Academic literature on the topic 'Politics and literature Malawi History 20th century'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Politics and literature Malawi History 20th century.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Politics and literature Malawi History 20th century"
1
Davoren, Mary, Eugene G. Breen, and Brendan D. Kelly. "Dr Ada English: patriot and psychiatrist in early 20th century Ireland." Irish Journal of Psychological Medicine 28, no. 2 (June 2011): 91–96. http://dx.doi.org/10.1017/s0790966700011514.
Full textAbstract:
AbstractDr Adeline (Ada) English (1875-1944) was a pioneering Irish psychiatrist. She qualified in medicine in 1903 and spent four decades working at Ballinasloe District Lunatic Asylum, during which time there were significant therapeutic innovations (eg. occupational therapy, convulsive treatment). Dr English was deeply involved in Irish politics. She participated in the Easter Rising (1916); spent six months in Galway jail for possessing nationalistic literature (1921); was elected as a Teachta Dála (member of Parliament; 1921); and participated in the Civil War (1922). She made significant contributions to Irish political life and development of psychiatric services during an exceptionally challenging period of history. Additional research would help contextualise her contributions further.
2
Moskovskaya, D. "FROM THE HISTORY OF 20TH-CENTURY LITERARY POLITICS. ‘LITERARY HERITAGE’ [LITERATURNOE NASLEDSTVO] AS AN ACADEMIC INSTITUTION." Voprosy literatury, no. 1 (September 30, 2018): 296–333. http://dx.doi.org/10.31425/0042-8795-2018-1-296-333.
Full textAbstract:
A review of the editorial archive of the Literary Heritage [Literaturnoe nasledstvo] book series at the Manuscripts Department of the Russian Academy’s Gorky Institute of World Literature. The emergence of the new archaeographical publication, Literary Heritage, was at odds with the political context of the early 1930s. I. Zilbershtein’s personality and extensive connections in the publishing world, as well as the favourable disposition of the RAPP (Russian Association of Proletarian Writers) and Stalin himself, helped to launch the series and made sure that it endured despite the RAPP’s downfall and to meet the program’s goals to ‘explore the archived riches’ and ‘bring out the hitherto unpublished’. It was thanks to the utmost erudition of LH’s authors and reviewers that their editorial office remained a platform that accumulated both archival discoveries and contemporary challenges and ideas. LH’s survival amid constant scrutiny from the party and official censorship was the result of often obscure forces and political schemes put to work. It was driven by personal interests and scholarly collaborations and rivalries, something that broadly defined the trends in literary studies of the 21st century.
3
Müller, Retief. "Traversing a Tightrope between Ecumenism and Exclusivism: The Intertwined History of South Africa’s Dutch Reformed Church and the Church of Central Africa Presbyterian in Nyasaland (Malawi)." Religions 12, no. 3 (March 9, 2021): 176. http://dx.doi.org/10.3390/rel12030176.
Full textAbstract:
During the first few decades of the 20th century, the Nkhoma mission of the Dutch Reformed Church of South Africa became involved in an ecumenical venture that was initiated by the Church of Scotland’s Blantyre mission, and the Free Church of Scotland’s Livingstonia mission in central Africa. Geographically sandwiched between these two Scots missions in Nyasaland (presently Malawi) was Nkhoma in the central region of the country. During a period of history when the DRC in South Africa had begun to regressively disengage from ecumenical entanglements in order to focus on its developing discourse of Afrikaner Christian nationalism, this venture in ecumenism by one of its foreign missions was a remarkable anomaly. Yet, as this article illustrates, the ecumenical project as finalized at a conference in 1924 was characterized by controversy and nearly became derailed as a result of the intransigence of white DRC missionaries on the subject of eating together with black colleagues at a communal table. Negotiations proceeded and somehow ended in church unity despite the DRC’s missionaries’ objection to communal eating. After the merger of the synods of Blantyre, Nkhoma and Livingstonia into the unified CCAP, distinct regional differences remained, long after the colonial missionaries departed. In terms of its theological predisposition, especially on the hierarchy of social relations, the Nkhoma synod remains much more conservative than both of its neighboring synods in the CCAP to the south and north. Race is no longer a matter of division. More recently, it has been gender, and especially the issue of women’s ordination to ministry, which has been affirmed by both Blantyre and Livingstonia, but resisted by the Nkhoma synod. Back in South Africa, these events similarly had an impact on church history and theological debate, but in a completely different direction. As the theology of Afrikaner Christian nationalism and eventually apartheid came into positions of power in the 1940s, the DRC’s Nkhoma mission in Malawi found itself in a position of vulnerability and suspicion. The very fact of its participation in an ecumenical project involving ‘liberal’ Scots in the formation of an indigenous black church was an intolerable digression from the normative separatism that was the hallmark of the DRC under apartheid. Hence, this article focuses on the variegated entanglements of Reformed Church history, mission history, theology and politics in two different 20th-century African contexts, Malawi and South Africa.
