND THE DEPOSIT OF UKRAINIAN POLONOPHYLA." Intermarum history policy culture, no. 5 (January 1, 2018): 7–38. http://dx.doi.org/10.35433/history.11181.
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The article considers the life and work of journalist and researcher Bohdan Osadczuk (1920–2011), his importance for strengthening the Polish-Ukrainian relations in 1950-2000s, his collaboration with Jerzy Gedroyc, Editor-in-Chief of exile magazine «Kultura», published in Paris between 1947–2000s. The author of the article set himself the task of creating a realistic biography of Bogdan Osadchuk. With this purpose in mind, little-known or even unknown facts were collected and studied, previously inaccessible archival documents were analyzed The article states that Bogdan Osadchuk grew up and was raised in a multicultural environment. Therefore, he condemned any chauvinism, professed liberal values. He was able to combine the identity of the Ukrainian emigrant with the identity of the European democrat. He lived for 70 years in Berlin (1941–2011), where he graduated from the University of Berlin, and where he became known as journalist Alexander Korab. Under this pseudonym, readers of German newspapers and the oldest Swiss newspaper «Neue Zürcher Zeitung» knew him for decades. For this authoritative publication he wrote for more than half a century materials about events in the USSR and the countries of the «socialist camp». In addition, he actively collaborated with radio and television.The article shows how Soviet and Polish secret services hunted Bogdan Osadchuk, followed him, tried to recruit him. He led his own game and did not give himself a deceit. The article deals with the scientific achievements of Bogdan Osadchuk. He was a professor at two universities – the Freie Universität (Berlin) and the Ukrainian Free University (UVU) in Munich, the author of fundamental scientific publications.For the first time the circumstances of Bohdan Osadchuk's life have been covered. His scientific biography still has to be created. Bohdan Osadchuk's most important studies should be worked out and republished.
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Barnard, Stephen R. "Tweeting #Ferguson: Mediatized fields and the new activist journalist." New Media & Society 20, no. 7 (2017): 2252–71. http://dx.doi.org/10.1177/1461444817712723.
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As a hybrid, journo-activist space, tweeting #Ferguson quickly emerged as a way for activists and journalists to network and spread information. Using a mixed-methods approach combining digital ethnographic content analysis with social network analysis and link analysis, this study examines journalistic and activist uses of Twitter to identify changes in field relations and practices. Employing the lenses of field theory and mediatization, this study finds parity and divergence in the themes, frames, format, and discourse of journalist and activist Twitter practices. While the traditions of objective journalism and affective activism persist, notable exceptions occurred, especially following acts of police suppression. The networked communities of professional and activist Twitter users were overlapping and interactive, suggesting hybridity at the margins of the journalistic field. Given the hybridizing of journalistic and journo-activist practices, this case study examines the role of social media in efforts to report on and bolster social change.
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Jockheck, Lars. "Od agenta do kolaboranta? Współpraca żydowskiego publicysty Fritza Seiftera z Bielska z władzami niemieckimi w latach trzydziestych i czterdziestych." Zagłada Żydów. Studia i Materiały, no. 2 (December 2, 2006): 163–76. http://dx.doi.org/10.32927/zzsim.185.
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Fritz Seifter, a Jewish-German journalist and Polish citizen, collaborated with the German authorities on two occasions: first during 1933–1934 in Bielsko, where, supported by the Reich Ministry of National Education and Propaganda, he launched his newspaper Jüdische Wochenpost; second, in July 1940, when the General Governor's Department of National Education and Propaganda in Cracow appointed him editor-in-chief and managing director of Gazeta Żydowska. But in either case the circumstances and motives for collaboration differed significantly.
 In the case of Jüdische Wochenpost, Seifter completed a project he had been planning to carry out since the late 1920s. His newspaper was to consolidate the bonds of German-speaking Polish Jews with Germany. The Reich Ministry of National Education and Propaganda supported the establishment of this newspaper in order to tone down the opinions of Polish Jews regarding the Nazi regime in Berlin. During 1933–1934 Seifter saw himself as an agent of the German Ministry of Propaganda.
 In 1940, German occupation authorities in Krakow searched for and found Fritz Seifter, who was to be appointed editor-in-chief and managing director for the German-planned Gazeta Żydowska, completely controlled by the Germans. Its principal aims were to isolate the Jews even further from their Polish environment, herd them to work and give illusions of hope for emigration after the war.
