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Journal articles on the topic 'Political aspects of Rhythm'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Solomon, Ty. "Rhythm and Mobilization in International Relations." International Studies Quarterly 63, no. 4 (2019): 1001–13. http://dx.doi.org/10.1093/isq/sqz074.

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Abstract International Relations (IR) has rarely considered rhythm as a topic of analytical attention. Yet rhythms permeate many social and political phenomena, and their study contributes to core debates and empirical insights in contemporary IR. Rhythms are similar to but distinct from other forms of repetitive, iterative social action that have garnered increasing interest in IR, such as practices, habits, and routines. Each of these phenomena has rhythmic elements, but not all rhythmic phenomena are practical, habitual, or routine. Rhythm, then, is a distinct category of iterative action t

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Häßler, Miriam. "Moscow Merz and Russian Rhythm." Experiment 23, no. 1 (2017): 117–26. http://dx.doi.org/10.1163/2211730x-12341305.

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Abstract The Erste Russische Kunstausstellung [First Russian Art Exhibition] of 1922 was a remarkable event not only for Berlin’s art lovers at that time, but also for the history of twentieth century art. Held at Galerie van Diemen, the show gave a comprehensive overview of Russia’s artistic achievements from late Tsardom to the Russian Civil War. Of all styles in the exhibition, the non-objective art movements of suprematism and constructivism provoked the greatest sensation among the visitors, many of whom were Western artists. Relating Russia’s variations of non-objectivity with their—assu

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Andrianov, Dmytro, and Danylo Smohol. "THE COGNITIVE-PRAGMATIC ASPECTS OF THE INAUGURAL SPEECH OF THE PRESIDENT OF THE REPUBLIC OF KOREA YOON SUK YEOL ON MAY 10, 2022, IN CONTEMPORAL POLITICAL DISCOURSE." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 29 (2023): 37–42. http://dx.doi.org/10.17721/1728-242x.2023.29.06.

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Background. The article is devoted to the contemporary Korean political discourse taking into account the cultural context, namely the high-contextuality and hermeneutics of Korean culture. Politically oriented texts are always an indicator of national values, because political thinking and linguistic specificity of public speeches are in close interaction. The political speech actualizes the religious and philosophical traditions of the Korean-Asian civilizational model, is characterized by a high level of formality, focuses on the use of language formulas, and unfolds narratives important fo

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Wang, Xiaoran, and Farideh Alizadeh. "The Political Potential of Autonomous Time Generation in Jean Genet's The Balcony." Malaysian Journal of Social Sciences and Humanities (MJSSH) 9, no. 10 (2024): e003006. http://dx.doi.org/10.47405/mjssh.v9i10.3006.

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With the development of timekeeping machinery in the late Middle Ages, time became publicly visible on mechanical dials. This way of spatializing time aimed to crystallize the flow of time and experience into eternity at a single moment, reaching its peak in the 19th century. The natural rhythm of time and the discrete temporality of personal experience were strictly unified into a series of points, distributed along a historical timeline that never turns back. This unidirectional arrow of time remains evident in the study of The Balcony. Research on The Balcony has primarily focused on its po

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Gailea, Ginanjar. "BOOK REVIEW. HOW TO READ LITERATURE BY TERRY EAGLETON REVIEW-THE MACRO ASPECTS OF LITERARY CRITICISM." Jurnal Humaniora 27, no. 1 (2015): 137. http://dx.doi.org/10.22146/jh.v27i1.22447.

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Terry Eagleton, the author of How to Read Literature, is a well-known British literary theorist, critic and public intellectual. He is a professor of English Literature at Lancaster University. Among his publications, Literary Theory: An Introduction (1983) is still the best one till nowadays. In How to Read Literature, Eagleton attempts to deal with the challenge of literary criticism at present. It is because students of literature often percept a literary work as what it says. The aspect of ‘literariness’ which is a work’s aesthetic form is not taken into account. A literary work, then, is

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King, Debra. "Operationalizing Melucci: Metamorphosis and Passion in the Negotiation of Activists' Multiple Identities." Mobilization: An International Quarterly 9, no. 1 (2004): 73–92. http://dx.doi.org/10.17813/maiq.9.1.v813801745136863.