4
Bakari, M. "Between Social Skills and Marketable Skills: The Politics of Islamic Education in 20th Century Zanzibar * By ROMAN LOIMEIER." Journal of Islamic Studies 22, no. 3 (June 25, 2011): 452–56. http://dx.doi.org/10.1093/jis/etr032.
Full text
5
Yolaçan, Serkan. "Azeri networks through thick and thin: West Asian politics from a diasporic eye." Journal of Eurasian Studies 10, no. 1 (January 2019): 36–47. http://dx.doi.org/10.1177/1879366518814936.
Full textAbstract:
This article makes a case for the geographical concept of West Asia and develops a specific proposal for its usage: an intervention to open up the closed box of the Middle East to post-Soviet Eurasia in the north and to the rest of Asia in the east. It advances this transregional perspective from the viewpoint of an old imperial frontier, Transcaucasia, and its erstwhile Azeri diaspora. By drawing on archival material, oral histories, contemporaneous print media, and secondary literature, this article traces the movement of Azeris from the Transcaucasian frontier into the political domains of Iranians, Russians/Soviets, and Turks/Ottomans, and show how their movements became avenues for political subversion, territorial expansion, and informal diplomacy over the course of the 20th century and until today.
6
Goldsby, Jacqueline. "“Something is Said in the Silences”: Gwendolyn Brooks’s Years at Harper’s." American Literary History 33, no. 2 (May 1, 2021): 244–70. http://dx.doi.org/10.1093/alh/ajab007.
Full textAbstract:
Abstract This essay draws upon Gwendolyn Brooks’ 49-year correspondence (1944–93) with her editor Elizabeth Lawrence to trace the “publishing knowledges” that Brooks gleaned during her mid-20th-century career with the US firm Harpers & Brothers. First and foremost, their correspondence richly details Brooks’s growth as an experimental poet with a mainstream commercial firm. The aesthetic sociality of their editorial debates fostered also allowed them to explore personal and political intimacies; in this dimension, their correspondence (both the letters’ contents and epistolary form) sheds light on how Brooks and Lawrence navigated the shoals of race, gender, and liberalism in the notoriously patriarchal corporate culture of mid-20th-century US publishing. Finally, the arc of Brooks’s relationship with Lawrence at Harper’s charts is how US publishing transformed from its corporate to conglomerated forms. Taken together, these epistolary threads not only weave African American poetry into the literary history of an era-defining institutional realignment but also they demonstrate how Brooks’ and Lawrence’s cross-racial solidarity and commitment to an anti-corporate poetics comprise a continuum between Brooks’s career in mainstream US publishing and her later years in the Black independent press in the late 1960s. [P]ublishing at Harper’s was a shrewd, tactical choice [that] . . serve[d] Brooks’s evolving ideologies about art and politics.
7
Selim, Samah. "Literature and Revolution." International Journal of Middle East Studies 43, no. 3 (July 26, 2011): 385–86. http://dx.doi.org/10.1017/s0020743811000456.
