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Dissertations / Theses on the topic 'Political aspects of Dream interpretation'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Oberholzer, Sofia Adriana. "The hermeneutic value of the Daseinsanalytic approach to dream interpretation in psychotherapy: a case study." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1012988.

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The purpose of this study was to investigate the hermeneutic value of the Daseinsanalytic approach to dream interpretation in the process of psychotherapy. After delineating the Daseinsanalytic view on dream interpretation, with emphasis on the conceptualization of Medard Boss, the study explores the usefulness and validity of the case study as a method of investigating the content and process of psychotherapy. A psychodynamic formulation of the presenting problem is based on the conceptualization of the nature and etiology of neurosis as delineated by Andras Angyal, with particular reference

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2

Terjung, Helmut C. "From baby boom to birth dearth : an interpretation of the population control movement and its political discourse since 1945 in the United States /." Thesis, This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-06102009-063041/.

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3

Chik, Hsia-hui Alice, and 戚夏蕙. "Adolescents' critical reading of advertisements and public service messages: the interpretation of identitiesand meaning." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31944784.

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4

McEwen, Caryn. ""How did I get this lucky?" : issues of power, intimacy and sexuality in the construction of young women's identities within their heterosexual relationships." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1007595.

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This thesis seeks to explore how young, educated and seemingly liberated women construct their identities and make sense of their futures around their heterosexual relationships. Using the experiences of eight women participants engaged in long-term heterosexual relationships, combined with relevant secondary literature, issues of sexuality, identity, power and intimacy are discussed. Emphasis is placed on the implications of their identity construction and how they 'perform' their roles as women in society. How their sexual stories reflect their positioning in society is premised by the phras

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5

Boyle, Amy L. "Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98914.

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This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d Art Moderne, Departement des Aigles from 1968-1972 and Wilson's 1992 installation Mining the Museum at the Maryland Historical Society, this thesis will critically analyze each artist's similar application of deconstruction as a method. Both artists employ allegory and history as aesthetic strategies of deconstruction; using allegorical structure, the artists mobilize objects that have been arrested in

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6

Ponono, Mvuzo. "Centralising a counter public: an ethnographic study of the interpretation of mainstream news media by young adults in Joza." Thesis, Rhodes University, 2019. http://hdl.handle.net/10962/65033.

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The 2014 national general elections were characterised by a cloud of scandal hanging over the ANC, and the ANC president Jacob Zuma. The biggest and darkest cloud was the Nkandla scandal. Owing to a reported R246 million spent by the state to refurbish his private home, the president stood accused of wasteful expenditure and financial irregularity. In a country reeling from the continued effects of apartheid, which include high unemployment and poverty, the scandal was a bombshell. According to a vocal and often adversarial mainstream media sphere, the ANC went into those elections with an alb

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7

Sutton, Peter David. "'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.

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This thesis is an analysis of the manner in which the persona and works of Ben Jonson were appropriated – between the Restoration, in 1660, and the retirement of David Garrick, in 1776 – to reflect the political and social concerns of the age. Unlike previous studies, rather than primarily focusing on the stage history of Jonson, I analyse a wide range of sources – produced both within and outwith the theatre – in order to explore, across a variety of media, a breadth of material which appropriates the playwright and his works. I shall consider in my first main chapter the appropriations of Jo

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8

Pycroft, Hayley. "Beyond Afrocentricism and Orientalism contemporary representations of transnational identities in the works of Nontsikelelo "Lolo" Veleko and Tracy Payne." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002216.

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South African photographer Nontsikelelo “Lolo” Veleko and South African painter Tracy Payne explore different ways of communicating African realities. The visual imagery of these two artists focuses a lot on movement, challenging the rigidity of boundaries set by Western social constructs. In their work, Veleko and Payne critique the limitations of terms such as “authenticity.” It is extremely difficult to portray shifting notions of contemporary African identity in light of the stain of colonial philosophies which have, in times past, exoticised and appropriated the African body and ascribed

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9

Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or

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10

Tsai, Tsung-Han. "Hearing Forster : E.M. Forster and the politics of music." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4424.