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Activists need to construct and manage multiple identities as activists, as well as negotiate their activist identities in relation to identity positions in other social realms such as paid work or parenting. This research is an empirical application of Melucci's concept of metamorphosis to the processes through which committed activists manage identity work. Metamorphosis facilitates an understanding of how activists maintain a sense of continuity through changes in identity. From life-history interviews with twenty long-term Australian activists this research operationalizes the four concept

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Bârsan, Ghiţă, Anca Dinicu, Vasile Năstăsescu, and Romana Oancea. "Estimating the Degree of Region’s Vulnerability in Case of Natural Disasters." International conference KNOWLEDGE-BASED ORGANIZATION 22, no. 3 (2016): 501–5. http://dx.doi.org/10.1515/kbo-2016-0086.

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Abstract Estimating the degree of vulnerability of a region implies both the identification of the dependencies as well as of the interdependencies. The dependencies refer to a set of physical, social, economic, environmental and political-military conditions and processes and the interdependencies have in view physical, cyber, geographical and logical aspects that may indirectly affect the daily rhythm of the population, the economy or even the national security. The present paper aims at estimating the degree of vulnerability by constructing a model that would determine the index of vulnerab

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Devenport, Scott P., and Adrian C. North. "Predicting musical taste: Relationships with personality aspects and political orientation." Psychology of Music 47, no. 6 (2019): 834–47. http://dx.doi.org/10.1177/0305735619864647.

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Based on their meta-analysis, Schäfer and Mehlhorn argue that the weak relationships identified indicate that personality is a poor predictor of musical taste. The present research challenged this by measuring personality aspects rather than the Big Five domains and also political orientation. A sample of 157 university students aged 17 to 55 years ( M = 24.60, SD = 7.63) completed measures of musical taste (Short Test of Musical Preference [STOMP-R]), personality (Big Five Aspects Scale [BFAS]), and political orientation (International Personality Item Pool [IPIP] Liberalism). Responses to th

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CARVALHO, Isaar Soares de. "O CARÁTER SOCIAL E POLÍTICO DAS OBRAS DE JORGE AMADO, DA DÉCADA DE 1930." Revista AKEDIA - Versões, Negligências e Outros Mundos 16 (2024): 106–25. http://dx.doi.org/10.33726/akd2447-7656v16a10year2024p106a125.

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In this article, we will once again look at the way in which the writer Jorge Amado (1912-2001) describes the existential particularity of homo brasiliensis in some of his works, especially in those discussed here. By means of a literature review, this examination highlights the fact that Amado's narrative bias reveals to his countless readers, from various generations, aspects of a Brazilian society that lives tirelessly undecided between political, social and economic trajectories of success and failure. In this sense, the immediate result of this examination is that we see in this research

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Alborghetti, Claudia. "Italian nonsense verse: rewriting poetry in Alice’s Adventures in Wonderland by Lewis Carroll translated into Italian." Rivista di Storia dell’Educazione 7, no. 2 (2020): 75–86. http://dx.doi.org/10.36253/rse-9634.

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Alice’s Adventures in Wonderland (1865) was translated in Italy for the first time in 1872 by Teodorico Pietrocòla Rossetti. Since then, it has found fruitful ground in the so-called “creative transposition” (Jakobson, 2002), which makes use of the creative channel to communicate with a lay public that relies on rewritings to approach classic texts (Lefevere, 1992). Rewriters include translators and people who manipulate source texts for economic, political or social reasons. Their work is evidence of the evolution of literature as it brings classic texts down to the level of the common reader

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Wootton, David. "The Fear of God in Early Modern Political Theory." Historical Papers 18, no. 1 (2006): 56–80. http://dx.doi.org/10.7202/030899ar.

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Abstract A group's collective identity is a complex phenomenon which is always difficult to delineate and understand, but however one does so, historical antecedents must be a crucial element. This year's "Presidential Address" explores this important question, which was raised in an earlier presidential discourse. On that occasion, Robert Craig Brown noted that "historical knowledge is an essential component of a nation's sense of cultural identity. ' ' Professor Wallot elucidates this theme: without a concept of what you have been, you cannot know who you are, or what you can be. As one of t

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Kiseleva, Albina M. "Agricultural potential for sustainable development of the old industrial region: based on the materials of the Omsk region." Herald of Omsk University. Series: Economics 21, no. 1 (2023): 101–11. http://dx.doi.org/10.24147/1812-3988.2023.21(1).101-111.

