Relevant bibliographies by topics / Political satire

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Political satire'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Political satire"

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Maulida, Lailatul. "Reformasi Gagal Total, Kawan!: A Stylistics Study of Political Satire in Eka Kurniawan’s Corat-coret di Toilet." Aphorisme: Journal of Arabic Language, Literature, and Education 1, no. 1 (April 4, 2020): 54–64. http://dx.doi.org/10.37680/aphorisme.v1i1.321.

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This paper aims to discuss and analyze political satire in Eka Kurniawan's short story titled Corat-coret di Toilet. By applying descriptive qualitative research as well as stylistics approach, researcher then reading the whole text of the short story, analyzing the political satire, and taking notes the sentence related to political satire inside. Found that there are nine sentences of satire in the short story that refer to political satire that was written by some students on the campus toilet's walls against the situation of the government in the year of 1990s where the freedom of conveying aspirations is tightly limited. The ubiquity of political satire in this short story builds critical thinking on the readers and also stimulates them intensely to be able to interpretatively understand what is meant by the political satire, the relation of those political satires with the political and social condition in Indonesia, specifically in the end of New Order and the beginning of reform era. Finally, the political satire in Corat-coret di Toilet reflects legal and social injustice in Indonesia. Nevertheless, Kurniawan's work able to persuade the readers with a sense of humor, sadness, anger and the truth of the Indonesian situation, to understand and care more about social and government phenomena in their own country.
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Bucknell, Clare. "The Roman Adversarial Dialogue in Eighteenth-Century Political Satire." Translation and Literature 24, no. 3 (November 2015): 291–318. http://dx.doi.org/10.3366/tal.2015.0219.

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This article examines the use of the Roman satiric dialogue in eighteenth-century political verse. It studies partisan satires that pit their speakers against a cautionary interlocutor (adversarius) in imitation of Horace's Satire 2.1 and Persius' Satire 1. It begins with an overview of Pope's use of the dialogue form in his Imitations of Horace, and his shift in the later 1730s to a model of antagonistic encounter between ideological opponents in the style of Persius. Its main body is an examination of later eighteenth-century satires that find alternative political uses for Persius' dialogue form to those of Pope and the Whig Patriot satirists who followed his lead. It studies Thomas Newcomb's inversion of Pope's Epilogue to the Satires for the purposes of ministerial propaganda; Charles Churchill's variations on the dialogue form under the banner of Wilkesite opposition; and Peter Pindar's comic burlesque of the traditional postures of dialogic satire in One Thousand Seven Hundred and Ninety-Six. The article reveals the Roman dialogue to have been a distinctively flexible framework for eighteenth-century satirists, capable of accommodating positions and arguments on both sides of the partisan divide.
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Mohammed, Wafaa Dahham. "A Socio-Pragmatic Study of Satire in English Political Speeches with Reference to Its Arabic Translations." JOURNAL OF LANGUAGE STUDIES 7, no. 4 (December 31, 2023): 236–55. http://dx.doi.org/10.25130/lang.7.4.12.

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Satire is a typical mode of expression that is humorously utilized with the intent of attacking or criticizing a certain person, behavior, state, or the whole community. Satire, in political genres, is informatively manifested for materializing negative ends on the part of the satire entity. Satirical expressions are oppositely devised, critically held, and morally targeted; whereof a problematic area would arouse towards the perception of their incongruous targets, the extent of their critical dimensions about their aim of moral reform. Besides, translators would face the dilemma of satirical incongruity and their moral statues would inevitably differ. Thence, five satirical texts with their translations randomly opted from the political site www. The week.com show debates political satire in English with its four renditions in Arabic. Socio- Pragmatic means for unraveling satirical mysteries are objectively culled. It is hypothesized that satire in political language comes with the intent of criticizing and ridiculing the political situation with the aim of getting reform. Bringing forth translational mechanisms for the renditions of covert intents based on cultural and communal grounds are attempted. In conclusion, most of the political satires are hostilely put forward against rather than reforming the political figures and the political situation. Most of the satirical expressions found no accurate renditions in the other language due to their discrepancy and the absence of contextual condition, paralinguistic cues and intonational patterns.
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A/P Mahinder Singh, Harveena Kaur, and Arnold Puyok. "Political Satire and Its Influence on the Youth Political Perception." Trends in Undergraduate Research 4, no. 2 (December 28, 2021): h18–28. http://dx.doi.org/10.33736/tur.4096.2021.