Full textAbstract:
The three-week uprising in Egypt that ended with the removal of Husni Mubarak on February 11 happened to coincide with the section of my spring course syllabus on the Egyptian novel from Najib Mahfuz to Ahmed Alaidy. As was the case for many of my colleagues and their students, the rapid and awe-inspiring events unfolding daily before us pushed purely academic concerns to the margins of class discussion. This tidal wave of revolutionary politics erupting into the classroom forced me to the realization that my larger syllabus was not simply some neutral or systematic survey of half a century's worth of Arabic literature. I began to think about the largely invisible dystopic intellectual and historical paradigms through which modern Arabic literature is often framed, at least in the United States. The nahḍa/naksa narrative, which compelled many of us to read Arab cultural history of the 20th century as a story of brief “awakening” followed by irredeemable decline and corruption, is clearly no longer tenable in the wake of February 11. This same narrative underpinned the highly self-conscious postmodernism that began to emerge in Egypt in the 1990s and that reached its apogee a couple of decades later at the end of the 2000s, a postmodernism that was celebrated (though by no means universally) as the true beginning of literary modernity and the emancipation of the subject from the dead weight of a past ideological age.
8
Nguyen, Kelly. "Phạm Duy Khiêm, classical reception, and colonial subversion in early 20th century Vietnam and France." Classical Receptions Journal 12, no. 3 (May 14, 2020): 340–56. http://dx.doi.org/10.1093/crj/claa003.
Full textAbstract:
Abstract The tradition of the Vietnamese reception of classical literature has not yet been examined, and this article is the first to venture into this intersection between Classics and Vietnamese studies. In this article, I focus on Phạm Duy Khiêm (1908–74) and his use of Classics to translate and mediate his Vietnamese heritage to his French audience. Phạm lived during a particularly turbulent time in Vietnamese history: he experienced Vietnam as a French protectorate called Annam, he witnessed his compatriots defy French rule and win independence for Vietnam, and he saw the civil war that challenged that new independence. Throughout these changing political contexts, Phạm navigated the politics of polarity that separated the colonizer from the colonized as he struggled to make sense of these supposedly irreconcilable differences between the two, which contested his own intercultural identity. In this article, I argue that Phạm used his classical education and its cultural capital not only to explain Vietnamese culture to his French audience, but also to elevate it as equal, and perhaps even superior, to that of the French and their supposed classical inheritance.
9
Krstic, Zoran. "Peronism as a model of social and political development: The modern Argentinian myth." Medjunarodni problemi 66, no. 1-2 (2014): 137–59. http://dx.doi.org/10.2298/medjp1402137k.
Full textAbstract:
The subject of the analysis in this paper is the study of the emergence and evolution of the phenomenon of Peronism as the most important political movement and ideology in Argentina and perhaps in Latin America throughout the 20th century. The basic aim of this paper is to present Peronism as a political movement and model of development which emerged during the rule of Juan Domingo Peron in the mid-20th century. This movement continued to exist and last after Peron?s demission from the political scene. In recent history Peronism became something more significant than a political movement or a social development model. Because of that, Peronism can be characterized as a myth. Nowadays, Perosnism is one of the crucial factors in the socio-economic and cultural development in Argentina. The focus of research in this paper is on the presentation and explication of the notions/topics concerning Peron, his movement and rule. These ones are populism, presidentialism and personalisation of power. Also, this paper will analyse the conditions, facts and circumstances under which Peronism emerged and survived in spite of many critics and disputes in the scientific literature as well in the Argentinian politics and society.
10
Spolsky, Bernard. "Miriam Isaacs & Lewis Glinert (eds.), Pious voices: Languages among Ultra-Orthodox Jews. (International Journal of the Sociology of Language, 138.) Berlin: Mouton de Gruyter, 1990. Pp. 187. Pb $46.00." Language in Society 30, no. 1 (January 2001): 115–18. http://dx.doi.org/10.1017/s0047404501261053.
Full textAbstract:
Yiddish has attracted more public and scholarly interest than any other Jewish language. There are a number of reasons: its thousand-year history as a Jewish internal vernacular for Ashkenazi Jews; the development during the 19th and 20th centuries of an important literature in the language; the bitterness of the struggle with Hebrew, in the first part of the 20th century, for status as a symbol of Jewish nationalism; the tragedy of the extermination of most of its speakers by the Nazis; and the pain of its suppression under Stalin. It is no doubt a sign that Yiddish is no longer being seen as a threat to Hebrew that the Israeli Knesset established and funded, three years ago, the Natzionale Instantz fur Yiddisher Kultur. The first activities of this Authority (a series of concerts, lectures, and other events) have just been announced, after a long leadership struggle that has reflected the complex politics of the movement.
