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Journal articles on the topic 'Political cartoons'

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1

OKATA, Gift Ngozi, Thomas K. EGWUONWU, and Clara O.K. EGWUONWU. "Language and Image Interaction in Cartoons: A Stylistic Analysis of Language Use and Humour in Selected Punch Newspaper Cartoons." Beyond Babel: BU Journal of Language, Literature and Humanities 7, no. 1 (2020): 1–23. https://doi.org/10.5281/zenodo.10794384.

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<em>Although double semiotic modes characterize meaning deduction in cartoons, nonetheless the visual is the most pivotal mode. The interaction between language and image is usually encapsulated around the expressive pattern of the cartoonist in forms of caricature, exaggeration, metaphor, size, registers and symbols. In spite the robust studies on political cartoons, scant studies exist on the persuasive stylistic analysis of three political cartoons of the Punch newspaper of April to June, 2016. Therefore, this study fills this gap.&nbsp; Using a total of three randomly selected political ca
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2

Chakraborty*, Prasun, and Anirban Chowdhury. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering 10, no. 10 (2021): 137–42. http://dx.doi.org/10.35940/ijitee.j9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The
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3

Prasun, Chakraborty, and Chowdhury Anirban. "Study of Acceptance of Indian Political Cartoons in Facebook Landscape." International Journal of Innovative Technology and Exploring Engineering (IJITEE) 10, no. 10 (2021): 137–42. https://doi.org/10.35940/ijitee.J9450.08101021.

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Indian society changed after digitalization and economical reformation. Currently, the Facebook is the most popular social media in India. The political cartoonist took that platform as an opportunity to share their thoughts and raise socio-political issues through their cartoons. The aim of the paper is to study responses (likingness and affective) to political cartoons in respect to responsiveness towards cartoons, gender, and socio-economic status. The study was conducted among 875 Indians from different parts of India including males and females with various socio-economic backgrounds. The
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4

Guz, Maria Nikolaevna, and Natalia Vladimirovna Pigina. "Contemporary German political cartoons (based on the cartoons by Klaus Stuttmann)." Philology. Theory & Practice 17, no. 8 (2024): 2967–75. http://dx.doi.org/10.30853/phil20240422.

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The aim of the study is to identify the linguostylistic features of creating a comic effect in modern German political cartoons. The paper examines political cartoons by Klaus Stuttmann. The scientific novelty of the research lies in the linguistic and cultural analysis of the verbal and nonverbal components of political cartoons by one of the most famous contemporary German cartoonists, Klaus Stuttmann, a winner of numerous awards. Based on the analysis of Stuttmann’s cartoons from 2022-2024, it has been found that cartoons are polycode texts in which the combination of verbal and nonverbal c
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Vásquez León, David. "Political Cartoon in Ecuador." Politikon: The IAPSS Journal of Political Science 25 (December 15, 2014): 95–119. http://dx.doi.org/10.22151/politikon.25.6.

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Cartoonist Xavier Bonilla and El Universo newspaper were sanctioned in 2014 after publishing a cartoon which, according to the sanction, motivated social agitation and was inaccurate. Against a backdrop of continuous friction between Rafael Correa’s government and private media in Ecuador, the text examines if the sanction created an environment of fear or self-censorship (chilling effect) in other cartoonists in Ecuador. For the analysis, 81 cartoons from three newspapers were monitored and analyzed during the month following the February 23th elections in Ecuador, in which the results were n
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Oluremi, Tolulope. "Pragmeme of Political Humour in Selected Nigerian Political Cartoons." Journal of Language and Education 5, no. 4 (2019): 66–80. http://dx.doi.org/10.17323/jle.2019.9682.

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Political humour is a recurring element in print media and other genres, touching various areas of Nigerian political discourse. A number of research studies have investigated political humour in contemporary Nigerian political discourse. The political humour deployed in responding to some prominent political events in 2016, however, is relatively unexplored. This current endeavour, therefore, attempts to examine the pragmeme of humour in selected 2016 political events that are remediated in political cartoons. These include political matters such as Nigeria’s 56th Independence Anniversary, th
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Zahid, Mamoona, and Muhammad Ashraf. "Dissenting Art- Political Cartoons of Anwar Ali (1922-2004)." Journal of Design and Textiles 3, no. 2 (2024): 28–43. https://doi.org/10.32350/jdt.32.02.

