Books on the topic 'Political satire. Popular culture Culture conflict'

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1

G, Margarita R. Pacheco. La fiesta liberal en Cali. Cali, Colombia: Ediciones Universidad del Valle, 1992.

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2

Culture. 2nd ed. New York, NY: Routledge, 2004.

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3

Jenks, Chris. Culture. 2nd ed. Milton Park, Abingdon, Oxfordshire: Routledge, 2005.

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4

Culture. London: Routledge, 1993.

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5

Peña, Manuel H. The Mexican American orquesta: Music, culture, and the dialectic of conflict. Austin: University of Texas Press, 1999.

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6

Forbes, Amy Wiese. The satiric decade: Satire and the rise of republicanism in France, 1830-1840. Lanham: Lexington Books, 2010.

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7

Museum politics: Power plays at the exhibition. Minneapolis: University of Minnesota Press, 2002.

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8

Köves, József. Bambi, fecske, szocreál: Szubjektív szótár. Budapest]: Arión Kiadó, 2013.

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9

Reinventing Richard Nixon: A cultural history of an American obsession. Lawrence: University Press of Kansas, 2008.

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10

The satiric decade: Satire and the rise of republicanism in France, 1830-1840. Lanham: Lexington Books, 2010.

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11

Davies, Lynn. Education and conflict: Complexity and chaos. London: RoutledgeFalmer, 2004.

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12

Dubin, Steven C. Displays of power: Controversy in the American Museum from the Enola Gay to Sensation. New York and London: New York University Press, 1999.

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13

Andersen, Meg. The Vietnam era: 1955-1975. Rocky River, OH: Center for Learning, 2003.

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14

Displays of power: Controversy in the American Museum from the Enola Gay to Sensation. New York and London: New York University Press, 1999.

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15

Dubin, Steven C. Displays of power: Memory and amnesia in the American museum. New York: New York University Press, 1999.

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16

Age of fracture. Cambridge, Mass: Belknap Press of Harvar5d Universith Press, 2012.

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17

Tangled memories: The Vietnam War, the AIDS epidemic, and the politics of remembering. Berkeley: University of California Press, 1997.

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18

Artburn. New York: RDV Books, 2003.

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19

1956-, Campbell Jim, ed. The troubled mind of Northern Ireland: An analysis of the emotional effects of the troubles. London: Karnac, 2004.

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20

Kathleen, Canning, Barndt Kerstin, and McGuire Kristin, eds. Weimar publics/Weimar subjects: Rethinking the political culture of Germany in the 1920s. New York: Berghahn Books, 2010.

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21

Age of Fracture. Harvard University Press, 2011.

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22

H, Williams Rhys, ed. Cultural wars in American politics: Critical reviews of a popular myth. New York: Aldine de Gruyter, 1997.

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23

Culture: Critical Concepts in Sociology (Critical Concepts). Routledge, 2002.

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24

1963-, Cavanagh Dermot, and Kirk Tim 1958-, eds. Subversion and scurrility: Popular discourse in Europe from 1500 to the present. Aldershot, Hants, England: Ashgate Pub., 2000.

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25

(Editor), Dermot Cavanagh, and Tim Kirk (Editor), eds. Subversion and Scurrility: Popular Discourse in Europe from 1500 to the Present. Ashgate Publishing, 2000.

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26

Dubin, Steven C. Displays of Power: Controversy in the American Museum from the Enola Gay to Sensation! New York University Press, 2001.

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27

Anne-Marie, Vurpas, ed. Moqueries savoyardes: Monologues polémiques et comiques en dialecte savoyard, 1594-1604. Lyon: La Manufacture, 1986.

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28

Rodgers, Daniel T. Age of Fracture. Harvard University Press, 2012.

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29

Toward Greater Peace And Security In Colombia, Forging A Constructive U.S. Policy. Council on Foreign Relations Press, 2000.

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30

1936-, Graham Bob, Scowcroft Brent, Shifter Michael, Council on Foreign Relations. Independent Task Force on Columbia, Council on Foreign Relations, and Inter-American Dialogue (Organization), eds. Toward greater peace and security in Columbia: Forging a constructive U.S. policy : report of an independent task force. New York: Council on Foreign Relations, 2000.

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31

Alonso, Paul. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636500.003.0001.

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Chapter 1 introduces contemporary satiric TV shows as new forms of negotiated dissent that respond, at the national and global level, to the relation between power and media, the evolution of media spectacle and infotainment as a primary form of political communication, and the connection between national traumas, social tensions, and popular culture. After formulating the structural research questions, this chapter presents the theoretical and academic context of satire in Latin America and the United States, and describes the satiric cases to be analyzed throughout the book. It places the phenomenon of satiric TV as sociopolitical communication within the following intellectual debates and lines of work in media studies and popular culture: 1) media spectacle and global infotainment; 2) celebrity culture and identity; 3) tabloidization, hybridity, and discursive integration in the post-network era; and 4) satire, carnival, and critical metatainment. It finally presents the structure of the book.
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32

Dahlman, Carl T. Geographies of Genocide, Ethnic Cleansing, and War Crimes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.198.

