Academic literature on the topic 'Political-biographical genre'

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Journal articles on the topic "Political-biographical genre"

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Morozova, Irina Victorovna. "Phenomenon of Political Biopic in the English-Language Cinema." Journal of Flm Arts and Film Studies 6, no. 4 (2014): 98–109. http://dx.doi.org/10.17816/vgik6498-109.

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The English-language historical and biographical films are booming currently. Every year large number of biopics appears on the screen. Films devoted to political figures' biographies rank special place among them. The author treats American and British traditions of political biopic, examines their origins, singles out evolution stages of biographical genre in the English-language cinema as well as political biopic's characteristics. The article also contains the brief overview of Western scholarly literature devoted to historical and biographical genres in cinema. Main conclusions: Political
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Zaytseva, T. I., and O. M. Maksimova. "The genre of biographical essay in the works of Udmurt writers." Bulletin of Ugric studies 11, no. 3 (2021): 435–43. http://dx.doi.org/10.30624/2220-4156-2021-11-3-435-443.

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Introduction: genre transformation in the Udmurt journalism of the end of the XX century is most clearly manifested in the biographical essays, based on real-life facts from the lives of famous representatives of the intelligentsia, natives of Udmurtia. The biographical essay in the Udmurt literature of this period demonstrates the presence of the elements of memoir, biography, elements of portrayal, problematic, biographical, social, historical essays as well as document / fact and fiction within the same work; the mental, intellectual principle is strengthened in it. The relevance of the art
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Andrews, Hannah. "BBC4 Biopics: Lessons in Trashy Respectability." Journal of British Cinema and Television 13, no. 3 (2016): 409–29. http://dx.doi.org/10.3366/jbctv.2016.0327.

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Between its launch in March 2002 and 2013, BBC4, the BBC's niche arts and culture digital channel, broadcast a cycle of biographical dramas, largely about the unhappy personal lives of British cultural and political icons of the twentieth century. Alongside stylish continental European drama imports, world cinema and documentary programmes, biopics became a key marker of the BBC4 brand and its dominant home-grown dramatic output. In scholarly work on television biopics to date, the genre has been seen as akin to tabloid newspapers, conceived as a trashy cultural form that reduces the importanc
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Karpinski, Eva C. "Hélène Cixous’s „The Exile of James Joyce”: A Biographical Limit Case." Anglica Wratislaviensia 55 (October 18, 2017): 35–45. http://dx.doi.org/10.19195/0301-7966.55.3.

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This article examines Hélène Cixous’s biographical monograph The Exile of James Joyce as a limit case of biographical praxis. Joyce’s biography is read in the context of Cixous’s own evolving personal motif of exile, revealing her autobiographical investment in becoming a writer through reading Joyce. She pushes the boundaries of the biographical genre at the intersections of autobiography, literary criticism, and biography, defying simple generic classifications and exposing the limits of conventional demarcations between the artist, the work, the biographer, and the critic. As a result, the
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E.B., Saktaganova, Konkina G.S., and Mambetov R.E. "Methodological foundations for the study of personalistics in history (on the example of the personality of Seydazim Kadyrbaev)." Bulletin of the Karaganda university History.Philosophy series 109, no. 1 (2023): 155–62. http://dx.doi.org/10.31489/2023hph1/155-162.

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The methodological problems of the study of personality (personalistics) are one of the traditional and most fundamental problems in historical science. In the conditions of modern global civilization, it not only does not lose its significance, but, on the contrary, acquires special relevance and urgency. In this regard, the article highlights and characterizes the methodological approaches to the study of personality. The authors consider the methodological basis, specifics and scope of the biographical research method and characterize the main features of biographical research, their signif
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FIGUEROA, MELISSA. "Staging Muhammad: A Subversion of the Hagiographic Genre in Vida y muerte del falso Profeta Mahoma." Bulletin of Hispanic Studies 97, no. 8 (2020): 807–21. http://dx.doi.org/10.3828/bhs.2020.46.

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This article examines the subversion of the hagiographic genre in a biographical play from the seventeenth century about the Prophet of Islam, Muhammad, written in Spain. In this essay I argue that the contradiction of using a theatrical genre intended to emphasize the holiness of Christian characters in a play about Muhammad unveils the historical tensions and anxieties of Spain’s Muslim past. The disparity between form and content reveals the unconscious political aspect of the play and illustrates why it can be read from two opposite perspectives regarding the Islamic leader. Departing from
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Vasylenko, Vadym. "HISTORICAL AND BIOGRAPHICAL PROSE OF V. DOMONTOVYCH FROM THE 1940S. ARTICLE ONE: THE CONFLICT OF WORLDVIEWS." Слово і Час, no. 3 (June 29, 2025): 54–70. https://doi.org/10.33608/0236-1477.2025.03.54-70.