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Anwar Ali began his career as a cartoonist with Dawn, a publication based in New Delhi. He joined Pakistan Times in Lahore as a staff cartoonist on February 4, 1947, and served until 1980. Anwar Ali’s cartoons carried strong political critique and social satire on both national and international issues of his time. Throughout his artistic career, he produced imagery highlighting the hypocritical attitude of the ruling class toward ordinary people of the newly-established Pakistan. Later, he created a pocket cartoon character Nanna, which served as a satirical portraiture of society. This paper
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8

Pedrazzini, Ana, and Nora Scheuer. "Distinguishing cartoon subgenres based on a multicultural contemporary corpus." European Journal of Humour Research 6, no. 1 (2018): 100. http://dx.doi.org/10.7592/ejhr2018.6.1.pedrazzini.

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A literature review reveals the lack of empirical and theoretical work dedicated to systematically grasping the diversity of cartoons. Most studies have focused on political and/or editorial cartoons and have neglected other subgenres, which however are gaining space in many forms of media—such as gag cartoons. Taking genre discursive studies as a starting point, this paper is aimed at distinguishing cartoon subgenres considering their modal, thematic, pragmatic and rhetorical features. The corpus is composed of 85 cartoons (51 multimodal and 34 solely visual) from 22 countries. This corpus wa
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Prabha P, Lakshmi, and Dr Abhishek Das. "Conceptual Blending in Indian Political Cartoon Discourse." Indian Journal of Mass Communication and Journalism 3, no. 2 (2023): 32–38. http://dx.doi.org/10.54105/ijmcj.c1065.123223.

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Conceptual blending theory has been used by scholars to study various genres of texts. Scholars studying cartoons in particular have used it to study how metaphors and metaphorical blending are used in cartoons to construct meaningful texts. This paper studies selected Indian political cartoons using the Conceptual Blending Theory of Fauconnier and Turner. The themes of the cartoons chosen for the study focused on various social issuesthat were part of the media discourse in contemporary times. The study was conducted to understand how cartoons depicting social issues used metaphoric blending
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10

Lakshmi, Prabha P. "Conceptual Blending in Indian Political Cartoon Discourse." Indian Journal of Mass Communication and Journalism (IJMCJ) 3, no. 2 (2023): 32–38. https://doi.org/10.54105/ijmcj.C1065.123223.

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<strong>Abstract: </strong>Conceptual blending theory has been used by scholars to study various genres of texts. Scholars studying cartoons in particular have used it to study how metaphors and metaphorical blending are used in cartoons to construct meaningful texts. This paper studies selected Indian political cartoons using the Conceptual Blending Theory of Fauconnier and Turner. The themes of the cartoons chosen for the study focused on various social issues that were part of themedia discourse in contemporary times. The study was conducted to understand how cartoons depicting social issue
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11

Aye, Aye Mon. "The Life of Peasants in Colonial Period told by U Ba Glay's Cartoons." Dagon University Research Journal Vol.6, no. 2014 (2019): Pg.37–41. https://doi.org/10.5281/zenodo.3547085.

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The art of cartoon occurred simultaneously with the journals and magazines in the world of journalism in Myanmar. The cartoons which produced in 1915 were drawn by Shwe Talay (a) Cartoonist Saya U Ba Glay. U Ba Galay recorded the Myanmar&rsquo;s social and political events with cartoons during 1915 and 1939 and also created the jolly type old man U Shwe Yoe in Myanmar&rsquo;s film and dramatic art.
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Nyoni, Mika, Nesbeth Grand, and Tsitsi Nyoni. "Beyond The Humour: a Newspaper Cartoon as Socio-Politico-Economic Commentary: The Case of 'Wasu' of the Manica Post in Zimbabwe." Greener Journal of Social Sciences 2, no. 5 (2012): 179–90. https://doi.org/10.15580/gjss.2012.6.102512152.

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The research looks at the role of a newspaper cartoon (&#39;Wasu&#39; of The Manica Post in Zimbabwe) in the socio-economic and political landscape of Zimbabwe. Up to one hundred cartoons were collected from the period 2004 to 2010 and from these a few were selected for thorough scrutiny. Besides analyzing the cartoons collected, the researchers also interviewed Blessing Mukuze, the cartoonist and creator of the cartoon character &#39;Wasu&#39; to provide an illumination on the background of the persona. The analysis reveals that although cartoons are perceived by the ordinary reader as primar
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Mokrushina, Amalia A. "Arab Political Cartoon as a Response to the Foreign and Domestic Policies of the State." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 3 (2022): 577–90. http://dx.doi.org/10.21638/spbu13.2022.312.

