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Journal articles on the topic 'Politická image'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Trifiletti, Elena, Rossella Falvo, Carla Dazzi, and Dora Capozza. "Political orientation and images of the United States in Italy." Social Behavior and Personality: an international journal 40, no. 1 (2012): 85–91. http://dx.doi.org/10.2224/sbp.2012.40.1.85.

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Image theory was used in this study to assess the images that Italian adults with different political ideologies have of the United States. In addition to the ally, barbarian, enemy, and imperialist images, a new image, that of the father, was introduced. It was found that right-wing respondents endorsed the father and ally images of Americans, while left-wing respondents perceived Americans as barbarians. The theoretical and practical implications of the findings are discussed.

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Lin, Chuanzhao. "An Analysis of Main Approaches to Discourse Representation of the Activities of Russian and Chinese Political Leaders." Russian and Chinese Studies 4, no. 2 (2020): 184–94. http://dx.doi.org/10.17150/2587-7445.2020.4(2).184-194.

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The article explores main studies of Russian and foreign authors about discourse, media images and politics, focusing on images of Vladimir Putin and Xi Jinping. Literature research contains a brief description of studies about discourse and political images. The next part of the article outlines media image of contemporary China. Further, media images of chosen political leaders are analyzed. It is pointed out that Vladimir Putin’s discourse representation and media image and researchers’ opinion about it are more complex and contradictory than in the case of Xi Jinping.

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López-Hermida, Alberto. "La imagen de la mujer en política: La campaña electoral televisiva de Michelle Bachelet." Cuadernos.info, no. 24 (2009): 9–16. http://dx.doi.org/10.7764/cdi.24.30.

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Vernikov, Vladimir. "КРИЗИС В КАТАЛОНИИ ИЗМЕНИЛ ПОЛИТИЧЕСКИЙ ОБЛИК ИСПАНИИ". Scientific and Analytical Herald of IE RAS 1, № 2 (2018): 79–85. http://dx.doi.org/10.15211/vestnikieran2201813.

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Vaičiukynaitė, Justina. "Images of the Lithuanian Political Elite in the Eyes of Citizens." Politologija, no. 97 (May 19, 2020): 42–72. http://dx.doi.org/10.15388/polit.2020.97.2.

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The article aims to reconstruct the concept of the Lithuanian political elite from the citizens’ perspective, focusing on how the concept is perceived, how the political elite is recognized in social life, and what attributes are associated with this particular concept. Applied qualitative in-depth interview data gathering and inductive data analysis approaches demonstrate that the Lithuanian political elite concept consists of two images: legalistic and charismatic. Although these two images are completely divergent, they are intertwined and successfully coexistent in the minds of citizens. T

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Schatz, Edward. "Transnational Image Making and Soft Authoritarian Kazakhstan." Slavic Review 67, no. 1 (2008): 50–62. http://dx.doi.org/10.2307/27652766.

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A primary mechanism of rule in soft authoritarian post-Soviet Kazakhstan was the regime's ability to monopolize the instruments of persuasion. By carefully crafting and propagating images of state and society, constructing political dramas, and developing plausible public narratives about the provision of public goods, Nursultan Nazarbaev continually outflanked his political opponents. And then cameBorat,the Hollywood comedy that presented Kazakhstan as a racist, homophobic, misogynistic, economic, and political backwater. Not only were the images of this “Kazakhstan“ out of the regime's contr

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Bodart, Diane H. "Wearing images. Introduction = Imágenes portadas. Introducción." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 6 (December 7, 2018): 15. http://dx.doi.org/10.5944/etfvii.6.2018.23087.

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In the past decades, studies on the materiality and the efficacy of images, as well as the artistic and social practices related to them, have allowed scholars to explore how much images’ making, use, handling and display contributed to the activation of their powers of presence through their interaction with the viewer. Further, the growing interest in the articulation between the history of art and the anthropology of images has brought to light the close links between the art object and the body: in fact, if the body can be the medium of the animate art object, the art object can potentiall

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Kafer, Gary. "Documenting the Invisible: Political Agency in Trevor Paglen’s Limit Telephotography." Contemporaneity: Historical Presence in Visual Culture 5 (November 30, 2016): 53–71. http://dx.doi.org/10.5195/contemp.2016.161.

