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Relevant bibliographies by topics / Political cartoons

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Academic literature on the topic 'Political cartoons'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Political cartoons"

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OKATA, Gift Ngozi, Thomas K. EGWUONWU, and Clara O.K. EGWUONWU. "Language and Image Interaction in Cartoons: A Stylistic Analysis of Language Use and Humour in Selected Punch Newspaper Cartoons." Beyond Babel: BU Journal of Language, Literature and Humanities 7, no. 1 (2020): 1–23. https://doi.org/10.5281/zenodo.10794384.

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<em>Although double semiotic modes characterize meaning deduction in cartoons, nonetheless the visual is the most pivotal mode. The interaction between language and image is usually encapsulated around the expressive pattern of the cartoonist in forms of caricature, exaggeration, metaphor, size, registers and symbols. In spite the robust studies on political cartoons, scant studies exist on the persuasive stylistic analysis of three political cartoons of the Punch newspaper of April to June, 2016. Therefore, this study fills this gap.  Using a total of three randomly selected political ca

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Chakraborty*, Prasun, and Anirban Chowdhury. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering 10, no. 10 (2021): 137–42. http://dx.doi.org/10.35940/ijitee.j9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The

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Prasun, Chakraborty, and Chowdhury Anirban. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering (IJITEE) 10, no. 10 (2021): 137–42. https://doi.org/10.35940/ijitee.J9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The

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Guz, Maria Nikolaevna, and Natalia Vladimirovna Pigina. "Contemporary German political cartoons (based on the cartoons by Klaus Stuttmann)." Philology. Theory & Practice 17, no. 8 (2024): 2967–75. http://dx.doi.org/10.30853/phil20240422.

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The aim of the study is to identify the linguostylistic features of creating a comic effect in modern German political cartoons. The paper examines political cartoons by Klaus Stuttmann. The scientific novelty of the research lies in the linguistic and cultural analysis of the verbal and nonverbal components of political cartoons by one of the most famous contemporary German cartoonists, Klaus Stuttmann, a winner of numerous awards. Based on the analysis of Stuttmann’s cartoons from 2022-2024, it has been found that cartoons are polycode texts in which the combination of verbal and nonverbal c

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Vásquez León, David. "Political Cartoon in Ecuador." Politikon: The IAPSS Journal of Political Science 25 (December 15, 2014): 95–119. http://dx.doi.org/10.22151/politikon.25.6.

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Cartoonist Xavier Bonilla and El Universo newspaper were sanctioned in 2014 after publishing a cartoon which, according to the sanction, motivated social agitation and was inaccurate. Against a backdrop of continuous friction between Rafael Correa’s government and private media in Ecuador, the text examines if the sanction created an environment of fear or self-censorship (chilling effect) in other cartoonists in Ecuador. For the analysis, 81 cartoons from three newspapers were monitored and analyzed during the month following the February 23th elections in Ecuador, in which the results were n

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Oluremi, Tolulope. "Pragmeme of Political Humour in Selected Nigerian Political Cartoons." Journal of Language and Education 5, no. 4 (2019): 66–80. http://dx.doi.org/10.17323/jle.2019.9682.

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Political humour is a recurring element in print media and other genres, touching various areas of Nigerian political discourse. A number of research studies have investigated political humour in contemporary Nigerian political discourse. The political humour deployed in responding to some prominent political events in 2016, however, is relatively unexplored. This current endeavour, therefore, attempts to examine the pragmeme of humour in selected 2016 political events that are remediated in political cartoons. These include political matters such as Nigeria’s 56th Independence Anniversary, th

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Zahid, Mamoona, and Muhammad Ashraf. "Dissenting Art- Political Cartoons of Anwar Ali (1922-2004)." Journal of Design and Textiles 3, no. 2 (2024): 28–43. https://doi.org/10.32350/jdt.32.02.

