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Books on the topic 'Political conflict image'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Finkelstein, Norman G. Image and reality of the Israel-Palestine conflict. 2nd ed. Verso, 2003.

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Finkelstein, Norman G. Image and reality of the Israel-Palestine conflict. Verso, 1995.

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3

Linen Hall Library (Belfast, Northern Ireland). Troubled Images: Posters and Images of the Northern Ireland Conflict from the Linen Hall Library, Belfast. Linen Hall Library, 2001.

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4

Orsoni, Pierre-Alexandre. Images réfugiées de Palestine. Editez-nous, 2011.

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5

Pandey, Nirmala. International images and structural balance. Commonwealth Publishers, 1990.

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6

Kunda, Dixit, ed. A people war: Images of the Nepal conflict 1996-2006 = Laḍāim̐mā janatā : Nepālako yuddhakā citraharu, 2052-063. Publication Nepalaya, 2006.

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7

Eder, Jens, and Charlotte Klonk. Image Operations: Visual Media and Political Conflict. Manchester University Press, 2016.

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8

Eder, Jens, and Charlotte Klonk. Image Operations: Visual Media and Political Conflict. Manchester University Press, 2016.

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9

Lahlali, El Mustapha. Arabic Political Discourse in Transition. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748682744.001.0001.

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This book explores the dialectical relationship between discourse and social change during and post the conflict. In particular, the book examines how Arabic public and political discourse shapes and is shaped by the wider social, cultural and political environment. Analysing the dialogue of various actors, Islamic parties and stakeholders – as well as marginalised voices – Arabic Political Discourse in Transition identifies the key linguistic strategies and features used to frame, represent and position oneself at times of conflict. It provides a detailed analysis of the use of language in po

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10

Park, Hyun Ho. Intergroup Conflict, Recategorization, and Identity Construction in Acts. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780567713292.

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Hyun Ho Park employs social identity to create the first thorough analysis via such methodology of Acts 21:17—23:35, which contains one of the fiercest intergroup conflicts in Acts. Park’s assessment allows his readers to rethink, reevaluate, and reimagine Jewish-Christian relations; teaches them how to respond to the vicious cycle of slander, labeling, and violence permeating contemporary public and private spheres; and presents a new hermeneutical cycle and describes how readers may apply it to their own sociopolitical contexts. After surveying previous studies of the text, Park first analys

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11

Vernallis, Carol, Amy Herzog, and John Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199757640.001.0001.

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This collection of essays explores the relations between sound and image in a rapidly shifting landscape of audiovisual media in the digital age. Featuring contributions from scholars who bring with them an impressive array of disciplinary expertise, from film studies and philosophy to musicology, pornography, digital gaming, and media studies, the book charts new territory by analyzing what it calls the “media swirl” and the “audiovisual turn.” It draws on a range of media texts including blockbuster cinema, video art, music videos, video games, amateur video compilations, visualization techn

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12

Imagen Y Realidad Del Conflicto Palestino-Israeli/ Image and Reality of the Israel-Palestine Conflict (Cuestiones De Antagonismo / Questions of Antagonism). Akal Ediciones, 2003.

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13

Finkelstein, Norman G. Image and reality: Israel-Palestine conflict. Verso, 1994.

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14

Mortensen, Mette. Journalism and Eyewitness Images: Digital Media, Participation, and Conflict. Taylor & Francis Group, 2014.

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15

Journalism and Eyewitness Images: Digital Media, Participation, and Conflict. Taylor & Francis Group, 2014.

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16

Mortensen, Mette. Journalism and Eyewitness Images: Digital Media, Participation, and Conflict. Taylor & Francis Group, 2017.

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17

Mortensen, Mette. Journalism and Eyewitness Images: Digital Media, Participation, and Conflict. Taylor & Francis Group, 2014.

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18

Journalism and Eyewitness Images: Digital Media, Participation, and Conflict. Routledge, 2014.

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19

Finkelstein, Norman G. Image and Reality of the Israel-Palestine Conflict. 3rd ed. Verso, 2008.

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20

Finkelstein, Norman G. Image and Reality of the Israel-Palestine Conflict. 2nd ed. Verso, 2001.