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Taken from up to forty miles away, Trevor Paglen's limit telephotography images of covert military bases in the American Southwest are blurred by dense atmopshere, dust and debris. In effect, his photographs are highly illegible, and thus the military bases escape any sort of revelation. Following this logic, if one cannot see these top secret locations, then these images are in fact not politically effective at disclosing confidential federal information. Rather, Paglen asserts that the political agency of his can be located not in the image, but in the practice of performing limit telephotog

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Geise, Stephanie, Diana Panke, and Axel Heck. "Still Images—Moving People? How Media Images of Protest Issues and Movements Influence Participatory Intentions." International Journal of Press/Politics 26, no. 1 (2020): 92–118. http://dx.doi.org/10.1177/1940161220968534.

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While media images can ease political information perception and processing, the impact of images on behavioral intentions to engage in protest is relatively unexplored. We ask: Under what conditions can news images of protest “move” people and affect the willingness to participate? Aiming to answer this question from an information-processing perspective, we shed light on the nexus between spontaneous, sensory behavior and cognition in response to news media images of protest. We conducted a multigroup experiment in which 143 recipients were randomly exposed to four news images of protest and

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DOLENKO, DMITRY, EVGENIA MAKSHAEVA, and STANISLAV MALCHENKOV. "IMAGES OF THE WEST IN THE RUSSIAN POLITICAL DISCOURSE AND STRATEGY OF RUSSIA." Sociopolitical sciences 10, no. 5 (2020): 128–33. http://dx.doi.org/10.33693/2223-0092-2020-10-5-128-133.

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Objective. The main objective of this study is to analyze the images of the West in Russian political discourse and Russia’s strategy in relations with the West. This problem remains in the focus of attention not only of domestic scientists, but also of foreign researchers, including J.D. Bryan, B. Pudełko, Sh.W. Rivera, A. Segrillo. Conclusions. According to the results of the study, the presence of three main civilizational and geopolitical images of the West in domestic socio-political thought is ascertained. The first of these is the image of a civilizational leader, first formulated in th

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Fuentes, Mariana Teráán. "De nacióón españñola a federacióón mexicana. La opinióón púública en la formacióón de la nacióón." Mexican Studies/Estudios Mexicanos 22, no. 2 (2006): 251–74. http://dx.doi.org/10.1525/msem.2006.22.2.251.

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The objective of this essay is to explain the cultural changes expressed through public opinion during the transition from the Old Regime to the formation of the republics in America at the beginning of the nineteenth century. In particular, I am interested in showing how the Atlantic concept of nation, established in 1812 in the Constitution of the Spanish Monarchy, fragmented as a result of the various independence movements which promoted an opposite image. In the case of New Spain, the Empire of Anááhuac substituted the image of the Spanish Nation. However, given the violent political even

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Nogueira, Dhyego De Lima, and Alexandre Silvestre da Silva. "As Cores que nos faltam: não sobreviveremos só de verde, amarelo e azul/Brazilian political situation and Occupational Therapy performance: impacts, setbacks and challenges." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 3, no. 4 (2019): 462–64. http://dx.doi.org/10.47222/2526-3544.rbto29870.

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A imagem retratada demonstra uma relação reflexiva entre cores da bandeira nacional, em destaque de alguns recursos terapêuticos, e influência da atual conjuntura política brasileira para Terapia Ocupacional. O atual cenário político vem se estabelecendo de cortes e mudanças circunstanciais para as políticas públicas, violações dos direitos essenciais para exercício da cidadania e guerras ideológicas, fatores, que dentre outros, põem em risco as perspectivas constitucionais de sociedade e democracia. A pergunta que centraliza a reflexão sobre a imagem é: O que esperar de uma sociedade tão dive

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Caverley, Jonathan D., and Yanna Krupnikov. "Aiming at Doves." Journal of Conflict Resolution 61, no. 7 (2015): 1482–509. http://dx.doi.org/10.1177/0022002715605634.

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Politicians (and journalists covering them) assume that association with the military has political consequences. We propose and experimentally test conditions under which military images have such effects. We presented subjects with images of the US president before varying backgrounds—including soldiers, students, children, and “ordinary” people. Only the image of soldiers has any significant effect, shifting participant preferences toward spending money on defense over education. The image does this by increasing respondent sense of threats to national security, despite the military’s depic

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Amaral Jr., Rubem. "Salvador e Olinda nos emblemas urbanos do Thesaurus Philo-Politicus de Daniel Meisner e Eberhard Kieser." IMAGO. Revista de Emblemática y Cultura Visual, no. 9 (January 31, 2018): 177. http://dx.doi.org/10.7203/imago.9.10362.