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Anwar Ali began his career as a cartoonist with Dawn, a publication based in New Delhi. He joined Pakistan Times in Lahore as a staff cartoonist on February 4, 1947, and served until 1980. Anwar Ali’s cartoons carried strong political critique and social satire on both national and international issues of his time. Throughout his artistic career, he produced imagery highlighting the hypocritical attitude of the ruling class toward ordinary people of the newly-established Pakistan. Later, he created a pocket cartoon character Nanna, which served as a satirical portraiture of society. This paper

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Pedrazzini, Ana, and Nora Scheuer. "Distinguishing cartoon subgenres based on a multicultural contemporary corpus." European Journal of Humour Research 6, no. 1 (2018): 100. http://dx.doi.org/10.7592/ejhr2018.6.1.pedrazzini.

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A literature review reveals the lack of empirical and theoretical work dedicated to systematically grasping the diversity of cartoons. Most studies have focused on political and/or editorial cartoons and have neglected other subgenres, which however are gaining space in many forms of media—such as gag cartoons. Taking genre discursive studies as a starting point, this paper is aimed at distinguishing cartoon subgenres considering their modal, thematic, pragmatic and rhetorical features. The corpus is composed of 85 cartoons (51 multimodal and 34 solely visual) from 22 countries. This corpus wa

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Prabha P, Lakshmi, and Dr Abhishek Das. "Conceptual Blending in Indian Political Cartoon Discourse." Indian Journal of Mass Communication and Journalism 3, no. 2 (2023): 32–38. http://dx.doi.org/10.54105/ijmcj.c1065.123223.

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Conceptual blending theory has been used by scholars to study various genres of texts. Scholars studying cartoons in particular have used it to study how metaphors and metaphorical blending are used in cartoons to construct meaningful texts. This paper studies selected Indian political cartoons using the Conceptual Blending Theory of Fauconnier and Turner. The themes of the cartoons chosen for the study focused on various social issuesthat were part of the media discourse in contemporary times. The study was conducted to understand how cartoons depicting social issues used metaphoric blending

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Lakshmi, Prabha P. "Conceptual Blending in Indian Political Cartoon Discourse." Indian Journal of Mass Communication and Journalism (IJMCJ) 3, no. 2 (2023): 32–38. https://doi.org/10.54105/ijmcj.C1065.123223.

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<strong>Abstract: </strong>Conceptual blending theory has been used by scholars to study various genres of texts. Scholars studying cartoons in particular have used it to study how metaphors and metaphorical blending are used in cartoons to construct meaningful texts. This paper studies selected Indian political cartoons using the Conceptual Blending Theory of Fauconnier and Turner. The themes of the cartoons chosen for the study focused on various social issues that were part of themedia discourse in contemporary times. The study was conducted to understand how cartoons depicting social issue

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Dissertations / Theses on the topic "Political cartoons"

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Gordon, Jon Clair. "International political cartoons as rhetoric : a content analysis /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487676847116104.

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Bush, Lawrence Ray. "More than Words: Rhetorical Devices in American Political Cartoons." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3924.

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This thesis argues that literary theory applied to political cartoons shows that cartoons are reasoned arguments. The rhetorical devices used in the cartoons mimic verbal devices used by essayists. These devices, in turn, make cartoons influential in that they have the power to persuade readers while making them laugh or smile. It also gives examples of literary theorists whose works can be applied to political cartooning, including Frederick Saussure, Mikhail Bakhtin, and Wolfgang Iser. Not only do those theorists' arguments apply to text, they also apply to pictorial representations. This th

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Orihuela-Gruber, Daniella. "Political cartoons and graphic novels a study of political and social commentary in comics /." Click here to view, 2009. http://digitalcommons.calpoly.edu/joursp/7/.

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Thesis (B.S.)--California Polytechnic State University, 2009.<br>Project advisor: Patrick Munroe. Title from PDF title page; viewed on Apr. 19, 2010. Includes bibliographical references. Also available on microfiche.

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Chiu, Sau Wan Anne Terry. "An analysis of the humor in political comic strips in Hong Kong newspapers." HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/643.

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Luce, Russell Ralph. "President George W. Bush a portrayal of the Iraq War through cartoons /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1134156853.

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Thesis (M.A.)--Miami University, Dept. of Speech Communication, 2005.<br>Title from first page of PDF document, author statement from p. [i]. Document formatted into pages; contains [1], iv, 40 p. : ill. Includes bibliographical references (p. 35-37).

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Niaz, Aina S. "Representations of US Acts of Extra-Territoriality as Illustrated in Pakistani-English Political Cartoons." DigitalCommons@USU, 2015. https://digitalcommons.usu.edu/etd/4282.