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This article is based on research that explored the different forms of political satire on social media and examined whether political satire has any impact on the political perception of the youths. Social media platforms such as Facebook, Twitter, Instagram and so on. A mixed methodology was adopted in this research involving content analysis and survey. This study was conducted in Kuala Lumpur involving 50 respondents from the age of 18 to 40 years old. Content analysis was used to explore the forms of political satire. There were seven different forms of political satire analysed in this research, namely, political graphics by Fahmi Reza, political cartoons by Zunar, political anime from a Facebook page entitled “Bro, don’t like that la, bro”, memes from “SarawakGags”, “HarakatDaily” satirical news site, Dr Jason Leong’s satirical tweets on Twitter and parody videos by Douglas Lim. These themes were derived from social media platforms like Facebook and Twitter. The study found that political satire has profound impacts on the political interests of the youths as it not only helps to increase their political understanding, it also presents political issues to the youths in creative and interesting ways. It is argued that political satire will grow faster and shape the political thinking of the youths especially. The direct effects of political satire, however, on voting inclination, are still inconclusive and need to be explored further.
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Glazier, Rebecca A. "Satire and Efficacy in the Political Science Classroom." PS: Political Science & Politics 47, no. 04 (October 2014): 867–72. http://dx.doi.org/10.1017/s104909651400119x.

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ABSTRACTPolitical satire has become increasingly prominent in recent years, leading some political science instructors to use satire in their courses. Yet, recent work suggests that political satire may encourage cynicism and decrease political efficacy. In this article, the author develops and tests an approach to teaching effectively with satire. Frequent use, source diversity, and critical evaluation engage students while allaying satire’s potential detrimental effects. The author evaluates this pedagogical approach through a classroom experiment using both in-person and online classes (student N = 163). Qualitative and quantitative data offer suggestive evidence that refutes the warning that satire fundamentally depresses political efficacy and indicates that students enjoy satire and endorse its use. By deliberately using diverse satirical sources, instructors can maximize the benefits of satire while minimizing potential drawbacks. For interested instructors, the author’s website contains a searchable catalog of satirical articles, video clips, and cartoons that can be used to teach specific political science concepts.
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Ali, Marwah Kareem, and Wafaa Dahham Mohammed. "The Reflection of Satire in Political Cartoons." JOURNAL OF LANGUAGE STUDIES 5, no. 2 (October 8, 2023): 431–40. http://dx.doi.org/10.25130/jls.5.2.26.

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Satire is a figurative device that is employed in different fields and different types of texts, especially politics. It is used for purposes of entertainment and hiding real meanings. However, most studies done on satire are related text analysis. Accordingly, this study aims at determining how satire is reflected in political cartoons. The data of this study is represented by American political cartoons on Donald Trump, to be analyzed critically in relation to reality. The study found that satire in cartoons on Trump reflect his egoism, ignorance and carelessness as clarified in the expressions used in American cartoons.
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Semotiuk, Orest. "Laughing at political opponents." European Journal of Humour Research 11, no. 2 (June 30, 2023): 37–48. http://dx.doi.org/10.7592/ejhr.2023.11.2.792.

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The paper is devoted to the analysis of the discursive dimension of the standoff between supporters of 6th Ukrainian President Volodymyr Zelensky and those of his predecessor Petro Poroshenko. This dimension is implemented in Internet memes as one of the forms of political satire. Memes can be defined by their goals, frame of reference and means. The discursive practices used in memes aiming at the symbolic defamation of a political opponent and his electoral base are considered, taking into account the target, the focus, and the presentation of political satire about the protagonists Zelensky and Poroshenko. The corresponding parameters (goal-target, frame of reference-focus, means-presentation) constitute the analytical framework for the examination of the interrelations between political participation, political humour, political satire, and political discourse in this paper.
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Shao, Li, and Dongshu Liu. "The Road to Cynicism: The Political Consequences of Online Satire Exposure in China." Political Studies 67, no. 2 (August 3, 2018): 517–36. http://dx.doi.org/10.1177/0032321718791373.