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ABSTRACT: This article examines the emblems dedicated to Salvador (Bahia) and Olinda (Pernambuco) by Daniel Meisner and Eberhard Kieser in their singular book of urban emblems Thesaurus Philo-Politicus. Das ist: Politisches Schatzkästlein, first published in Frankfort on the Main between 1623 and 1631. Those Brazilian cities, together with Cuzco in Peru, were the only ones in America among the 830 plates included in the work. I describe the respective inserted emblematic picturae, with transcriptions and translations of the German and Latin inscriptiones, subscriptiones and explicit, and I att

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Belokonev, S. Yu, T. V. Evgenieva, V. V. Titov, and Z. R. Usmanova. "BRICS Countries in Political Consciousness of Russian Citizens." MGIMO Review of International Relations, no. 3(66) (July 28, 2019): 111–30. http://dx.doi.org/10.24833/2071-8160-2019-3-66-111-130.

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The article analyzes the Russian citizens’ perceptions of BRICS countries. The authors focus on the cognitive, emotional, behavioral, and symbolic aspects characterizing BRICS countries in political consciousness of the Russians as well as common stereotypes, intentions, and associations. Since the Russian Federation has political and economic interests in cooperation with the BRICS countries, it is important to study representations of Brazil, India, China and South Africa in Russian consciousness and identify the possibilities of their transformation. Proceeding from the results of qualitati

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Lalancette, Mireille, and Vincent Raynauld. "The Power of Political Image: Justin Trudeau, Instagram, and Celebrity Politics." American Behavioral Scientist 63, no. 7 (2017): 888–924. http://dx.doi.org/10.1177/0002764217744838.

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This article explores dynamics of online image management and its impact on leadership in a context of digital permanent campaigning and celebrity politics in Canada. Recent studies have shown that images can play a critical role when members of the public are evaluating politicians. Specifically, voters are looking for specific qualities in political leaders, including honesty, intelligence, friendliness, sincerity, and trustworthiness, when making electoral decisions. Image management techniques can help create the impression that politicians possess these qualities. Heads of governments usi

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Kasra, Mona. "Digital-Networked Images as Personal Acts of Political Expression: New Categories for Meaning Formation." Media and Communication 5, no. 4 (2017): 51–64. http://dx.doi.org/10.17645/mac.v5i4.1065.

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This article examines the growing use of digital-networked images, specifically online self-portraits or “selfies”, as deliberate and personal acts of political expression and the ways in which meaning evolves and expands from their presence on the Internet. To understand the role of digital-networked images as a site for engaging in a personal and connective “visual” action that leads to formation of transient communities, the author analyzes the nude self-portrait of the young Egyptian woman Aliaa Magda Elmahdy, which during the Egyptian uprisings in 2011 drew attention across social media.

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Pich, Christopher, Guja Armannsdottir, and Louise Spry. "Investigating political brand reputation with qualitative projective techniques from the perspective of young adults." International Journal of Market Research 60, no. 2 (2018): 198–213. http://dx.doi.org/10.1177/1470785317750817.

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Capturing and understanding the images and reputations external stakeholders assign to brands can be confusing and challenging. This is reinforced by explicit calls for more pragmatic tools and methods to comprehend the external orientation of brands. We respond by investigating the applicability of qualitative projective techniques in exploration of the external current image and long-term reputation of the UK Conservative Party corporate brand from the perspective of young voters aged 18–24 years. This is achieved by comparing and contrasting the external brand images prior the 2015 UK Gener

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Bennke, Johannes. "Testimonial Image Practices as a Politics of Aesthetics after Levinas." Religions 10, no. 3 (2019): 216. http://dx.doi.org/10.3390/rel10030216.

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The transition from ethics to politics still lacks a proper understanding. I propose thinking of this transition in terms of a politics of aesthetics. However, thinking about a politics of aesthetics means also thinking about images and their prohibition. The prohibition of images has a long history, dating back to the Bible and Plato; its implications are crucial for image theory. Since Levinas did not systematically develop a political theory, aesthetics, or image theory, it is necessary to collect and systematize his distributed statements. Having image theory as a starting point for a poli

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Irala-Hortal, Pilar. "La imagen como terapia = Image as therapy." REVISTA ESPAÑOLA DE COMUNICACIÓN EN SALUD 9, no. 2 (2018): 237. http://dx.doi.org/10.20318/recs.2018.4502.

