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1

Bruneau, Marie-Florine. Racine: Le jansénisme et la modernité. José Corti, 1986.

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2

David, Clarke. Pierre Corneille: Poetics and political drama under Louis XIII. Cambridge University Press, 1992.

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3

Louvet, Jean. Le fil de l'histoire: Pour un théâtre d'aujourd'hui. Presses universitaires de Louvain, 1991.

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4

Susan, Dunn. Sister revolutions: French lightning, American light. Faber and Faber, 1999.

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5

Nouwligbèto, Fernand. Theatre Béninois: Logiques marchandes et enjeux esthétiques. CIREF Editions, 2016.

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6

Gillet. L' art de regner. University of Exeter Press, 1993.

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7

Gillet. L' art de regner. University of Exeter Press, 1993.

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8

John, Boyd. Fair play for the province of Quebec. [s.n.], 1994.

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9

Shakespeare, William. Much Ado About Nothing. 3rd ed. Edited by A. R. Humphreys. Arden Shakespeare, 1998.

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10

Shakespeare, William. Much ado about nothing. First Avenue Editions, a division of Lerner Publishing Group, 2014.

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11

Shakespeare, William. Much Ado About Nothing. Edited by F. H. Mares. Cambridge University Press, 2003.

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12

Shakespeare, William. Much Ado About Nothing. Edited by Peter Holland. Penguin Books, 1999.

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13

Shakespeare, William. Much Ado About Nothing. 5th ed. Edited by David L. Stevenson and Sylvan Barnet. Signet Classic, 1998.

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14

Shakespeare, William. Much ado about nothing: Complete and unabridged. Macmillan, 1989.

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15

Shakespeare, William. Much Ado About Nothing. Dover Publications, 1994.

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16

Shakespeare, William. Much Ado About Nothing. 7th ed. Edited by Barbara A. Mowat and Paul Westine. Washington Square Press / Pocket Books, 1995.

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17

Shakespeare, William. Much ado about nothing. Cambridge University Press, 1988.

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18

Shakespeare, William. Much ado about nothing. Cambridge University Press, 1997.

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19

Shakespeare, William. Much Ado About Nothing. Edited by Jeffrey Kahan. Sourcebooks MediaFusion, 2007.

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20

Cette brulante envie de servir. [Jean Lindsay Dhookit], 2016.

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21

Le théâtre politique en Algérie. Dār Hūmah, 2015.

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22

Bruneau, Marie-Florine. Racine: Le jansenisme et la modernite. J. Corti, 1986.

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23

Le prince sacrifié: Théâtre et politique au temps de Louis XIV. Editions de Minuit, 1985.

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24

Racine: Le jansénisme et la modernité. J. Corti, 1986.

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25

Chaplin, P., and Gillet De LA Tessonerie. L'Art De Regner (Exeter French Texts). University of Exeter Press, 1993.

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26

Vinaver, le théâtre de l'immanence. Honoré Champion éditeur, 2016.

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27

Le théâtre de Robert Poudérou: Le rêve d'une société plus équitable (1971-2011) : questions à la cité, questions à l'histoire. L'Harmattan, 2012.

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28

Jondorf, Gillian. Robert Garnier and the Themes of Political Tragedy in the Sixteenth Century. Cambridge University Press, 2012.

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29

Le costume sacré: (théâtre). EDIS, 2010.

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30

Graine de chef: (théâtre). EDIS, 2010.

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31

Le héros et l'Etat dans la tragédie de Pierre Corneille. PUF, 1986.

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32

Un théâtre pour la nation: L'histoire en scène (1765-1806). Presses universitaires de Lyon, 2022.

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33

Le tragique dans le théâtre de Bernard Binlin Dadié. Editions Falh Sy-Nani, 1999.

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34

Steger, Manfred B. Political Ideologies in the Age of Globalization. Edited by Michael Freeden and Marc Stears. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199585977.013.0025.

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This chapter reflects on why and how the forces of globalization have altered the conventional political belief systems codified by social power elites since the French Revolution. In order to explain these dramatic transformations, the chapter discusses at some length the crucial relationship between two ‘social imaginaries’—the national and the global—that underpin the articulation of political ideologies. The chapter suggests a new typology of three contemporary ‘globalisms’ based on the disaggregation of new ideational clusters not merely into core concepts, but, perhaps more dynamically,
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35

Meere, Michael. Onstage Violence in Sixteenth-Century French Tragedy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844132.001.0001.