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The article continues the series of studies devoted to the theoretical and methodological foundations of the sustainable development of the old industrial region based on the system dynamics of J. Forrester. Earlier, the author outlined aspects of the relationship between the main actors involved in the development and ensuring the economic security of the region, as well as the impact of natural resource and environmental potential. This publication is devoted to the importance of agricultural potential in the management practice of authorities and its role in the sustainable development of t

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Szarecki, Artur. "Violence and post-hegemony - Theorising affective resonances between voice and habit memory." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 7, no. 2 (2017): 79–94. http://dx.doi.org/10.7146/se.v7i2.102929.

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The prevailing accounts of voice within cultural studies often centre on issues of political representation and authority, bypassing the material aspects of voice and ensuing political effects thereof. By analysing a violent incident during a hip hop concert in Poland, this paper attempts to provide a post-hegemonic account of the politics of voice. It traces the circulation of sonic intensities comprising the event – including the sonority of voice, its electric amplification and the rhythmic organisation of verbal interactions – arguing that they directly modulated the behaviour patterns of

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Brigstocke, Julian, Lidiane Malanquini, Maira Froes, Cristina Cabral, and Gabriela Baptista. "Disjunctive writing in the urban skinscape: Bodies, borders and the physiology of attention in a Rio de Janeiro favela." Sociological Review 70, no. 4 (2022): 810–31. http://dx.doi.org/10.1177/00380261221106515.

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This article offers a creative disjunctive feminist analysis of affective rhythms within a complexly bordered complex of favelas in Rio de Janeiro. It explores the gendered atmospheric constitution of authority in the favela’s violent border spaces, arguing that authority is partly embodied through a channelling of attention. Attention is conceptualised as involving not just conscious intentions, perceptions and emotions, but also non-conscious rhythms of autonomous affective self-regulation. The article is structured through a tripartite disjunctive form that expresses the bordering of city,

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Šorn, Mojca. "Spremembe v medčloveških odnosih v obdobju pomanjkanja in lakote (Ljubljana: 1914–1918)." Studia Historica Slovenica 20 (2020), no. 3 (2020): 713–33. http://dx.doi.org/10.32874/shs.2020-20.

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The following contribution, which focuses on Ljubljana and its inhabitants during World War I, shows how everyday life was influenced by the military and political as well as economic and social aspects. It underlines the food shortage, which did not only result in an increased incidence of diseases and deaths but also adjusted nutrition as well as modified daily rhythms and mental and psychological processes. The present contribution, which focuses on the interpersonal relationship changes in the extraordinary wartime circumstances or during the period of shortage and hunger, reveals that the

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Pawłowski, Kazimierz. "SOFISTYCZNA DROGA DO DOJRZAŁOŚCI MORALNEJ." Colloquia Litteraria 8, no. 1/2 (2009): 37. http://dx.doi.org/10.21697/cl.2010.1.03.

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A sophistic way towards moral maturity Morality is a component of culture, variable as much as the whole culture is. It cannot claim absolutization. Natural law is the only constant, ingrained in some way in the moral tissue of a person and revealing itself as its inborn moral sensitivity. Consequently, a morally mature person, with properly developed awareness of innate moral sensitivity, acting in him as a kind of moral instinct, is capable to judge what in this culture is and what is not in keeping with natural law, independently of different state institutions and all other organizations’

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Rasolofondraosolo, Zafimahaleo, and Ulrike H. Meinhof. "Popular Malagasy music and the construction of cultural identities." AILA Review 16 (July 8, 2003): 127–48. http://dx.doi.org/10.1075/aila.16.12ras.

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This paper explores the construction of cultural identities through contemporary music from Madagascar, in particular the songs by Dama — singer-song-writer of the eponymous group of musicians- the Mahaleo. Specific focus is on the role that the discourses of and about popular Malagasy music play for the identity constructions of Malagasy people in Madagascar and abroad. Discussions about contemporary African music on the media and in the cultural studies literature, and the record industry’s own appropriation and commercialization of such music as generic ‘world music — tend to neglect the ly

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Jordheim, Helge, and Einar Wigen. "Conceptual Synchronisation: From Progress to Crisis." Millennium: Journal of International Studies 46, no. 3 (2018): 421–39. http://dx.doi.org/10.1177/0305829818774781.

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International order is also temporal order, based on the alignment, more precisely, the synchronisation of the multiple times at work on a global scale. Synchronicity between cultures, languages, and polities does not emerge by itself. To create temporal orderings on a global scale requires work: political, social, and linguistic. Some work of synchronisation is performed by technological innovations such as clocks, trains, telegraph lines, phones, satellites etc. Another set of tools, however, is linguistic, made up by concepts used to make historical and political time understandable and wor

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Atkinson, Will. "Time for Bourdieu: Insights and oversights." Time & Society 28, no. 3 (2018): 951–70. http://dx.doi.org/10.1177/0961463x17752280.