Dissertations / Theses on the topic "Politics and literature Malawi History 20th century"
1
Johnson, Chalamanda Fiona Michaela. "'Interpretations in transition' : literature and political transition in Malawi and South Africa in the 1990s." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/3427.
Full textAbstract:
In this thesis I explore instances of literary engagement with the major transitions in national political formation in Malawi and South Africa; both countries moved from a totalitarian regime to democratic government, brought in by multi-party elections, in 1994. Most analyses of the wave of democratic transitions in Southern Africa are either historical, political or economic in their approach. The shift of political power from one constituency to another also requires another kind of study, of the impact of the political changes on lived experience through an analysis of people's creative expression. The artistic expressions of the experi nce of change are at times strikingly similar in the two countries, especially how artists imagine newness and simultaneously negotiate a past which was subject to repression. Literature is important in this political process, for it has a licence to reinterpret conventional representations and dominant narratives, often through fictionalising and creating new imaginative possibilities. I consider whether literary production in Malawi and South Africa is comparable in the light of this idea, despite the obvious differences in political configuration, geographic factors and levels of industrialisation and urbanisation, and ask whether political transition is a legitimate point of departure for interpreting literature. In the process I seek to identify similarities, and even overt influences or alliances between the literary practices in Malawi and South Africa during and since the transition. I analyse a wide variety of literary forms, some of which may transgress conventional definitions of 'literature'. Examples include the reader-contributions sent in to a newspaper's literary pages by its readers and the two historical accounts of women's experience. I discuss the porous distinction between fiction and history, realism and magic realism, as well as the subjective distinctions between formal and popular literature. The ambiguity of the title of my thesis therefore conveys the fact that the more established modes of literary interpretation are themselves also currently in transition. My intention here is not to argue what kind of literature is good or bad, valuable or trivial, but to discuss and interpret contextually the kinds of literature which are being produced and published. Chapter 1 of my thesis discussesth e work of JackM apanje and Nadine Gordimer, two 'veterans' of censorship under their respective regimes, suggesting how their writing has changed with freedom of expression. With the transition came experimentation and a wave of writing on fantastical, magical and irrational subjects. The writers discussed in Chapter 2 serve as a contrast to the engaged realism of Gordimer and to some extent, Mapanje. Steve Chimombo, Lesego Rampolokeng, Seitlhamo Motsapi and Zakes Mda convey a burlesque, transgressive style, which I discuss, drawing on Bakhtin, under the eading 'carnivalesque'. Chapter 3's emphasis on newspaper literature from Malawi reflects the importance of the form in contrast to South Africa where popular writing largely finds its main outlet in literary journals and magazines rather than in daily newspapers. Chapters 4 and 5 are related in their considerations of memory and searches for truth. In Chapter 4 Antjie Krog and Emily Mkamanga challenge the distinction between literary and factual chronicle in their woman-centred accounts of the past. The final chapter discusses two texts that are overtly literary, yet function in a mode of mourning and reflection, returning from the bustle of the present moment to a continuing, necessary reflection of the past which defines the new present. I conclude by suggesting that the comparative analysis is viable and enriching and that this study of literature from societies in transition demonstrates how poetry and fiction tell stories of history.
2
Feng, Dongning. "Text, politics and society : literature as political philosophy in post-Mao China." Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/2216.
