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Books on the topic 'Political aspects of Music festivals'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Unverhau, Henning. Gesang, Feste und Politik: Deutsche Liedertafeln, Sängerfeste, Volksfeste und Festmähler und ihre Bedeutung für das Entstehen eines nationalen und politischen Bewusstseins in Schleswig-Holstein 1840-1848. Frankfurt am Main: P. Lang, 2000.

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2

1946-, Connell John, ed. Music festivals and regional development in Australia. Burlington, VT: Ashgate, 2011.

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3

Gebhardt, Winfried. Fest, Feier und Alltag: Über die gesellschaftliche Wirklichkeit des Menschen und ihre Deutung. Frankfurt am Main: P. Lang, 1987.

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4

Berlatsky, Noah. Rap music. Detroit: Greenhaven Press, 2012.

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5

Kötzing, Andreas. Kultur- und Filmpolitik im Kalten Krieg: Die Filmfestivals von Leipzig und Oberhausen in gesamtdeutscher Perspektive, 1954-1972. Göttingen: Wallstein, 2013.

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6

Las liturgias del poder: Celebraciones públicas y estrategias persuasivas en Chile colonial, 1609-1709. Santiago, Chile: DIBAM, 2001.

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7

Freed, Gwendolyn. Musician's resource: The Watson-Guptill guide to workshops, conferences, residential programs, academic programs, festivals, masterclasses. New York: Watson-Guptill Publications, 1997.

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8

Noise: The political economy of music. Minneapolis: University of Minnesota Press, 1989.

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9

Attali, Jacques. Noise: The political economy of music. Minneapolis: University of Minnesota Press, 1985.

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10

Parades and the politics of the street: Festive culture in the early American republic. Philadelphia, Pa: Penn, University of Pennsylvania Press, 1997.

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11

Okti︠a︡brʹ, Stalin, Pobeda: Kulʹt i︠u︡bileev v prostranstve pami︠a︡ti. Moskva: AIRO-XXI, 2010.

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12

The festival of San Giovanni: Imagery and political power in Renaissance Florence. New York: Peter Lang, 1994.

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13

Music as social text. Cambridge, UK: Polity Press, 1991.

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14

Gwizdalanka, Danuta. Muzyka i polityka. Kraków: Polskie Wydawn. Muzyczne, 1999.

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15

Welt, was frag ich nach dir?: Politische Porträts grosser Komponisten. Leipzig: P. Reclam, 1988.

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16

Pratt, Ray. Rhythm and resistance: The political uses of American popularmusic. Washington, [D.C.]: Smithsonian Institution Press, 1994.

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17

Acting in concert: Music, community, and political action. New Brunswick, N.J: Rutgers University Press, 1998.

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18

Julien, Besançon. Festival de musique: Analyse sociologique de la programmation et de l'organisation. Paris: L'Harmattan, 2000.

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19

Marling, Gitte. Instant city @ Roskilde Festival. Aalborg: Aalborg University Press, 2011.

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20

Creative life : music, politics, people, and machines. Urbana: University of Illinois Press, 2009.

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21

Shved, Mykhaĭlo. Tendent︠s︡iï rozvytku mi︠z︡hnarodnykh festyvaliv suchasnoï muzyky. Lʹviv: Spolom, 2010.

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22

Pratt, Ray. Rhythm and resistance: The political uses of American popular music. Washington: Smithsonian Institution Press, 1994.

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23

Maḥallāwī, Ḥanafī. Umm Kulthūm wa-khamsūn sanah siyāsah. al-Qāhirah: al-Dār al-Miṣrīyah al-Lubnānīyah, 1999.

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24

Nieder, Horst. Ritterspiele, Trionfi, Feuerwerkspantomime: Die Kasseler Tauffeierlichkeiten von 1598 : Fest und Politik am Hofe des Landgrafen Moritz von Hessen-Kassel. Marburg: Jonas, 1999.

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25

Rhythm and resistance: Explorations in the political uses of popular music. New York: Praeger, 1990.

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26

Musik unter politischen Vorzeichen: Parteiherrschaft und Instrumentalmusik in der DDR seit dem Mauerbau : Werk- und Kontextanalysen. Saarbrücken: Pfau, 2007.