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An analysis of the phenomenon of Arabic cartoons could provide rich material not only for orientalists, but also for specialists in different fields. Today, Arab cartoons are experiencing a revival. The Internet greatly affects the form and quality of information material. The study of Arabic cartoons assumes a versatile approach: we are interested not only in the content of the cartoon, but also in its additional characteristics. In a cartoon the reader receives information as quickly and concisely as possible. The most indicative and interesting for the researcher is the analysis of the mate
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14

Manning, Haydon, and Robert Phiddian. "The political cartoonist and the editor." Pacific Journalism Review : Te Koakoa 11, no. 2 (2005): 127–50. http://dx.doi.org/10.24135/pjr.v11i2.1056.

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New Zealand Herald cartoonist Malcolm Evans was dismissed from the newspaper after he refused to follow his editor's instruction to cease cartooning on the Israeli-Palestinian conflict. Members of the Jewish community were upset by a number of his cartoons, drawn during the first half of 2003. Evans is not alone among cartoonists to attract the anger of Jewish community lobbies and the hesitation of their editors when presenting cartoons dealing with the activities of the Israeli government. Cartoonists Tony Auth (Philadelphia Inquirer) and Michael Leunig (The Age) have also presented controve
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15

Abdel-Tawwab Sharaf Eldin, Ahmad. "A Pragmatic Study of Political Cartoons in Al-Ahram Weekly Newspaper." British Journal of Translation, Linguistics and Literature 2, no. 2 (2022): 25–48. http://dx.doi.org/10.54848/bjtll.v2i2.33.

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During the past century, political cartoons were considered as the most extreme form of expression in newspapers, as they were not committed to any norm of journalistic objectivity, or even the domain of objective reality. Some cartoonists consider political cartoons as historical sources of satirical critique of the political status quo. Generally speaking, there are various forms of cartoons, such as political, social, and humorous cartoons. Each one has a different function.&#x0D; The function of political cartoons lies in making a real change in a society in favor of suppressed classes thr
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16

Denisova, Galina. "Text categories of messages in the form of a political cartoon." SHS Web of Conferences 69 (2019): 00031. http://dx.doi.org/10.1051/shsconf/20196900031.

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The article deals with the political cartoon as a creolized text consisting of two parts (verbal and visual) and identifies the potential of verbal and visual means to express text categories in messages under study. The author comes to a conclusion that political cartoons are characterized with the same text categories as a homogeneous verbal text. The text categories of a political cartoon are expressed with verbal and visual means organized in personal, local, temporal and modal structures of the message. Analysis of Walter Hanel's cartoons proves the following: (1) the cartoonist expresses
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17

Akuno, Lydia Adhiambo, Magonya A. Lilian, and Oloo A. Pamella. "Pictorial Metaphors in The Portrayal of Corruption as Dirt in The Kenyan Daily Nation Newspaper Cartoons." Indiana Journal of Arts & Literature 5, no. 2 (2024): 8–14. https://doi.org/10.5281/zenodo.10702420.

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Cartoons use language as an artistic medium in which various options are explored for effective communication. Cartoon is used to satirize and lampoon socio-political abuses like corruption. In Kenya, corruption poses one of the greatest challenges facing the Kenyan government and reports on corruption scandals in the media are the order of the day. Political cartoon therefore has enabled the cartoonist to deal with political issues mockingly in an indirect way through cross - domain mappings, to ridicule dictators and corrupt figures without fear of victimization. The present paper analysed p
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18

Makombe, Rodwell. "Images of a nation in crisis." Communicare: Journal for Communication Studies in Africa 37, no. 1 (2022): 56–73. http://dx.doi.org/10.36615/jcsa.v37i1.1582.

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Political cartoonists have, in recent years, faced victimisation for daring to speak truth to power.In December 2010, South African cartoonist, Jonathan Shapiro (Zapiro) was sued for portrayingformer President Zuma as a rapist. In February 2018, his contract of over ten years with TheSunday Times was abruptly terminated. These developments show that cartoons can be effectivetools of undermining and resisting power. This article critically analyses Zapiro’s Rape of LadyJustice cartoons in the context of South African politics under Zuma’s presidency. The ANC-ledgovernment under Jacob Zuma was p
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19

Pinar, Maria Jesús. "Humour and intertextuality in Steve Bell's political cartoons." European Journal of Humour Research 8, no. 3 (2020): 16. http://dx.doi.org/10.7592/ejhr2020.8.3.pinar-sanz.