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The geopolitical significance of Pakistan in the Global War on Terror has led to multiple instances of the US acting in an extra-territorial manner. Repeated territorial intrusion by the US strains US-Pakistan relations because extra-territoriality is viewed as a violation of Pakistan’s sovereignty. This study analyzes Pakistani-English political cartoons to examine the ways the US extra-territoriality is represented. Approximately 2940 political cartoons are collected from four Pakistani-English newspapers: Dawn, The Express Tribune, The Nation, and The News. Wallerstein’s world-system theory

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Warburton, Terry. "Political cartoons and education in the UK press : the visual representation of education narratives." Thesis, Lancaster University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286977.

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Lopez, Alixandria Gabriela. "The elephant in the room| Examining visual metaphors of Chris Christie in political cartoons." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1591634.

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<p> New Jersey governor Chris Christie has gained widespread media attention for his aggressive public persona, his involvement in the Bridgegate scandal, and for weighing almost 400 pounds at the beginning of his political career. In this thesis, I conduct a metaphor analysis on political cartoons featuring Christie. By alternately focusing on his weight and his Italian heritage, cartoons utilize body-centric attacks to transform Christie into monsters, inanimate objects, manual laborers, women, and other entities, inextricably tying Christie's politics to his physicality. I argue that Chr

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Chen, Shangyu. "Popular art and political movements an aesthetic inquiry into Chinese pictorial stories /." online access from Digital dissertation consortium, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9701484.

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Brookes, Rod. "The politics of the 'little man' : Sidney Strube's Daily Express cartoons and languages of Conservatism c.1929-35." Thesis, University of East Anglia, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303014.

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Books on the topic "Political cartoons"

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Turnbloom, Dean P. Prizewinning political cartoons. 2nd ed. Pelican Pub. Co., 2010.

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P, Turnbloom Dean, ed. Prizewinning political cartoons. 2nd ed. Pelican Pub., 2008.

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Turnbloom, Dean P. Prizewinning political cartoons. 2nd ed. Pelican Pub. Co., 2012.

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P, Turnbloom Dean, ed. Prizewinning political cartoons. 2nd ed. Pelican Pub. Co., 2010.

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Boyle, Frank. Boyling point: Political cartoons. Argyll, 2006.

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Constable, Mike. Line crimes: Political cartoons. Streetcar Editions, 1990.

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Boyle, Frank. Boyling point: Political cartoons. Argyll, 2006.

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Hill, Draper. Political asylum: Editorial cartoons. Art Gallery of Windsor, 1985.

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Jane, Newton, and University of Kent at Canterbury. Centre for the Study of Cartoons and Caricature., eds. Political cartoons of 1998. Politico's Pub., 1998.

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Boyle, Frank. Boyling point: Political cartoons. Argyll, 2006.

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Book chapters on the topic "Political cartoons"

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Din, Heeba. "Deconstructing Political Cartoons in Kashmir." In Drawing Political Narratives with Humor in Kashmir. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-84383-9_3.

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Balakrishnan, Vinod, and Vishaka Venkat. "Performance of Humour in Political Cartoons." In The Language of Humour and Its Transmutation in Indian Political Cartoons. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-32836-7_2.

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Lent, John A., and John A. Lent. "Introduction." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0001.

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This introductory chapter discusses the definitions, functions, and significance of political cartoons. Besides its function as a watchdog of government and the political system, the chapter also shows that the political cartoon is also a social consciousness-raising instrument that can bring attention to social problems and then campaign to change them. Furthermore, in nearly every region of the world, the purposes political cartoons serve are heavily dependent upon the processes by which they are created and sanctioned. The chapter turns to the “freedom to cartoon.” In very rare cases, and v

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Lent, John A., and John A. Lent. "Singapore." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0015.

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This chapter explores the freedom to cartoon in Singapore. It reveals that Singapore has pioneered a form of cartooning that has since swept much of Asia—what this chapter calls “guided cartooning.” Under guided cartooning, the cartoonist is very aware of the red lines not to be crossed and the consequences if crossed, and strictly follows the guidance of the editor, who sometimes assigns the topics and stances, and screens the cartoons prepublication. The result: self-censorship with elements of pre-censorship carrying another name. The chapter traces the evolution of Singaporean political ca

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Lent, John A., and John A. Lent. "Thailand." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0016.