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This paper explores the role of time in Pierre Bourdieu’s social theory with a view to highlighting, and plugging, some of its conceptual gaps. It proceeds by identifying four elements of the social structuring of temporal experience: the temporal structure of consciousness; field rhythms and pace; imposed timings; and time binds. The first two of these Bourdieu brought to the fore, even if there are some aspects of his account in need of further development. The third he posited without tracing through the full conceptual consequences, while the fourth requires some reorientation and addition

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Gąsiorowska, Małgorzata. "Grażyna Bacewicz – The Polish Sappho." Musicology Today 16, no. 1 (2019): 65–102. http://dx.doi.org/10.2478/muso-2019-0003.

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Abstract The paper is an attempt at a synthetic presentation of the Polish composer Grażyna Bacewicz’s (1909–1969) musical output and artistic career, presented against the background of events in her personal life, and of major events in Polish and European history in the first seven decades of the 20th century. Bacewicz was called ‘the Polish Sappho’ already in the years between World Wars I and II, when there were very few women-composers capable of creating works comparable to the most eminent achievements of male composers. Her path to success in composition and as a concert soloist leads

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Zhang, Mengwei. "LINGUOCULTURAL ASPECTS OF SLOGANS OF UKRAINIAN AND CHINESE UNIVERSITIES." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 15 (May 1, 2021): 62–72. http://dx.doi.org/10.30970/ufl.2021.15.3283.

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Education is always an important component of every highly-developed society. It is the foundation of intellectual, spiritual, physical and cultural development of humankind and the cornerstone of society. Ukraine and China conduct educational activities differently, but they are equally subject to all sociopolitical globalization processes taking place in the world community. The development of market relations and the expansion of educational institutions led to the intensification of advertising activities. An important element of advertising in higher education is the slogan. An university

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ZHAO, BING, and HUANG SILE. "ANALYZING MUSIC AND LYRICS OF THE CHILDREN’S SONGS OF THE NEW SONGS OF THE BATTLEFIELD." Quantum Journal of Social Sciences and Humanities 6, no. 3 (2025): 445–59. https://doi.org/10.55197/qjssh.v6i3.683.

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New Songs of the Battlefield is a song collection published during China’s Cultural Revolution to commemorate the 30th anniversary of Mao Zedong’s “Speech at the Yan’an Literary and Artistic Symposium.” As a politically significant publication of its time, the collection reflects the ideological and cultural narratives promoted during the period. Despite growing scholarly interest in its musical and historical aspects, children's songs within the collection have received little academic attention. This study focuses on the three prominent children’s songs in the collection, employing qualitati

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Bankauskaitė, Gabija. "Respectus Philologicus, 2010 Nr. 17 (22)." Respectus Philologicus, no. 20-25 (April 25, 2010): 1–264. http://dx.doi.org/10.15388/respectus.2010.22.

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CONTENTS I. PROBLEMS AND SOLUTIONSJurga Cibulskienė (Lithuania). Are Ideologies Reflected in Metaphors?...11Lara N. Sinelnikova (Russia). The Addresser as an Alter Ego of the Addressee...26 II. FACTS AND REFLECTIONSOleg N. Grinbaum (Russia). Chapter 3 in Pushkin’s Novel Eugene Onegin: Rhythm and Sense in Tatiana Larina’s Letter ... 43Jadvyga Krūminienė (Lithuania). Oscar Milosz as Translator: Playing Games with Memory... 55Magdalena Ożarska (Poland). 19th-Century Lake District as a Land of Tourists, Homemakers and Writers: a Selection of Writings by Dorothy Wordsworth, William Word

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Degtyareva, Natalia I., and Makhruza N. kyzy Dzhavadova. "Ahmed Adnan Saygun’s Opera “Őzsoy” — a Cultural-Political Project and an Artistic Event in 20th Century Turkish Music." Contemporary Musicology 8, no. 3 (2024): 86–103. http://dx.doi.org/10.56620/2587-9731-2024-3-086-103.