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The aim of this paper is to analyse 12 political cartoons published by Steve Bell in the left-wing oriented newspaper The Guardian to show how visual metaphors and metonymies and intertextual references are powerful strategies to present potent rhetorical depictions of political candidates and political issues. These devices are used to establish intertextual links across political cartoons and historical events, contemporary culture, paintings, literary works and illustrations. The themes that appear regularly in political cartoons have been identified, as well as a number of categories of so
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20

Denisova, Galina L. "Valuation Сomponent of Metaphor UP vs. DOWN in German Political Cartoon". RUDN Journal of Language Studies, Semiotics and Semantics 12, № 3 (2021): 559–75. http://dx.doi.org/10.22363/2313-2299-2021-12-3-559-575.

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In German political cartoon the metaphor UP vs. DOWN introduces oppositions GOOD vs. BAD, MORE vs. LESS, UNREALIZABLE vs. PRACTICABLE. The paper describes their valuation components accenting the positive or negative sign of oppositions and its base in lexicon of the German language personality. Complex nature of cartoons, which are polycode texts, and their appeal to the language personality allow application of cognitive linguistics and methods of traditional linguistics. The paper demonstrates that political cartoons different realizations of this metaphor are visualized by levels: earth su
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21

N. Prokhorova, Olga, Ekaterina F. Bekh, Olga V. Dekhnich, Ekaterina V. Seredina, and Natalia V. Fisunova. "APPROACHES OF INFORMAL AND CASUAL COMMUNICATION IN POLITICAL CARTOONS." Revista de Investigaciones Universidad del Quindío 34, S2 (2022): 42–48. http://dx.doi.org/10.33975/riuq.vol34ns2.877.

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The current study tries to investigate approaches to communication, including dysphemism and euphemisms in political cartoons. Free expression of public opinion and personal, political cartoon humor and got an essential part of the information and data arena. That makes the political cartoons genre more related and remarkable than before. This given cartoon comprises visual and verbal components, making the selection of communication means in the text particularly challenging. That defines the problem of our survey. The paper has investigated political cartoons published in the USA media. Maki
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Adeoti, Oluwatomi. "Pragmeme of political humour in selected political cartoons in Nigerian newspapers." Journal of Languages, Linguistics and Literary Studies 3, no. 2 (2023): 78–88. http://dx.doi.org/10.57040/jllls.v3i2.452.

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Several studies have been conducted regarding the object of humour based research but few attention has been given Cartoon Motivated humour (CMH) in Nigerian discourse. Thus, this study explores a pragmatic study of political humour in selected political cartoons. It investigates humour that reflect the corruption, embezzlement, economic and health challenges in Nigeria shared through the selected political cartoons. The theoretical framework adopted is Jacob Mey's Pragmatic Act Theory. A total of Twelve (12) data were purposively selected from three different newspapers (The Punch, The Daily
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Permana, Yan Reiza. "ANALYSIS OF POLITICAL CARTOON IN JAKARTA POST E-PAPER." Journal of Languages and Language Teaching 7, no. 1 (2020): 6. http://dx.doi.org/10.33394/jollt.v7i1.1435.

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This study was concerned on the way the author explores the hidden meaning and message in semiotics signification of President Jokowi cartoons in Jakarta Post e-paper. The writer focused on five cartoons of President Jokowi published by Jakarta Post e-paper and wanted to know about the hidden meaning and message that tried to convey by the Jakarta Post e-paper. Furthermore, this research covered an interdisciplinary study that scopes semiotics and Critical Discourse Analysis (CDA, in which the researcher tried to unhook the messages and explain the linguistic means of that construct the hidden
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Nasira, Nurina, and Alfi Syahriyani. "The Depiction of Putin’s Power and Dominance in Political Cartoons about Russia-Ukraine War." Buletin Al-Turas 31, no. 1 (2025): 94–110. https://doi.org/10.15408/bat.v31i1.37563.

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PurposeThis study aimed to investigate the depiction of Vladimir Putin’s Power and Dominance in political cartoons collected from usnews.com, and identified the social contexts underlying the creation of those political cartoons. MethodThis research used qualitative methods which engaged in discovering and uncovering the meaning of a particular phenomenon. The sample data was three political cartoons related to the Russia-Ukraine War taken from usnews.com. It employed Multimodal Discourse Analysis (MDA) approach of Visual Grammar from Kress &amp; Leeuwen (2006) to examine the visual mode, and
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Sulistyowati, Lilis, Didin Nuruddin Hidayat, Alek Alek, and Dadan Nugraha. "The Discourse of Satire in Indonesia Political Cartoons At “Poliklitik.com”." English Education Journal 10, no. 4 (2020): 643–53. http://dx.doi.org/10.15294/eej.v10i4.38092.