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This chapter examines political cartoons in Thailand. It begins with an overview of pioneering Thai cartoonists, starting from King Rama VI, who drew satirical caricatures to embarrass corrupt officials that were published in royal newspapers. However, as the chapter shows, Rama VI is hardly the first cartoonist in the country, which has a rich history of political cartooning. The chapter demonstrates how political turmoil has drawn out dormant cartoonists in Thailand, before turning to Thai cartooning in the twenty-first century. Here, it is revealed that, compared to neighboring Southeast As

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Seip, Terry L. "Political Cartoons." In Encyclopedia of International Media and Communications. Elsevier, 2003. http://dx.doi.org/10.1016/b0-12-387670-2/00227-2.

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"Political Cartoons." In Bogdanov and His Work. Routledge, 2017. http://dx.doi.org/10.4324/9781315261423-7.

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Lent, John A., and John A. Lent. "Japan." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0004.

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This chapter turns to Japanese political cartooning. It begins with a historical overview, illustrating Japan's especially rich tradition of caricature, satire, and narrative. Indeed, Japanese culture has long brimmed with caricature, satire/parody, humor/playfulness, and narrative/sequence, though the latter is not as important in the realm of political cartoons. However, as the chapter shows, generally, the single-panel political cartoon lost its edge and was marginalized with the postwar rise of story comic books (manga), whose lucrative market attracted most of the skilled cartoonists at a

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Lent, John A., and John A. Lent. "China." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0002.

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This chapter is an exploration of Chinese political cartoons. Visual humor through caricature, satire and parody, and wit and playfulness has a long, rich history in dynastic China. Modern cartooning—usually meaning coming from the West—entered China at the juncture of the nineteenth and twentieth centuries through cartoon/humor magazines, pictorial magazines, newspapers, and lianhuanhua (palm-size narrative picture books). Major catalysts for this transformation were the growing dissatisfaction with the Qing Dynasty and increased contact with the outside world. In addition to the history of p

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Forceville, Charles. "Case Studies–Political and Non-Political Cartoons." In Visual and Multimodal Communication. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190845230.003.0009.

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The genre of political cartoons purports to present a wittily critical visual or visual-plus-written-verbal commentary on politicians and states of affairs in the world. The genre is thereby of high interest for critical discourse analysts, as it lays bare a community’s ideological assumptions and does so in a pithy, easily accessible form. Moreover, the genre can get away with proposing ideas that, when presented in the verbal mode, would be unacceptably offensive or crude. From an RT perspective, it is clear that since cartoons typically appear in specific newspapers and magazine, cartoonist

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Conference papers on the topic "Political cartoons"

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences

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Wu, Yejun. "Searching Digital Political Cartoons." In 2010 IEEE International Conference on Granular Computing (GrC-2010). IEEE, 2010. http://dx.doi.org/10.1109/grc.2010.158.

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Zwelakhe Dlamini, Sizwe. "THE NATION IN TURMOIL: A POST-COLONIAL CRITIQUE OF SOUTH AFRICAN EDITORIAL CARTOONS." In HuSoc Bali – Humanities & Social Sciences International Conference, 21-22 July 2025. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.306307.

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There seems to be little research that has been done to investigate cartoons from a literary criticism point of view. Cartoons have been given attention mostly in discipline like semiotics as compared to other scholarly perspectives. The aim of this article is to attempt to bridge this gap by observing cartoons through the post-colonial approach as a literary theory. The study adopts systematic visuo-textual analysis as a qualitative research technique since cartoons are the primary sources of data collection and analysis. Through the application of the post-colonial theory, the findings demon

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Rykova, Olga V. "Multimodal Metaphor In American Political Cartoons." In WUT 2018 - IX International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.02.97.

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Treanor, Mike. "Newsgames – Procedural Rhetoric Meets Political Cartoons." In Proceedings of Nordic DiGRA 2010 Conference: Experiencing Games: Games, Play, and Players. Digitial Games Research Association DiGRA, 2009. https://doi.org/10.26503/dl.v2009i1.462.