 Thus there was no continuity in Seifter's co-operation with the German authorities, and collaboration was not the case. During 1933–1934, Seifter's main reason to launch his newspaper was German nationalism, which ostensibly linked him to the Germans. In 1940, however, Fritz Seifter no longer acted of his own accord, and any illusions as to the genocidal character of the Nazi regime was out of the question: Seifter alongside the rest of Polish Jews wanted only to survive.
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Khafizova, Viktoria R. "Professional Orientations of Journalists in the Face of the Mediatization of Society." Koinon 2, no. 1 (2021): 200–211. http://dx.doi.org/10.15826/koinon.2021.02.1.010.
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The article studies the transformation of professional orientations of journalists in the context of the mediatization of society. Researchers define mediatization as a two-way process that refers to the development of digital technologies, the spread of the Internet and new media within which media and social institutions mutually influence each other. The advancement of digital technologies, the increased availability of the Internet, smartphones, and social networks for a wider population trigger the mediatization process. The institute of journalism and the professional activity of a journalist is the most vulnerable to mediatization. To study the transformation of professional orientations of journalists in the context of the mediatization of society, we carried out a series of in-depth interviews with journalists (N = 10) in 2020–2021. We also analyzed data from international and Russian sociological studies made between 2012 and 2016. The results showed that under the mediatization of society, it is the audience that guides a journalist. And this, in turn, attracts advertisers. In addition, there occurs ‘a desacralization’ of the image of the journalist since the audience is involved in the news production process. In the face of the struggle for the attention and trust of the audience, there emerges the necessity to update the principles of efficiency and fact-checking. As for the ethics of a journalist, the informal rules of conduct, adopted in a particular publication are the priority, while the norms enshrined in professional codes fade into the background. The freedom and independence of the journalist are declining, which professionals themselves associate with political and economic pressure and regulatory restrictions. Editors, media owners, the editorial policy of a publication, inner convictions, and personal values — all of this affects the journalist’s activities. According to journalists, the image of a professional acquires a negative colouring in the public eye due to the erosion of the credibility of media practitioners. Finally, mediatization processes lead to over-information, which increases the risk of journalists’ burnout.
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Magnusson, Roger S. "The Devil's Choice: Re-Thinking Law, Ethics, and Symptom Relief in Palliative Care." Journal of Law, Medicine & Ethics 34, no. 3 (2006): 559–69. http://dx.doi.org/10.1111/j.1748-720x.2006.00070.x.
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In 1982, cinemas around the world screened Sophie's Choice, a film starring Meryl Streep and Kevin Kline, adapted from the book by William Styron. The film opens with Stingo, a young journalist from the South, who arrives in New York in 1947 and rents a room in Brooklyn. Stingo is drawn into a relationship with Sophie and Nathan, the couple who live upstairs. Sophie is a Polish concentration camp survivor; Nathan is the man who saved her when she arrived in America. Nathan is charismatic, schizophrenic, and violent.In one of the film's flashbacks, a German soldier imposes a terrible choice on Sophie, a young mother who arrives at Auschwitz with other prisoners from Krakow. Sophie is ordered to choose which of her two children will be sent to the ovens, and which will live.
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Popielarz-Zajdel, Ewelina. "„Wierszem można odkorkować duszę” – o sacrum w twórczości Wacława Oszajcy." Dydaktyka Polonistyczna 15, no. 6 (2020): 57–71. http://dx.doi.org/10.15584/dyd.pol.15.2020.4.
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Wacław Oszajca is a Polish Jesuit, journalist, poet and publicist. His work is mainly focused around Christianity related matters. A Jesuit uses the category of the sacred as a synonym for what is saint. It defines the sacred as a force that puts together the chaos of everyday life, it is the Absolute, thanks to which we can reach faith in the infinity of the world. Oszajca tries to provoke the reader into thinking about the presence of the sacred in his life and shows that the division into the sacred and the profane should be removed. His work is a proof of adoration of everyday life and faith in a merciful but righteous God. When writing, he often uses contrasts and paradoxes, but above all his poetry is full of humor and joy.
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Lutz, Helma. "Lost in translation? The role of language in migrants’ biographies: What can micro-sociologists learn from Eva Hoffman?" European Journal of Women's Studies 18, no. 4 (2011): 347–60. http://dx.doi.org/10.1177/1350506811415195.