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In 1934 in Ankara the world premiere of Ahmed Adnan Saygun’s opera Őzsoy took place. The initiator of its creation was the first president of the Turkish Republic Mustafa Kemal Atatűrk. He came forward as a peculiar curator who accompanied the project at various stages of its preparation: from the choice of the poetical source (the Persian epos Shahnameh by Ferdowsi) and the definitions of the chief ideas in his interpretation to assigning the librettist (Münir Hayri Egeli) and the composer, whom 27-year-old Ahmed Adnan Saygun was chosen to be. The idea of the creation of national opera fit or

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Bussotti, Luca, and Laura António Nhaueleque. "The Hidden Music of a Hidden People: The Case of Amakhuwa of Northern Mozambique." Ethnomusicology 67, no. 3 (2023): 358–82. http://dx.doi.org/10.5406/21567417.67.3.05.

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Abstract Amakhuwa is an ethnic and linguistic group concentrated in the north of Mozambique. Although the largest ethnic group, it has been historically marginalized by the postcolonial Mozambican state for political reasons. This process of marginalization has also involved cultural aspects, such as music and dance. Amakhuwa musical traditions are differentiated, complex, and express common principles of a Emakhuwa epistemology. This epistemology and the performances and aesthetics it gives rise to are not fixed or timeless but have been evolving in accordance with different influences and hi

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Townsend, Chris. "“The Very Music of the Name”." Nineteenth-Century Literature 75, no. 4 (2021): 441–72. http://dx.doi.org/10.1525/ncl.2021.75.4.441.

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Chris Townsend, “‘The Very Music of the Name’: Uncertainty as Aesthetic Principle in Keats’s Endymion” (pp. 441–472) It is well known that John Keats thought that true poets were those who are capable of being in “uncertainties, Mysteries, doubts” without feeling the need to reach after solid facts. And “uncertainty” is a recurrent term in his 1818 poem Endymion and its preface. But what does it mean for the figure of Endymion to follow an “uncertain path,” and what role do experimental poetics play in that experience of not knowing? This essay reflects on three aspects of the rhythms of Endym

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Schmid, Helga, and Kevin Walker. "Anti-clockwise: Building a critical mass against clock time." Art & the Public Sphere 9, no. 1-2 (2020): 39–61. http://dx.doi.org/10.1386/aps_00032_1.

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‘Uchronian Critical Mass’ exploits the historical opportunity the COVID-19 pandemic and resulting quarantines have opened up to question societal time systems, which can conflict with natural rhythms, leading to adverse effects on mental and physical health. We describe an experiment in which participants step outside societal time, choose their own time-giver and live by it for up to one week. As an experiment in artistic research grounded in science, we specifically enlisted fellow artists and asked them to document their experiment using any chosen means. The results included unexpected soc

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Yakovenko, Iryna. "Women’s voices of protest: Sonia Sanchez and Nikki Giovanni’s poetry." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 130–39. http://dx.doi.org/10.34079/2226-3055-2020-13-23-130-139.

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The paper explores contemporary African American women’s protest poetry in the light of the liberation movements of the mid-20th century – Black Power, Black Arts Movement, Second Wave Feminism. The research focuses on political, social, cultural and aesthetic aspects of the Black women’s resistance poetry, its spirited dialogue with the feminist struggle, and undertakes its critical interpretation using the methodological tools of Cultural Studies. The poetics and style of protest poetry by Sonia Sanchez and Nikki Giovanni, whose literary works have received little scholarly attention literar

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You, Haili. "Defining rhythm: Aspects of an anthropology of rhythm." Culture, Medicine and Psychiatry 18, no. 3 (1994): 361–84. http://dx.doi.org/10.1007/bf01379231.

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Kozlov, Alexey E. "“Sing in Different Rhythms”: the form, content, and pragmatics of the poetic stylizations of “Iskra”." Sibirskiy filologicheskiy zhurnal, no. 1 (2023): 138–54. http://dx.doi.org/10.17223/18137083/82/10.

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The corpus of poetic parodies, satires, and stylizations of Iskra, based on precedent texts of the 1860s, is considered in the sociological (Benjamin, Bourdieu, Jampolsky, Rejtblat), semi- otic (Lotman, Toporov), cultural (Bakhtin) and semantic-pragmatic (Penskaya, Kulikova, Tselikova, Shabalina) aspects. Considering the stylizations of Dmitry Minaev, Viktor Burenin, Vasily Kurochkin, and Pyotr Veinberg, the author of the paper depicts the role-game strategies and tactics aimed at carnival rethinking of everyday and political reality. The analy- sis of the poem “My pseudonym” reveals that Iskr

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Allen, George D., Ronnie B. Wilbur, and Brenda B. Schick. "Aspects of Rhythm in ASL." Sign Language Studies 1072, no. 1 (1991): 297–320. http://dx.doi.org/10.1353/sls.1991.0020.