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The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c.1550–1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The remainder of the book homes in on specific plays
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36

Öyken, Ekin, and Çiğdem Dürüsken. Reviving Virgil in Turkish. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0013.

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The Turkish reception of Virgil has a colourful history that started mainly during the decline of the multi-ethnic Ottoman Empire in the late nineteenth century. This may seem typical of Virgil’s initial reception by a culture, usually European, that relates primarily to his perceived idealism. However, closer study of this first period alone, which relies largely on French scholarship, reveals that factors other than cultural politics are at play. Right after the 1897 politico-literary ‘classics debate’ over the need for a literary canon for the new Turkish culture and its most suitable sourc
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37

Salomone, Rosemary. The Rise of English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190625610.001.0001.

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Is English a bridge or a barrier to economic advancement and social mobility as it spreads worldwide? To what extent do domestic and global politics determine those outcomes? Who are the winners, losers, and resisters? How are France and China using the “soft power” of language to overtake English, and to what ends? What role do globalization, a knowledge-based economy, and neoliberalism play in these developments? Using education as its lens, this book critically unpacks these and related questions in a sweeping journey across four continents through diverse political and historical settings.
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38

Fitter, Chris, ed. Shakespeare and the Politics of Commoners. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806899.001.0001.

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This book is a highly original contribution to our understanding of Shakespeare’s plays in two ways. First, it breaks important new ground in introducing readers, lay and scholarly alike, to the existence and character of the political culture of the mass of ordinary commoners in Shakespeare’s England, as revealed by the recent findings of ‘the new social history’. Demonstrating the vibrant, critical, and philosophically dissident politics of plebeians in the Tudor period, the volume thereby helps challenge the traditional myths of a non-political commons and a culture of obedience. Second, it
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39

Balserak, Jon. Geneva's Use of Lies, Deceit, and Subterfuge, 1536-1563. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197672303.001.0001.

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Abstract This study presents a new reading of the battle that raged between the Genevan ministers and the French government between ca. 1536 and 1563. The first portion of the work produces a critical assessment of scholarship. The second turns to an analysis of Calvin’s plans for France. It argues that Calvin, after fleeing France in 1534, began devising plans to establish Christ’s kingdom in his homeland, rescuing it from the “idolatrous” Catholicism imposed on the people by their monarchs. It shows his plans entailed the systematic use of lying and deception, which were necessary to evade d
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40

Zola, Émile. His Excellency Eugène Rougon. Edited by Brian Nelson. Oxford University Press, 2018. http://dx.doi.org/10.1093/owc/9780198748250.001.0001.

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‘He loved power for power's sake . . . He was without question the greatest of the Rougons.’ His Excellency Eugène Rougon (1876) is the sixth novel in Zola's twenty-volume Rougon-Macquart cycle. A political novel set in the corridors of power and in the upper échelons of French Second Empire society, including the Imperial court, it focuses on the fluctuating fortunes of the authoritarian Eugène Rougon, the 'vice-Emperor'. But it is more than just a chronicle. It plunges the reader into the essential dynamics of the political: the rivalries, the scheming, the jockeying for position, the ups an
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41

Atack, Margaret, Alison S. Fell, Diana Holmes, and Imogen Long, eds. Making Waves. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620429.001.0001.

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French feminisms were central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women’s movement in France. Forty years on, this book offers a critical review of the political activism and the cultural creativity of that moment, from the perspective of both preceding and subsequent ‘waves’ of feminism. It explores the importance and the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international collective of feminist scholars, the book repre
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42

Law, Hedy. HARPOCRATES at Work. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.33.

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This article examines music censorship in the Old Regime France by focusing on the politics of theater. More specifically, it analyzes the politics of silence in eighteenth-century pantomime, a type of theatrical dumb show made popular by the Forains. As an example, it considers Les Oracles d’Harpocrate, ou le dieu du silence à la foire by Charles-François Pannard, performed by the troupe Nouveau Spectacle-Pantomime in August 1746. The article shows how Pannard’s pantomime politicizes silence by featuring Harpocrates, the Egyptian god of silence. Using Harpocrate as a trope indicative of a cul
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43

Benoit, William L., ed. Praeger Handbook of Political Campaigning in the United States. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216000297.

