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1

Trisk, Janet, and Luke Pato. "Theological Education and Anglican Identity in South Africa." Journal of Anglican Studies 6, no. 1 (June 2008): 59–67. http://dx.doi.org/10.1177/1740355308091387.

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ABSTRACTTheological education should take full account of the context in which it operates and authors share a commitment to a broadly defined liberation theology which takes the experience of the poor as its starting point. Focus is on the College of the Transfiguration in Grahamstown, a city with an unemployment rate of over 50 percent. The College supports not only theological education but also integrates ministerial and spiritual formation. The political context of South Africa has influenced the shape of theology even though students come from many other places. The contextualization thrust of the theology is shaped by a commitment to Outcomes Based Education. Anglican studies curriculum is shaped by this method and aims for a capacity to describe such things as Anglican identity, polity and beliefs. This is carried out in the absence of any sustained robust discourse on Anglican identity in the Anglican Communion.
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2

Lewis, C. A., and P. M. Illgner. "FLUVIAL CONDITIONS DURING THE HOLOCENE AS EVIDENCED BY ALLUVIAL SEDIMENTS FROM ABOVE HOWISON'S POORT, NEAR GRAHAMSTOWN, SOUTH AFRICA." Transactions of the Royal Society of South Africa 53, no. 1 (January 1998): 53–67. http://dx.doi.org/10.1080/00359199809520373.

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3

Chamberlain, Lisa, and Thato Masiangoako. "Third time lucky? Provincial intervention in the Makana Local Municipality." South African Law Journal 138, no. 2 (2021): 425–61. http://dx.doi.org/10.47348/salj/v138/i2a7.

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South African local government is plagued by financial mismanagement and poor governance, resulting in widespread failure to realize socio-economic rights. One of the key mechanisms envisaged by the Constitution to address municipalities in crisis is provincial intervention in terms of s 139. However, although this mechanism is frequently used, its results have been underwhelming. This article discusses a recent case in which the Eastern Cape High Court, Grahamstown ordered the dissolution of the Makana Municipal Council as part of a provincial intervention. The article unpacks the law governing s 139 interventions and, drawing on the Makana example, questions the efficacy of provincial interventions. Further, a number of factors are identified which must be taken into consideration in order to maximise the chances that a provincial intervention might succeed. These include whether mandatory or discretionary intervention is appropriate; when the dissolution of a municipal council is an appropriate component of an intervention; the relationship between provincial intervention, stable governance and political influence; and the timing, funding and institutional arrangements of an intervention. The article concludes by highlighting the important role that community activism can play in catalysing intervention, but draws attention to the fact that such action can be dangerous for the activists involved.
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4

O’Halloran, Paddy. "Contested Space and Citizenship in Grahamstown, South Africa." Journal of Asian and African Studies 53, no. 1 (August 30, 2016): 20–33. http://dx.doi.org/10.1177/0021909616664920.

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This paper discusses two distinct political mobilisations of October 2015 in Grahamstown, Eastern Cape Province, South Africa. Student protests against racial, class-based, and gender-based oppression coincided with xenophobic violence in the city. These events demonstrated both challenges to and continuity with the long history of politics in Grahamstown, a history marked by the contestation and control of space, race, and citizenship. The paper argues for the continued relevance of these themes to thinking about contemporary South African politics. By considering together the two events of October 2015, we can interrogate aspects of colonial political continuities in post-1994 South Africa which variously influence mass protest action for democratic opening, anti-democratic violence, and state responses to both.
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5

Poole, L. M. G. "Meteor radiant distributions observed from Grahamstown, South Africa." Earth, Moon, and Planets 68, no. 1-3 (1995): 451–64. http://dx.doi.org/10.1007/bf00671539.

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6

Laws, Page. "South Africa through the Prism: Festival in Grahamstown, 1996." New Theatre Quarterly 12, no. 48 (November 1996): 390–93. http://dx.doi.org/10.1017/s0266464x00010587.

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7

De Klerk, Willem. "Unity in Adversity: Reflections on the Clinical Movement in South Africa." International Journal of Clinical Legal Education 12 (July 18, 2014): 95. http://dx.doi.org/10.19164/ijcle.v12i0.72.