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OPOLOVNIKOVA, M. V., and I. V. KOKURINA. "REPRESANTATION OF THE ARAB-ISRAELI WAR IN THE GERMAN-LANGUAGE CARTOON." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_82.

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The article is devoted to a German-language cartoon covering the events of the Middle East conflict. A group of cartoons is chosen in which the direct participants in the military confrontation, as well as third countries, act as the object of evaluation. The authors conclude that the cartoonists evaluate pejorative the actions of Israel and Hamas, without giving preference to either side and expressing sympathy for the civilian population of both regiones. It is stated that the axiological vector of cartoons dedicated to third countries is evident and exposes them as the true stirrer-up of th

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Arkhipova, Y. V. "Metaphor in political discourse: a multimodal analysis." In Новое поколение: достижения и результаты молодых ученых в реализации научных исследований. Новое поколение: достижения и результаты молодых ученых в реализации научных исследований, 2024. http://dx.doi.org/10.18411/npdrmuvrni-01-2024-03.

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This study expands on multimodal metaphors in political cartoons viewed as instances of multimodal discourse, adding evidence to the assumption that the fundamental principles of Conceptual Metaphor Theory by G. Lakoff and M. Johnson can also be applied to the multimodal metaphors‘ analysis in a relevant and operational manner. A special emphasis is put on the cognitive process of (de)focusing that makes either a verbal and or a pictorial element of a multimodal text foregrounded or backgrounded in discourse. Different models of metaphorical mappings are analyzed.

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Chen, Xiaojin. "Analysis on the Interpersonal Meaning of Western Political Cartoons in the Perspective of New Visual Grammar." In 2020 Conference on Education, Language and Inter-cultural Communication (ELIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201127.141.

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Kayaoglu, Turan. "PREACHERS OF DIALOGUE: INTERNATIONAL RELATIONS AND INTERFAITH THEOLOGY." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/bjxv1018.

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While the appeal of ‘civilisational dialogue’ is on the rise, its sources, functions, and con- sequences arouse controversy within and between faith communities. Some religious lead- ers have attempted to clarify the religious foundations for such dialogue. Among them are Jonathan Sacks, the Chief Rabbi of the United Hebrew Congregations of Britain and the Commonwealth, Edward Idris, Cardinal Cassidy of the Catholic Church, and Fethullah Gülen. The paper compares the approach of these three religious leaders from the Abrahamic tra- dition as presented in their scholarly works – Sacks’ The Dign

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Reports on the topic "Political cartoons"

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Castañeda Zumeta, A., and P. Pineda-Martínez. The promotion of democracy in political cartoons. The themes of cartoons in the Basque newspaper Egin (1977). Revista Latina de Comunicación Social, 2016. http://dx.doi.org/10.4185/rlcs-2016-1093en.

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SEREDINA, E. V., E. V. KISLITSYNA, and E. F. BEKH. JOE BIDEN’S NICKNAMES IN POLITICAL CARTOON. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-83-90.

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The article examines unofficial nicknames for Joe Biden, sitting president of the USA, in the light of political humour. All of the used nicknames express popular public opinion, highlighting the individual characteristics of the president and emphasizing his particular behavior. The common feature of the illustrated nickname is a mockery on the president constructed by adding vivid adjectives to his name.

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Villagómez, P., P. Romero, and T. Villalva. Caricatura política y agenda mediática en Ecuador Political cartoon and media agenda in Ecuador. Sociedad Latina de Comunicación Social, 2020. http://dx.doi.org/10.4185/cac166-4.

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van Ginkel, Bibi, and Peter Knoope. How to respond to Quran desecrations? What we can learn from earlier incidents. ICCT, 2023. http://dx.doi.org/10.19165/2023.2.06.

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In 2008, the Dutch government prepared a strategic communications campaign to prevent and to manage a potential fall out in terms of polarisation in society and rising security risks as a result of the broadcasting of the Islam-critical movie ‘Fitna’, produced by a Dutch politician. The Dutch government learned lessons from the response by the Danish government to the Mohammed cartoon riots in 2005 to inform its own strategic communication campaign. The authors of this Policy Brief reflect on the lessons of this successful campaign to offer recommendations to governments on how to respond to t

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