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Resumen: Cuando hablamos de fotografía solemos pensar en la captación de un momento o acontecimiento, probablemente caracterizado por breves impases de clímax y con una trascendencia cultural, social, artística o política. Bien se trate de fotografía artística o documental, tanto fotógrafos como historiadores o teóricos hemos abordado la imagen desde el enfoque de la preservación de un momento. En este caso la fotografía es un conservador de la memoria. Pero la fotografía puede cumplir otras funciones como la de ahondar, profundizar, extraer y exorcizar conocimientos o sentimientos íntimos con

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Close, Ronnie. "Parallax Error: The Aesthetics of Image Censorshipe." Cabinet, Vol. 2, no. 2 (2017): 74–81. http://dx.doi.org/10.47659/m3.074.art.

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Parallax Error is a found photographic image collection scavenged from well-known art history publications in bookstores in Cairo between 2012 and 2014. What makes the series distinct are the forms and styles of censorship used on the original images ahead of sale and public distribution. The altered images involve some of the leading figures in the canon of Western photographic history and these respected photo works enter into a process of state censorship. This entails hand-painting each photograph, in each book edition, in order to obscure the full erotic effect of the object of desire, i.

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Favero, Paolo. "Rediscovering “wonder” through i-docs." Alphaville: Journal of Film and Screen Media, no. 15 (October 9, 2018): 49–62. http://dx.doi.org/10.33178/alpha.15.04.

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From the invention of geometrical perspective onwards images have, in a Western context, been characterised by a specific politics and epistemological ambition. Solidified by the invention of the camera, “our” images have separated the observer from the observed, the mind from the body, allowing for what has been considered a “neutral” observation. “New images” (i.e. images produced with emerging digital visual technologies) are today posing a challenge to such conventions. Relational, material, haptic and immersive by nature,such images go hand in hand with new image-making practices characte

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Genova, Dafina Ivanova. "Grasping political cartoons? Not an easy matter." European Journal of Humour Research 6, no. 1 (2018): 85. http://dx.doi.org/10.7592/ejhr2018.6.1.genova.

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The article focuses on the interpretation of political cartoons and the means of expression a cartoonist uses to convey a message: visual metaphors, visual metonymies as well as metaphors inferred from the image and/or text. The metaphors and visual metonymies in the cartoons are analyzed from the point of view of Conceptual Metaphor and Metonymy Theory. In the analysis, visual and inferential metaphors are viewed as incongruities; there are also incongruities as a result of the interaction between image, title and/or caption. Political cartoons can have more than one focal (visual) incongruit

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Kosyakov, Vladimir E. "Presidential campaign of Volodimir Zelensky: Usage of Donald Trump’s experience." Ars Administrandi (Искусство управления) 12, no. 4 (2020): 698–713. http://dx.doi.org/10.17072/2218-9173-2020-4-698-713.

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Introduction: the article contains the analysis of the unique features of Volodimir Zelensky’s presidential election campaign, the success of which is based on the image of a political leader deliberately built as totally different from the one traditional for the Ukraine’s political elite. Objectives: studying the main political trends in presidential campaigns of Volodimir Zelensky and Donald Trump, to identify common elements of their image-building strategies. Methods: comparative analysis. Results: the study verifies the effectiveness of building the counter-culture image of a political l

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Taylor, Mary Anne, and Danee Pye. "Hillary Through TIME: The (Un)Making of the First Woman President." American Behavioral Scientist 63, no. 7 (2017): 807–25. http://dx.doi.org/10.1177/0002764217711801.

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This essay critically examines Hillary Clinton’s (Hillary) TIME Magazine coverage, from the first cover image as a First Lady in 1992, to the most recent cover as a 2016 presidential hopeful, and each of the focal images throughout TIME’s 20-year coverage. Drawing from political and visual rhetoric as a primary lens, the analysis of each cover will investigate two primary texts: Hillary’s image as coded by a social semiotic approach and the editorial reporting of TIME’s senior writers. Each of Hillary’s cover appearances and corresponding articles are then rhetorically analyzed with a focus on

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Морозова and Elena Morozova. "DEHUMANIZATION AS A TECHNOLOGY OF FORMATION OF THE IMAGE OF THE OTHER/STRANGER IN POLITICS." Central Russian Journal of Social Sciences 10, no. 6 (2015): 121–28. http://dx.doi.org/10.12737/16971.