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Not long after I joined the Wits Law Clinic in January of 1997, I was seconded by our Director to attend a workshop hosted by Rhodes University Law Clinic in Grahamstown. The workshop was to be presented by the Association of University Legal Aid Institutions, or AULAI as it is commonly known. As a new recruit to our law clinic I barely knew of the existence of other university law clinics in South Africa, let alone a national association of law clinics. No-one at our clinic bothered to inform me what the workshop was all about, and I, being only concerned really with the adventure of travelling to a beautiful part of the Eastern Cape, never bothered to ask. So, I set off to Grahamstown in blissful ignorance of the events that were to follow, events that, as it turned out, shaped my involvement with law clinics in South Africa.
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8

du Plessis, Rory. "Photographs from the Grahamstown Lunatic Asylum, South Africa, 1890–1907." Social Dynamics 40, no. 1 (January 2, 2014): 12–42. http://dx.doi.org/10.1080/02533952.2014.883784.

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9

Jonker, E., and M. Saayman. "Socio-demographic analysis of Festival Entrepreneurs in South Africa." Southern African Journal of Entrepreneurship and Small Business Management 3, no. 1 (December 31, 2010): 1. http://dx.doi.org/10.4102/sajesbm.v3i1.19.

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<p>The purpose of this article is to examine the socio-demographic differences between entrepreneurs at National Arts festivals in South Africa. Language, and specifically Afrikaans, English and African languages, was used as the dependent variable. The Klein Karoo National Arts Festival (KKNK) in Oudtshoorn and the Grahamstown National Arts Festival (GNAF) are the two largest arts festivals in South Africa. The research was conducted by means of a questionnaire survey (N=500). The data from KKNK and GNAF were combined and factor analyses were applied to determine the role and attributes of entrepreneurs. Cross-tabulation analyses were used to illustrate the comparison of language with socio-demographical variables (marital status, qualification, province, family business, personal attributes, business premises and resourcefulness) and the role and attributes of entrepreneurs. In addition, the association of language with independent variables was examined by means of one-way ANOVA for the three language groups. Findings suggest that there are significant differences in festival entrepreneurs from different cultures (languages), especially in terms of socio-demographic variables such as marital status, education, province, business and personal attributes (resourcefulness).</p><p><strong>Keywords and phrases:</strong> Klein Karoo National Arts Festival, Grahamstown National Arts Festival, festival entrepreneur, factor analysis, cross-tabulation analysis, ANOVA, entrepreneurs, language</p>
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10

McKinnell, Lee-Anne, Ben Opperman, and Pierre J. Cilliers. "GPS TEC and ionosonde TEC over Grahamstown, South Africa: First comparisons." Advances in Space Research 39, no. 5 (2007): 816–20. http://dx.doi.org/10.1016/j.asr.2006.10.018.

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11

SCHMIDT, BRYAN. "Fault Lines, Racial and Aesthetic: The National Arts Festival at Grahamstown." Theatre Research International 43, no. 3 (October 2018): 318–37. http://dx.doi.org/10.1017/s0307883318000561.

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This article asks how theatre shapes civic space by examining the emergence of racial divides in the city of Grahamstown, South Africa, during the annual National Arts Festival (NAF). I track how decision making by festival organizers has relied on economic research and implicit artistic preferences that have resulted in the steady exclusion of artists from local townships. I argue that the presence of the NAF in Grahamstown creates fault lines that are not physical, but aesthetic, in nature, creating invisible boundaries that reward stage performances at the expense of street performances. I track a history of street performance at the NAF, with particular attention to its local mime tradition, to demonstrate how this axis of festivity was integral to developing the NAF's cultural cachet, but was systematically managed, policed or appropriated to fit organizers’ image for Grahamstown at festival time. This work troubles aspirational narratives of creative and cultural industries that South Africa and other African countries have come to rely upon as inclusive and sustainable routes of economic development.
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12

Jacobs, Linda, Allon W. V. Poole, and Lee-Anne McKinnell. "An analysis of automatically scaled F1 layer data over Grahamstown, South Africa." Advances in Space Research 34, no. 9 (2004): 1949–52. http://dx.doi.org/10.1016/j.asr.2004.06.009.

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13

Sipungu, Thoko. "Gay Men’s Identity Negotiation Strategies within the Methodist Church of Southern Africa in Grahamstown, South Africa." South African Review of Sociology 50, no. 1 (January 2, 2019): 51–64. http://dx.doi.org/10.1080/21528586.2019.1630297.

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14

Malinga, S. B., L. M. G. Poole, and R. a. Vincent. "Simultaneous observations of atmospheric summer tides at Grahamstown (South Africa) and Adelaide (Australia)." Journal of Atmospheric and Solar-Terrestrial Physics 60, no. 15 (October 1998): 1459–69. http://dx.doi.org/10.1016/s1364-6826(98)00096-0.