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27

Buch, Esteban. La neuvième de Beethoven: Une histoire politique. Paris: Gallimard, 1999.

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28

Dannenberg, Georg, and Lutz Kohlschmidt. Music power: Trost und Trug von Hitparaden. Leipzig: Urania-Verlag, 1985.

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29

Eisler, Hanns. Musique et société. Paris: Maison des sciences de l'Homme, 1998.

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30

Musical democracy. Albany: State University of New York Press, 2006.

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31

Kalevi, Aho, ed. Arktinen sinfoniaviha: Valittuja kulttuuripoliittisia esseitä ja polemiikkeja. Helsinki: Gaudeamus, 1994.

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32

Cohen, Abner. Masquerade politics: Explorations in the structure of urban cultural movements. Berkeley: University of California Press, 1993.

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33

1972-, Tang Patricia, ed. Mamadou m'a dit: Les luttes des foyers, révolution Afrique, Africa fête--. Paris: Syllepse, 2008.

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34

Buch, Esteban. Beethoven's ninth: A political history. Chicago,IL: University of Chicago Press, 2003.

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35

Les fêtes du maréchal: Propagande festive et imaginaire dans la France de Vichy. Paris: Tallandier, 2008.

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36

Rednecks & bluenecks: The politics of country music. New York, NY: New Press, 2006.

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37

Melos-Étos (Festival) (1st 1991 Bratislava, Slovakia). Hudba a totalita: Symposion 1991, Bratislava, 17.-19. Október : v rámci 1. ročníka festivalu MELOS-ÉTOS = Musik und Totalitarismus : im Rahmen des 1. Jahrgangs des MELOS-ETHOS-Festivals. Hudba ako posolstvo : symposion 1993, Bratislava, 11.-13. November : v rámci 2. ročníka festivalu MELOS-ÉTOS = Musik als Botschaft : im Rahmen des 2. Jahrgangs des MELOS-ETHOS-Festivals. Bratislava: Festival Melos-Ethos, 1995.

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38

Künstler, Bürger, Obrigkeit: Hagener Musik- und Theaterpolitik im 19. und 20. Jahrhundert. Münster: Agenda, 1999.

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39

Gebhardt, Winfried. Pilgerfahrt ins Ich: Die Bayreuther Richard-Wagner-Festspiele und ihr Publikum : eine kultursoziologische Studie. Konstanz: UVK, 1998.

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40

Currie, James R. Music and the politics of negation. Bloomington: Indiana University Press, 2012.

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41

Sonderforschungsbereich 482--"Ereignis Weimar-Jena, Kultur um 1800.", ed. Festkulturen im Vergleich: Inszenierungen des Religiösen und Politischen. Köln: Böhlau, 2010.

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42

Cloonan, Martin. Popular music and the state in the UK: Culture, trade or industry? Aldershot, Hampshire, England: Ashgate, 2007.

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43

Wolter, Günter. Dmitri Schostakowitsch, einesowjetische Tragödie: Rezeptionsgeschichte. Frankfurt am Main: P. Lang, 1991.

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44

Jäger, Markus. Joan Baez and the issue of Vietnam: Art and activism versus conventionality. Stuttgart: Ibidem-Verlag, 2003.

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45

Sauer, Heike. Traum, Wirklichkeit, Utopie: Das deutsche Musiktheater 1961-1971 als Spiegel politischer und gesellschaftlicher Aspekte seiner Zeit. Münster: Waxmann, 1994.

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46

Lahusen, Christian. The rhetoric of moral protest: Publiccampaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.

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47

Festivals of freedom: Memory and meaning in African American emancipation celebrations, 1808-1915. Amherst: University of Massachusetts Press, 2003.

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48

Lahusen, Christian. The rhetoric of moral protest: Public campaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.

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49

Davidson, Clifford. Festivals and plays in late medieval Britain. Aldershot, Hants, England: Ashgate, 2007.

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50

Reichel-Heldt, Kai. Filmfestivals in Deutschland: Zwischen kulturpolitischen Idealen und wirtschaftspolitischen Realitäten. Frankfurt am Main: Lang, 2007.

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