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The author examines tolerant and intolerant models of forming the image of the Other, without which political identification is impossible. Within the intolerant model the image of the Other is transformed into the image of the Other and then, perhaps, the Enemy. One of the most common techniques of forming the image of the Stranger in politics is dehumanization, a set of ideas and actions, allowing to introduce political opponents as actors, deprived of human principles, and, consequently, to justify almost any action against them. The role of technology of dehumanization is determined by the

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Paraskeva, Nicole, Helena Lewis-Smith, and Phillippa C. Diedrichs. "Consumer opinion on social policy approaches to promoting positive body image: Airbrushed media images and disclaimer labels." Journal of Health Psychology 22, no. 2 (2016): 164–75. http://dx.doi.org/10.1177/1359105315597052.

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Disclaimer labels on airbrushed media images have generated political attention and advocacy as a social policy approach to promoting positive body image. Experimental research suggests that labelling is ineffective and consumers’ viewpoints have been overlooked. A mixed-method study explored British consumers’ ( N = 1555, aged 11–78 years) opinions on body image and social policy approaches. Thematic analysis indicated scepticism about the effectiveness of labelling images. Quantitatively, adults, although not adolescents, reported that labelling was unlikely to improve body image. Appearance

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Sheehi, Stephen. "A SOCIAL HISTORY OF EARLY ARAB PHOTOGRAPHY OR A PROLEGOMENON TO AN ARCHAEOLOGY OF THE LEBANESE IMAGO." International Journal of Middle East Studies 39, no. 2 (2007): 208a. http://dx.doi.org/10.1017/s0020743807070341.

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This article examines Arab photography in Ottoman and Mandate Lebanon. It begins to explain how the photographic image naturalized the discourses of individualism, class identity, and nationalism that were germinated in the political economy and the organic intellectual culture of the late Ottoman Empire. Inspired less by Orientalist imagery or mimicry of the West than by specific ideological planks of capitalism and modernity, images produced by professionals Sabunji and the Kovas and such amateurs as Salim Abu Izz al-din and Marie Khazen instituted a new process of desiring capitalist produc

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Montanari, Giulia, and Javier Toscano. "Re-Shaping the Political Field One Visual Fragment at a Time: The Tunisian Conundrum." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, no. 2 (2017): 726–39. http://dx.doi.org/10.31269/triplec.v15i2.806.

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The Internet has become a vigorous political field of interactions. Many of these interchanges – confrontations as well as encounters – rely on the weight of the image as a prominent communication tool. We are now used to loads of images flowing through the Internet’s digital corridors, but the mainstreaming of this phenomenon has brought about singular possibilities for political developments based on emerging uses and interpretations. In a way, politicians have historically made use of images to sustain their agendas, but the forms, styles and circumstances available today have become a game

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de Castro Mendes, Bruna, and Airton Jose Cavenaghi. "Building a destination image: images of exclusiveness and refuge." International Journal of Tourism Cities 6, no. 4 (2020): 673–90. http://dx.doi.org/10.1108/ijtc-09-2019-0150.

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Purpose This paper aims to highlight the political influences that account for the destination image of a tourist city: Campos do Jordão, São Paulo State, Brazil. The study took into consideration the collective imagination and its influence on the formation of touristic destinations. Design/methodology/approach Descriptive study based on literature and document review, accompanied by an analysis of texts and photos available on non-official websites – about Campos do Jordão – from November to December 2018 and by visits to selected location. Findings “Charm”, “refinement” and “sophistication”

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Kim, Yong-kyung. "The First Lady and the National Image: Focusing on the Media Report from China and South Korea about the First Lady of China and North Korea." Asian Social Science 13, no. 12 (2017): 68. http://dx.doi.org/10.5539/ass.v13n12p68.