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In her famous memoir Lost in Translation (1989), the journalist and psychoanalyst Eva Hoffman describes her childhood metamorphosis from a Polish into a North American girl by reconstructing her experience with learning a new language. She equates this with loss and acquisition of identities. This article focuses on Hoffman’s interest in language as an identity issue since this is a highly relevant theme for migration researchers, particularly for those working with narrative material. The article explores the role of language in biographical interviews with migrants and discusses language use as an instrument for data collection. It argues that we need to ensure a sensitive and vigilant handling of language in the interview setting, which takes into consideration context, coding, articulation and hybridity. The final part raises questions about the ways in which gender comes into play in migrants’ narratives.
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Krupowies, Walentyna. "Alien City: The Vilnius Jewish Ghetto in Polish Texts of the Interwar Period." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 2 (2021): 205–16. http://dx.doi.org/10.15826/izv2.2021.23.2.035.
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This article analyses the cultural images of the Vilnius ghetto and the methods of its categorisation in Polish-language texts of the interwar period in tourist guides, feuilletons, and poetry. In the texts of the Vilnius authors, Julisz Kłos, professor of Vilnius University, poets Witold Hulewicz and Konstanty Gałczyński, the ghetto is defined in terms of modernity as a medieval and chaotic urban space that requires modernisation; in terms of pictorialism as a picturesque part of the city; in terms of heterogeneity as an alien space creating an urban heterotopia, and as a space of everyday life, specific for the whole of Vilnius. The article emphasises the fact that the image of Vilnius as an urban heterotopia was shaped by foreigners, including authors of German guides of the World War I years and subsequently by foreign guests visiting Vilnius in the interwar period. In their texts, the ghetto appears as an intriguing part of the city space. Noticed by a foreigner who played the role of the “other”, the specificity and originality of the ghetto influenced the perceptions of the city by some representatives of the Polish intelligentsia. The textual image of the Vilnius ghetto reveals the beliefs, worldviews, images, ideology, and to some extent the aesthetic inclinations of the authors for whom the ghetto was an alien city. A different attitude was represented by Jerzy Wyszomirski, a writer and journalist who comprehended the space of the ghetto, its languages, Yiddish and Hebrew, and treated the Jewish world with kindness as neighbourly and familiar, thus eliminating the structures of otherness that allowed the ghetto to be incorporated into the general idea of the city.
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Godun, Cristina. "THE IMAGE OF UKRAINIANS IN POLES’ MENTALITY. A CASE STUDY BASED ON JOURNALIST PIOTR POGORZHELSKI’S BOOK “UKRAINIAN BORSCH”." Studia Linguistica, no. 14 (2019): 91–106. http://dx.doi.org/10.17721/studling2019.14.91-106.
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The article aims at presenting the geopolitical, social and cultural image of Ukraine, seen through the eyes of the author, the Polish journalist Piotr Pogorzhelski, former Kiev correspondent of the National Radio Polonia. This imagological portrait, which carries us through the history and national stereotypes, means to bring Ukraine closer to Romanian readers. Despite the neighborhood and the presence of the Ukrainian community in Romania, Romanians don’t know their northern neighbours very well, older generations show preconceived ideas and a distorted historical memory. Piotr Pogorzhelski’s book, translated into Romanian and published in 2015 shortly after the dramatic events on the Maidan Nezalezhnosti, aims to raise public awareness and draw attention to the political and socio-cultural potential of Ukraine and the Ukrainians. The same goal pursues «The Ukrainian Borsch» in Poland, a country where Ukraine is a frequent topic of discussion in the press, because the connection between Poland and Ukraine has always been very strong, despite some historical difficulties. The majority of Poles treat Ukraine with a sense of deep affection due to family roots or nostalgia for the western territories of Ukraine, which once belonged to Poland. And yet, among the Poles who manifest openness and an increased interest in Ukraine, the image of this country and its inhabitants is due to narrow negative stereotypes. On the background of current political events and taking into the account the lack of knowledge about Ukraine in Romania, «The Ukrainian Borsch» seems to be an indispensable and appropriate tool for shaping the collective portrait of Ukrainians and contemporary Ukrainian society.
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Nowicka, Magdalena. "Głos z zewnątrz w dyskursie publicznym. Przypadek Oriany Fallaci." Kultura i Społeczeństwo 54, no. 2 (2010): 109–29. http://dx.doi.org/10.35757/kis.2010.54.2.7.
