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Books on the topic 'Polka (Dance) – History – Europe'

Author: Grafiati

Published: 10 March 2023

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1

1936-, Keil Angeliki V., ed. Polka happiness. Philadelphia: Temple University Press, 1992.

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2

Jaffé, Nigel Allenby. Folk dance of Europe. Skipton, North Yorkshire, England: Folk Dance Enterprises, 1990.

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3

Polka King: The life and times of polka music's living legend. Dallas, Texas: BenBella Books, 2013.

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4

Corrsin, Stephen D. Sword dancing in Europe: A history. Enfield Lock, Middlesex, UK: Hisarlic Press, 1996.

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5

Matluck, Brooks Lynn, ed. Women's work: Making dance in Europe before 1800. Madison, Wis: University of Wisconsin Press, 2007.

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6

Entre cours et jardins d'illusion: Le ballet en Europe, 1515-1715. Pantin: Centre national de la danse, 2014.

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7

Jennifer, Nevile, ed. Dance, spectacle, and the body politick, 1250-1750. Bloomington: Indiana University Press, 2008.

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8

Jennifer, Nevile, ed. Dance, spectacle, and the body politick, 1250-1750. Bloomington: Indiana University Press, 2008.

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9

Greene, Victor R., and Victor Greene. A passion for polka: Old-time ethnic music in America. Berkeley: University of California Press, 1992.

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10

Bertin, Josseline. Chevaux de souffrance: Les marathons de danse en Europe : 1931-1960. Le Mans: Cénomane, 2014.

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11

Dance or die: The shaping of Estonian Baptist identity under communism. Milton Keynes, U.K: Paternoster, 2008.

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12

Shiva onstage: Uday Shankar's company of Hindu dancers and musicians in Europe and the United States, 1931-38. Zürich: Lit, 2011.

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13

Fabbricatore, Arianna Béatrice. La danse théâtrale en Europe: Identités, altérités, frontières. Paris: Hermann, 2019.

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14

Hitler's dancers: German modern dance and the Third Reich. New York: Berghahn Books, 2003.

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15

Karina, Lilian. Hitler's dancers: German modern dance and the Third Reich. New York, NY: Berghahn Books, 2002.

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16

Wéry, Anne. La danse écartelée de la fin du Moyen Âge à l'âge classique: Mœeurs, esthétiques et croyances en Europe romane. Paris: Champion, 1992.

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17

Wéry, Anne. La danse écartelée de la fin du Moyen Âge à l'âge classique: Mœurs, esthétiques et croyances en Europe romane... Paris: Librairie Honoré Champion, 1992.

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18

Zapiski ofit︠s︡era "SMERSha": V pokhodakh i reĭdakh gvardeĭskogo kavaleriĭskogo polka, 1941-1945. Moskva: T︠S︡entrpoligraf, 2006.

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19

Malcolm, McCormick, ed. No fixed points: Dance in the twentieth century. New Haven: Yale University Press, 2003.

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20

Swans of the Kremlin: Ballet and power in Soviet Russia. Pittsburgh: University of Pittsburgh Press, 2012.

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21

The courtly consort suite in German-speaking Europe, 1650-1706. Burlington, VT: Ashgate, 2008.

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22

Dancing genius: The stardom of Vaslav Nijinsky. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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23

1888-1959, Anderson Maxwell, ed. Maxwell Anderson on the European stage 1929-1992: A production history and annotated bibliography of source materials in foreign translation. Monroe, N.Y: Library Research Associates, 1996.

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24

W, Brandt George, and Hogendoorn Wiebe, eds. German and Dutch theatre, 1600-1848. Cambridge: Cambridge University Press, 1993.

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25

Société internationale pour l'étude du théâtre médiéval. Colloque. Festive drama: Papers from the Sixth Triennial Colloquium of the International Society for the Study of Medieval Theatre, Lancaster, 13-19 July, 1989. Cambridge: D.S. Brewer, 1996.

