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Journal articles on the topic 'Political satire'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Maulida, Lailatul. "Reformasi Gagal Total, Kawan!: A Stylistics Study of Political Satire in Eka Kurniawan’s Corat-coret di Toilet." Aphorisme: Journal of Arabic Language, Literature, and Education 1, no. 1 (2020): 54–64. http://dx.doi.org/10.37680/aphorisme.v1i1.321.

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This paper aims to discuss and analyze political satire in Eka Kurniawan's short story titled Corat-coret di Toilet. By applying descriptive qualitative research as well as stylistics approach, researcher then reading the whole text of the short story, analyzing the political satire, and taking notes the sentence related to political satire inside. Found that there are nine sentences of satire in the short story that refer to political satire that was written by some students on the campus toilet's walls against the situation of the government in the year of 1990s where the freedom of conveyin

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2

Bucknell, Clare. "The Roman Adversarial Dialogue in Eighteenth-Century Political Satire." Translation and Literature 24, no. 3 (2015): 291–318. http://dx.doi.org/10.3366/tal.2015.0219.

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This article examines the use of the Roman satiric dialogue in eighteenth-century political verse. It studies partisan satires that pit their speakers against a cautionary interlocutor (adversarius) in imitation of Horace's Satire 2.1 and Persius' Satire 1. It begins with an overview of Pope's use of the dialogue form in his Imitations of Horace, and his shift in the later 1730s to a model of antagonistic encounter between ideological opponents in the style of Persius. Its main body is an examination of later eighteenth-century satires that find alternative political uses for Persius' dialogue

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3

Mohammed, Wafaa Dahham. "A Socio-Pragmatic Study of Satire in English Political Speeches with Reference to Its Arabic Translations." JOURNAL OF LANGUAGE STUDIES 7, no. 4 (2023): 236–55. http://dx.doi.org/10.25130/lang.7.4.12.

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Satire is a typical mode of expression that is humorously utilized with the intent of attacking or criticizing a certain person, behavior, state, or the whole community. Satire, in political genres, is informatively manifested for materializing negative ends on the part of the satire entity. Satirical expressions are oppositely devised, critically held, and morally targeted; whereof a problematic area would arouse towards the perception of their incongruous targets, the extent of their critical dimensions about their aim of moral reform. Besides, translators would face the dilemma of satirical

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4

A/P Mahinder Singh, Harveena Kaur, and Arnold Puyok. "Political Satire and Its Influence on the Youth Political Perception." Trends in Undergraduate Research 4, no. 2 (2021): h18–28. http://dx.doi.org/10.33736/tur.4096.2021.

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This article is based on research that explored the different forms of political satire on social media and examined whether political satire has any impact on the political perception of the youths. Social media platforms such as Facebook, Twitter, Instagram and so on. A mixed methodology was adopted in this research involving content analysis and survey. This study was conducted in Kuala Lumpur involving 50 respondents from the age of 18 to 40 years old. Content analysis was used to explore the forms of political satire. There were seven different forms of political satire analysed in this r

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Glazier, Rebecca A. "Satire and Efficacy in the Political Science Classroom." PS: Political Science & Politics 47, no. 04 (2014): 867–72. http://dx.doi.org/10.1017/s104909651400119x.

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ABSTRACTPolitical satire has become increasingly prominent in recent years, leading some political science instructors to use satire in their courses. Yet, recent work suggests that political satire may encourage cynicism and decrease political efficacy. In this article, the author develops and tests an approach to teaching effectively with satire. Frequent use, source diversity, and critical evaluation engage students while allaying satire’s potential detrimental effects. The author evaluates this pedagogical approach through a classroom experiment using both in-person and online classes (stu

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6

Ali, Marwah Kareem, and Wafaa Dahham Mohammed. "The Reflection of Satire in Political Cartoons." JOURNAL OF LANGUAGE STUDIES 5, no. 2 (2023): 431–40. http://dx.doi.org/10.25130/jls.5.2.26.