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This work peels back the curtain on how political campaigns influence America, covering everything from social media to getting to the Oval Office. This comprehensive handbook reveals essentially everything the American public wants to know about political campaigns. The two-volume set begins with a historical overview, then goes on to investigate campaigns from a variety of perspectives that shed light on how they work and why. Readers will discover how campaigns are run, how they're covered by the media, how they influence government, and how various interest groups and demographics play a p
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44

Taylor, Helena. The Lives of Ovid in Seventeenth-Century French Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198796770.001.0001.

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Seventeenth-century France saw one of the most significant ‘culture wars’ Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. This study explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid’s enormously influential work in this period, but little attention has been paid to Ovid’s lives. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical d
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45

Russell, Gillian. The Regulation of Theatres. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.16.

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Romantic-period theatre faced long-standing legal constraints on where playhouses could be built, the kind of plays that could be staged, and the social status of actors. This chapter shows how new legislation and historical conditions gradually altered this picture. The impact of the French Revolution and the Revolutionary and Napoleonic Wars created a demand for forms of theatrical entertainment that would mediate the rapidity and scale of cultural and political change, forms for which the ‘illegitimate’ theatres of London were particularly suited. The dominant ‘legitimate’ theatres of Coven
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46

Curto, Roxanna, and Rebecca Wines, eds. Pour le Sport. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800856899.001.0001.

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This edited volume gathers together studies examining various aspects of physical culture in literature written in French from Europe and around the Francophone world. We define “physical culture” as the systematic care for and development of the physique, and interpret it to include not only sport in the modern sense, but also all the athletic activities that preceded it or relate to it, such as bodily forms of exercise, leisure, and artistic creation. Our essays pursue diverse interpretive approaches and focus on texts from a wide variety of periods (medieval to the present) and genres (shor
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47

Kunes, Karen von, ed. Milan Kundera Known and Unknown. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765109496.

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This collection of essays offers crucial and luminous insights into one of the best-known Czech authors, Milan Kundera, including his lesser known works. With essays that focus on Kundera’s poetry and plays, his last four novels written in French, and his nonfiction writings on the novelistic form and translation,Milan Kundera Known and Unknownexplores the complex and productive career of this globally recognized author. The approach begins by examining Kundera’s distinctive literary style, and then how his voice radiated outward from the small communist country of Czechoslovakia to the world.
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48

Cherbuliez, Juliette. In the Wake of Medea. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287826.001.0001.

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This book explores the rhetorical, literary, and performance strategies through which violence appears and persists in early modern French tragedy, a genre long understood as passionless and refusing all violence. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, can serve as a paradigm for this violence. An alternative to western philosophy’s ethical paradigm of Antigone, the Medean presence offers a model of radically persistent and disruptive outsiderness—for classical theater and its wake in literary theory
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49

Past, Mariana F., and Benjamin Hebblethwaite. Stirring the Pot of Haitian History. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859678.001.0001.

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Stirring the Pot of Haitian History is an original translation of Ti difé boulé sou istoua Ayiti (1977), the first book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of Haitian history, Trouillot analyzes the pivotal role of self-emancipated revolutionaries in the Haitian Revolution and War of Independence (1791-1804), a generation of people who founded the modern Haitian state and advanced Haiti’s vibrant contemporary cultures. This book confronts the problems of self-serving politicians and the racial mythologizing of historical figures like Jean-Jacque
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50

Stoner, Kathryn E. Russia Resurrected. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190860714.001.0001.

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This book refutes the idea that Russia plays a weak hand well in international politics. The book argues instead that Russia under Vladimir Putin’s regime may not be as weak as is sometimes thought in the West. It takes a multidimensional approach in assessing Russian state power in international relations, going beyond metrics of power like relative strength of the economy, human capital, and size of the military, to also include the policy weight or importance of Russian firms and industries, as well as where, geographically, Russian influence has spread globally. The book includes fresh emp
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