Full textAbstract:
The purpose of this study is to arrive at a critical overview of politics and literature in the Chinese context. The relationship has increasingly become a "field" of studies and theoretical inquiry that most scholars in either disciplines are wary to tread. This thesis tries to venture into this problematic field by a theoretical examination as well as an empirical critique of Chinese literature and politics, where the relationship seems even more paradoxical, but adds more insight into the argument. The Introduction and Chapter One set up a framework by asking some general but fundamental questions: what literature is, and how it is to be related to politics. Chapter Two examines the historical function of literature and Chinese writers in society to establish the basis of argument in the Chinese context. Chapter Three focuses the discussion on the relationship between politics and literature during the Mao era and after. Chapters Four analyses the literary works published during the post-Mao period to establish the argument that literature, as part of our perception of the world, is most concerned with human society and social amelioration and participates in the socio-political development by contributing to it through a discourse that is otherwise inaccessible. Chapter Five explores the argument further by extending it into the field of cinema, which basically comes from the same narrative tradition of prose literature, but offers a wider and different dimension to the argument pursued. Chapter Six and the Conclusion try to draw together the argument by examining literature as both form and content to argue how and why literature is related to politics and how it has functioned in a political manner in Chinese society. To summarise, Chinese literature in this period will b& shown to be involved In a process of political reform and development by way of bringing the reader to participate in a critical and philosophical dialogue with power, history and future. In the long run, it offers emancipating visions and possibilities revealed to the reader in ways that are historical, developmental, philosophical and comparative. This study focuses on the prose fiction published in this period, for it is the leading force in China's cultural development and constitutes the major trunk of the modern Chinese canon. In addition, the research also extends to drama and films, and the way they, together with prose fiction, make up the most popular perception and intellectual discovery of contemporary Chinese society and politics and best inform the argument of the study of politics and literature.
3
Januzzi, Angela. "Making an "American Classic": Faulkner, Ferber, and the Politics of 20th Century Canon Formation." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/JanuzziA2007.pdf.
Full text
4
Mead, Henry. "T.E. Hulme and the ideological politics of early modernism : some contexts." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669917.
Full text
5
甘李國冰 and Lee Kwok-ping Vivien Kam. "The literary profession and domestic politics in the People's Republicof China, 1950-1980." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31207625.
Full text
6
Mde, Vukani. ""Effulgent in the firmament" the politics of representation and the politics of reception in South Africa's 'poetry of commitment', 1968-1983." Thesis, University of Port Elizabeth, 2002. http://hdl.handle.net/10948/288.
Full textAbstract:
This dissertation re-examines an era in the production and reception of English language poetry in South Africa by black writers. Intellectually the 1970's was the Black Consciousness phase of South African history and very few aspects of life in the country were untouched by the intellectual movement led by Steve Biko and other young black student leaders. The aesthetic and literary output of the time, like all other facets of South African life, exhibited the influence and pressures brought to bear by Black Consciousness. Moreover, the Black Consciousness poets introduced the most vibrant and innovative phase for English language poetry produced in South Africa. It is my contention, however, that such vibrancy and innovation has consistently been compromised by unsympathetic, often hostile, and almost-always ill-informed criticism. The dissertation offers a critique of the academic and journalistic practice of criticism in South Africa. I argue that critical practice in South Africa has been engaged throughout the twentieth century in the discursive enforcement of ‘discipline’. In his Discipline and Punish (1977) the French post-structuralist philosopher Michel Foucault demonstrated how power is wielded against oppressed/suppressed groups through self regulated proscriptions, and argued that power is a discursive rather than a corporeal phenomenon. My dissertation follows Foucault in reading the critical reception of Black Consciousness poetry as the practice of disciplinary power. The dissertation also engages critically with the poetry of Oswald Mtshali, Mongane Serote and Sipho Sepamla, and argues that their work is the inscription of black subjectivity into the literary and cultural mainstream. It situates their work within wider 6 societal debates and definitions of ‘blackness’. In this regard use is made again of Michel Foucault’s insights and methodology of discourse analysis as shown in The Archaeology of Knowledge (1972). I argue that Oswald Mtshali’s work is a failed attempt at a dissection of apartheid and colonialism from a broadly Christian and humanist perspective. In my reading of Mongane Serote I explore the relationship between women’s bodies and the practice of representation. It is my contention that Serote is most concerned with claims of belonging, and this is shown through his extensive use of the trope of ‘Mother’. My discussion of the poetry of Sipho Sepamla focuses on language and (self- )representation, particularly the use of practices of naming in constructing subjectivity. My contention is that Sepamla ultimately abandons attempts at representation in favour of oppositional self-construction in language. In the concluding chapter I defend the thesis that the politics of discipline have prevented the broad critical establishment from gaining access to these discursive constructions of blackness in the committed poetry of South Africa.
7
Wang, Hui, and 王卉. "Reconfigurations of gender: contemporary Chinese drama 1979-1989 : the politics of re-inscribing sexualdifferences." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31242364.