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This article examines two competing theories explaining the effects of political satire on citizens in an authoritarian context. The “activism” proposition argues that political satire works as a form of resistance to erode people’s support for the regime and encourages collective action. The “cynicism” proposition argues that while satire discourages regime support, it also discourages political participation. Our online survey experiment on young Chinese Internet users provides evidence supporting the cynicism proposition. Satire consumption reduces audiences’ political trust, deflates their political efficacy, and discourages them from participating in politics, as it reduces the perceived severity of political problems and implies that audience participation is useless. We conclude that the dissemination of political satire may stabilize the authoritarian regime temporarily but induces it to become erosive in the long run.
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Collovald, Annie, and Erik Neveu. "Political satire on French television." Modern & Contemporary France 7, no. 3 (August 1999): 339–49. http://dx.doi.org/10.1080/09639489908456501.

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Brettler, Marc Zvi, Zeʾev Weisman, and Ze'ev Weisman. "Political Satire in the Bible." Jewish Quarterly Review 89, no. 1/2 (July 1998): 180. http://dx.doi.org/10.2307/1455297.

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Dissertations / Theses on the topic "Political satire"

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Ramsey, Reed. "Affect and Political Satire: How Political TV Satire Implicates Internal Political Efficacy and Political Participation." Scholarly Commons, 2018. https://scholarlycommons.pacific.edu/uop_etds/3134.

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Research has shown that political satire programs offer both important information about contemporary politics and offer very humorous, entertaining content. This study seeks to understand how these satire programs bolster both internal political efficacy and political participation. 400 college students at two Northern California universities participated in this research. The study found that affinity for political humor can predict levels of internal political efficacy. Exposure to liberal satire was negatively correlated with affinity for political humor and political participation, and exposure to conservative satire was significantly correlated with internal political efficacy. Internal political efficacy was also positively correlated with political participation. Lastly, there was significant difference between Democrats and Republicans in terms of their exposure to political TV satire.
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Yaqoob, Mahrukh. "Exploring Racial Interpellation Through Political Satire." Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/41599.

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In North America, race and racialization can be seen as products of domination that are (re)produced and perpetuated through the mechanisms of racial interpellation. This concept refers to the fact that identity and subjectivity are imposed on racialized subjects through institutions and practices such as racial profiling. In this sense, literature on race, racialization, and resistance in North America reveals that racial profiling is a key issue in the region even if a façade of post-racialism trumps the existence of ongoing injustices, inequalities, and limitations of freedom faced by racialized minorities. In this respect, this research emphasizes that language, representations and practices are at the core of this issue as components of dynamics of racial interpellation. This research also acknowledges the existence of endless struggles for respect among racialized minorities, specifically Arabs and Muslims in North America. These struggles seek to allow racialized subjects to be seen as members of a society in which race and differences are not the underlying concern. Since humour (satire) has historically been recognized as a tool of disruption of dominant discourses, in this research we ask: how do comedians issued from racialized minorities face these struggles? With ongoing atrocities faced by racialized minorities, in this paper, I seek to reflect on how the intersection of race and comedy can be used to negotiate (accept, tolerate, and resist) the reproduction of racialized subjects. I focus on the way political satire faces Althusserian ideological interpellation (later translated to racial interpellation by Frantz Fanon). Can the latter be resisted or challenged through humour? This thesis argues that when race and comedy intersect it allows comedians to voice challenges often faced by racialized communities in order to resist an existing reality and create new meanings. As Frantz Fanon once mentioned: “Each generation must, out of relative obscurity, discover its mission, fulfill it, or betray it”. Is the fight against racialization part of the mission that popular comedians of minority communities have given to themselves?
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Murray, Brett. "A group of satirical sculptures examining social and political paradoxes in the South African context." Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/15885.

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Bibliography: pages 99-101.
My proposal was to produce a group of satirical sculptures thematically embracing paradoxes within the broad South African context. My intention was to work within the tradition of social and political satire. Strict definitions of satire were to be expanded to include both comedy and tragedy. By satirising particular stupidities, abuses and "evils of all kind" within South African society, I hoped to address the same in a broader context by implication. By discussing some artists who have worked within this tradition my intention was to determine an art-historical context within which to place my work, to extract elements of a shared experience and to attempt to define the nature of satire.
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Perry, Kathryn. "Political animals : Spenserian beast satire 1591-1628." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343218.

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Matsa, Katerina-Eva. "Laughing at politics effects of television satire on political engagement in Greece /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/650075664/viewonline.

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Garcia, Velasquez Maria. "The Decorruption: The Making of a Political Satire." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5938.

