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1

Podlecki, A. J. The political background of Aeschylean tragedy. 2nd ed. London: Bristol Classical, 1999.

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2

Tragedy and citizenship: Conflict, reconciliation, and democracy from Haemon to Hegel. Albany: State University of New York Press, 2009.

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3

Greek tragedy and political philosophy: Rationalism and religion in Sophocles' Theban plays. Cambridge: Cambridge University Press, 2009.

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4

Political violence in drama: Classical models, contemporary variations. Ann Arbor, Mich: UMI Research Press, 1987.

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5

Bierl, Anton F. Harald. Dionysos und die griechischeTragödie: Politische und "metatheatralische" Aspekte im Text. Tübingen: G. Narr, 1991.

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6

Dahl, Mary Karen. Political violence in drama: Classical models, contemporary variations. USA: UMI Research, 1988.

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7

Bierl, Anton. Dionysos und die griechische Tragödie: Politische und "metatheatralische" Aspekte im Text. Tübingen: G. Narr, 1991.

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8

Dahl, Mary Karen. Politicalviolence in drama: Classical models, contemporary variations. Ann Arbor, Mich: UMI Research Press, 1987.

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9

Christian, Meier. The political art of Greek tragedy. Cambridge: Polity Press, 1993.

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10

Christian, Meier. The political art of Greek tragedy. Baltimore: Johns Hopkins University Press, 1993.

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11

The tragedy of political theory: The road not taken. Princeton, N.J: Princeton University Press, 1990.

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12

Persuasion in Greek tragedy: A study of peitho. Cambridge: Cambridge University Press, 2010.

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13

Kintz, Linda. The subject's tragedy: Political poetics, feminist theory, and drama. Ann Arbor: University of Michigan Press, 1992.

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14

Gender and politics in Greek tragedy. New York: P. Lang, 1998.

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15

Garrison, Elise P. Groaning tears: Ethical and dramatic aspects of suicide in Greek tragedy. Leiden: Brill, 1995.

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16

Rocco, Christopher. Tragedy and enlightenment: Athenian political thought and the dilemmas of modernity. Berkeley: University of California Press, 1997.

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17

Christian, Meier. Die politische Kunst der griechischen Tragödie. München: C.H. Beck, 1988.

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18

Elizondo, Horacio Guajardo. Más tragedia que política. México, D.F: Dirección de Difusión Cultural, Departamento Editorial, Universidad Autónoma Metropolitana, 1989.

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19

1261-1329, Mussato Albertino, ed. La rinascita del genere tragico nel Medioevo: L'Ecerinis di Albertino Mussato. Firenze: F. Cesati, 2006.

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20

Greek tragic theatre. London: Routledge, 1994.

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21

David, Clarke. Pierre Corneille: Poetics and political drama under Louis XIII. Cambridge [England]: Cambridge University Press, 1992.

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22

Orsi, Rocío. El saber del error: Filosofía y tragedia en Sófocles. Madrid: Plaza y Valdés, 2007.

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23

El saber del error: Filosofía y tragedia en Sófocles. Madrid: Plaza y Valdés, 2007.

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24

Colvin, Stephen. Dialect in Aristophanes: And the politics of language in ancient Greek literature. Oxford: Clarendon Press, 1999.

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25

Croally, N. T. Euripidean polemic: The Trojan women and the function of tragedy. Cambridge: Cambridge University Press, 1994.

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26

Euripides and the instruction of the Athenians. Ann Arbor: University of Michigan Press, 1991.

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27

Sullivan, Shirley Darcus. Euripides' use of psychological terminology. Montreal: Ithaca, [NY], 2000.

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28

Peplinski, Christina. Normatives und normwidriges Verhalten bei Aischylos, Sophokles und Euripides: Dargestellt an ausgewählten Dramen. Erlangen: Palm & Enke, 1994.

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29

Athens in Paris: Ancient Greece and the political in postwar French thought. Oxford: Oxford University Press, 2005.

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30

Etxabe, Julen. The experience of tragic judgement. New York, NY: Routledge, 2012.

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31

Sullivan, Shirley Darcus. Aeschylus' use of psychological terminology: Traditional and new. Montreal: McGill-Queen's University Press, 1997.

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32

Sullivan, Shirley Darcus. Aeschylus' use of psychological terminology: Traditional and new. Montreal: McGill-Queen's University Press, 1997.

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33

Tragic props and cognitive function: Aspects of the function of images in thinking. Leiden: Brill, 2010.

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34

Chaston, Colleen. Tragic props and cognitive function: Aspects of the function of images in thinking. Boston: Brill, 2009.

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35

Zak, William F. The polis and the divine order: The Oresteia, Sophocles, and the defense of democracy. Lewisburg [Pa.]: Bucknell University Press, 1995.

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36

Edmunds, Lowell. Theatrical space and historical place in Sophocles' Oedipus at Colonus. Lanham, Md: Rowman & Littlefield Publishers, 1996.

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37

Tragedies of tyrants: Political thought and theater in the English Renaissance. Ithaca: Cornell University Press, 1990.

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38

Stuttard, David. An introduction to Trojan women: Including an adaptation of the play. Brighton: Company Dionysus, 2005.

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39

Aspects of Euripidean Tragedy. University of Cambridge ESOL Examinations, 2015.

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40

Peter, Euben J., ed. Greek tragedy and political theory. Berkeley: University of California Press, 1986.

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41

Pollution and Crisis in Greek Tragedy. University of Cambridge ESOL Examinations, 2020.

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42

Meinel, Fabian. Pollution and Crisis in Greek Tragedy. Cambridge University Press, 2015.

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43

Moral Awareness In Greek Tragedy. Oxford University Press, 2013.

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44

Lawrence, Stuart. Moral Awareness in Greek Tragedy. Oxford University Press, 2013.

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45

Kintz, Linda. The Subject's Tragedy: Political Poetics, Feminist Theory, and Drama. University of Michigan Press, 1993.

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46

Theatre of the Condemned: Classical Tragedy on Greek Prison Islands. Oxford University Press, 2011.

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47

Roselli, David. Gender and class in Athenian material and theater culture. 2003.

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48

Ahrensdorf, Peter J. Greek Tragedy and Political Philosophy: Rationalism and Religion in Sophocles' Theban Plays. Cambridge University Press, 2011.

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49

Le Miroir brisé : Tragédie athénienne et politique. Belles Lettres, 2002.

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50

Rehm, Rush. Greek Tragic Theatre. Taylor & Francis Group, 2003.

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