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This thesis explores E. M. Forster's interest in the politics of music, illustrating the importance of music to Forster's conceptions of personal relationships and imperialism, national character and literary influence, pacifism and heroism, class and amateurism. Discussing Forster's novels, short stories, essays, lectures, letters, diaries, and broadcast talks, the thesis looks into the political nuances in Forster's numerous allusions and references to musical composition, performance, and consumption. In so doing, the thesis challenges previous formalistic studies of Forster's representatio

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11

Ott, Janelle (Bassoonist). "The Concerto for Bassoon by Andrzej Panufnik: Religion, Liberation, and Postmodernism." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849689/.

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The Concerto for Bassoon by Andrzej Panufnik is a valuable addition to bassoon literature. It provides a rare opportunity for the bassoon soloist to perform a piece which is strongly programmatic. The purpose of this document is to examine the historical and theoretical context of the Concerto for Bassoon with special emphasis drawn to Panufnik's understanding of religion in connection with Polish national identity and the national struggle for democratic independence galvanized by the murder of Father Jerzy Popieluszko in 1984. Panufnik's relationship with the Polish communist regime, both

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12

Du, Plessis Irma. "Crafting popular imaginaries : Stella Blakemore and Afrikaner nationalism." Diss., University of Pretoria, 2002. http://hdl.handle.net/2263/25581.

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13

Vassileva, Veronika. "A comparison of Petar Christoskov’s Op. 1 and Op. 24 Caprices for Solo Violin: The effect of the changing Bulgarian political climate on his compositional style." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849741/.

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Bulgaria, though a fairly small Eastern European country, boasts an ancient history of folk traditions and music; however, very few notated works exist due to the people's primitive lifestyle throughout Bulgaria's history. Singing and dancing as well as creating instruments from wood and animal skin were considered an integral part of everyday life, equal to cooking, sewing, herding, or farming; in fact, one almost always accompanied the other. Thus, more than 1500 years of folklore was orally passed on and preserved generation after generation; however, nothing was notated until only very rec

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14

Baldwin, Jillian. "Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5482/.

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As ownership of Hong Kong changed hands from the United Kingdom to the People's Republic of China in 1997, citizens and filmmakers of the city became highly aware of the political environment. Film director Wong Kar-Wai creates visually stimulating films that express the anxieties and frustrations of the citizens of Hong Kong during this period. This study provides a political reading of Days of Being Wild (1991), In the Mood for Love (2000), and 2046 (2004) through analyzing various story elements and details within the mise-en-scene. Story elements include setting, dialogue, character relati

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Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).

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Bittencourt, Rodrigo do Prado 1984. "Lina e o poder do erro : ensinamentos de uma personagem de João Guimarães Rosa." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270105.

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Orientador: Mário Luiz Frungillo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-23T10:32:47Z (GMT). No. of bitstreams: 1 Bittencourt_RodrigodoPrado_M.pdf: 570719 bytes, checksum: b34aad4dc718b9dd967052de186aef46 (MD5) Previous issue date: 2013<br>Resumo: Este texto busca estudar os aspectos políticos, históricos e sociais trabalhados por João Guimarães Rosa em "A estória de Lélio e Lina", texto presente em Corpo de Baile. Para isso, se analisará como as palavras e ações de Lina servem para resgatar a ord

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17

Gasser, Mark. "Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/694.

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This exegetical critique makes a conceptual summation of Ronald Stevenson’s life’s work for the piano and his contributions as a composer‐pianist. Chapters one and two provide a profile of Stevenson as a pianist, examining the aesthetic and musical concerns that defined his long career, as well as precedents and antecedents of his pianism. Of particular interest are the ways that Stevenson coalesces aspects of the ‘grand manner’ and his obsession with a pianistic bel canto style. Chapter three examines Stevenson’s remarkable output in terms of piano transcriptions. His conceptualization of thi

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18

Munoz, Cabrera Patricia. "Journeying: narratives of female empowerment in Gayl Jones's and Toni Morrison's ficton." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210259.

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This dissertation discusses Gayl Jones’s and Toni Morrison’s characterisation of black women’s journeying towards empowered subjectivity and agency. <p><p>Through comparative analysis of eight fictional works, I explore the writers’ idea of female freedom and emancipation, the structures of power affecting the transition from oppressed towards liberated subject positions, and the literary techniques through which the authors facilitate these seminal trajectories.<p><p>My research addresses a corpus comprised of three novels and one book-long poem by Gayl Jones, as well as four novels by Toni M

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19

Harris, John Steven. "Sister to the dream : the surrealist object between art and politics." Thesis, 1997. http://hdl.handle.net/2429/6637.