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The paper examines the genre and stylistic innovations, as well as ideological, aesthetic, and symbolic dimensions of V. Domontovych’s historical-biographical prose created during the Ukrainian Artistic Movement (MUR) period. Antithesis serves as a key structural principle of narration, shaping the plot and composition of V. Domontovych’s fictionalized biographies and works with distinct biographical elements, as well as contributing to the originality of his imagery and characters. Particular emphasis is placed on the conflict of worldviews, which functions not only as a driving force of plot
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Brigidi, Serena. "Las Narraciones Diferentes del Parto: Las Geometrías Relacionales." Triangle, no. 17 (August 5, 2020): 111. http://dx.doi.org/10.17345/triangle17.111-134.

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Childbirth is no literary genre. As usual, in the story narrated childbirth is a process completed at the entrance or exit of some new characters. In most cases, also maternity is a purely descriptive element. Based on the analysis of selected fragments of literary and artistic works, it is proposed to rethink childbirth as a biographical-relational event. In it, in terms of aesthetic, ethical, social and political, entangle geometric gures that assume vulnerability as a human condition, as a category to build a relationship with the Alterity.
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Ivanova, L. A. "Parody as a way of comprehension of Benjamin Disraeli’s creative search." Memoirs of NovSU, no. 5 (2023): 520–26. http://dx.doi.org/10.34680/2411-7951.2023.5(50).520-526.

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The article is devoted to the study of the experience of parodic comprehension of the artistic discoveries of Benjamin Disraeli (1804–1881), an outstanding British statesman and talented writer, one of the founders of the socio-political novel genre in world literature. In the context of intensive study of the political activity and creative heritage of Disraeli, the parodic interpretation of the artistic reality of his novels in the work of the American writer Francis Bret Harte (1836–1902) is of particular interest. The critical and cognitive potential of Bret Harte's parody “Lothaw” from th
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Rozhdestvenskaya, Elena, and Victoria Semenova. "“The Polish Peasant in Europe and America”: Socio-Political, Biographical and Scientific Contexts." Sotsiologicheskoe Obozrenie / Russian Sociological Review 22, no. 2 (2023): 261–84. http://dx.doi.org/10.17323/1728-192x-2023-2-261-284.

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The authors focus on the history of the famous sociological work The Polish Peasant in Europe and America, as well as on the biographies of both authors, William Thomas and Florian Znaniecki. The combination of biographical analysis with socio-political context and the work in the genre of scientific biography makes it possible to understand not only the background of the creation of this major sociological project, but also to clarify the role of the sociologist-intellectual in social life. The appeal to the nonlinear fate of this work was stimulated by the drama of its realization and percep
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Dissertations / Theses on the topic "Political-biographical genre"

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Gobin, Charlotte. "Genre et engagement : devenir "porteur-e de valises" en guerre d'Algérie (1954-1966)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2003/document.

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Cette thèse se situe à la croisée de trois champs historiographiques : les études de genre, l’histoire des mobilisations collectives et l’histoire de la guerre d’indépendance algérienne en France. Elle questionne la manière dont certain∙e∙s hommes et femmes, Français∙e∙s et Européen∙ne∙s, ont été amené∙e∙s à prendre position contre la politique française en Algérie, jusqu’à rejoindre le soutien clandestin au Front de Libération Nationale (FLN), et qui sont surnommé∙e∙s les « porteur∙e∙s de valises ». L’approche prosopographique adoptée permet de retracer les processus qui entraînent certain∙e∙
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Books on the topic "Political-biographical genre"

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Di Qual, Anna. Eric J. Hobsbawm tra marxismo britannico e comunismo italiano. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-400-4.

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By developing the biographical genre though a “translocal micro-history” approach, the research aims to study the figure of Eric J. Hobsbawm focusing on his elective affinity with Italy. It examines the ways in which the encounter of the English historian with this country took place and was renewed from the fifties until the new Millennium. First, it analyzes the relationships networks which Hobsbawm created in Italy or with Italians worldwide; secondly, it considers the results that these interactions provoked at the level of scientific production and political reflection, trying to capture
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Baker-Bates, Piers, and Irene Brooke, eds. Portrait Cultures of the Early Modern Cardinal. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725514.

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The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analyzed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. Portrait Cultures of the Early Modern Cardinal addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining t
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Margaretta, Jolly, ed. Encyclopedia of life writing: Autobiographical and biographical forms. Fitzroy Dearborn, 2001.

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Burt, Daniel S. The Biography Book. Greenwood, 2001. http://dx.doi.org/10.5040/9798400619106.

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From Marilyn to Mussolini, people captivate people. A&E'sBiography,best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recom
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Trigos, Ludmilla A., and Carol Ueland, eds. Literary Biographies in The Lives of Remarkable People Series in Russia. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666995688.