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15

PAGET-WILKES, A. H. "XXXVII.-Notes on the Birds of the Grahamstown District, Cape Province, South Africa." Ibis 66, no. 4 (April 3, 2008): 720–71. http://dx.doi.org/10.1111/j.1474-919x.1924.tb05351.x.

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16

Matthews, Sally. "Privilege, solidarity and social justice struggles in South Africa: A view from Grahamstown." Transformation: Critical Perspectives on Southern Africa 88, no. 1 (2015): 1–24. http://dx.doi.org/10.1353/trn.2015.0016.

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17

Perry, Allen. "Severe hailstorm at Grahamstown in relation to convective weather hazards in South Africa." Weather 50, no. 6 (June 1995): 211–14. http://dx.doi.org/10.1002/j.1477-8696.1995.tb06110.x.

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18

Lewis, Megan. "Standard Bank National Arts Festival, Grahamstown, South Africa, 3-13 July 1997 (review)." Theatre Journal 50, no. 1 (1998): 105–7. http://dx.doi.org/10.1353/tj.1998.0018.

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19

DENIS, PHILIPPE. "The Beginnings of Anglican Theological Education in South Africa, 1848–1963." Journal of Ecclesiastical History 63, no. 3 (June 20, 2012): 516–33. http://dx.doi.org/10.1017/s0022046910002988.

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Various attempts at establishing Anglican theological education were made after the arrival in 1848 of Robert Gray, the first bishop of Cape Town, but it was not until 1876 that the first theological school opened in Bloemfontein. As late as 1883 half of the Anglican priests in South Africa had never attended a theological college. The system of theological education which developed afterwards became increasingly segregated. It also became more centralised, in a different manner for each race. A central theological college for white ordinands was established in Grahamstown in 1898 while seven diocesan theological colleges were opened for blacks during the same period. These were reduced to two in the 1930s, St Peter's College in Johannesburg and St Bede's in Umtata. The former became one of the constituent colleges of the Federal Theological Seminary in Alice, Eastern Cape, in 1963.
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20

Wells, Julia C. "In the Shadow of the Butcher." Public Historian 36, no. 2 (May 1, 2014): 51–74. http://dx.doi.org/10.1525/tph.2014.36.2.51.

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The year-long commemoration of the bicentennial of Grahamstown, South Africa, exposed the wide gap between heritage practitioners, broadly defined, and much of the general public in confronting a troubled past. Although experts and a few community members enthusiastically promoted social healing through a variety of creative activities, much of the public retreated from participation. The nature of a full year of commemorative events is significantly different from many other forms of heritage work in South Africa today, because it engages the general public rather than a few select individuals. The Project revealed the still strong racial divide and self-concepts of many South Africans.
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21

De Lacy, P., and C. M. Shackleton. "The comparative growth rates of indigenous street and garden trees in Grahamstown, South Africa." South African Journal of Botany 92 (May 2014): 94–96. http://dx.doi.org/10.1016/j.sajb.2014.02.007.

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22

De Lacy, P., and Charlie M. Shackleton. "Woody plant species richness, composition and structure in urban sacred sites, Grahamstown, South Africa." Urban Ecosystems 20, no. 5 (April 10, 2017): 1169–79. http://dx.doi.org/10.1007/s11252-017-0669-y.

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23

Albini, Paola, Fleur O. Strasser, and Nicolette S. Flint. "Earthquakes from 1820 to 1936 in Grahamstown and surroundings (Eastern Cape Province, South Africa)." Bulletin of Earthquake Engineering 12, no. 1 (February 2014): 45–78. http://dx.doi.org/10.1007/s10518-013-9562-0.

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24

McKinnell, Lee-Anne, Oyapo Chimidza, and Pierre Cilliers. "The variability and predictability of the IRI B0, B1 parameters over Grahamstown, South Africa." Advances in Space Research 44, no. 6 (September 2009): 747–55. http://dx.doi.org/10.1016/j.asr.2009.05.019.

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25

Saayman, M., A. Saayman, and E. Slabbert. "Who spends and who does not: Clustering visitors at a national arts festival." South African Journal of Business Management 42, no. 1 (March 31, 2011): 9–16. http://dx.doi.org/10.4102/sajbm.v42i1.485.

