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Relevant bibliographies by topics / Polish motifs in Hungarian poetry

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Journal articles

Academic literature on the topic 'Polish motifs in Hungarian poetry'

Author: Grafiati

Published: 24 April 2022

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Journal articles on the topic "Polish motifs in Hungarian poetry"

1

Radyszewśkyi, Rostyslaw. "Węgiersko-polskie dialogi w twórczości Lwa Węglińskiego." Studia Slavica Academiae Scientiarum Hungaricae 65, no. 2 (2022): 327–40. http://dx.doi.org/10.1556/060.2020.00026.

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Artykuł dotyczy twórczości Lwa Węglińskiego (1827–1905), poety z pogranicza polsko-ukraińskiego, który wydał 6 zbiorów w języku ukraińskim pisanych alfabetem łacińskim i 7 książek w języku polskim, w których dominował materiał oparty o reminiscencje z historii i kultury różnych narodów, a także przekłady poezji i folkloru ludowego. Zbiór Snopek z niw słowiańskich i obcych (1885) jest w całości poświęcony przekładom z folkloru słowiańskiego: są w nim zawarte ukraińskie (42), morawskie (69), węgierskie – „obce pole” (21), niemieckie (60) pieśni ludowe. We wstępie Lew Węgliński określił pieśni wę

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2

Rabizo-Birek, Magdalena. "Schulz poetów „ośmielonej wyobraźni” (preliminaria)." Schulz/Forum, no. 13 (October 28, 2019): 63–85. http://dx.doi.org/10.26881/sf.2019.13.05.

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The paper addresses the popularity of the person and work of Bruno Schulz in one of the trends in Polish poetry, represented by the generation born in the 1970s, placing it in the context of the writer’s earlier reception (e.g., in the works of the poets of older generations, such as Marian Jachimowicz, Tadeusz Różewicz, Jerzy Ficowski, Anna Frajlich, and Jarosław Gawlik). This trend has been usually referred to with a metaphorical term “bold imagination” and called “imiaginativism”, and its main representatives are Roman Honet, Tomasz Różycki, Radosław Kobierski, and Bartłomiej Majzel. Close

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3

Gömöri, George. "The City in Modern Polish and Hungarian Poetry." World Literature Today 75, no. 1 (2001): 52. http://dx.doi.org/10.2307/40156315.

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4

Papierski, Maciej. "Music As Translation. Musical Motifs in Liebert’s Poetry." Tekstualia 1, no. 5 (2019): 59–66. http://dx.doi.org/10.5604/01.3001.0014.4100.

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This article is devoted to analyses of musical motifs in poetry by a Polish author Jerzy Liebert (1901–1934). Two main kinds of metaphorically understood music can be distinguished in his work: the earthly, referring to human fi niteness, and the transcendental, which is the divine music of God. In the investigation of this problem, Boethian typology of music (musica mundana, musica instrumentalis, musica humana) is engaged. The results of these analyses contribute to the understanding of how the human condition confronts the perfect nature of the Creator in Liebert’s poetry. The article argue

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5

Jurzysta, Marcin. "The poetry of Bartłomiej Majzel: a psychoanalytic approach." Journal of Education Culture and Society 1, no. 2 (2020): 109–24. http://dx.doi.org/10.15503/jecs20102.109.124.

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Bartłomiej Majzel is one of the most interesting young polish authors. His first poetic book is robaczywość [worminess] published in 1997. As regards interpretation, many motifs which recur in the volume, suggest a psychoanalytic approach. This approach reveals a dark world of sub-consciousness and transcription of struggling against oneself, reporting the consequences of this tragic party called literature.

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6

Mielhorski, Robert. "The Topos of Childhood in Modern Poetry (1939–1989)." Tematy i Konteksty specjalny 1(2020) (2020): 364–94. http://dx.doi.org/10.15584/tik.spec.eng.2020.19.

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The paper problematises the literary image of childhood in poetry in relation to external historical and socio-political events. The material analysed covers Polish poetry from 1939 – 1989 (a clearly distinguished segment of the historical-literary process). The choice and ordering of the case studies results from the application of two research paradigms: (i) the paradigm concerned with autobiographical motifs, which refers to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (nostalgic [pansentimentalism] and emotionally neutral motif

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7

Sylwestrzak, M. "WŁADYSŁAW SZLENGEL’S POETRY IN CONTEXT OF WORKS OF THE GHETTO UNPROFESSIONAL POETS." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 336–46. http://dx.doi.org/10.17721/2075-437x.2019.35.32.

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The article analyzes the works of Władysław Szlengel and non-professional poets of the Warsaw ghetto. Władysław Szlengel is the most popular author of the Warsaw ghetto who wrote his works in Polish. He is the author of a volume of poems Co czytałem umarłym. Non-professional poets are those Jewish authors who wrote one or more poems dedicated to the Holocaust. The author of the article is focused on the poetics of texts wrote by Szlengel and other Polish-Jewish poets. A comparative analysis of the works of Szlengel and non-professional poets is conducted to show different models of the functio

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8

Ratajczak, Wiesław. "Węgierskie nocne rodaków rozmowy. Wokół antologii Gwiazda przewodnia. Węgierski październik 1956 w rodzimej poezji i prozie." Poznańskie Studia Polonistyczne. Seria Literacka, no. 29 (March 1, 2017): 271–74. http://dx.doi.org/10.14746/pspsl.2016.29.18.

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Jerzy Snopek’s anthology Gwiazda przewodnia. Węgierski październik 1956 w rodzimej poezji i prozie (Guiding star: Hungarian October 1956 in Polish poetry and prose) contains outstanding relations and reflections on the drammatic moment in history. The authors of works quoted in the collection were interested in, among other things, the combination of the personal and the collective, existential and historical, palpable and metaphysical.

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9

Kowalczyk, Marcin. "„Chcą urządzić masakrę, od której oślepłyby wieki...” – bomba atomowa a kultura Zachodu w polskiej poezji socrealistycznej." Przegląd Humanistyczny, no. 1 (April 26, 2017): 69–79. http://dx.doi.org/10.5604/01.3001.0009.9227.

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The atomic bomb used in 1945 by the United States disturbed the military and symbolic balance of the world then. It became a sign of the Western power. The communist propaganda sought to neutralize the meaning of a new weapon. The text reconstructs the attempts of this neutralization and indicates the ways of presentation of nuclear weapons in the Polish poetry of socialist realism. Several motifs can be mentioned here: juxtaposition of the atomic bomb with apocalyptic motifs, highlighting the lack of intellectual and moral qualifications for possessing it, and emphasizing that it is a dangero

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10

Kalewska, Anna. "António Feijó i Leopold Staff – poetyckie wizje Orientu na tle polsko-portugalskich relacji literackich i kulturalnych (od parnasizmu do palimpsestu)." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 21 (December 23, 2021): 167–200. http://dx.doi.org/10.24917/20811853.21.10.

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The article aims to discuss the Chinese culture inspirations in Polish and Portuguese modernist poetry. In the context of Polish-Portuguese literary relationships, late Romantic, Symbolic, Parnassianism-related and Oriental tendencies are presented in the works of a Portuguese poet Antón Feijó (1859–1917), with references to a selected aspect of Leopold Staff’s works (1878–1957). A historical-literary analysis is accompanied by literary and cultural comparative studies. Within the comparative method of presenting the Parnassian palimpsests, as 'The Chinese Lyric Book' ('Cancioneiro Chinês', 18

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