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My dissertation examines the role played by the surrealist object in the avant-garde strategies of the French surrealist group, in the difficult political circumstances of the 1930s. In my reading, the surrealist object is located in a critical relation to modern art; it depends on the invention of collage for its own realization, but it also attempts to supersede modernism through an act of desublimation, the return of art to its sexual origins. A n understanding of this critical relation is established through Peter Burger's Theory of the Avant-Garde, through the use of psychoanalytic

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20

Conradie, Dirk Philippus. "Archaeological interpretation and ideology of historical spaces in Israel and the West Bank." Thesis, 2021. http://hdl.handle.net/10500/27453.

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Bibliography: leaves 176-186<br>The relationship between political, religious ideology and the interpretation of archaeological excavation in the Holy Land has faced criticism and has been debated by scholars since the beginning of biblical archaeology in the 19th century and up to the present day. These debates are not just academic but have manifested itself in the public narrative and are alleged to have consequences regarding the history of Israel and the physical space inhabited by both the Israelis and the Palestinians. Some of the current excavations in Jerusalem are viewed

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21

Butterwick, Shauna J. "The politics of needs interpretation : a study of three CJS-funded job-entry programs for women." Thesis, 1992. http://hdl.handle.net/2429/2037.

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This inquiry explored the everyday struggles of several women who worked as coordinators and instructors in three government-funded job-entry programs for women in the non-profit sector. The programs studied included an entry program for native women, a program which trained immigrant women in bookkeeping skills, and a program which trained women on social assistance to enter the construction trades. The work of the staff in these programs was considered in light of a theoretical framework developed by Nancy Fraser. Fraser has called for a different approach -- a more critical discourse-orient

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22

Terblanche, Juan M. "A Jungian analysis of artworks by a creatively active cohort of persons suffering from schizophrenia." 2014. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001484.

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M. Tech. Fine Arts<br>This dissertation will attempt to contextualise the notion of art created by individuals suffering from schizophrenia. These individuals include four non-westernised individuals. Artworks used in this dissertation were obtained, with permission, from a psychiatric facility on the East Rand. It is the aim of this dissertation to analyse the symbols that manifest in these artworks, symbols that manifest from the personal unconscious of collective unconscious. The symbols that manifest in these artworks will be analysed through the application of Jungian psychoanalytic theor

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23

Majola, Xolani C. "Policy interpretation and sensemaking by KZN provincial officials with reference to the private schools and norms and standards for school funding." Thesis, 2016. http://hdl.handle.net/10539/22684.

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A research report submitted in partial fulfilment of the requirements for the degree of Master in Education School of Education Faculty of Humanities University of Witwatersrand<br>Arguing for the understanding of policy and its implementation as a multi-dimensional process, this study explores how provincial officials interpret and implement policy. It uses the context of the National Norms and Standards for School Funding (NNSSF) aimed at KwaZulu-Natal (KZN) independent schools to study what happens on the ground in relation to policy implementation. The aim is to explore knowledge and e

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Benson, Susan. "Women dreaming around marriage : a transpersonal study of personal narratives, group dreamwork, image and archetype." Thesis, 2008. http://hdl.handle.net/1959.7/uws:51508.

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This thesis demonstrates how eight participants in two dreamgroups, meeting over six years, explored aspects of self-identity, change and transformation in the context of their own personal dreaming and shared dreamgroup processes. The thesis provides a rationale and argument for engagement with group dreamwork processes, as an appropriate medium of critical social/cultural inquiry, as well as for personal psycho-spiritual exploration. An initial pilot project involved four women in a short-term eight week dreamgroup process. Subsequently, two dreamgroups made up of mature-age women, who had e

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Papadelos, Pam. "Derridean deconstruction and feminism: exploring aporias in feminist theory and practice." 2007. http://hdl.handle.net/2440/39506.