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The legendary Russian biography series, The Lives of Remarkable People, has played a significant role in Russian culture from its inception in 1890 until today. The longest running biography series in world literature, it spans three centuries and widely divergent political and cultural epochs: Imperial, Soviet, and Post-Soviet Russia. The authors argue that the treatment of biographical figures in the series is a case study for continuities and changes in Russian national identity over time. Biography in Russia and elsewhere remains a most influential literary genre and the distinctive approa
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Rhodes, R. A. W. Further on Down the Road, Blurring Genres. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198786115.003.0001.

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Chapter 1 is a short biographical exercise describing the author’s journey from policy networks and governance (see Volume I) to the interpretive turn and ethnography. It tells the story of how the author sought to work out the implications of anti-foundational philosophy for the study of politics, especially British government and public administration. It also introduces the notion of blurring genres or drawing on the genres of thought and presentation common in the humanities. The chapter argues, following Richard Rorty, that an interpretive approach grounded in observational fieldwork is a
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Baker-Bates, Piers, and Irene Brooke, eds. Portrait Cultures of the Early Modern Cardinal. Amsterdam University Press, 2021. http://dx.doi.org/10.1017/9789048544561.

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The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analysed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. No more profound investigation of these as a specific category of object has ever been attempted. This volume addresses questions surrounding the production, collection, and status of the cardinal portr
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Pringle, Mary Beth. John Grisham. Greenwood Publishing Group, Inc., 1997. http://dx.doi.org/10.5040/9798400674563.

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With his seven legal thrillers, all published since 1989, John Grisham has won a huge following of readers and set a standard few contributors to the genre can match. Because of the success of his novels, the legal thriller is the most popular genre in American fiction today. In this study, Pringle explains how Grisham's legal thriller evolved from the thriller tradition and borrowed from the heroic romance novel, gothic novel, crime novel, and detective fiction. She shows how his novels examine contemporary social and legal problems that do not have simple solutions—ecology, ethnic relations,
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Jarvis, Zeke, ed. Make ’em Laugh! ABC-CLIO, LLC, 2015. http://dx.doi.org/10.5040/9798400681349.

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This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. This unprecedented look at the history of satire in America showcases the means by which our society is informed by humor—from the way we examine the news, to how we communicate with each other, to what we seek out for entertainment. From biographical information to critical reception of material and personalities, the book features humorists from both literary and popular culture settings spanning the past 100 years. Through its 180 entries, this co
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Jolly, Margaretta. Encyclopedia of Life Writing: Autobiographical and Biographical Forms. Taylor & Francis Group, 2013.

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Book chapters on the topic "Political-biographical genre"

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Xu, Fangyi. "Biographical Films: Aesthetic Reconstruction of Political Ethics." In Transformation of Contemporary Film Genre. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6860-0_6.

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Elrefaei, Pervine. "The Egyptian Nubian Archival Discourse." In Voices from Nubia. punctum books, 2024. http://dx.doi.org/10.53288/0476.1.11.

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This chapter argues that a number of Egyptian Nubian writers and activists have adamantly endeavored to compile their own archive as an empowering strategy geared toward preserving Nubian oral history, culture, identity, and rights. The archival narrative is therefore an important cultural production that appropriates the archival discourse as a rite of passage from the margin to the center. Scrutinizing two works by the Nubian writer Yehia Mokhtar (1936–), mainly, the 2009 collection of short stories Indo Mando and the 2015 biographical novel Giddu Kāb, the study contends that Mokhtar represe
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Lehtisalo, Anneli. "The Private Life of the Prime Minister? Politics, Drama and Documentary in Pääministeri and Palme." In Nordic Genre Film. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693184.003.0009.

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Palme and Pääministeri can be considered exceptional films in their respective national contexts. Politics and public figures have not been a typical subject for contemporary feature films in Sweden or in Finland, although similar topics have thrived in Anglo-American media culture. Films like The Deal (UK, 2003), Looking for Fidel (USA, Brazil, 2004), The Queen (UK, France, Italy, 2006) and Margaret (UK, 2009) have depicted the political past and present by portraying the experiences or actions of known politicians in different generic modes, such as documentary dramas, documentaries and fict
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Stroev, Alexandre. "The Genre of Fake Political Testaments: from Peter the Great to Stalin." In Hoax in Slavic Cultures: Poetics and Practices. Institute of Slavic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.31168/7576-0480-0.13.