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A specific cartoon is commonly used to lead public opinion to a particular phenomenon. It is created to realize or to ask people opinions or thought on political issues. This study analyzed the satire of political cartoons selected in the themes of “ Rancangan Undang-Undang Kitab Undang-Undang Hukum Pidana ” (RUU KUHP) or The Draft of the Book of Criminal Law relating three articles on human right, livestock, and land in Indonesia in September 2019. This study identified the satirical messages delivered by cartoonists based on the verbal and visual as text analysis, discourse practices ana
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Belyaeva, E. V. "The concept and the essence of political cartoon in the modern world." Communicology 11, no. 4 (2024): 162–70. http://dx.doi.org/10.21453/2311-3065-2023-11-4-162-17.

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The paper is dedicated to the analysis of the theoretical component of political cartoon, its essence and concept. Attention is focused on the importance of political cartoons in modern political and legal reality with the rapid development of information systems and technologies. The author notes that the topic of political cartoons in the modern world is relevant and requires comprehensive research. A political cartoon is an important element of state, political and legal processes, since it acts as a vivid expression of public opinion regarding certain important situations in the global and
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Shakeel, Zoya, and Muhammad Farooq Alam. "Multimodal Genre Analysis of Political Cartoons during Pakistan's Economic Crisis." Global Digital & Print Media Review VI, no. I (2023): 290–97. http://dx.doi.org/10.31703/gdpmr.2023(vi-i).23.

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This article analyzes the genre of political cartoons through the prism of multi-modality, focusing on editorial cartoons published in the Dawn newspaper during the 2023 economic crisis in Pakistan. The purpose of the study is to evaluate the visual and linguistic strategies used by cartoonists to convey political messages in a humorous way and analyze how these messages are interpreted by the audience. The research design utilizes a qualitative methodology that involves a deep evaluation of linguistic elements of cartoons and Kress and Leeuwen's framework for analyzing visual grammar. The fin
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28

Zarifian, Mohsen. "Literary studies of political caricature: a quantitative analysis of publications indexed in the Scopus." RUDN Journal of Studies in Literature and Journalism 28, no. 1 (2023): 146–56. http://dx.doi.org/10.22363/2312-9220-2023-28-1-146-156.

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The author reviews the past-to-present academic literature on cartoon studies (mainly editorial and political cartoons), that reflects the functional crisis of the cartoon associated with the development of the media space and new challenges. Some of the main trends, taxonomies, and approaches to date in political cartoon research are shown, and some of the weaknesses and strengths in the present field as well as aspects that are underdeveloped or have yet to be explored are highlighted. The articles in English published between 2017 and 2022 were reviewed to provide an understanding of the cu
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Denisova, Galina L. "CONTRAST IN POLITICAL CARTOONS OF THE GREAT PATRIOTIC WAR." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 75–91. http://dx.doi.org/10.17223/22220836/42/7.

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The article has for an object to determine themes of the Great Patriotic War cartoons based on the contrast between of two pictures and to detect and describe aims that cartoonists try to achieve with help of the political cartoons under study. The author conducts research of the Great Patriotic War cartoons created by Kukryniksy, a group of caricaturists, which M.V. Kupriyanov, P.N. Krylov, and N.A. Sokolov belonged to. They often involved S.Ya. Marshak in the work on the verbal part of their political cartoons. Some of the political cartoons under study give an example of wholeness of his rh
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Movchan, Diana, Iryna Ushchapovska, and Alina Savchuk. "Cartoons in the Genre Spectrum of Political Discourse." Fìlologìčnì traktati 15, no. 2 (2023): 101–8. http://dx.doi.org/10.21272/ftrk.2023.15(2)-11.

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The article examines cartoons as an effective means of political influence aimed at changing the emotional state and behaviour of the addressee, restructuring certain elements of their ideology, modifying the value hierarchy, and forming extralinguistic activity motives. The research theoretically substantiates the cartoons' multimodal nature, as their verbal and non-verbal components form a single visual, structural, semantic, and functional whole aiming at a complex pragmatic impact on the recipient. This article emphasizes that a cartoon not only appeals to the mind and aesthetic beliefs of
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Bamigboye, Omolade, and Samuel Adebayo Omotunde. "Stylistic Foregrounding in The Socio-Political Commentary of Selected Guardian Cartoons." Journal of Language and Literature 19, no. 2 (2019): 98. http://dx.doi.org/10.24071/joll.v19i2.2134.

