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Relevant bibliographies by topics / Political ballads and songs – France

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Academic literature on the topic 'Political ballads and songs – France'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Political ballads and songs – France"

1

Murphy, Emilie K. M. "Music and Catholic culture in post-Reformation Lancashire: piety, protest, and conversion." British Catholic History 32, no. 4 (2015): 492–525. http://dx.doi.org/10.1017/bch.2015.18.

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AbstractThis essay adds to our existing understanding of what it meant to be a member of the English Catholic community during the late Elizabeth and early Stuart period by exploring Catholic musical culture in Lancashire. This was a uniquely Catholic village, which, like the majority of villages, towns and cities in early modern England, was filled with the singing of ballads. Ballads have almost exclusively been treated in scholarship as a ‘Protestant’ phenomenon and the ‘godly ballad’ associated with the very fabric of a distinctively Protestant Elizabethan and Stuart entertainment culture.

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2

Toftgaard, Anders. "Blandt talende statuer og manende genfærd. Mazarinader i Det Kongelige Biblioteks samlinger." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 57. http://dx.doi.org/10.7146/fof.v53i0.118825.

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Anders Toftgaard: Amongst speaking statues and admonishing ghosts. Mazarinades in the collections of The Royal Library Mazarinade is a term for political writing that was published in different forms in France during (and related to) the Fronde (1648–1653). The Fronde was a series of civil wars that first broke out when Louis XIV (born 1638) was still a child, and Mazarin was the Chief Minister of France and responsible for the young king’s education. Mazarin governed the country together with the king’s mother, Anne of Austria. The term mazarinade covers pamphlets, letters, official doc

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3

O’Brien, Ellen L. "“THE MOST BEAUTIFUL MURDER”: THE TRANSGRESSIVE AESTHETICS OF MURDER IN VICTORIAN STREET BALLADS." Victorian Literature and Culture 28, no. 1 (2000): 15–37. http://dx.doi.org/10.1017/s1060150300281023.

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To say that this common [criminal] fate was described in the popular press and commented on simply as a piece of police news is, indeed, to fall short of the facts. To say that it was sung and balladed would be more correct; it was expressed in a form quite other than that of the modern press, in a language which one could certainly describe as that of fiction rather than reality, once we have discovered that there is such a thing as a reality of fiction.—Louis Chevalier, Laboring Classes and Dangerous ClassesSPEAKING OF NINETEENTH-CENTURY FRANCE, Louis Chevalier traces the bourgeoisie’s elisi

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Morris, Nancy. "Canto Porque es Necesario Cantar: The New Song Movement in Chile, 1973–1983." Latin American Research Review 21, no. 2 (1986): 117–36. http://dx.doi.org/10.1017/s0023879100015995.

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“Para el camino” Canto a la angustia y a las alegrias. Canto porque es necesario can tar para ir dejando una huella en los dias, para ir diciendo cosas prohibidas.“For the Road” I sing of anguish and joy. I sing because it's necessary to sing to leave my mark on time, to say forbidden things.Latin American New Song is distinct from the usual stereotypes of Latin American popular music. Songs such as “Para el camino” do not fit into the common categories of salsa, ballads, Spanish-language versions of U.S. hit songs or popularized traditional styles such as the ranchera and cumbia. Although New

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5

Liugaitė-Černiauskienė, Modesta. "Ballads in Oral and Written Tradition: Retrospective Research Survey." Tautosakos darbai 55 (June 25, 2018): 13–35. http://dx.doi.org/10.51554/td.2018.28497.

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The article aims at reviewing the rich and ambivalent Western folk ballad research tradition in terms of confluence of the oral and written traditions. Although being well-reflected in the West, this approach is hardly at all present in Lithuania. The article starts with discussing such cultural phenomenon as broadside ballads. In surveying them, the author maintains that popular publications of the 16th–19th century Europe (bibliothèque bleue, skyllingtricker, Volksbuch, pliegos de cordel, лубочная литература, etc.) were an inherent part of the folk culture. Printed sheets of folksongs and ba

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6

Fals, Iwan. "Guitar versus tanks." Index on Censorship 26, no. 2 (1997): 74–75. http://dx.doi.org/10.1177/030642209702600224.

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Known as ‘the Indonesian Bob Dylan’, Iwan Fals is one of the country's most popular singers. Many of his ballads address important social and political matters. He has repeatedly been approached by both opposition parties to stand for Parliament, but says he is not interested. His live performances are frequently banned. In 1984 the army halted a show in Pekanbaru, Sumatra, on the grounds that two of his songs — ‘Demokrasi Nasi’ (Rice Democracy) and ‘Mbak Tini’ (Sister Tini) — were a threat to public order. In 1989 the police banned his 100-town tour. ‘All I carry is a guitar made of wood and

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7

Teleutsia, Valentyna, Alla Pavlova, Liliia Sydorenko, Neonila Tilniak, Yuliya Kapliyenko-Iliuk, and Natalia Venzhynovych. "Mode of Understanding the Terms "Concept" and "Folklore Concept" in Modern Humanities." Studies in Media and Communication 10, no. 3 (2022): 40. http://dx.doi.org/10.11114/smc.v10i3.5832.

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The urgency of the study is explained by the importance of a thorough study of typology and classification of concepts in terms of modern cognitive linguistics, linguoculturology, history, ethnolinguistics, philosophy and psychology, including folklore concept as a set of signs that form a semiotic model of national and cultural experience and allow in-depth study of cultural processes in the light of historical and national factors. The aim of the article is to try to comprehend the concept and folklore concept from the standpoint of modern researchers working in various fields of humanities,

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8

Hsueh, Vicki. "Intoxicated Reasons, Rational Feelings: Rethinking the Early Modern English Public Sphere." Review of Politics 78, no. 1 (2016): 27–57. http://dx.doi.org/10.1017/s0034670515000868.

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AbstractThis article examines early modern English public houses and related period miscellany—broadside ballads, conduct books, and songs—to more closely investigate the discourses and performances of drinking culture. Drinking culture, I argue, not only had a significant role in shaping the Restoration's civic culture of political participation and the emerging early modern public sphere, but also positioned emotions of pleasure and melancholy as social and political objects of care and cultivation. While the politics of pub culture and intoxication have been well documented by historians an

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9

Kuhn, Christian. "Urban Laughter as a “Counter-Public” Sphere in Augsburg: The Case of the City Mayor, Jakob Herbrot (1490/95–1564)." International Review of Social History 52, S15 (2007): 77–93. http://dx.doi.org/10.1017/s0020859007003136.

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Social movement scholarship has recently focused on “popular” media of protest; reading and singing provided a forceful communicative structure in semi-literate urban society, especially in Augsburg, the largest city of Reformation Germany. The case of Jakob Herbrot (1490/95–1564) combines the antagonisms of political, social, and religious movements; a rich Calvinist, he climbed the social ladder from a lowly regarded profession to the highest office of the imperial city in a precarious time of confessional armed conflict. Herbrot's conduct triggered a life-long series of accusations, polemic

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Love, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.

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Recent investigations into the survival and dissemination of traditional songs have elucidated the intertwining relationship between print and oral song traditions. Musical repertories once considered distinct, namely broadside ballads and traditional songs, now appear to have inhabited a shared space. Much scholarly attention has been focused on the print and oral interface that occurred in eighteenth- and nineteenth-century Britain.Less attention has been paid, however, to music in Ireland where similar economic, cultural and musical forces prevailed. Yet, Ireland’s engagement in various nat

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