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Satire is a figurative device that is employed in different fields and different types of texts, especially politics. It is used for purposes of entertainment and hiding real meanings. However, most studies done on satire are related text analysis. Accordingly, this study aims at determining how satire is reflected in political cartoons. The data of this study is represented by American political cartoons on Donald Trump, to be analyzed critically in relation to reality. The study found that satire in cartoons on Trump reflect his egoism, ignorance and carelessness as clarified in the expressi

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7

Mutiara Alda Lekson, Fila Alfia, Arella Chaterina Manalu, Afrahul Fadhillah Parinduri, Nico Sahpudan Simorangkir, and Dian Marisha Putri. "Satirical Analysis of Political Commentary in Kaesang Pangarep’s Podcast." Journal of Applied Linguistics 4, no. 2 (2025): 123–32. https://doi.org/10.52622/joal.v4i2.336.

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The rapid development of digital communication has transformed political discourse, with platforms like YouTube becoming significant arenas for satirical commentary. This study focuses on analyzing the use of satire in Kaesang Pangarep’s podcast episode Inilah Kelebihan Pelawak Kalau Masuk Politik, which garnered over 5.1 million views. The research investigates how satire is categorized based on Holbert’s framework and explores the political and social issues critiqued through satirical elements. Holbert’s framework classifies satire into three types: Horatian (light and humorous critique), J

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8

Pulatova, Diera Farxod qizi. "APPEARANCE AND DEVELOPMENT OF AMERICAN POLITICAL SATIRICAL LITERATURE." International journal of word art 5, no. 5 (2022): 5. https://doi.org/10.5281/zenodo.7038302.

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This article discusses the appearance of American political satire from Breckenridge's novel "Modern Chivalry" to the contemporary period, highlights the characteristic features of American political satire. The purpose of this article is to review the main representatives of American political satire and their contribution to the formation and continuation of the American literary tradition. Also, the focus is on the American political satirical novel, which is a typically American genre and characterizes the development of the American political system. Since an increasing numb

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9

Shao, Li, and Dongshu Liu. "The Road to Cynicism: The Political Consequences of Online Satire Exposure in China." Political Studies 67, no. 2 (2018): 517–36. http://dx.doi.org/10.1177/0032321718791373.

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This article examines two competing theories explaining the effects of political satire on citizens in an authoritarian context. The “activism” proposition argues that political satire works as a form of resistance to erode people’s support for the regime and encourages collective action. The “cynicism” proposition argues that while satire discourages regime support, it also discourages political participation. Our online survey experiment on young Chinese Internet users provides evidence supporting the cynicism proposition. Satire consumption reduces audiences’ political trust, deflates their

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10

Semotiuk, Orest. "Laughing at political opponents." European Journal of Humour Research 11, no. 2 (2023): 37–48. http://dx.doi.org/10.7592/ejhr.2023.11.2.792.

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The paper is devoted to the analysis of the discursive dimension of the standoff between supporters of 6th Ukrainian President Volodymyr Zelensky and those of his predecessor Petro Poroshenko. This dimension is implemented in Internet memes as one of the forms of political satire. Memes can be defined by their goals, frame of reference and means. The discursive practices used in memes aiming at the symbolic defamation of a political opponent and his electoral base are considered, taking into account the target, the focus, and the presentation of political satire about the protagonists Zelensky

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11

Collovald, Annie, and Erik Neveu. "Political satire on French television." Modern & Contemporary France 7, no. 3 (1999): 339–49. http://dx.doi.org/10.1080/09639489908456501.

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12

Brettler, Marc Zvi, Zeʾev Weisman, and Ze'ev Weisman. "Political Satire in the Bible." Jewish Quarterly Review 89, no. 1/2 (1998): 180. http://dx.doi.org/10.2307/1455297.

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13

김옥수. "Political Satire: Pope's "To Augustus"." Journal of Medieval and Early Modern English Studies 17, no. 1 (2007): 167–82. http://dx.doi.org/10.17054/jmemes.2007.17.1.167.