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&lt;p&gt;&lt;em&gt;The paper investigates the role of textual foregrounding in the understanding of cartoons in The Guardian, a Nigerian daily newspaper. To achieve this aim, Bally’s stylistics of humor is used as theoretical basis. Bally’s theory claims that there is a connection between language and the thoughts and feelings of its user. It also espouses the idea that as human beings, we respond emotionally in one way or the other to how a language is crafted in a particular context and by a particular user. This is especially the case for structures that are deemed humorous. Using a purposi
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Evans, Malcolm. "The political cartoonist’s right to freedom of expression." Pacific Journalism Review : Te Koakoa 10, no. 2 (2004): 71–80. http://dx.doi.org/10.24135/pjr.v10i2.805.

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On 11 August 2003, after producing some 1600 cartoons, Malcolm Evans was controversially dismissed from his position as editorial cartoonist at The New Zealand Herald because he had refused to accept that the editor had the right to dictate the subjects he might address. This invited commentary for Pacific Journalism Review is published to further debate. Evans argues: ‘While I have always respected the editor’s right to reject a cartoon, he can never have the right to direct it – an understanding that was mutually agreed as a condition of my hire when I took the Herald job six years earlier.
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Pokhrel, Devi Prasad. "The Political Aspect of Cartoons: Rediscovering the Power of Print Media." Scientific Researches in Academia 2, no. 2 (2024): 7–16. https://doi.org/10.3126/sra.v2i2.74273.

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Cartoons in print media portray social reality through the satire of political scenarios. The regular cartoons in Nepali newspapers quite frequently raise an evoking, critical awareness about contemporary political, social, and cultural issues. This paper will analyze one cartoon from each of four popular Nepali cartoonists. Such cartoons will be sifted for their use of Nepali colloquialisms, texture, colors, signs, symbols, roles of mythical characters, etc., to critique current issues with the sharpness they deserve. The analysis is going to be framed using the last three pillars of Marshall
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Prokhorova, Olga N., Ekaterina F. Bekh, Olga V. Dekhnich, Ekaterina V. Seredina, and Natalia V. Fisunova. "Means of informal communication in political cartoons." LAPLAGE EM REVISTA 7, Extra-D (2021): 28–34. http://dx.doi.org/10.24115/s2446-622020217extra-d1063p.28-34.

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This article attempts to analyze means of communication such as euphemisms and dysphemisms in a political cartoon. Free expression of personal and public opinion, political humor and political cartoon became an important part of the information sphere. This makes the genre of political cartoon more relevant than ever. The cartoon consists of verbal and visual components, which make the choice of communication tools in the text especially difficult. This determined the problem of our study. We have analyzed political cartoons published in the American media. Using the method of content analysis
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35

Bickford III, J. H. "Examining Original Political Cartoon Methodology: Concept Maps and Substitution Lists." Social Studies Research and Practice 6, no. 3 (2011): 67–82. http://dx.doi.org/10.1108/ssrp-03-2011-b0005.

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Previous research on classroom uses for political cartoons identified two negative trends: creative stagnation (as teachers utilized them solely for interpretation) and age limitation (as researchers suggested they fit best with gifted and older students). Recent scholarship has addressed both trends by enabling young adolescent students to creatively express newly generated understandings through construction of original political cartoons. During such authentic assessment activities, students demonstrated high levels of criticality by using effective and efficient technologies to create orig
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Radina, N. K. "Multimodal Media Tools of Popular Geopolitics: Russian Politics in Foreign Media Cartoons." MGIMO Review of International Relations 15, no. 4 (2022): 130–50. http://dx.doi.org/10.24833/2071-8160-2022-4-85-130-150.

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The article focuses on the political cartoons about Russia and analyzes the potential of multimodal media texts as the tools of popular geopolitics. The author also employs S. Hall’s concept of propaganda, considering the text of a caricature from semiotic perspective. The integration of the theoretical fields of popular geopolitics and propaganda is substantiated, since political cartoons not only form stereotypes about politics and international relations among media readers, but also perform propaganda functions, broadcasting the point of view of the information platform on Russian politics
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Genova, Dafina Ivanova. "Grasping political cartoons? Not an easy matter." European Journal of Humour Research 6, no. 1 (2018): 85. http://dx.doi.org/10.7592/ejhr2018.6.1.genova.

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The article focuses on the interpretation of political cartoons and the means of expression a cartoonist uses to convey a message: visual metaphors, visual metonymies as well as metaphors inferred from the image and/or text. The metaphors and visual metonymies in the cartoons are analyzed from the point of view of Conceptual Metaphor and Metonymy Theory. In the analysis, visual and inferential metaphors are viewed as incongruities; there are also incongruities as a result of the interaction between image, title and/or caption. Political cartoons can have more than one focal (visual) incongruit
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Genova, Dafina. "Complementarity of Image and Text in Political Cartoons: Three Case Studies." Anglica. An International Journal of English Studies, no. 27/2 (September 17, 2018): 143–58. http://dx.doi.org/10.7311/0860-5734.27.2.08.