Full text
8
Wilson, Rachelle. "Historical Memory and Ethics in Spanish Narrative." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.
Full textAbstract:
This study traces the current status of Spanish ethics as seen through the optics of historical memory. Starting from the Spanish Civil War in 1936, the thesis relates contemporary themes to their proposed origin throughout three additional distinctive eras of the 20th and 21st century in Spain: 1982-1996 (Socialist Spain), 1997-2010 (Post-modern Spain), and 2011-present (current Spain). Spanish narratives ranging from Los Abel by Matute, La magnitud de la tragedia by Monzó, "Fidelidad" of Ha dejado de llover by Barba and Las fosas de Franco by Silva are contextualized through their ethical architecture, in accordance with their socio-political context, and relationship to past historical traumas. This work proposes that the themes of anticlericalism, the pursuit of social equality, anti bureaucracy, and political distrust are trends culminating from Kohlberg's third level of morality. The thesis aims to be an exposition and legitimization of different ethical schemas that might otherwise be polarized as wrong and inferior by others.
9
Seward, James W. "The German exile journal Das Wort and the Soviet Union." PDXScholar, 1990. https://pdxscholar.library.pdx.edu/open_access_etds/4104.
Full textAbstract:
Das Wort was a literary journal published by German Communist writers and fellow-travelers exiled in Moscow from 1936 to 1939. It was to be a mouthpiece for German literature in exile and to promote the Popular Front policy, which sought to unite disparate elements in non-Fascist Europe in opposition to the Nazis. Das Wort, under the editorship of German Communist writers whose close association with the Soviet Union had been well established in the previous decade, tried to provide a forum for exiled writers of various political persuasions, but was unwavering in its positive portrayal of Stalin's Soviet Union and the policies of that country. As the level of hysteria grew with the successive purges and public show trials in the Soviet Union, the journal adopted an even more eulogistic and militant attitude: any criticism or expression of doubt about Soviet policy was equated with support for Fascism. Thus the ability of the journal to contribute to the formation of a true common front in Europe to oppose Fascism was compromised from the outset by its total support for the Soviet Union. The Popular Front policy foundered on this issue, and that portion of German literature in exile which was to form the first generation of East German literature was inextricably bound to the Soviet Union well before the German Democratic Republic came in to existence.
10
Lutes, Todd Oakley. "Shipwreck and deliverance: Modernity and political culture in Latin American literature." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187249.
Full textAbstract:
This study examines the political theory of modernity as it appears in the work of contemporary Latin American writers and thinkers (pensadores). It is designed to help bridge the gap that separates the North American and European dialogue on modernity from the parallel dialogue on modernity currently flourishing in Latin America. The dialogues are brought together in two ways. First, the theory of modernity, which is still often thought to apply only or primarily to the developed world, is subjected to the challenge of the Latin American political and cultural context. Many features of the theory are found to apply equally well to both cultures, and these features provide the basis for the second "bridging" of the two dialogues, in which some of the most interesting Latin American responses to the problems of modernity are brought to the attention of North American and European political scholars. After reviewing the problem of modernity in some depth, the work of Jose Ortega y Gasset is presented both as a link to German philosophical thought and as a pattern for subsequent discussion of modernity in the Spanish-speaking world. Ortega's uniquely Latin way of understanding modernity is then compared to other philosophical approaches, and placed within the context of political literature in Latin America. Literature is shown to be a uniquely suitable forum for conveying Ortega's approach to modernity because it expresses in itself the central role of arts and culture in his political thought. The balance of the study focuses on the works of three contemporary Latin American authors: Octavio Paz of Mexico, Gabriel Garcia Marquez of Colombia, and Mario Vargas Llosa of Peru. Each author's major works are placed within the context of the model Latin American response to modernity inspired by Ortega and analyzed for significant contributions to the discussion of modernity. Their most important insights center around the need to assimilate the value of tradition in a new approach to modernity by means of some form of democratic dialogue combined with critical appreciation for the cultural uniqueness of nations.
Books on the topic "Politics and literature Malawi History 20th century"
1
Herringshaw, DeAnn. The United States enters the 20th century. Ann Arbor, Mich: Cherry Lake Pub., 2011.