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14

Bee, Jim. "British television satire." Recherches anglaises et nord-américaines 36, no. 3 (2003): 49–57. http://dx.doi.org/10.3406/ranam.2003.1703.

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Satire is a regular feature of British television, both in fiction and topical comedy. Its contribution to contemporary culture and politics deserves to be taken seriously but it has attracted little academic interest. An exception is Wagg’s analysis of post-war British satirical comedy (1992) where he argues that satire has had a negative effect on political life by encouraging a cynical view of politics. This research discusses satire on contemporary British television, specifically topical news satire in the news quiz. Drawing on literary theory it seeks to illuminate how such satire works

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15

Maslo, Adi. "Using counterfactuals to display facts – the case of satirical humor." ExELL 4, no. 2 (2016): 116–26. http://dx.doi.org/10.1515/exell-2017-0010.

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Abstract Satire has not been given the humorologists’ attention to an extent that would do justice to the amount of humor satire actually holds. Therefore, the intention of this paper is to shed light on satire as humorous discourse, with an emphasis on counterfactuals. Interestingly enough, counterfactuals oppose the actual state of affairs; rhetorically however, they show potential to reveal the truth. Political satire is an area of conflict between truth and falsehood which is exactly why this type of satire is discussed in this paper. Tools from Cognitive Linguistics – framing and blending

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16

Ahmad, Afaq, and Sanuja Salim. "Audience Engagement with Malayalam Television Political Satire Shows: A Qualitative Study." Journal of Communication and Management 2, no. 01 (2023): 57–66. http://dx.doi.org/10.58966/jcm20232110.

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      Satire is a sword that keeps the audience alert and involved in recent political developments when other forms of traditional media have failed to communicate politics effectively. This qualitative study was done among the people who watch Malayalam political satire shows. This study attempts to throw light on the viewing habits of selected satirical programs in Malayalam news channels. The present study is intended to examine political satire shows’ credibility and trustworthiness. The samples are collected using the purposive sampling method; qualita

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17

Rolfe, Mark John. "The Danish Cartoons, Charlie Hebdo and the culture wars: satiric limits in comparative national and transnational perspectives." European Journal of Humour Research 9, no. 3 (2021): 92–112. http://dx.doi.org/10.7592/ejhr2021.9.3.538.

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A considerable body of academic literature has lauded political satirists as rebellious defenders of democracy and free speech against an establishment. Although satire is not always rebellious, this reputation of satirists and of satire may itself be the object of partisan capture. In this article, it is the object of capture by right-wing populists. In that respect, satire and the meta-discourse about satire can be used like any political rhetoric in gathering like-minded allies, claiming standards, and fighting opponents. With the Danish cartoons crisis of 2005-2006 and the Charlie Hebdo ma

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Abbas, Yasir, and Akhtar Aziz. "Satire as Counter-Narrative Criticism of USA in Twenty-first Century Pakistani Televisual Political Satire." Academic Journal of Social Sciences (AJSS ) 4, no. 3 (2020): 540–50. http://dx.doi.org/10.54692/ajss.2020.04031085.

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The study observes that in the early twenty-first century different Pakistani comic televisual political satire shows started discussing current affairs and international relations. The United States of America remains one of the main targets of Pakistani televisual satire in the new century. The research finds that Pakistani televisual satire effectively exposes the flaws of the US foreign policy. Pakistani televisual satirists are very critical of America’s exploitative neocolonial enterprise. The satire among other things condemns America’s anti-Islam narrative and Islamophia; invasion of o

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19

Sperrin, Dan. "Imperial Satire Redux: A Political Reading of Dryden's ‘Discourse’ on Satire." Literature & History 33, no. 2 (2024): 94–118. http://dx.doi.org/10.1177/03061973241295317.