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The Decorruption is a feature-length fiction film directed by Mar&"237;a Garc&"237;a, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film is a political satire, which tells the story of a country plagued by corruption, where a rebellious government employee discovers that death is the only solution to the problem, so she sets out on a killing spree against the corrupt. The film was produced on a microbudget (under $50,000) level, following the program's guidelines. It was shot in Ecuador with non-professional actors and a minimalistic production style. This thesis is a record of the film's progression from development to picture lock, in preparation for distribution.
M.F.A.
Masters
Visual Arts Design
Arts and Humanities
Film; Entrepreneurial Digital Cinema
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Hoffman, Anna. "The John Oliver Effect: Political Satire and Political Participation Through Social Networks." Kent State University Honors College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1450381528.

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Hill, Megan Rose. "Star Spangled Awesome? Exposing American Exceptionalism Through Political Satire." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371125781.

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Guy, Bette Margaret. "Aristophanes to Fo : conventions of political satire in Western theatre." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16499/1/Bette_Guy_-_Soft_Murder.pdf.

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Aristophanes to Fo is a study of the principal comedic conventions of Aristophanes' political satire and their relationship to contemporary political satire. A template of these principal conventions is tabulated. This is then compared to, and contrasted with, conventions used in subsequent plays in the genre of political satire, including one written as the practice component of this exegesis. This process determines the influence of Aristophanic conventions on political satire from 4th century BCE Greece to the modern era. There is an analytical emphasis on three 20th century plays as case studies and on my play, Soft Murder, which is case study number four. At the core of the research is the hypothesis that Aristophanic comedic conventions are still relevant to the genre of political satire in contemporary theatre. To retain relevance the genre should be a discourse on a situation or event that has social as well as political meaning to its audience and its presentation should have entertainment value for the culture of the time. Soft Murder is a fundamental part of this process and is written concurrently with the research component.
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Guy, Bette Margaret. "Aristophanes to Fo : conventions of political satire in Western theatre." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16499/.

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Aristophanes to Fo is a study of the principal comedic conventions of Aristophanes' political satire and their relationship to contemporary political satire. A template of these principal conventions is tabulated. This is then compared to, and contrasted with, conventions used in subsequent plays in the genre of political satire, including one written as the practice component of this exegesis. This process determines the influence of Aristophanic conventions on political satire from 4th century BCE Greece to the modern era. There is an analytical emphasis on three 20th century plays as case studies and on my play, Soft Murder, which is case study number four. At the core of the research is the hypothesis that Aristophanic comedic conventions are still relevant to the genre of political satire in contemporary theatre. To retain relevance the genre should be a discourse on a situation or event that has social as well as political meaning to its audience and its presentation should have entertainment value for the culture of the time. Soft Murder is a fundamental part of this process and is written concurrently with the research component.
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Books on the topic "Political satire"

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Serra, Luigi. Satire politiche. Genova: Costa & Nolan, 1994.

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Brindisi, Alfio J. Political humor and satire. [U.S.A.]: A.J. Brindisi, 2003.

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Thakur, P. S. Guyana, political and social satire. Foster, R.I., U.S.A. (2 Burgess Rd., Foster 02825): Cowhood, 1987.

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Pachino, Jamie. The return to morality: A political satire. [New York, NY] (P.O. Box 237060, New York 10023): Playscripts, Inc., 2004.

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Horton, Ron. Rash limberger for president: A political satire. Beaver, Arkansas: Happenstance Books, 2010.

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Hedges, David. Petty frogs on the Potomac: Satire. West Linn, Or: Sweetbriar Co., 1997.

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Day, Amber. Satire and dissent: Interventions in contemporary political debate. Bloomington: Indiana University Press, 2011.

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Greaves, A. E. Stendhal's Italy: Themes of political and religious satire. Exeter: University of Exeter Press, 1995.

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McEnery, Paul. Political satire: An insight into political satire by two very successful and different satirists, Gerald Scarfe and Carl Giles. Derby: Derbyshire College of Higher Education, 1991.

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Stollenwerk, Frederik. Politische Satire bei Jonathan Swift. Uelvesbüll: Der Andere Verlag, 2012.

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Book chapters on the topic "Political satire"

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Popa, Diana E. "Televised political satire." In Topics in Humor Research, 367–92. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/thr.1.17pop.

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Condren, Conal. "Political Lying." In Satire, Lies and Politics, 111–43. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230377844_7.

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Painter, Chad. "Journalism ethics and political satire." In The Routledge Companion to Journalism Ethics, 184–91. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429262708-25.