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Russell, D. C., J. S. Lawrie, R. A. Riemersma, and M. F. Oliver. "METABOLIC ASPECTS OF RHYTHM DISTURBANCES." Acta Medica Scandinavica 210, S651 (2009): 71–80. http://dx.doi.org/10.1111/j.0954-6820.1981.tb03634.x.

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Lilja, Eva. "Some aspects of poetic rhythm: An essay in cognitive metrics." Sign Systems Studies 40, no. 1/2 (2012): 52–64. http://dx.doi.org/10.12697/sss.2012.1-2.03.

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Rhythm should be regarded as a perceptional category rather than as a property of the work of art. Rhythm might be classified according to three principles, serial rhythm, sequential rhythm and dynamic rhythm, three basic sets of gestalt qualities that lay the foundation for versification systems.Two schemas decide the rhythm of a poem: direction and balance. 'Direction' refers to rising and falling movements in the line. 'Balance' refers to repetitions in a play between symmetry and asymmetry as well as a moment of rest.Rhythms produce meaning, probably due to the fact that rhythms activate i

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Fletcher, Janet. "Prosodic aspects of French speech rhythm." Journal of the Acoustical Society of America 85, S1 (1989): S97. http://dx.doi.org/10.1121/1.2027237.

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González, Yohayna Hernández. "Ellas tocaban batá a la luz de la luna. Dramaturgias de la escucha en Okana. Ritual afroRadiactivo." Latin American Theatre Review 58, no. 2 (2025): 67–84. https://doi.org/10.1353/ltr.2025.a957400.

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Abstract: Okana. Ritual afroRadiactivo , by the group Osikán, had its premiere in Havana in 2019 under the artistic direction of José Ramón Hernández Suárez. This dramaturgical project explores the interface between Afro-Cuban religious liturgy and performance, connecting the ritual to performative gestures. The project builds on Hernández Suárez’s personal experience as a stage creator and as a babalocha (a spiritual leader within the Santería or Regla de Osha cult). This study focuses on “dramaturgies of listening,” a dramaturgical practice that enters through the ears, in parallel with the

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Tanasic, Branislav R. "Manipulative Aspects of Music." European Journal of Theoretical and Applied Sciences 1, no. 5 (2023): 56–63. http://dx.doi.org/10.59324/ejtas.2023.1(5).06.

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Every sensory stimulus, be it visual, audio, or some other, generates a brain response in the area of the cortex where such information is received, and processed, and gives full meaning or perception of the experience. The cerebral reaction can be monitored by measuring cortical activity through the synchronized response of a large number of neurons, ie. the formed electric wave. EEG scans show that the waves of the brain response in the alpha and beta bands are synchronized around the carrier rhythm of the music track. The sinusoids of the brain waves move in phases so that the peak of the w

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Branislav, R. Tanasic. "Manipulative Aspects of Music." European Jornal of Theoretical and Sciences 1, no. 5 (2023): 56–63. https://doi.org/10.59324/ejtas.2023.1(5).06.

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Every sensory stimulus, be it visual, audio, or some other, generates a brain response in the area of the cortex where such information is received, and processed, and gives full meaning or perception of the experience. The cerebral reaction can be monitored by measuring cortical activity through the synchronized response of a large number of neurons, ie. the formed electric wave. EEG scans show that the waves of the brain response in the alpha and beta bands are synchronized around the carrier rhythm of the music track. The sinusoids of the brain waves move in phases so that the peak of the w

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Karpova, I. S., and N. A. Manak. "CLINICAL ASPECTS OF MYOCARDIAL ELECTRICAL INSTABILITY IN CHRONIC IHD." Eurasian heart journal, no. 2 (June 30, 2015): 37–40. http://dx.doi.org/10.38109/2225-1685-2015-2-37-40.

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The aim of the study was to assess associations between myocardial electrical instability estimates (heart rhythm turbulence, T- wave microvolt alternation, QT dispersion) and structural and functional changes in heart in the settings of IHD with ventricular premature beats. Eighty two subjects with exertional angina (NYHA FC II-III) and Lown Grade 3-5 class ventricular arrhythmia were examined. Controls included 28 pts. with chronic IHD with no arrhythmias. Heart rhythm turbulence, T- wave alternation and QT dispersion were defined based on 12-lead ECG data with record duration of 5 minutes u

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Amatulhafeez Alvi and Ravichandran Vengadasamy. "Modernity and Spirituality in Malaysian Anglophone Poetry: An Interview with the late Ghulam-Sarwar Yousof." Asiatic: IIUM Journal of English Language and Literature 16, no. 2 (2022): 145–56. http://dx.doi.org/10.31436/asiatic.v16i2.2654.