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This thesis examines the politics of deconstruction within the interdisciplinary field of Women’s Studies and the question as to whether deconstruction has a politics, or can enhance the political goals of western feminism. This thesis argues that philosophy, and deconstruction in particular, is extremely useful for re-thinking feminist issues, especially around subjectivity and agency, but is not always seen to be so by some Australian feminists. As a result, Australian feminism, like feminism in other Anglophone countries, founded on the dichotomy of sameness-difference, has run out of theor

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Mathews, Heather Elizabeth. "Making histories: the exhibition of postwar art and the interpretation of the past in divided Germany, 1950-1959." Thesis, 2006. http://hdl.handle.net/2152/3457.

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Marie, Annika. "The most radical act: Harold Rosenberg, Barnett Newman and Ad Reinhardt." Thesis, 2006. http://hdl.handle.net/2152/3456.

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28

Gieskes, Mette. "The politics of system in the art of Carl Andre, Sol LeWitt, and Vito Acconci, 1959-1975." Thesis, 2006. http://hdl.handle.net/2152/2868.

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29

Nkosinkulu, Zingisa. "Decolonising the figure of Sophie : a Fanonian analysis of Mary Sibande’s contemporary visual artworks." Thesis, 2020. http://hdl.handle.net/10500/27078.

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My study is a theoretical intervention of the South African contemporary visual art of Mary Sibande. It focuses on the figure of Sophie representing the maid in three series; namely, Sophie-Elsie, Sophie-Merica, and Sophie-Velucia. The study applies Frantz Fanon’s thought to the understanding of the figure of Sophie while emphasising the themes of naming, the human subject, and presence-absence. The theoretical framework of this thesis is a decolonial epistemic theory, which is used as a lens to understand Fanon’s political thoughts. I argue that the themes of naming, human subject, and prese

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30

Banda, Zuze Johannes. "African renaissance and missiology : perspective from mission praxis." Thesis, 2010. http://hdl.handle.net/10500/4136.

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This thesis is an endeavour to participate in the call for the African Renaissance from a missiological perspective. The study observes how the debate about this African ‗dream‘ persists in the domain of intellectuals and political leaders. It recognises as timely the opportunity to contribute theologically to the development of the renaissance concept. It also observes that ordinary people have jumped onto the African Renaissance bandwagon albeit for reasons that are mainly sentimental. Hence a two-fold appeal to protagonists of the African Renaissance movement: firstly, to be inclusive of al

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31

Nell, Wendy Desre. "Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid." Diss., 2014. http://hdl.handle.net/10500/18832.

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Text in Afrikaans<br>Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lew

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Thwaites, Dilber. "Zunun Kadir's Ambiguity: The dilemma of a Uyghur writer under Chinese rule." Phd thesis, 2001. http://hdl.handle.net/1885/7563.

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This thesis considers the work of the influential Uyghur writer Zunun Kadir (1912-1989), and through it charts some aspects of Uyghur identity and aspiration, while explaining the background of his work in relation to the culture and history of the Uyghur people of East Turkistan (Xinjiang). Growing up in a poor and conservative family under Chinese rule, Zunun developed a commitment to nationalism and socialism in the belief that these would serve as the best basis for the advancement of the Uyghur people. In middle age he witnessed the absorption of the East Turkistan Republic into the

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Mathews, Ned Lee 1934. "Toward reestablishing a Christian worldview in a postmodern age." Thesis, 2000. http://hdl.handle.net/10500/18165.

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This work is comprised of an Introduction and two Parts. Part One treats, by way of historical review and evaluation, the disestablishment of the Christian worldview in a postmodern age. Part Two proposes the means by whichthe Christian worldview might be reestablished. The reestablishment includes the use of some of the benefits of postmodernism by Christians as well as a return to the responsible reading of texts, especially the biblical text. Part One, The Disestablishment of the Christian Worldview, is composed ofthree chapters. Chapter 1chronicles the change that ha

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Nkwinika, Cordelia. "Power management as reflected in some oral prose narratives in Xitsonga : a critical discourse analytical interpretation of communication strategies used by leaders." Thesis, 2020. http://hdl.handle.net/10500/27608.