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21

Finkelstein, Norman G. Image and Reality of the Israel-Palestine Conflict. 2nd ed. W. W. Norton & Company, 2003.

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22

Leonard, Allan, Kris Brown, Yvonne Murphy, and Gordon Gillespie. Troubled images: Posters and images of the Northern Ireland conflict from the Linen Hall Library, Belfast. Linen Hall Library, 2001.

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23

Jakubowska-Krawczyk, Katarzyna. Literaturnyy obraz dytynstva v chasy kryzy XX–XXI st./. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323553809.

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The monograph analyses literary images of difficult childhood from the end of the 19th century to modern times. The authors look at different subject matters from various perspectives. The most important of them are: the problem of establishing identity in times of turmoil or individual crises, the influence of social and political events on the image of childhood and childhood in war literature (which concerns World War II and subsequent conflicts, including the current one in Ukraine).

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24

Holliday, Peter J. Power, Image, and Memory. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780190901080.001.0001.

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Abstract This book examines a wide variety of artistic traditions, showing how art commemorating historical events can shape collective memory, and with it, the identities of social groups and nations. It organizes twelve canonical works of representational art created in a variety of media around themes of commemoration and power. The chapters begin by describing the political and historical context for a work; then move into thick description, paying special attention to narrative techniques and conventions; followed by an analysis of the work’s meaning and the context of its commission; and

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25

Stallabrass, Julian. Killing for Show. Rowman & Littlefield Publishers, 2020. https://doi.org/10.5040/9798881819828.

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See firsthand how war photography is used to sway public opinion. In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck which may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action

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26

Cohen, Richard I., ed. Ken Koltun-Fromm, Imagining Jewish Authenticity: Vision and Text in American Jewish Thought. Bloomington: Indiana University Press, 2015. 266 pp. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912628.003.0024.

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This chapter reviews the book Imagining Jewish Authenticity: Vision and Text in American Jewish Thought (2015), by Ken Koltun-Fromm. Imagining Jewish Authenticity examines the ways in which texts and images interact in American Jewish culture to promote a vision of Jewish “authenticity,” while also highlighting the deep anxieties harbored by Jews with respect to their own identities. Koltun-Fromm argues that claims of authenticity are most perceptible in both the conscious and unconscious interface between text and image, which provides authors and artists with an outlet to make the contradict

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27

Allbeson, Tom, Pippa Oldfield, and Jolyon Mitchell, eds. Picturing Peace. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350258884.

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How can photographers, curators, and editors convey narratives of peace and not just stories of war?Providing interdisciplinary and international perspectives on timely debates,Picturing Peaceexplores humanitarianism and visual culture, community collaboration, collective memory, and imagined futures for creating and sustaining of civil societies. How things look and are perceived are not superficial issues; when it comes to war and conflict, photography is vitally relevant not only to documenting violence, but also to rebuilding peaceful societies. The volume examines the intersecting issues

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28

Heo, Angie. Political Lives of Saints. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297975.001.0001.

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From the Arab uprisings in 2011 to ISIS's rise in 2014, Egypt's Copts have been at the center of anxious rhetoric surrounding the politics of Christian-Muslim coexistence in the Middle East. Despite the unprecedented levels of violence they have suffered in recent years, the current predicament of Copts signals more durable structures of church and state authoritarianism that challenge the ahistorical kernel of persecution politics and Islamophobia. This book examines the political lives of saints to specify the role that religion has played in the making of national unity and sectarian confli

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29

Heal, Bridget. The Desire for Images. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198737575.003.0004.

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Chapter 3 examines in detail the impact of Calvinist reform on Lutheran attitudes towards images in the two territories that form the main focus of this study: Electoral Saxony and Brandenburg. It shows that images served as confessional markers not only for Lutheran theologians but also for laypeople. In Saxony, where Elector Christian I introduced short-lived Calvinist reforms in 1586–91, members of the political elite expressed their loyalty to Lutheranism through the epitaphs and altarpieces that they commissioned. In Brandenburg, where Elector Johann Sigismund attempted to introduce a ful

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30

Hanna, Erika. Snapshot Stories. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198823032.001.0001.