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Extreme political violence, i.e., genocide, ethnic cleansing, and war crimes, can be examined within three explanatory frameworks important to geographical thought: nature and society; spatial identities; and geopolitics. Extreme violence is often closely associated with humanity’s failure to overcome human nature. These are fundamentally geographical concerns in the sense that they relate to geography’s central interest in humans and their environment. Scholarly works abound with Hobbesian images, often presenting primitive violence as a pervasive social condition in the absence of an effective ruler. The literature on state failure presumes the same contradiction between nature and the social-political order, but in reverse: without a conventional sovereign, social conflict emerges over basic resources. These theories suggest that the causes of extreme political violence can be identified at the intersection of nature and society, where human behavior cannot be extricated from its biological and environmental condition. Identity is understood primarily as cultural difference. Identities are an important element in any explanation of extreme political violence given that it stems from conflict between sociopolitical groups that are defined by some degree of cultural difference. Classical geopolitical analysis of extreme political violence has retained environmental and biological factors as ultimate causes. They assume that scarcity of resources and population growth drive culture, territorialism, and conflict. In contrast, contemporary and critical approaches focus on the language and action of politics, such as statecraft, diplomacy, and popular mobilization.
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33

Coogan, Michael. The Bible. Oxford University Press, 2020. http://dx.doi.org/10.1093/wentk/9780199383047.001.0001.

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The Bible is the most influential book in Western history. As the foundational text of Judaism and Christianity, the Bible has been interpreted and reinterpreted over millennia, utilized to promote a seemingly endless run of theological and political positions. Adherents and detractors alike point to different passages throughout to justify wildly disparate behaviors and beliefs. Translated and retranslated, these texts lead both to unity and intense conflict. Influential books on any topic are typically called “bibles.” What is the Bible? As a text considered sacred by some, its stories and language appear throughout the fine arts and popular culture, from Shakespeare to Saturday Night Live. In Michael Coogan’s eagerly awaited addition to Oxford’s What Everyone Needs to know® series, conflicts and controversies surrounding the world’s bestselling book are addressed in a straightforward Q&A format. This book provides an unbiased look at biblical authority and authorship, the Bible’s influence in Western culture, the disputes over meaning and interpretation, and the state of biblical scholarship today. Brimming with information for the student and the expert alike, The Bible: What Everyone Needs to Know ® is a dependable introduction to a most contentious holy book.
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34

Pynnöniemi, Katri, ed. Nexus of Patriotism and Militarism in Russia: A Quest for Internal Cohesion. Helsinki University Press, 2021. http://dx.doi.org/10.33134/hup-9.

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This edited volume explores patriotism and the growing role of militarism in today’s Russia. During the last 20-year period, there has been a consistent effort in Russia to consolidate the nation and to foster a sense of unity and common purpose. To this end, Russian authorities have activated various channels, from educational programmes and youth organizations to media and popular culture. With the conflict in Ukraine, the manipulation of public sentiments – feeling of pride and perception of threat – has become more systemic. The traditional view of Russia being Other for Europe has been replaced with a narrative of enmity. The West is portrayed as a threat to Russia’s historical-cultural originality while Russia represents itself as a country encircled by enemies. On the other hand, these state-led projects mixing patriotism and militarism are perceived sceptically by the Russian society, especially the younger generations. This volume provides new insights into the evolution of enemy images in Russia and the ways in which societal actors perceive official projections of patriotism and militarism in the Russian society. The contributors of the volume include several experts on Russian studies, contemporary history, political science, sociology, and media studies.
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35

Lora-Wainwright, Anna. Resigned Activism. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262036320.001.0001.

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Pollution is one of the most pressing issues facing contemporary China and among the most prominent causes for unrest. Much of industry and mining takes place in rural areas, yet we know little about how rural communities affected by severe pollution make sense of it and the diverse form of activism they embrace. This book describes some of these engagements with pollution through three in-depth case studies based on the author’s fieldwork and an analysis of “cancer villages” examined in existing social science accounts. It challenges assumptions that villagers are ignorant about pollution or fully complicit with it and it looks beyond high-profile cases and beyond single strategies. It examines how villagers’ concerns and practices evolve over time and how pollution may become normalised. Through the concept of “resigned activism”, it advocates rethinking conventional approaches to activism to encompass less visible forms of engagement. It offers insights into the complex dynamics of popular contention, environmental movements and their situatedness within local and national political economies. Describing a likely widespread scenario across much of industrialised rural China, this book provides a window onto the staggering human costs of development and the deeply uneven distribution of costs and benefits. It portrays rural environmentalism and its limitations as prisms through which to study key issues surrounding contemporary Chinese culture and society, such as state responsibility, social justice, ambivalence towards development and modernisation and some of the new fault lines of inequality and social conflict which they generate.
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