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Dryden's 'Discourse Concerning the Original and Progress of Satire' has long been seen as one of the most important and influential accounts of satire and its history in English literature. Historians, editors, and critics have admired and contested Dryden's account of satire's pre-history, etymology, and ‘progress’, finding in this intricate text a whole tissue of challenging ideas about satire as a literary form. However, the political purposes of the Discourse (in its immediate context) remain exceptionally difficult to bring into focus. For all the clarity with which we can see what Dryden

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20

Sheikh, Muhammad Ahmad, Ali Ab Ul Hassan, and Huma Muzafar. "Political Satire through Memes: Content Analysis of Facebook Pages." Online Media and Society 3 (October 16, 2022): 98–111. https://doi.org/10.71016/oms/xe0k7s75.

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In recent years, memes have become the most crucial activity all over social media. Memes have become a new trend among youth. In communication and satire internet memes have grasped a lot of attention. Satire has become an essential tool in terms of controlling public opinions. Aim of this study is to analyze the memes on three populous political leaders (Imran Khan, Donald Trump and Narindar Modi) on Facebook pages. Four memes are selected of each politician using purposive sampling based on the likes and profile pictures that seem attractive. The reason to choose these politicians is the po

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21

Yufi Safwan Fajar. "FENOMENA BAHASA SATIRE DALAM MEME DI MEDIA SOSIAL." Sinar Dunia: Jurnal Riset Sosial Humaniora dan Ilmu Pendidikan 1, no. 4 (2022): 52–61. http://dx.doi.org/10.58192/sidu.v1i4.223.

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The satire style was chosen to express satire and criticism explicitly. In communicating on social media, satire is also used in making memes. The problem with this research is how satire language is in meme culture on social media. This research aims to reveal how political satire is discussed in memes on social media. The purpose of this study is to examine more deeply how the satire discourse is contained in pictorial texts or purely texts in social media memes. This research is interesting because the satire humor style contained in memes becomes a practical, absurd political, economic, ed

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22

McClennen, Sophia A. "Trump’s Ironic Effect on Political Satire." Film Quarterly 75, no. 2 (2021): 27–37. http://dx.doi.org/10.1525/fq.2021.75.2.27.

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This essay analyzes how the presidency of Donald Trump presented a challenge to satirists. It argues that the ironic complexities of the Trump figure itself created an unusual situation for satire, one which required it to adapt and change in novel ways. Because Trump was both absurd and terrifying, because he was both parody and credible threat, he created a unique situation for satirists, one where many of the common tools they carry in their comedic toolkit didn’t work. Satirical irony of Trump was not a matter of irony everywhere or ironic post-truthiness; when Trump satire was at its best

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Caron, James E. "Desire for the Good: How Debate About Satire’s Public Sphere Efficacy Confuses Aesthetics with Politics." Studies in American Humor 11, no. 1 (2025): 4–28. https://doi.org/10.5325/studamerhumor.11.1.0004.

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ABSTRACT The high-value stakes of scholarly debate on the efficacy of satire are suggested in the fact that it is characterized by two extremist positions: the view that satire can substantially affect public affairs and the view that it can do nothing. This article argues that certain claims for the efficacy of comic artifacts can be easily dismissed because the phrasing of them indicates that their authors understand satire to function as political speech when in fact it functions as comic political speech. Because satire is comic political speech, it is best approached as a playfully aesthe

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Ferrari, Elisabetta. "Sincerely Fake: Exploring User-Generated Political Fakes and Networked Publics." Social Media + Society 6, no. 4 (2020): 205630512096382. http://dx.doi.org/10.1177/2056305120963824.

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This article investigates user-generated political satire, focusing in particular on one genre: fake political accounts. Such fakes, created as social media profiles, satirize politicians or political organizations by impersonating them. Through interviews with a sample of Italian fake accounts creators, I explore how the fakes navigate their fakeness vis-à-vis the affordances of social network sites and their publics. First, I map how the publics of the fake accounts react to the satire along two axes: one referring to the public’s understanding of the satire and the other to the uses that th

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Ferrari, Elisabetta. "Fake accounts, real activism: Political faking and user-generated satire as activist intervention." New Media & Society 20, no. 6 (2017): 2208–23. http://dx.doi.org/10.1177/1461444817731918.