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26

Kevin, Hawkes, ed. The dragonfly pool. New York: Dutton Children's Books, 2008.

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27

March, Richard. Polka heartland: Why the Midwest loves to polka. 2015.

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28

Sturr, Jimmy. Polka King: The Life and Times of Polka Music's Living Legend. BenBella Books, 2021.

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29

Kunst, Bojana. Dance and Eastern Europe. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.22.

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Abstract:

The chapter focuses on the relation between dance and politics in Eastern European contemporary dance, especially after 1990. Transition, which was the key political and economic term after the fall of the Berlin Wall, also deeply influences the (self-)understanding of Eastern European dance as a delayed practice. The chapter stresses that a decisive difference between these different geopolitical contexts is not an aesthetic one, but is the difference in the ways that performance works are contextualized, institutionalized, and professionalized. Several contemporary dance artists from Eastern Europe have politicized their practices through disclosing the complexity of the position of being in-between. In this sense they do not only critically address the hegemonic aspect of Western contemporary dance (as having a privilege of present), but also critically reaffirm their own history and practice.

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30

Women's Work: Making Dance in Europe before 1800 (Studies in Dance History). University of Wisconsin Press, 2007.

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31

Brooks, Lynn. Women's Work: Making Dance in Europe before 1800 (Studies in Dance History). University of Wisconsin Press, 2007.

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32

Footprints of the Dance : an Early Seventeenth-Century Dance Master's Notebook: An Early Seventeenth-Century Dance Master's Notebook. BRILL, 2018.

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33

Brooks, Lynn. Women's Work: Making Dance in Europe Before 1800. University of Wisconsin Press, 2008.

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34

Kiss, Andrea, and Kathleen Pribyl. Dance of Death in Late Medieval and Renaissance Europe. Taylor & Francis Group, 2021.

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35

Kiss, Andrea, and Kathleen Pribyl. Dance of Death in Late Medieval and Renaissance Europe. Taylor & Francis Group, 2019.

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36

Dance, Spectacle, and the Body Politick, 1250û1750. Indiana University Press, 2008.

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37

Nevile, Jennifer. Dance, Spectacle, and the Body Politick, 1250û1750. Indiana University Press, 2008.

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38

Randall, Ian M., and Toivo Pilli. Dance or Die: The Shaping of Estonian Baptist Identity under Communism. Wipf & Stock Publishers, 2009.

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39

Association, European Festivals, ed. Europe for festivals, festivals for Europe: The guide 2015-2016. 2015.

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40

Through the Bone and Marrow: Re-Examining Theological Encounters with Dance in Medieval Europe. Brepols Publishers, 2021.

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41

Dance Of The Furies Europe And The Outbreak Of World War I. Harvard University Press, 2013.

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42

Ruprecht, Lucia. Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century. Oxford University Press, 2019.

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43

Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century. Oxford University Press, Incorporated, 2019.

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44

European Dance Since 1989: Communitas and the Other. Taylor & Francis Group, 2014.

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45

Szymajda, Joanna. European Dance Since 1989: Communitas and the Other. Taylor & Francis Group, 2014.

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46

Dance Of The Furies Europe And The Outbreak Of World War I. Belknap Press, 2011.

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47

Kiss, Andrea, and Kathleen Pribyl. Dance of Death in Late Medieval and Renaissance Europe: Environmental Stress, Mortality and Social Response. Taylor & Francis Group, 2020.

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48

Kiss, Andrea, and Kathleen Pribyl. Dance of Death in Late Medieval and Renaissance Europe: Environmental Stress, Mortality and Social Response. Taylor & Francis Group, 2020.

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49

Kiss, Andrea, and Kathleen Pribyl. Dance of Death in Late Medieval and Renaissance Europe: Environmental Stress, Mortality and Social Response. Taylor & Francis Group, 2020.

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50

Szymajda, Joanna. European Dance Since 1989: Communitas and the Other. Taylor & Francis Group, 2014.

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