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Malaysian literature in English epitomises the move to the new world and incorporates various national and international, social, political, and cultural subjects. Ghulam-Sarwar Yousof (1939-2022), an eminent Malaysian playwright and poet, voices the spiritual vacuum these changes bring within the modern man and draws the path towards relief, solace, and comfort in the soul’s journey back to the Creator. Ghulam-Sarwar’s poetry explores various social and cultural aspects, but no endeavour to date has been taken to discuss its spiritual dimensions. Given this background, this interview with Ghu

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Kovryk-Тokar, Larysa. "Features of Turkish Foreign-Policy Strategy in the South Caucasus on the Modern Stage in the Context of Mutual Relations With Azerbaijan and Armenia." Історико-політичні проблеми сучасного світу, no. 44 (December 15, 2021): 46–56. http://dx.doi.org/10.31861/mhpi2021.44.46-56.

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Turkey on the modern stage remains the example of the exclusiveness in different spheres and aspects: exceptional history, geography, democratic progress, state-building, cultural originality and religious authentication. The foreign-policy course of Turkey is a special too. The principles of the domestic political system of country based by kemalism conception until recently have determined strategic landmarks in international politics as well. However, the end of the Cold war, configuration changes of the actors in the international arena in combination with domestic problems influenced on t

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Jones, Mari Riess, Heather Moynihan, Noah MacKenzie, and Jennifer Puente. "Temporal Aspects of Stimulus-Driven Attending in Dynamic Arrays." Psychological Science 13, no. 4 (2002): 313–19. http://dx.doi.org/10.1111/1467-9280.00458.

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Auditory sequences of tones were used to examine a form of stimulus-driven attending that involves temporal expectancies and is influenced by stimulus rhythm. Three experiments examined the influence of sequence timing on comparative pitch judgments of two tones (standard, comparison) separated by interpolated pitches. In two of the experiments, interpolated tones were regularly timed, with onset times of comparison tones varied relative to this rhythm. Listeners were most accurate judging the pitch of rhythmically expected tones and least accurate with very unexpected ones. This effect persis

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Puchkova, A. N., and M. G. Poluektov. "Sleep as a biological rhythm: clinical aspects." Meditsinskiy sovet = Medical Council, no. 2 (March 22, 2021): 56–61. http://dx.doi.org/10.21518/2079-701x-2021-2-56-61.

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Insomnia is a widespread disorder affecting not only sleep quantity and quality, but also daytime well-being and performance, as well as having a negative impact on physical and mental health. Many people have problems falling asleep and maintaining sleep that do not reach the clinical criteria of insomnia. For all the prevalence of such sleep disorders, specialists often overlook a fundamentally important factor that affects sleep and wakefulness cycle, ease of falling asleep and daytime performance. These are circadian rhythms of the body under the control of the biological clock.This review

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Loehr, Daniel. "Aspects of rhythm in gesture and speech." Gesture 7, no. 2 (2007): 179–214. http://dx.doi.org/10.1075/gest.7.2.04loe.

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This article investigates the rhythmic relationship between gesture and speech. Four subjects were filmed in natural conversations with friends. From the resulting videos, several thousand time-stamped annotations pertaining to rhythm were manually recorded in a digital annotation tool, and exported for statistical analysis. They revealed a rich rhythmic relationship between the hands, head, and voice. Each articulator produced pikes (a general term for short, distinctive expressions, regardless of the modality) in complex synchrony with other articulators. Even eyeblinks were synchronized, wi

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Shynkareva, Zh. "FORMATION OF CHILDREN'S TOLERANCE OF AGE FROM 5 TO 7." Norwegian Journal of development of the International Science, no. 106 (April 12, 2023): 48–55. https://doi.org/10.5281/zenodo.7828140.