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In this article, I explore user-generated political satire in Italy by focusing on fake political accounts. By fake accounts, I refer to humorous social media accounts that satirize a politician or a political organization through impersonation. I investigate political faking and user-generated satire as an activist intervention. Through in-depth interviews, I explore the motivations and the relationship with Italian politics of a sample of fake account creators. The results show that most of the satirists interviewed here consider satire as a form of activism and even those who do not, still

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Greaves, A. E. "Stendhal's Italy: instrument of political satire." Journal of European Studies 22, no. 1 (1992): 21–38. http://dx.doi.org/10.1177/004724419202200102.

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27

Kraidy, Marwan M. "Star Academy as Arab Political Satire." International Journal of Middle East Studies 40, no. 3 (2008): 369–71. http://dx.doi.org/10.1017/s0020743808080938.

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The previous excerpt is taken from a column by Syrian journalist Hakam al-Baba, published in the London-based Pan-Arab newspaper al-Quds al-ʿArabi. Al-Baba, a middle-aged Syrian journalist known for his biting sarcasm, has written some of the most perceptive critiques of Syrian and Arab media, including a famous 2005 article in the Syrian daily Tishreen, in which he relates his experience of harassment by the mukhābarāt. In the excerpted column, al-Baba uses the raging Pan-Arab controversies over reality TV for a critique of Arab political dependence on the United States.

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Mifdal, Mohamed. "Digital politics on Facebook during the Arab Spring in Morocco: Adaptive strategies of satire relative to its political and cultural context." European Journal of Humour Research 4, no. 3 (2016): 43. http://dx.doi.org/10.7592/ejhr2016.4.3.mifdal.

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When the Arab Spring began, a growing number of Moroccan Facebookers flaunted their dissent in the face of the regime and used subversive satire to question its legitimacy or push for more freedoms. However, this expression in the form of satire waned after the situation became settled and the satirists had to adjust their satire to the new political reality. This article explores the adaptive strategies of satire in a repressive context during settled and unsettled periods. By scrutinizing satiric posts on Facebook for over four years, I argue that satire, as critique and resistance, adjusts

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Buana, Cahya. "Budaya Satire pada Masa Dinasti Umayyah dalam Syair Hijā’ Al-Farazdaq." Buletin Al-Turas 25, no. 2 (2019): 209–26. http://dx.doi.org/10.15408/bat.v25i2.11744.

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Hijā’ atau satire adalah salah satu genre syair yang mengandung konten sinisme atau ejekan. Jenis puisi ini berkembang pesat pada masa Dinasti Umayyah. Penyair yang sangat terkenal dengan genre ini di antaranya adalah al-Farazdaq. Kajian ini bermaksud untuk mengungkap jenis budaya satire yang berkembang pada masa Bani Umayyah melalui syair al-Farazdaq serta latar belakang munculnya budaya tersebut. Untuk mencapai tujuan tersebut, saya akan menggunakan metode penelitian qualitatif melalui pendekatan budaya dan sejarah pada teks-teks syair hija al-Farazdaq. Berdasarkan hasil analisis terungkap b

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Ayu Suciartini, Ni Nyoman. "Bahasa Satire dalam Meme Media Sosial." Pustaka : Jurnal Ilmu-Ilmu Budaya 20, no. 1 (2020): 1. http://dx.doi.org/10.24843/pjiib.2020.v20.i01.p01.

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The satire style was chosen to express satire and criticism explicitly. In the style of communicating on social media, satire is also used in making memes. The problem with this research is how is satire language in meme culture on social media? The focus of this research is to reveal how political satire is discussed in memes on social media. The purpose of this study is to examine more deeply how the satire discourse is contained in pictorial texts or purely texts in social media memes. This research is interesting because the satire humor style contained in memes becomes an effective, absur

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Bruni, Raul. "Tra ucronia e fantapolitica: Storia di domani di Curzio Malaparte." Załącznik Kulturoznawczy, no. 8 (2021): 505–20. http://dx.doi.org/10.21697/zk.2021.8.24.