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The formation of the national image is a part of the public diplomacy which presents the nation's overall power and the influence of the nation. This research, with the topic of “The First Lady and the Nation's image”, analyzes the press reports of South Korea and China on the new First Ladies of China and North Korea, Li Sol-ju and Peng Liyuan, to review the national images of the two nations. The research findings illustrate the national images of two countries: China has an image of a political power in developing process. Also, North Korea, although it is not a powerful country in internat

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Pawełczyk, Piotr, and Barbara Jankowiak. "Cechy wizerunku politycznego a emocje w głosowaniu na Bronisława Komorowskiego i Jarosława Kaczyńskiego w wyborach prezydenckich w 2010 roku. Raport z badań postaw politycznych studentów." Przegląd Politologiczny, no. 2 (June 19, 2018): 35–44. http://dx.doi.org/10.14746/pp.2013.18.2.3.

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In the theory of political marketing the concept of the image appears crucial when explaining electoral preferences and behaviors. This paper presents a survey into the relations between image factors and liking for the main two candidates in the presidential elections in Poland in 2010. It is widely supposed that the assessment of a candidate’s image should translate into a definite (positive or negative) emotion towards him or her. An empirical analysis of the influence of political images on political attitudes, however, leads to a slightly more modest conclusion regarding the power of such

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Simons, Greg. "Putin’s International Political Image." Journal of Political Marketing 18, no. 4 (2019): 307–29. http://dx.doi.org/10.1080/15377857.2019.1678904.

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Chedoluma, Illia. "Images and Representations of the Rudnytskyi Family: The Case of Ukrainians in Galicia Between the Wars." Scripta Judaica Cracoviensia 18 (2021): 49–66. http://dx.doi.org/10.4467/20843925sj.20.004.13872.

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Caricature journals in the interwar period had a special genre niche, giving the masses, through funny cartoons, a simplified understanding of internal and external political processes. Zyz and Komar were the largest Ukrainian satirical humor journals in interwar Galicia. They mainly covered the internal political life in the Second Polish Republic and international relationships. These journals are primarily intended for people from the countryside, and the editors and owners of these journals used anti-Semitism for the political mobilization of the rural population. I use elements of Serge M

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Kim, Namhoon, Eunha Chun, and Eunju Ko. "Country of origin effects on brand image, brand evaluation, and purchase intention." International Marketing Review 34, no. 2 (2017): 254–71. http://dx.doi.org/10.1108/imr-03-2015-0071.

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Purpose The purpose of this paper is to analyze how national stereotype, country of origin (COO), and fashion brand’s images influence consumers’ brand evaluations and purchase intentions regarding fashion collections. Korea (Seoul) and overseas (New York and Paris) collections are compared and analyzed. Design/methodology/approach The authors conduct a structural equation modeling and multi-group analysis using data collected from Seoul, New York, and Paris. Findings Consumers make higher brand evaluations and ultimately have stronger purchase intentions toward fashion collections from countr

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Sun, Yi, and Ruiyang Li. "A Semiotic Perspective of Metaphor Translation." Chinese Semiotic Studies 16, no. 2 (2020): 243–63. http://dx.doi.org/10.1515/css-2020-0014.

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AbstractThis paper reports on a translation project launched at Xi’an International Studies University (XISU) in 2017 that focuses on political news published by Hanban, which offers a platform for instructions and services for Chinese language and culture globally. Assisted by the metaphor identification method MIPVU (Metaphor Identification Procedure from Vrije Universiteit) and the data retrieval software HyConc, metaphors in the self-established corpus were efficiently and comprehensively identified. The metaphors were classified into 12 categories based on metaphorical images in the sourc

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SHARPE, KEVIN. "‘SO HARD A TEXT’? IMAGES OF CHARLES I, 1612–1700." Historical Journal 43, no. 2 (2000): 383–405. http://dx.doi.org/10.1017/s0018246x99001132.

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Historians have tended to discuss the image (in the singular) of the monarch in early modern England. In the case of Charles I, the Eikon basilike, literally ‘the royal image’, presented a picture of the king that claimed to be stable and authoritative. This article argues rather that royal images were the product of multiple influences, and shifted through changing circumstances, rendering all images unstable and open to differing interpretations. Charles, as well as being the son of the Rex Pacificus, inherited the martial expectations associated with the image of his brother; and images of

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Hokka, Jenni, and Matti Nelimarkka. "Affective economy of national-populist images: Investigating national and transnational online networks through visual big data." New Media & Society 22, no. 5 (2019): 770–92. http://dx.doi.org/10.1177/1461444819868686.