Find full text
2
Herringshaw, DeAnn. The United States enters the 20th century. Ann Arbor, Mich: Cherry Lake Pub., 2011.
Find full text
3
Mitra, Sabaree. Literature and politics in 20th century China: Issues and themes. New Delhi: Book Plus, 2005.
Find full text
4
Praises & dispraises: Poetry and politics, the 20th century. New York, N.Y., U.S.A: Viking, 1988.
Find full text
5
Praises & dispraises: Poetry and politics, the 20th century. New York, N.Y., U.S.A: Penguin Books, 1989.
Find full text
6
The citizen's voice: Twentieth-century politics and literature. Calgary: University of Calgary Press, 2003.
Find full text
7
Pazos, Alonso Cláudia, ed. Antigone's daughters: Gender, genealogy, and the politics of authorship in 20th-century Portuguese women's writing. Lewisburg, Pa: Bucknell University Press, 2011.
Find full text
8
America in the 20th century (1913-1999). Philadelphia: Mason Crest Publishers, 2013.
Find full text
9
Conceived in modernism: The aesthetics and politics of birth control. New York: Bloomsbury Academic, 2015.
Find full text
10
Thiongʼo, Ngũgĩ wa. Decolonising the mind: The politics of language in African literature. London: Currey, 1986.
Find full textBook chapters on the topic "Politics and literature Malawi History 20th century"
1
Neal, Andrew W. "In Defence of Politics against Security?" In Security as Politics, 1–41. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450928.003.0001.
Full textAbstract:
This chapter begins with the history of security as a form of ‘anti-politics’, from Hobbes to 20th century struggles to tame the ‘rogue elephant’ of the US intelligence services. It discusses the growth of security practices since 9/11 and reviews a range of key literature in security studies that perpetuates the ‘anti-politics’ idea. The chapter then explores the key concepts of the book including the meaning of ‘politics’, the stakes involved in defining what is and is not ‘political’, and the normative and analytical significance of the concept of ‘normal politics’ in relation to the ‘exceptional politics’ of security. It also discusses the ‘political game’ and ‘professional politics’ as the empirical focus of the book, framing this through works of Machiavelli, Weber, Foucault, and Bourdieu. The chapter closes by describing the overarching historical narrative and extended UK case study of the book: a four-decade shift from institutionalised forms of ‘exceptional’ security politics in 1980s to the current situation in which security is a ‘whole of government’ project that increasingly occupies the ‘normal’ activities of politics.
2
Kleinhofa, Ingrīda. "Orientalisms and Occidentalisms: Evolution of Concepts and Divergence of Connotations." In Orientālistika. Cilvēkzināšana un Āzijas aktualitātes, 30–45. LU Akadēmiskais apgāds, 2020. http://dx.doi.org/10.22364/luraksti.os.819.02.
Full textAbstract:
During the most part of its long history, the term ‘Orientalism’ has had several interrelated meanings with neutral or positive connotations, some of which are still preserved, for instance, in art, architecture, design, and music, where it refers to Oriental influences and works inspired by Oriental themes and sounds rather attractive and romantic. As an academic term, it was used to denote the European tradition of Asian studies, suggesting a thorough exploration of Eastern cultural heritage, in particular, languages, literature, and artifacts. After the publication of Edward Said’s Orientalism in 1978, the term gained new negative meanings, related to postcolonial theory where it denotes mainly the biased, haughty attitude of the West towards an essentialized East and manifestations of Western colonial discourse in literature, science, and politics, such as the justification of Western imperialism, colonialism, and racial discrimination. The redefinition of the term by postcolonial theorists raised a debate about the about the so-called Western approach to history, sociology, and Asian studies as well as about the permissibility of division of the world into binary opposites, “the Orient” and “the Occident”. By the end of the 20th century, the term ‘Orientalism’ was adapted for the use by anthropologists, and its counterpart, ‘Occidentalism’ emerged, referring to the essentialized, dehumanized image of the West created by non-Western societies. Currently, most of the mentioned meanings have survived, each to some extent, and interfere in various fields of knowledge, creating complex sets of contradictory connotations.