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Storia di Domani (1949) is one of Curzio Malaparte’s most original and unclassifiable works. In some ways this novel can be considered an ‘uchronia’, given that it is based on an alternative historical hypothesis: the invasion of Europe by the Soviet Union in the aftermath of the Second World War. On the other hand, the novel is (Contro)storia e satira politica similar to the genre of political fiction, given that the characters are mostly real Italian politicians who were still alive at the time the work was published. The article will focus on the interweaving of historical memory, political

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Brassett, James, and Alex Sutton. "British satire, everyday politics: Chris Morris, Armando Iannucci and Charlie Brooker." British Journal of Politics and International Relations 19, no. 2 (2017): 245–62. http://dx.doi.org/10.1177/1369148117700147.

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This article develops a critical engagement with the politics of British satire. After first engaging the mainstream critique of satire—that it promotes cynicism and apathy by portraying politicians in stereotypically corrupt terms—we develop a performative approach to comedy as an everyday vernacular of political life. Beyond a focus on ‘impact’, we suggest that satire can be read as an everyday form of political reflection that performs within a social context. This argument yields an image of Morris, Iannucci and Brooker as important critics of contemporary British politics, a point which w

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De Bruyn, Jacob. "Contemporary political satirists." European Journal of Humour Research 11, no. 2 (2023): 1–19. http://dx.doi.org/10.7592/ejhr.2023.11.2.805.

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The conventional understanding of the church’s prophetic witness is that it is founded on the prophets portrayed in the Hebrew Bible/Old Testament. They communicated God’s message in relation to various issues such as religious practices and loyalty to God, but also, importantly, criticism and denunciation of political and social injustice. Satirical shows, in this study, refer to the satirical news components of TV late-night talk shows, as well as internet based satirical socio-political shows, where satirical commentary forms the common thread with prophetic witness, namely the indictment o

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Delignon, Bénedicte. "La représentation de Mécène dans les Satires d’Horace : enjeux politiques, philosophiques et poétiques." Vita Latina 185, no. 1 (2012): 74–97. http://dx.doi.org/10.3406/vita.2012.1733.

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By representing Maecenas in eleven of his eighteen satires, Horace introduces political realities. But the role of Maecenas is much more important. Horace makes of him an Epicurean persona, which embodies the main philosophical principles in the book. He leans on this persona to distance himself fromthe partisan satire of Lucilius and to resolve the contradictions of his own poetics, by mixing politics and ethics, public and private.

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Lee, Hoon, and S. Mo Jang. "Talking About What Provokes Us." American Politics Research 45, no. 1 (2016): 128–54. http://dx.doi.org/10.1177/1532673x16657805.

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The current research assessed whether political satire viewing could indirectly promote interpersonal talk about politics by eliciting emotions. The theoretical model was tested utilizing both experimental and survey designs. The findings indicated good agreement, demonstrating that negative emotions significantly mediate and reinforce the effect of political satire viewing on interpersonal talk. Conversely, the process wherein traditional news sources motivate interpersonal talk is mostly direct, with little development of affective responses. The results suggest that political satire can hel

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Schreiber, Rachel L. "The Graphic Satire of Robert Minor and Art Young: Text and Image in Political Cartoons." Journal of Modern Periodical Studies 13, no. 1 (2022): 43–76. http://dx.doi.org/10.5325/jmodeperistud.13.1.0043.

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ABSTRACT Graphic satire is a key site for the study of text and image in modern periodicals. Political cartoons assemble text and image into one unified form that conveys a message to its audiences in an immediate and powerful way. Often humorous, political cartoons rely on some previous knowledge on the part of the reader-viewer and are highly specific to the moment in which they are published. The graphic satire of two important radical political cartoonists, Robert Minor (1884–1952) and Art Young (1866–1943), is studied in this article. These two artists innovated in the aesthetic and lingu

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M. S, Jesintha Grace. "Political Satire in the Collection of Kaiyoppam." International Research Journal of Tamil 4, S-8 (2022): 93–99. http://dx.doi.org/10.34256/irjt22s813.