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The paper presents the concept of “a voice from outside” — a specific discursive position of an author and their work which is constructed in a process of defining the social distances between an author and a public discourse. The category of a voice from outside derives from the tradition of social constructionism, Foucaultian approaches to discourse and the responsive phenomenology of „a stranger” by Bernhard Waldenfels. In this paper, the concept of the voice from outside is introduced on the basis of a case study of Oriana Fallaci, a journalist, and author of a controversial essay The Rage and the Pride. The discourse analysis covers the press articles published in Polish mainstream daily and weekly newspapers in 2001–2006 and discusses three major types representations of Fallaci’s text in the public discourse in Poland, as: (1) the voice of “a guilty” conscience, (2) a “politically incorrect” voice of Western elites and (3) an anti-voice.
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Luo, Yumeng, and Teresa M. Harrison. "How citizen journalists impact the agendas of traditional media and the government policymaking process in China." Global Media and China 4, no. 1 (2019): 72–93. http://dx.doi.org/10.1177/2059436419835771.
Full textAbstract:
“Citizen journalism” is a term used to refer to ordinary individuals who act as journalists during some part of the process of creating content for mainstream journalism coverage. In China, besides ordinary citizen journalists, some professional journalists have been regarded as citizen journalists if they write stories online that would otherwise not be publishable in traditional media. Unfortunately, since the real name registration system was launched on the Internet in 2012, the activities of both professionals and average citizens in China are frequently limited. So, is citizen journalism a role that can only be practiced in very limited ways in China? This article adopts a broader definition of citizen journalism, in which, through the use of social media to discuss and comment on news and social issues, ordinary citizens in China act as collective citizen journalists, which insulates them against individually targeted criticism for their opinions. We applied agenda-setting theory to explain citizen journalist contributions to the content of traditional media and the policymaking process in China. Using several forms of Chinese media and rank-order cross-lagged correlations, we found that online public opinions in social media influenced the agenda of traditional commercially oriented media, but not the agenda of traditional government-sponsored media. The policy agenda was partially influenced by the online public. The online public acted collectively to influence and contribute to the content of the traditional media and policies the government considers, thus changing the nature of journalism and public sphere.
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Chyliński, Marek. "Zarządzanie jakością w dziennikarskich procesach pracy." Zarządzanie Mediami 8, no. 4 (2020): 407–19. http://dx.doi.org/10.4467/23540214zm.20.042.12646.
Full textAbstract:
Quality management in journalistic work processes The subject of the analysis is the sphere of media economization and specifically the problem of quality in journalism. The article tries to show that quality assurance in journalism is a task not only for authors, editorial teams, media companies, it is a social issue. The aim of the article is to indicate the most important dimensions and criteria of quality and to build a theoretical interpretation of quality management adequate to the work of journalists and the functioning of media organizations. The author suggests that the crisis of responsible journalism coincided with the crisis of democracy observed in all media models. In Polish scientific discourse, the subject of quality in journalism is almost absent. This lack is not compensated by considerations devoted to professionalism, professional culture, and even more so to deontology of journalism. The presented article attempts to include the issue of quality in the economic theory of media, indicating areas in which high-quality journalistic products or services create value that increases the competitive advantage.
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Chyliński, Marek. "Zarządzanie jakością w dziennikarskich procesach pracy." Zarządzanie Mediami 8, no. 4 (2020): 407–19. http://dx.doi.org/10.4467/23540214zm.20.042.12646.
Full textAbstract:
Quality management in journalistic work processes The subject of the analysis is the sphere of media economization and specifically the problem of quality in journalism. The article tries to show that quality assurance in journalism is a task not only for authors, editorial teams, media companies, it is a social issue. The aim of the article is to indicate the most important dimensions and criteria of quality and to build a theoretical interpretation of quality management adequate to the work of journalists and the functioning of media organizations. The author suggests that the crisis of responsible journalism coincided with the crisis of democracy observed in all media models. In Polish scientific discourse, the subject of quality in journalism is almost absent. This lack is not compensated by considerations devoted to professionalism, professional culture, and even more so to deontology of journalism. The presented article attempts to include the issue of quality in the economic theory of media, indicating areas in which high-quality journalistic products or services create value that increases the competitive advantage.