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Basing on the case of political testaments written in French and related to the history of Russia, the article examines the theory and practice of fakes and hoaxes. The description is given of the main features of the genre of political testaments, its evolution in the French culture of the 18th - early 19th centuries, its interaction with other pseudo-biographical genres, literary and historical. The history of manuscripts and publications of the “testaments” of Peter the Great, Frederick II, Catherine II; their political context and modes of use are studied. In conclusion, a brief mention is
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Sobral, Filomena Antunes. "Cinebiography." In Regional, International, and Transatlantic Relations From the Iberian Peninsula to the World. IGI Global, 2025. https://doi.org/10.4018/979-8-3373-0634-6.ch005.

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José Maria de Eça de Queiroz, a seminal figure in Portuguese literature, has been the subject of numerous cinematic and television adaptations, both within and beyond Portugal. Among these, the 2020 film O Nosso Cônsul em Havana (Our Consul in Havana) is particularly noteworthy for positioning the writer himself as its central character. This chapter offers a critical analysis of the film's dramatization of Eça de Queiroz, situating it within the broader literary, cultural, and political milieu of nineteenth-century Portugal. Employing a qualitative methodology, the study integrates a sectoral
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Sansone, David, David Sansone, and David Sansone. "Introduction." In Plutarch: Lives of Aristeides and Cato. Liverpool University Press, 1989. http://dx.doi.org/10.3828/liverpool/9780856684210.003.0001.

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This introductory chapter provides an overview of Plutarch's Lives, which represent a valuable ancient source for the more interesting periods of Greek and Roman history. However, it is not as a historian, or even as a biographer in the modern sense of the word, that Plutarch has been so highly valued. Rather, those who regard Plutarch as among the greatest of ancient authors appreciate him principally as a moralist and as a purveyor of political wisdom. To understand what kind of biography Plutarch was writing (or thought he was writing), the chapter considers what the art of biography was li
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Nicholson, Emma. "Woven History, Woven Lives." In Philip V of Macedon in Polybius' Histories. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192866769.003.0007.

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Abstract Chapter 6 concludes the analysis by addressing the discrepancies revealed between the image of Philip V in Polybius’ narrative and the image of the king in his digressional passages during Chapters 3 and 5. It argues that these conflicting portraits are the result of Polybius’ use of a biographical means of presenting key individuals in the context of a historical account (implemented for the political education of his readers), and the different levels of unity in character and comprehensiveness of information that these two genres require. The second section observes how Polybius in
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Venturo, David F. "Verse." In The Oxford Handbook of Samuel Johnson. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198794660.013.8.

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Abstract Samuel Johnson wrote verse from his adolescence in the 1720s to weeks before he died in December 1784, his poetic reputation secured early by his imitations of Juvenal: London (1738) and The Vanity of Human Wishes (1749). Johnson was a versatile poet, at home in many genres. Besides the political London and religious and philosophical Vanity, he wrote outstanding theater prologues and an epilogue, poignant elegies and epitaphs, and playful and satiric drawing-room verse. Johnson became the foremost British critic of verse of his time, editing the Works of Shakespeare (1765) and conclu
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Olguín, B. V. "Militarized Mestizajes." In Violentologies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863090.003.0006.

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Chapter 5 focuses on how the War on Terror’s permutations of Latina/o war literature, theater, television, film, and popular music present methodological and political challenges to conventional understandings of Latina/o relationships to power as inherently oppositional to capitalism and US imperialism. These relatively new genres include Latina/o War on Terror combat action memoir and related oral histories; wounded warrior narratives; protofascist Special Forces Über-warrior memoir and biographical profiles; Conscientious Objector testimonio, ideologically ambivalent wartime theater, and pa
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Conference papers on the topic "Political-biographical genre"

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Tseng, Hua Hui. "PROGRAM NOTES: EDUCATING MUSICIANS AND AUDIENCES IN PROFESSIONAL MUSIC TRAINING - THE TUT EXPERIENCE." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end062.

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"This paper is written in response to the request to consider musical experiences at Western Classical Music concerts, and more specifically, the role of the program note that informs listeners and performers about the historical context of the composition and includes the composers’ biographical details and compositional thinking. Program notes are similar to reading the “spoilers” before seeing movies. What follows is based on observations and reflections from the Tainan University of Technology (TUT), Taiwan, and its educators’ experiences of teaching graduate music students. The idea put f
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Araújo, Susana. "Elegy and the Melancholic Public from “9/11” to “Trumpland”: Ayad Akhtar’s Homeland Elegies in Context." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9001.

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This paper examines why and how the genre and tropes of the elegy have returned to US literature and culture in recent decades, namely after the terrorist attacks of “9/11” in 2001 and in the aftermath of the 2008 financial crisis. It starts by referring to different works which make use of elegiac narratives and aesthetics to comment on social and political contexts in the US: works that emerged after the 11th of September 2001 such as Mohsin Hamid Reluctant Fundamentalist (2005) and others written after the economic recession, such as Hillbilly Elegy: A Memoir of a Family and Culture in Cris
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