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During the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland’s cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often focused on the image of Ireland as a bucolic rural landscape, Irish photographers—snapshotter and professional alike—were creating and curating photographs of Ireland which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. It examines a diverse array of photographic sources, including famil

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31

Newsman in the Nixon White House: Herbert Klein and the Enduring Conflict Between Journalistic Truth and Presidential Image. Lexington Books/Fortress Academic, 2018.

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32

Gunnell, John G. Social Science and Ideology. Edited by Michael Freeden and Marc Stears. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199585977.013.0031.

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The origins of the social sciences were in ideologies associated with moral philosophy and social reform movements. The turn to science was initially to secure the cognitive authority to speak truth to power about matters of social policy. This heritage was particularly salient in the controversy about behaviouralism in American political science. The debate between what was becoming mainstream political science and a growing number of individuals in the subfield of political theory was actually less about whether the discipline could emulate the methods of natural science than about an underl

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33

Lievens, Matthias. Carl Schmitt’s Concept of History. Edited by Jens Meierhenrich and Oliver Simons. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199916931.013.013.

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In many of his political writings, Carl Schmitt seeks to render conflict and struggle visible and recognizable. He wages a metapolitical struggle against depoliticizing types of spirit and for the political. The meaning of history, as this chapter shows, is a crucial terrain for this metapolitical struggle: friends and enemies are symbolized and rendered (in)visible through historical discourses. The analysis demonstrates that Schmitt strongly rejects representations of history that tend to obfuscate its political nature, such as ideologies of progress or the idea of repetition in history. Ins

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34

Dahlman, Carl T. Geographies of Genocide, Ethnic Cleansing, and War Crimes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.198.

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Extreme political violence, i.e., genocide, ethnic cleansing, and war crimes, can be examined within three explanatory frameworks important to geographical thought: nature and society; spatial identities; and geopolitics. Extreme violence is often closely associated with humanity’s failure to overcome human nature. These are fundamentally geographical concerns in the sense that they relate to geography’s central interest in humans and their environment. Scholarly works abound with Hobbesian images, often presenting primitive violence as a pervasive social condition in the absence of an effecti

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35

Beller, Steven. 2. The burden of the past. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198724834.003.0002.

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To understand the emergence and success of antisemitism in the late 19th and 20th centuries, the significance of the centuries-long heritage of hostility between Christians and Jews needs to be recognized. This conflict over beliefs led to the institutionalization within medieval European Christendom of the Jews as a protected minority. ‘The burden of the past’ considers the legacy of Jewish–Christian relations in creating the phenomenon of antisemitism and the stereotypical image of Jews in the minds of non-Jewish people in Europe. Anti-Jewish prejudice was a necessary condition of antisemiti

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36

Press, Duke University, ed. Posthumous images: Contemporary art and memory politics in post-civil war Lebanon. 2018.

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37

Piiparinen, Touko. Transformation of un Conflict Management: Producing Images of Genocide from Rwanda to Darfur and Beyond. Taylor & Francis Group, 2009.

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38

Piiparinen, Touko. Transformation of un Conflict Management: Producing Images of Genocide from Rwanda to Darfur and Beyond. Taylor & Francis Group, 2009.

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39

Piiparinen, Touko. Transformation of un Conflict Management: Producing Images of Genocide from Rwanda to Darfur and Beyond. Taylor & Francis Group, 2013.

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40

Piiparinen, Touko. Transformation of un Conflict Management: Producing Images of Genocide from Rwanda to Darfur and Beyond. Taylor & Francis Group, 2009.

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41

Piiparinen, Touko. Transformation of un Conflict Management: Producing Images of Genocide from Rwanda to Darfur and Beyond. Taylor & Francis Group, 2009.

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42

Harel, Yaron. Intrigue and Revolution. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781904113874.001.0001.

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This is a book of unexpected drama: all eleven chief rabbis appointed in this period of unprecedented change in the Jewish communities of the Fertile Crescent became the subject of controversy and were subsequently dismissed. This took place against a background of events rarely discussed in the context of Jewish society. The book paints a colourful picture of these upheavals set firmly in the social and political context of the time and far removed from the commonly accepted image of Jewish communities in the Ottoman Empire. Jews were also affected by modernization and political conflict in t

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43

Tsygankov, Andrei P. The Dark Double. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190919337.001.0001.