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Condren, Conal. "Theory and the Absent Political System." In Between Laughter and Satire, 151–79. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21739-5_8.

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Condren, Conal. "The Satiric Presence of Political Discourse." In Between Laughter and Satire, 181–99. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21739-5_9.

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Chen, Khin Wee, Robert Phiddian, and Ronald Stewart. "Towards a Discipline of Political Cartoon Studies: Mapping the Field." In Satire and Politics, 125–62. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56774-7_5.

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O’Connor, Alison. "The Effects of Satire: Exploring Its Impact on Political Candidate Evaluation." In Satire and Politics, 193–225. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56774-7_7.

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Higgie, Rebecca. "Under the Guise of Humour and Critique: The Political Co-Option of Popular Contemporary Satire." In Satire and Politics, 73–102. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56774-7_3.

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Popa, Diana Elena. "Chapter 6. Political satire dies last." In Studies in Political Humour, 137–65. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/dapsac.46.10pop.

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Rolfe, Mark. "The Populist Elements of Australian Political Satire and the Debt to the Americans and the Augustans." In Satire and Politics, 37–71. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56774-7_2.

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Conference papers on the topic "Political satire"

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Hadzantonis, Michael. "Karangiozis in the Shadows: A Linguistic Anthropology of Greece's Shadow Puppetry." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-4.

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The Karangiozi theatre play has existed for centuries in its various forms and across territories. Initially emanating from the Ottoman regions, it entered Greece several centuries prior, and was popularized during Ottoman occupation of Greece. Structured on a system of multilayered symbolisms, the visuals, performances and narratives in Karangiozi present the lead character, Karangiozi, a poor and benevolent man who is frequently oppressed and beaten for his misdoings. The character must contend with the arrogance and comical approaches of other characters, and must support his family, all while accepting his low socioeconomic status. While the theatre has long addressed Greece’s political satire, nationalist discourse, and class and socioeconomic differentials, the performance has, over the past century, significantly shifted with respect to its poetics, narratives, and symbolisms. These shifts correlate with movements from capitalism to late capitalism, and to the information age, as technology and information flow, and the acceleration of time scales require a new engagement with media, technology and information, where old media, such as puppet theatre performance and its narratives, as well as poetic forms of vernacular, now appear redundant. In this paper, I address the changes in the Karangiozi puppet theatre performance. To this, I have collated a corpus of old and new Karangiozi narratives and performance scripts, which I compare. Factors I address include the altered poetics and script designs, and the notable shift in symbolisms, over the past century. Here, I draw on a framework of symbolic and narrative analysis, while also discussing the ways in which narratives and performance are newly appropriated in the shifting form of the theatre play.
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Завойкин, А. А. "The southern uptown of Phanagoreia in the IV–I centuries BC: some results and research problems." In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.142-165.

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The article is a review of materials obtained during excavations on the southern outskirts of Phanagoria in 1951–1964 and 1979–1991 (intermittently). The author paid attention to the history of this area of the city after its accession to the Bosporus state at the end of the 5th century BC and up to the turn of a new era. Analysis of these materials made it possible to make a number of conclusions. Some time after the destruction of buildings in the southern district of the city at the end of the 5th century BC full-blooded city life is being restored here. Along with residential buildings, apparently blocked quarters in separated by a street network, public buildings are functioning here. The normal urban life of this area continues from the 4th century BC until the middle of the 1st century BC. In the 3rd century BC the city’s defensive walls were restored.The construction of new defensive walls in Phanagoreia may have been linked to the deterioration of the military and political situation in the region, but of course this construction was sanctioned by the king’ government. In the middle of the 1st century BC buildings on the southern outskirts of Phanagoreia were destroyed as a result of the siege of the city by the king Pharnakes (App. Mithr. 113, 120). Polis again lost not only freedom and independence, but also the walls that protected the city from enemies. The purpose of this action of Pharnakes was similar to the idea of Satire I, who won Phanagoreia three and half centuries ago: to suppress the separatist aspirations of the citizens of the polis. At the same time, the street network ceased to function. In the second half of the 1st century BC, traces of urban life in the area are traced locally. From the turn of the new era, this territory of Phanagoreia (about 12 AD it was renamed in Agrippeia) is a wasteland outside the city limits. In the eastern part of this area is formed a quarter of potters, the furnaces of which functioned until the 4th century or a little longer.
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Schiele, Alexandre. "THE NORMAL AND THE EXCEPTIONAL: A COMPARISON OF PU SONGLING’S AND MO YAN’S SURREAL WORLDS." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.10.

