Academic literature on the topic 'Polyphonic chansons – 500-1400'

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Dissertations / Theses on the topic "Polyphonic chansons – 500-1400"

1

Thomson, Matthew Paul. "Interaction between polyphonic motets and monophonic songs in the thirteenth century." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:4230a588-2359-4ac3-bd87-59c0e4ce775a.

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Interactions between polyphonic motets and monophonic trouvère song in the long thirteenth century have been characterised in a number of different ways. Mark Everist and Gaël Saint-Cricq have focused on motets' use of textual and musical forms usually thought of as typical of song. Judith Peraino, on the other hand, has explored the influence of motets on a range of pieces found in manuscripts that mainly contain monophonic songs. This thesis re-examines motet-song interaction from first principles, taking as its basis the 22 cases in which a voice part of a polyphonic motet is also found a
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Books on the topic "Polyphonic chansons – 500-1400"

1

Kemp, Walter H. Burgundian court song in the time of Binchois: The anonymous chansons of El Escorial, MS V.III.24. Clarendon Press, 1990.

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2

Brothers, Thomas David. Chromatic beauty in the late medieval chanson: An interpretation of manuscript accidentals. Cambridge University Press, 1997.

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3

564, Musée Condé Bibliothèque. Codex Chantilly : Bibliothèque Du Château De Chantilly, Ms. 564: Fac-similé. Brepols, 2008.

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Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. F. Steiner, 1992.

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Brothers, Thomas David. Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals. Cambridge University Press, 1997.

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