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This book studies the role of US media in presenting American values as principally different from and superior to those of Russia. The analysis focuses on the media’s narratives, frames, and nature of criticism of the Russian side and is based on texts of editorials of selected mainstream newspapers in the United States and other media sources. The book identifies five media narratives of Russia—“transition to democracy” (1991–1995), “chaos” (1995–2005), “neo-Soviet autocracy” (2005–2013), “foreign enemy” (since 2014), and “collusion” (since 2016)—each emerging in a particular context and sup

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44

The transformation of UN conflict management: Producing images of genocide from Rwanda to Darfur and beyond. Routledge, 2009.

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45

Londoño-Pérez, Constanza, Martha Peña-Sarmiento, Santiago Amaya-Nassar, et al. Perspectivas de investigación psicológica: aportes a la comprensión e intervención de problemas sociales. Edited by Constanza Londoño-Pérez and Martha Peña-Sarmiento. Editorial Universidad Católica de Colombia, 2021. http://dx.doi.org/10.14718/9789585133808.2021.

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This book presents investigative advances in psychology related to the lines of research of the Department of Psychology of the Catholic University of Colombia, whose central purpose is the generation of new knowledge with social repercussions. In this sense, the studies presented within the framework of the lines of Educational Psychology, Clinical Psychology, Health and Addictions, Psychobiological and Behavioral Processes, Legal Psychology and Criminology, Social, Political and Community Psychology, and Research Methods applied to the behavioral sciences, although oriented from different pe

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46

Campbell, Joel R. Politics Go to the Movies. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978721609.

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Movies and television series are excellent tools for teaching political science and international relations. Understanding how stories in various film and television genres illustrate political ideas can better assist students and fans understand and appreciate the political subtext of these media products. This book examines politics through five film genres and their variants. Gangster movies focus on American and other organized crime. They reached their zenith in the films of Francis Ford Coppola and Martin Scorsese. Political thrillers express paranoia about secrecy and political conspira

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47

Ali, Kamran Asdar. Afterword II. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190656546.003.0013.

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The second afterword to the book by Kamran Asdar Ali returns us to the city, and to the lives of Karachi’s working women and working classes. He draws on women’s poems, diaries, and memoirs to capture some more ephemeral qualities of everyday living and dying. These contrast with the violent suppression of an underclass of trade unionists and labor activists by a coalition of the state, military courts and industrialists, since the fifties. Given the long, progressive erosion of peace in Karachi how, he asks, might we imagine a therapeutic process of social, economic and cultural healing? Thro

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48

Gamberini, Andrea. The Clash of Legitimacies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824312.001.0001.

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This book aims to make an innovative contribution to the history of the state-building process in late medieval Lombardy (thirteenth–fifteenth centuries), by illuminating the myriad conflicts attending the legitimacy of power and authority at different levels of society. Through the analysis of the rhetorical forms and linguistic repertoires deployed by the many protagonists (not just the prince, but also cities, communities, peasants, and factions) to express their own ideals of shared political life, the work proposes to reveal the depth of the conflicts in which opposing political actors we

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49

Otte, T. G. Leuthen. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192870490.001.0001.

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Abstract Leuthen (1757) is one of the best-known battles of the Seven Years’ War, the most consequential conflict in continental Europe between the Thirty Years’ War and the wars of Revolutionary and then Napoleonic France. Leuthen confirmed the reputation of Frederick II of Prussia as one of history’s greatest military commanders. His victory rested on superior drill and firepower, intelligent use of the terrain, and his perfecting of the ‘oblique battle order’. But faulty intelligence and flawed decision-making on the Austrian side were no less important. Leuthen was of profound significance

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50

P'ŭrangsŭ ŏllon e nat'anan Han'guk: Lŭ Mongdŭ wa Lŭ P'igaro kisa rŭl chungsim ŭro = Korea in French newspapers : national image of conflict and integration, 1945-2014. Orŭm, 2016.

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