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The article analyzes the complementarity of image and text in political cartoons taking into account the following parameters: Prior Text(s), Producer, Cartoon, and Viewer/ Reader. In the meaning-making process, the viewer/reader constantly alternates between image and text. The two modes of communication can convey the same message(s), each of the modes can strengthen the meaning of the other; the two might have nothing in common, yet, when combined, will produce a meaningful message. Visual metaphors and metonymies play an important role in the construction of meaning in political cartoons.
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EJABENA, Harrison Oghenerukevwe, and Chibuzor Franklin AKPATI. "A Social Semiotic Study of Institutional Corruption in Editorial Cartoons of Nigeria's Vanguard Online News Outlet." GVU Journal of Language, Literature and African Studies 1, no. 1 (2021): 1–27. https://doi.org/10.5281/zenodo.8021921.

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Editorial cartoon is a medium of socio-political critique and has received intellectual patronage. However, extant studies are yet to access the utilisation of semiotic resources for transmitting contextual meanings in editorial cartoons published within the Nigerian socio-cultural milieu. This article extends the frontiers of the existing literature by exploring the effect of context in the selection and appropriation of semiotic resources in selected editorial cartoons of <em>Vanguard</em> Online news outlet. The data include ten purposively-selected <em>Cartoon Sarge</em>editorial cartoons
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Bickford III, John H. "Students’ Original Political Cartoons as Teaching and Learning Tools." Social Studies Research and Practice 6, no. 2 (2011): 47–59. http://dx.doi.org/10.1108/ssrp-02-2011-b0005.

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A meta-analysis of educators’ uses of political cartoons suggests they are mostly used for teaching interpretation skills and then usually only with gifted and older students. This demonstrates creative stagnation, limited elicitation of higher order thinking skills, and age bias. The researcher previously examined young adolescents’ use of effective and efficient technologies to express historical understandings through original political cartoon construction. This methodology elicited students’ higher order thinking as they expressed learning within their creations, which were then used as a
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Souza, Vaneide Gomes de, and Mariluce Paes de Souza. "Charge as A Discursive Practice of Sustainability." Revista de Gestão Social e Ambiental 18, no. 12 (2024): e010566. https://doi.org/10.24857/rgsa.v18n12-207.

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Objective: The objective of this study was to analyze the discourse on sustainability in the textual genre of cartoons. Theoretical framework: The study is based on the concepts of discursive formation of Pêcheux (1997), Foucault (1997) and Fernandes (2005), where three cartoons selected from the electronic media were analyzed, whose discussion involves aspects related to the theme of sustainability, characterizing its political and aesthetic constituent elements, demarcating and analyzing the ideological and persuasive conditions of the cartoon in its communicative aspect in the most diverse
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Carrizales, Tony. "The Positive Image of Public Servants in Editorial Cartoons (1999 - 2003)." Public Voices 11, no. 1 (2016): 51. http://dx.doi.org/10.22140/pv.101.

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The editorial cartoon has been a part of American culture since the beginning of the nation’s founding. The following review of editorial cartoons takes a specific look at public servants who are not in the political spotlight, such as teachers, police, fire and postal service men and women. Through a review of editorial cartoons from 1999-2003, it becomes apparent that there are positive images of public servants amid the numerous negative ones published daily. The selection of cartoons, most notably those following the attacks of September 11, 2001, highlights that heroism and service can be
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Krstić, Aleksandra, Giorgia Aiello, and Nebojša Vladisavljević. "Visual metaphor and authoritarianism in Serbian political cartoons." Media, War & Conflict 13, no. 1 (2019): 27–49. http://dx.doi.org/10.1177/1750635219856549.

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This article examines how political cartoons reflected and mobilized resistance to growing authoritarianism and the personalization of power in contemporary Serbia. The focus is on the work of Dušan Petričić, the most influential political cartoonist in Serbia, which was published in daily Politika and weekly NIN between 2012 and 2017. Petričić’s cartoons offer interesting insights into a dramatic decline of press freedom and the rise of authoritarian personalist rule in terms of both their content and political impact. The authors draw on quantitative content analysis and qualitative multimod
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Bello, Usman Muhammad. "Re-lexicalization and Over-lexicalization in Nigerian Political Cartoon Discourse on Facebook." Journal of English Language, Literature and Education 2, no. 02 (2020): 1–20. http://dx.doi.org/10.54692/jelle.2020.020223.