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In our article, we investigate the affective economy of national-populist image circulation on Facebook. This is highly relevant, since social media has been an essential area for the spread of national-populist ideology. In our research, we analyse image circulation as affective practice, combining qualitative and quantitative methods. We use computational data analysis methods to examine visual big data: image fingerprints and reverse image search engines to track down the routes of thousands of circulated images as well as make discourse-historical analysis on the images that have gained mo

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CHIA, Shirley Kha-Sien, May-Chiun LO, Zaidi Bin RAZAK, Yin Chai WANG, and Abang Azlan MOHAMAD. "IMPACT OF DESTINATION IMAGE ON TOURIST SATISFACTION: THE MODERATING EFFECT OF INFORMATION TECHNOLOGY (IT)." GeoJournal of Tourism and Geosites 34, no. 1 (2021): 88–93. http://dx.doi.org/10.30892/gtg.34112-623.

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Tourism is a multifaceted field and in order to understand its complexity, none of its components should be excluded. Based on the opinions and thoughts of tourists, this research aims to determine to what extent the destination image has an impact on the satisfaction towards that destination. Survey data was collected from tourists who visited key tourist attractions in Kuching, Sarawak. SmartPLS 3 was applied to assess the developed model based on path modeling and bootstrapping. The results revealed that political images, cultural images, and infrastructure factors on destination image are

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Jung, Jaehee, and Sharron J. Lennon. "Body Image, Appearance Self-Schema, and Media Images." Family and Consumer Sciences Research Journal 32, no. 1 (2003): 27–51. http://dx.doi.org/10.1177/1077727x03255900.

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Fisher, David H., and Sarah B. Fowler. "Reimagining Moral Leadership in Business." Business Ethics Quarterly 5, no. 1 (1995): 29–42. http://dx.doi.org/10.2307/3857270.

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Abstract:In this paper we explore challenges facing leadership in a culture of “all consuming images” from a perspective which claims that images have a moral or normative dimension. The cumulative effect of contemporary image saturation is increased resistance to the normative power of an image. We also suggest that in a culturally diverse global economy, it is necessary to expand the moral aspects of good business leadership beyond providing a basis for productive, coherent group identity within a firm at the expense of seeing outsiders as “others.” We also explore what imagining leadership

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Wajiran, Wajiran, and Dani Fadillah. "Women’s Socio-Political Dynamics in Indonesian Literature." Walisongo: Jurnal Penelitian Sosial Keagamaan 28, no. 2 (2020): 249–66. http://dx.doi.org/10.21580/ws.28.2.6534.

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Literary works have been believed to be media to spread ideas or ideology. This paper seeks to examine the images of women before Indonesia’s Reformation Era as reflected in Ahmad Tohari's Bekisar Merah and after the Reformation Era as reflected in Ayu Utami's Saman. By employing qualitative modes of inquiry and theories in the sociology of literature, this study has shown that images of women before and after Indonesia’s Reformation Era were depicted differently. Before Indonesia’s Reformation Era, the image of women tended to be submissive in dealing with the socio-political dynamics, while

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TOLOCHKO, A. V., and V. A. MATVIENKO. "SPECIFICITY OF IMAGE CONSTRUCTION OF POLITICAL PARTIES IN MODERN MEDIADISCURSIVE PRACTICE: EVOLUTION OF CONVERGENCE AND ANTINOMY." Central Russian Journal of Social Sciences 15, no. 6 (2020): 71–87. http://dx.doi.org/10.22394/2071-2367-2020-15-6-71-87.

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The purpose of the study is to analyze the specifics of constructing the image of political parties in modern world media discourse practices. Achievement of this goal by the authors of this article determines the formulation of a number of important tasks, for the solution of which, first of all, the study of the image-making of political organizations is carried out, which is of interest to representatives of various worldview and social groups. The article examines the algorithm for constructing the image of parties and party coalitions, identifies the factors influencing their modification

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Wintzer, Jeannine. "The Visualization of Migration." International Journal of Qualitative Methods 18 (January 1, 2019): 160940691984410. http://dx.doi.org/10.1177/1609406919844100.