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<strong>Abstract</strong> The urgency of the covered issue is due to the peculiarities of the modern development of our country. Year after year, Ukraine becomes more open to the whole world, what requires the readiness of Ukrainian society to understand, perceive and respect the diversity of cultures, views and forms of expression and manifestations of human individuality. Ukrainian society today is witnessing an epoch-making event that opens the door to casual communication, cooperation and interaction of different nations and cultures. Therefore, the problem of tolerance covers all spheres

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Moretto, Luiz. "Folia and Baile de Rabecada: Aural Narratives in a Brazilian Quilombo." Brasiliana: Journal for Brazilian Studies 8, no. 1-2 (2019): 91–116. http://dx.doi.org/10.25160/bjbs.v8i1-2.114912.

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   This article describes the music of baile de rabecada and folia da bandeira from the perspective of two rabeca players who are leaders in a rural Afro- Brazilian community. Their narratives rely on repertoire and music examples that are part of the aural tradition of these practices in the quilombo. Adopting as its focus specific music pieces, this study reveals that baile de rabecada features rhythmic patterns indicating a mixture of Iberian and Afro-Brazilian aspects, to a much greater extent than literature suggests. My ethnographic work on these two rabeca players high

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Ashkenazi, Vladimir. "Broken rhythm." Index on Censorship 27, no. 6 (1998): 62–65. http://dx.doi.org/10.1080/03064229808536457.

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MacKenzie, C. L., D. L. Vaneerd, E. D. Graham, D. B. Huron, and B. L. Wills. "The Effect of Tonal Structure on Rhythm in Piano Performance." Music Perception 4, no. 2 (1986): 215–25. http://dx.doi.org/10.2307/40285361.

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The effect of tonal structure on rhythm in piano performance was examined. Although music structure is viewed as having rhythmic and tonal aspects, the tonality of a score might alter the rhythm in performance. Five skilled pianists sight read short segments of music under different tonal conditions. Timing in performance was monitored, and the variability of successive intervals was used as a measure of rhythmic precision. Results indicate significant differences between tonal and atonal conditions for the rhythm in performance. Possible explanations are considered, including the past experie

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Brandt, Line. "Rhythm in verse." Cognitive Semiotics 15, no. 1 (2022): 161–73. http://dx.doi.org/10.1515/cogsem-2022-2011.

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Abstract This paper on rhythm is an adaptation of the semiotic research on rhythm in versified language presented as one of the seven types of poetic iconicity in Chapter 5 of The Communicative Mind: A Linguistic Exploration of Conceptual Integration and Meaning Construction (L. Brandt 2013) entitled “Effects of poetic enunciation: Seven types of iconicity”. Defined by the linebreak, poetic language use engenders distinctive interpretive affordances, some of which manifest themselves as emphatically iconic sign relations contributing to the expressive whole of a text. In “Effects of poetic enu

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Moratelli, Jéssica Amaro, Kettlyn Hames Alexandre, Leonessa Boing, Alessandra Swarowsky, Clynton Lourenço Corrêa, and Adriana Coutinho Azevedo de Guimarães. "Dance Rhythms Improve Motor Symptoms in Individuals with Parkinson's Disease: A Randomized Clinical Trial." Journal of Dance Medicine & Science 26, no. 1 (2022): 1–6. http://dx.doi.org/10.12678/1089-313x.031522a.

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Background: Evidence-based practices involving dance modalities found in binary (two-beat rhythm) or quaternary (four-beat rhythm) show that dance positively influences the motor aspects of disease. <br/>Aim: This randomized clinical trial aimed to analyze the effect of two dance rhythm (binary and quaternary) on the balance, gait, and mobility in individuals with Parkinson's disease (PD). <br/>Methods: Thirty-one individuals with PD were randomized into the binary group (n = 18) and the quaternary group (n = 13). Both groups participated in different dance rhythms lasting 12 weeks

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Varma, Niraj, Iwona Cygankiewicz, Mintu Turakhia, et al. "2021 ISHNE / HRS / EHRA / APHRS Collaborative Statement on mHealth in Arrhythmia Management: Digital Medical Tools for Heart Rhythm Professionals." European Heart Journal - Digital Health 2, no. 1 (2021): 7–48. http://dx.doi.org/10.1093/ehjdh/ztab001.

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Abstract This collaborative statement from the International Society for Holter and Noninvasive Electrocardiology / Heart Rhythm Society / European Heart Rhythm Association / Asia Pacific Heart Rhythm Society describes the current status of mobile health (“mHealth”) technologies in arrhythmia management. The range of digital medical tools and heart rhythm disorders that they may be applied to and clinical decisions that may be enabled are discussed. The facilitation of comorbidity and lifestyle management (increasingly recognized to play a role in heart rhythm disorders) and patient self-manag

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