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From a comparison of the surreal worlds of Pu Songling and Mo Yan in their respective auctorial context, this paper argues that although Pu Songling’s short stories integrate surreal elements, contrary to the accepted typology of genres, they fall into realistic and not speculative fiction because the worldview of Imperial China in which he lived not only accepted the supernatural as real, but as foundational to the traditional order. By comparison, Mo Yan’s supernatural stories partly fall within supernatural literature, because post-1949 China espoused a scientific worldview which banishes the supernatural. On a second level, however, both Pu Songling’s and Mo Yan’s surreal fictions are political satires of their times. Yet, even on this point they diverge. While Pu Songling articulates the social and political criticism of his present to surreal elements, Mo Yan casts the surreal as a stand-in for the exceptional situations of his recent past which are the object of his criticisms.
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Aqiel, Muhammad, Maimun, Fahkrul Aman, Safwat Ardy, Rifa’atul Mawaddah, Ismadi, and Rd Selvy Handayani. "Growth, Yield and Analysis of Rice (Oryza Sativa) Farming Due to the Application of PT. PIM Commercial Fertilizer." In 2nd International Conference on Social Science, Political Science, and Humanities (ICoSPOLHUM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220302.030.

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Rodiņa, Anita, and Annija Kārkliņa. "Cilvēka pamattiesības kā būtiska satversmes sastāvdaļa: ģenēze, nozīme, saturs." In Latvijas Universitātes 81. starptautiskā zinātniskā konference. LU Akadēmiskais apgāds, 2023. http://dx.doi.org/10.22364/juzk.81.24.

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Abstract:
Only in 1998, the Constitution of the Republic of Latvia – Satversme, which has been adopted more than a hundred years ago and is one of the oldest constitutions in Europe, was supplemented with a new chapter concerning the regulation of fundamental human rights. Until the adoption of Chapter 8 of the Satversme, only a few fundamental human rights could be found in the Constitution. The article discusses the development of the regulation of fundamental rights in the Satversme, the importance of fundamental rights in a democratic state, as well as reflects the catalogue of fundamental rights. In the article, the authors, looking at the catalogue of fundamental rights included in the Satversme, analyses fundamental rights by dividing them in groups, i.e. civil, political, social, economic, cultural and solidarity rights. The publication outlines the most characteristic features of each group of fundamental rights, points out content of those rights and looks into the recent case law of the Constitutional Court. The publication can contribute to the study material for law students of constitutional law course.
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Santos, Cristiane Sarno Martins dos, Liliane F. Mariano da Silva, and Márcia Maria Couto Mello. "A expansão urbana da cidade do Salvador e os seus mananciais: estabelecendo paralelos." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6255.

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O sítio escolhido para implantação da cidade de Salvador se caracteriza por ser um reservatório natural de águas, sempre renovadas pelo clima úmido e pelo elevado índice pluviométrico. A população de Salvador que no inicio do século XX não chegava a 300 mil habitantes, no final ultrapassava dois milhões. Por outro lado, ao tempo em que a área urbana se amplia, a cidade segue em busca de atender às demandas de água da sua população, porém deixando para trás problemas ambientais de grande monta. Utilizando-se de fontes secundarias, este estudo descreve, a partir de recortes temporais, como ocorreu o abastecimento d’água nesta cidade. Sua expansão física e populacional deu-se associada ao desenvolvimento econômico, entretanto, as políticas de abastecimento hídrico não corresponderam às necessidades da sua população ao longo dos séculos, impactando assim de forma negativa na sua qualidade ambiental, confirmando um processo de urbanização perverso, marcado pela exclusão social. The site chosen for the implantation of the city of Salvador characterizes for being a natural water reservoir, always renewed by the humid climate and the elevated pluviometer index. Salvador’s population that, in the beginning of 20th century didn’t reach 300 thousand habitants, in the end would pass 2 millions. On the other hand, while the urban area grows, the city seeks to supply the water demands of its population, although leaving behind large scale environmental problems. Utilizing second sources this study describes, from time periods, how the water supply occurred in this city. The physical and population expansion were given to economic development, however the water supply politics didn’t correspond the needs of its population out the centuries impacting in a negative way on its environment quality, and witch means we satiate a perverse process of urbanization, marked by social exclusion.
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