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Summaries in English, Tsonga and Venda<br>Dyondzo yi lavisisa vutlhari lebyi nga kona eka marungula ya tiprosi ta Xitsonga byo kambisisa swikili swa vulawuri na switirateji swa mbulavurisano leswi tirhisiwaka hi varhangeri va sweswi eka tisosayiti. Mahungu hinkwawo ya mbulavurisano wa swiharhi na vanhu ya nyikiwile lama kongomisaka eka tinxaka ta vurhangeri na swikili. Marungula ya tiprosi ta Xitsonga lama hlawuriweke na ku dokhumentiwa na marungula hi varhangeri va sweswi ya hlengeletiwile naswona ya xopaxopiwile. Dyondzo yi leteriwile hi Nxopanxopo wa Mbulavulo wa Nkoka, Mbulavurisano

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Yudkoff, Ambigay. ""When voices meet" : Sharon Katz as musical activist during the apartheid era and beyond." Thesis, 2018. http://hdl.handle.net/10500/25340.

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This study investigates the work of the performer, composer, educator, music therapist and activist Sharon Katz. Beginning in 1992, Katz made history in apartheid South Africa when she formed a 500-member choir that showcased both multi-cultural and multi- lingual songs in their staged the production, When Voices Meet, which incorporated music, songs and dance, intended to assist in promoting a peaceful transition to democracy in South Africa. The success of the concerts of When Voices Meet led to Katz securing sponsorships to hire a train, “The Peace Train”, which transported 130 performer

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Opperman, Susan. "Ethical and stylistic issues of translating Bosman's English short stories into Afrikaans." Thesis, 2018. http://hdl.handle.net/10500/24546.

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Text in English with abstracts in English, Afrikaans and isiXhosa<br>Herman Charles Bosman (1905–1951) remains a popular South African writer, despite the frequent occurrence of the offensive k-word for black people in his writings. Although the discipline of Translation Studies is presently dominated by ethical considerations, there are reasons to believe that ethical issues have been neglected in recent translations of Bosman’s English short stories into Afrikaans. His translators, Griebenow and De Lange, have conformed to a simplistic fidelity-driven perception of ethics, while more attenti

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Ewnetu, Anteneh Aweke. "The Representation of Ethiopian politics in selected Amharic novels, 1930 - 2010." Thesis, 2014. http://hdl.handle.net/10500/13857.

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Amharic literature has always occupied an important place in the history of the literary traditions of Ethiopia. Although this literature is believed to be strongly related to the politics of the country, there has been no study that proves this claim across the different political periods in the country. It would be ambitious to deal with all the literary genres in this respect. Therefore, delimiting the investigation of the problem is considered to be useful to filling the knowledge gap. Accordingly, this comparative research which investigates a representation of Ethiopian politics in sele

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Conradie, A. F. "Bybel as problematiese teks: ’n kritiese ontleding aan die hand van polemieke in die Nederduitse Gereformeerde Kerk: van Johannes du Plessis tot Ferdinand Deist en Willem Vorster (1920–2000)." Thesis, 2019. http://uir.unisa.ac.za/handle/10500/25638.

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Text in Afrikaans, with summaries in Afrikaans and English<br>Includes bibliographical references (leaves 383-403)<br>Die woordestryd oor goddelike inspirasie van alles wat in die Bybel staan, as gevolg van die uitgesproke stellings van Johannes Du Plessis, het tot ‘n krisis gelei wat as baken in die annale van die Ned. Geref. Kerk beskou word. Die meeste van sy standpunte word vandag as waarheid aanvaar en hy het bygedra tot die intellektuele debat oor die Bybel as Woord van God wat vandag nog aangaan. Du Plessis se herkoms, opleiding en verdienste as predikant en saakgelastigde van die Ker

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Swanepoel, Andrew Peter. "Repositioning the problematic gender formation of a generation of white South African men through performance art." Diss., 2018. http://hdl.handle.net/10500/25347.

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An overview of global statistics on violence, country to country and worldwide, indicates that men are the main perpetrators of violence in our societies. Furthermore, the behavioural traits of risk-taking and self-harm are also associated with men. It is my contention that the formative processes involved in gender identity are at the root of these dysfunctions. In an attempt to present a positive alternative, I focus on a group I name the X- Men: white South African Generation X males. Drawing on Judith Butler‟s theory of performativity and its allowance for agency and resistance, I argue

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