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Political Cartoons provide an avenue for people across the political spectrum to present their reactions to current events in a relaxed atmosphere. While such discourses provoke laughter in the audience, critical messages lie underneath them. Such messages can be retrieved by a very careful audience. Two major ways in which serious information is presented in cartoons are re lexicalization and over-lexicalization. This paper, therefore, investigated these phenomena in Nigerian political cartoon discourse. The data for this study was purposively selected Facebook political cartoons in Nigeria.
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Conners, Joan L. "Popular Culture in Political Cartoons: Analyzing Cartoonist Approaches." PS: Political Science & Politics 40, no. 02 (2007): 261–65. http://dx.doi.org/10.1017/s1049096507070400.

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Hameed, Ansa, and Haroon N. Alsager. "A Semiotic Study of Contemporary Middle Eastern Internal Dilemmas in Arab News Cartoons." World Journal of English Language 14, no. 1 (2023): 472. http://dx.doi.org/10.5430/wjel.v14n1p472.

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Many parts of the Middle Eastern region have a history of persistent and long-term crises. The media, and particularly the news media, endeavors to highlight these issues in various forms. One established format among them is caricatures, or cartoonish representations, which retain a visually captivating quality for the intended audience. Undeniably, cartoons depict the bitter realities in candid yet convincing forms. In this regard, the present study aims to analyze the Arab News cartoons that depict the internal predicaments faced by the selected Middle Eastern countries. The primary objecti
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Saito, Hayato, and Wen-yu Chiang. "Political cartoons portraying the Musha Uprising in Taiwan under Japanese rule." Metaphor and the Social World 10, no. 1 (2020): 76–99. http://dx.doi.org/10.1075/msw.19009.sai.

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Abstract This study analyzes five political cartoons published in the Taiwan Nichinichi Shinpo (Taiwan Daily Newspaper) depicting the Musha Uprising, an indigenous rebellion against Japanese colonial rule that occurred in Taiwan in 1930. The study has produced two important findings and theoretical implications. First, two of the political cartoons deployed The Great Chain of Being multimodal metaphor, and the artist’s conceptual blending of Japanese kabuki stories with the Musha Uprising dramatically portrayed the colonizers as humans and the colonized as animals. We analyze the social and hi
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Virág, Ágnes. "“GIVE US THE MONEY!” THE FIGURATIVE REPRESENTATION OF EU SUBSIDIES TO HUNGARY IN POLITICAL CARTOONS." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 17, no. 2 (2024): 119–51. https://doi.org/10.29302/jolie.2024.17.2.9.

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Abstract In international political cartoons (politicalcartoons.com), the cartoonish figure of the Hungarian prime minister, Viktor Orbán, is most likely to appear together with the representation of the EU. Their juxtaposed depiction usually involves the issue of corruption. The paper aims to investigate in what metaphorical depictions the EU and EU-subsidies appear in connection with the cartoonish representation of Viktor Orbán in the corpus. Additionally, it also examines what characteristic features are shown by these metaphorical representations in connection to the collocated representa
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Başaran İnce, Gökçen. "The Free Republican Party in the political cartoons of the 1930s." New Perspectives on Turkey 53 (November 2015): 93–136. http://dx.doi.org/10.1017/npt.2015.20.

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AbstractThe Free Republican Party (FRP; Serbest Cumhuriyet Fırkası), founded and dissolved in 1930, represented the second attempt to transition to a multi-party system in Turkey, following the formation of the Progressive Republican Party (Terakkiperver Cumhuriyet Fırkası) in 1924. In contrast to the oppositional establishment of the latter, the FRP seemed to be a state-originated project whose establishment was decided upon by the elites of the day, led by Mustafa Kemal Atatürk. Its representation in contemporary cartoons is deemed important today given the political cartoon’s ability to sim
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Altun, Hilal Oytun. "Multimodal Metaphors and Metonymies in Editorial Cartoons about Türkiye in Kathimerini." Perspektywy Kultury 45, no. 2 (2024): 473–88. http://dx.doi.org/10.35765/pk.2024.4502.33.

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Political cartoon is a multimodal genre that mainly relies on metaphors and metonymies. The main characteristics of political cartooning are, first, to expose the negative; second, to condense multidimensional complexities down into simplified depictions. Kathimerini, one of the oldest newspapers in the Greek press, interprets the news with editorial cartoons, which it publishes regularly. In this study, editorial cartoons in Kathimerini’s online English edition and those related to Türkiye were studied from the perspective of conceptual mapping theory. Interculturally recognizable scenarios f
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