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Poetry penetrates human minds and deepens the light of life. In poetry of this nature, poets use a variety of techniques to convey their thoughts to others. Since the satire in them first refers to a literary genre, then the strategy has become systematic. Poet Puviarasu often used this element in his poems and was one of the leading poets of the Vanambadi movement who inspired the development of modern poetry. Diverse, he expresses the misfortunes of today's society in a simple way through his poetry. In his poems, we can see his loud thinking, anger and determination to oppose the ruling cla

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Boukes, Mark. "Agenda-Setting With Satire: How Political Satire Increased TTIP’s Saliency on the Public, Media, and Political Agenda." Political Communication 36, no. 3 (2018): 426–51. http://dx.doi.org/10.1080/10584609.2018.1498816.

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Rosdiana, Rosdiana, and Wahyunengsih Wahyunengsih. "Satire Journalism: Semiotic Analysis of Pilpres 2024 Articles on Mojok.co"." Jurnal Komunikasi 17, no. 2 (2023): 138–49. http://dx.doi.org/10.21107/ilkom.v17i2.20818.

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This study aims to analyze the practice of satire journalism in Mojok.co through Charles S. Peirce's semiotic approach. The research method used is descriptive qualitative research. This research focuses on analyzing articles about the 2024 presidential election published in the essay section of Mojok.co. In this study, researchers explored how satire in this context uses signs and symbolic interpretations based on the semiotic theory applied. In addition, the researcher is also interested in knowing how the use of satire language style can affect readers' perceptions and understanding of the

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Opoku-Agyemang, Kwabena. "“Coat and Uncoat!”: Satire and socio-political commentary in My Book of #GHCoats." Legon Journal of the Humanities 34, no. 2 (2023): 1–23. http://dx.doi.org/10.4314/ljh.v34i2.1.

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Research related to creative expression has examined the form and nature of satire in both oral and print poetry in West Africa but is yet to adequately consider digital poetry. This essay examines Nana Awere Damoah’s My Book of #GHCoats, arguably the first example of African conceptual poetry. A collation of humorous fictional quotes by Ghanaian Facebook users, #GHCoats allows for analysis the context of socio-political satire. In exploring the presence and utility of satire in #GHCoats, this essay analyzes the features of conceptual poetry as used via social media to present digital poetry a

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Zhou, Muyun. "Satirizing News Media, Changing Taiwan’s Feelings: The Night Night Show with Brian Tseng’s Adaptation of the American Satire News Format." Journalism and Media 4, no. 4 (2023): 1097–113. http://dx.doi.org/10.3390/journalmedia4040070.

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The US television program The Daily Show has inspired creative talents worldwide to adapt the American political satire news formats to their own political environments. One example is The Night Night Show, hosted by Brian Tseng between 2018 and 2020 and produced by the STR Network from Taiwan. Instead of approaching the show as the result of the diffusion of the US cultural and political model into the rest of the world, this article contextualizes The Night Night Show’s adaptation of an American satirical news format in the Sinophone political discourse of laughter and satire in the modern h

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Madenga, Florence Zivaishe. "Mimicking power." European Journal of Humour Research 12, no. 3 (2024): 9–35. http://dx.doi.org/10.7592/ejhr.2024.12.3.930.

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This article explores performances of satire as a form of journalism in Zimbabwe by analysing performances by satirists who mimic to mock journalistic conventions and political authorities. Through analyses of YouTube videos, the article explores the ways in which satire as journalism is visualised. Onscreen, satirists mimic the gestures, mannerisms and aesthetic objects connected to both political figures and state journalists on the state-run television station for ridicule. This paper argues that the parodying and mimicking of aesthetics of authority legitimises and professionalises satire

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Tang, Lijun, and Syamantak Bhattacharya. "Power and Resistance: A Case Study of Satire on the Internet." Sociological Research Online 16, no. 2 (2011): 10–18. http://dx.doi.org/10.5153/sro.2375.