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This article focuses on the election posters for the initiative Gegen Masseneinwanderung ( Against Mass Immigration) launched by the national conservative Swiss People’s Party (Schweizer Volkspartei) in February 2014. Based on qualitative visual analysis, I discuss how sociospatial phenomena are visualized to convey political messages. First, I undertake the important task of identifying discursive and visual elements of the image, as well as the image–text pattern in order to understand how meaning is created. Second, I investigate the concrete praxis of the image: How do images argue, substa

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Kaufer, David, Shawn J. Parry-Giles, and Beata Beigman Klebanov. "The “image bite,” political language, and the public/private divide." Journal of Language and Politics 11, no. 3 (2012): 336–56. http://dx.doi.org/10.1075/jlp.11.3.02kau.

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Voice-overs with muted images, often known as the “image bite,” have become an increasingly used but understudied format of political language by the television news media. Because the media can use images to fit many contexts and purposes of commentary, the media images are susceptible to continuous de-contextualization and re-contextualization. Drawing from theories of feminist critical discourse analysis and gender performance as well as scholarship on the public/private divide, we examine the commentary of one U.S. television news organization’s (NBC) re-contextualization of the same stock

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Yarchi, Moran. "Does using ‘imagefare’ as a state’s strategy in asymmetric conflicts improve its foreign media coverage? The case of Israel." Media, War & Conflict 9, no. 3 (2016): 290–305. http://dx.doi.org/10.1177/1750635215620826.

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In their 2014 article in Terrorism and Political Violence, Ayalon, Popovich and Yarchi proposed a different strategy for states to better manage asymmetric conflict, presenting the notion of ‘imagefare’ – ‘the use, or misuse, of images as a guiding principle or a substitute for traditional military means to achieve political objectives’ (p. 12). The current study tests their theoretical framework, and examines whether the use of imagefare as part of a political actor’s conflict strategy improves its foreign image as presented by its ability to promote its preferred frames to the foreign press.

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Tkachenko, Olena, Olga Sydorenko, and Liudmyla Dudchenko. "Regional segment in the news content of the central television of Ukraine." Obraz 35, no. 1 (2021): 114–21. http://dx.doi.org/10.21272/obraz.2021.1(35)-114-121.

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The article reviews the news content of all-Ukrainian television media. It was found out that the news information on Ukrainian television is represented by the following thematic segments: socio-political / military, criminal, social, cultural and artistic, emergency materials. In consideration of the significant number of materials with the negative contextual connotation (socio-political, social, criminal) television media potentially form both negative internal and external images of the country as a whole and the local image of its regions. The general trends in the formation of the media

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Casas, Andreu, and Nora Webb Williams. "Images that Matter: Online Protests and the Mobilizing Role of Pictures." Political Research Quarterly 72, no. 2 (2018): 360–75. http://dx.doi.org/10.1177/1065912918786805.

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Do images affect online political mobilization? If so, how? These questions are of fundamental importance to scholars of social movements, contentious politics, and political behavior generally. However, little prior work has systematically addressed the role of images in mobilizing online participation in social movements. We first confirm that images have a positive mobilizing effect in the context of online protest activity. We then argue that images are mobilizing because they trigger stronger emotional reactions than text. Building on existing political psychology models, we theorize that

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Madolimov, Hasanboy Shuhratovich. "FUNCTION OF INFORMATIONAL PUBLICIISTICS AND IMAGE (INFORMATION)." Journal of Central Asian Social Studies 02, no. 03 (2021): 84–90. http://dx.doi.org/10.37547/jcass/volume02issue03-a12.

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It is well known that journalism is a unique way of covering social life and is widely used in the press. Journalism is divided into a number of types to cover all aspects of public life. These include socio-political journalism, economic-industrial journalism, journalism reflecting the cultural and spiritual life (there are a number of subtypes, such as scientific journalism, literary journalism, sports journalism, art journalism). There is also a peculiar way of social life, albeit from a socio-political point of view - comic journalism, which illuminates it in a humorous way. In terms of it

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Doerr, Nicole. "How right-wing versus cosmopolitan political actors mobilize and translate images of immigrants in transnational contexts." Visual Communication 16, no. 3 (2017): 315–36. http://dx.doi.org/10.1177/1470357217702850.

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This article examines visual posters and symbols constructed and circulated transnationally by various political actors to mobilize contentious politics on the issues of immigration and citizenship. Following right-wing mobilizations focusing on the Syrian refugee crisis, immigration has become one of the most contentious political issues in Western Europe. Right-wing populist political parties have used provocative visual posters depicting immigrants or refugees as ‘criminal foreigners’ or a ‘threat to the nation’, in some countries and contexts conflating the image of the immigrant with that

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