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Past studies on print and TV satire have revealed that satire can be seen as a site of resistance to power. In light of this, interesting questions can be raised regarding Internet satire: what does the Internet contribute to the resistance and what kind of power relation is played out on this site? Using an example from China, this paper reveals that like its print and TV counterparts, Internet satire reflects a widespread feeling of powerlessness, rather than offering the general public any political power. However, the Internet helps to push the symbolic power of satire to a higher level. T

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Toulabor, Comi M. "Political Satire Past and Present in Togo." Critique of Anthropology 14, no. 1 (1994): 59–75. http://dx.doi.org/10.1177/0308275x9401400104.

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Klingbeil, Gerald A. "Political Satire in the Bible. Zeʾev Weisman". Journal of Near Eastern Studies 60, № 4 (2001): 295–96. http://dx.doi.org/10.1086/468960.

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Sandu, Maria Anca. "Memes as Satire in Romanian Political Culture." Intersections 10, no. 1 (2024): 80–116. http://dx.doi.org/10.17356/ieejsp.v10i1.1131.

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The aim of this paper is to define political memes as belonging to the genre of political satire and part of Romanian political culture, to outline their characteristics and functionality, and to indicate that the phenomenon of political meme-sharing is a cultural phenomenon with growing significance based on the highly affective usage of memes that allow for the recontextualization of past political events in accordance with the new realities of the Romanian political and cultural space. Using the case study that is included, which takes into account how the awareness of the political context

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Usunáriz, Jesús M. "Sátiras contra el rey en la España del siglo XVII." Calíope 28, no. 2 (2023): 306–24. http://dx.doi.org/10.5325/caliope.28.2.0306.

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Abstract Satire in verse became a significant element of political culture in the factional struggles at the Spanish court. While the favorites and ministers have been studied in regards to the use of political satire, this work aims to examine the attacks against the king, how these evolved during the Habsburg reigns, and how they shaped a lasting image of the monarchs.

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LUNN, Timothy, Olga VERHOVTSOVA, and Olga ISHCHENKO. "THE POWER OF SATIRE: HOW TO LAUGH ABOUT POLITICAL ISSUES." Lingua Montenegrina 33, no. 1 (2024): 431–45. https://doi.org/10.46584/lm.v33i1.749.

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By studying satire in newspapers, this article’s aim is to apply a common analysis tool on a discursive type found in the daily press column. The idea is to point out humorous satirical components in the texts devoted to political events or political leaders. The satirical press has been an important part of the media landscape for centuries. Through humor, wit, and irony, satirical publications have been able to criticize and satirize politicians, public figures, and social issues in a way that traditional media cannot. This article examines the role and influence of the satirical press in so

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Little, Hannah. "The use of satire to communicate science in ‘Don't look up’." Journal of Science Communication 21, no. 05 (2022): C06. http://dx.doi.org/10.22323/2.21050306.

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Satire has long been used as a tool in social commentary and political communication, and in some cases this has extended to commentary about science and its role in policy. This is certainly the case for the recent Adam McKay film, ‘Don't look up’, where an allegorical story about a comet heading for Earth is used to satirise the current political and media response to the climate catastrophe. While the film succeeds in making its point, how the humour interacts with objectives of science communication highlights some risks of using satire where there's overlap between the subject of the sati

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Piet, Remi. "Satire and Religious Tolerance: How Acceptance/Rejection of Satire is Determined by the Capacity of Religious and Political Forces to Agree on a Modern Civic Contract." International Journal of Public Theology 10, no. 3 (2016): 302–23. http://dx.doi.org/10.1163/15697320-12341453.

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The January 2015 assassination at the Charlie Hebdo offices and the dozen ensuing terrorist attacks in France over the last eighteen months are the manifestation of a structural opposition between a civic identity whose most controversial manifestation is political satire and a religious identity hijacked by radicals. This paper explains how political satire is deeply entrenched in French culture and how it has been used as a democratization and liberating tool by a society eager to counterbalance the existing religious establishment. Similarly, it then addresses satire in the Muslim world and

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