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The Grahamstown National Arts Festival is the oldest National Arts Festival in South Africa and was founded in 1974. This celebration of the arts takes place over a period of eleven days with the main festival running over eight days, which also makes it the longest (in terms of number of days) arts festival in the country. The literature review revealed that high spenders at arts festivals are also the visitors who buy the most show tickets. The success of these events is determined by ticket sales and not necessarily by the number of visitors. Therefore, the purpose of this paper is to determine who the high spenders at the Grahamstown National Arts Festival are. Data obtained during the festival in 2008 by means of a questionnaire survey (N=446) was statistically analysed by means of K-means clustering, Pearson‟s chi-square test and ANOVAs. Results indicated two clusters, namely high and low spenders and can assist festival organisers in developing a more focused marketing strategy and festival programme. This was the first time that K-means clustering was applied to festival data in South Africa.
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26

Bonnevie, Bo T. "Song and breeding observations of suburban Olive Thrushes (Turdus olivaceus olivaceus) in Grahamstown, South Africa." Ostrich 75, no. 3 (September 2004): 110–17. http://dx.doi.org/10.2989/00306520409485422.

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27

Hulley, Patrick E., and Adrian JFK Craig. "The status of the Southern Ground-Hornbill in the Grahamstown region, Eastern Cape, South Africa." Ostrich 78, no. 1 (March 2007): 89–92. http://dx.doi.org/10.2989/ostrich.2007.78.1.13.57.

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28

Mushoriwa, Fadzai, Nick Townsend, and Sunitha Srinivas. "Knowledge, attitudes and perception on dietary salt reduction of two communities in Grahamstown, South Africa." Nutrition and Health 23, no. 1 (January 3, 2017): 33–38. http://dx.doi.org/10.1177/0260106016685725.

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Introduction: Dietary salt reduction has been identified as a cost effective way of addressing the global burden of non-communicable diseases (NCDs), particularly cardiovascular diseases. The World Health Organization has recommended three main strategies for achieving population-wide salt reduction in all member states: food reformulation, policies and consumer awareness campaigns. In 2013, the South African Ministry of Health announced the mandatory salt reduction legislation for the food manufacturing sector. These were set to come into effect on 30 June 2016. This decision was influenced by the need to reduce the incidence of NCDs and the fact that processed food is the source of 54% of the salt consumed in the South African diet. However, with discretionary salt also being a significant contributor, there is need for consumer awareness campaigns. The aim of this study was to assess the knowledge, attitudes and practices of guardians and cooks at two non-governmental organisations based in Grahamstown, South Africa, towards dietary salt reduction. Method: Data was collected through observation and explorative, voice-recorded semi-structured interviews and transcribed data was analysed using NVivo®. Results: At both centres, salt shakers were not placed on the tables during mealtimes. Only 14% the participants perceived their personal salt intake to be a little. No participants were aware of the recommended daily salt intake limit or the relationship between salt and sodium. Only five out of the 19 participants had previously received information on dietary salt reduction from sources such as healthcare professionals and the media. Conclusion: The results from the first phase of this study highlighted gaps in the participants’ knowledge, attitudes and practices towards dietary salt reduction. The aim of the second phase of the research is to design and implement a context specific and culturally appropriate educational intervention on dietary salt reduction.
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Thondhlana, G., and H. W. Kua. "Promoting household energy conservation in low-income households through tailored interventions in Grahamstown, South Africa." Journal of Cleaner Production 131 (September 2016): 327–40. http://dx.doi.org/10.1016/j.jclepro.2016.05.026.

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Nambala, Fred-Joe, Lee-Anne McKinnell, and Elijah Oyeyemi. "Variations in the ionospheric scale height parameter at the F2 peak over Grahamstown, South Africa." Advances in Space Research 42, no. 4 (August 2008): 707–11. http://dx.doi.org/10.1016/j.asr.2007.10.030.

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31

Villet, Martin H., Chrystal Clitheroe, and Kirstin A. Williams. "The temporal occurrence of flesh flies (Diptera, Sarcophagidae) at carrion-baited traps in Grahamstown, South Africa." African Invertebrates 58, no. 1 (January 18, 2017): 1–8. http://dx.doi.org/10.3897/afrinvertebr.58.9537.

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32

Lewis, Megan. "25th Anniversary Standard Bank National Arts Festival, Grahamstown, South Africa, 29 June-11 July 1999 (review)." Theatre Journal 52, no. 2 (2000): 280–83. http://dx.doi.org/10.1353/tj.2000.0050.

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33

Malinga, S. B., L. M. G. Poole, and R. A. Vincent. "Long term variations in the mesospheric mean flow observed at Grahamstown (South Africa) and Adelaide (Australia)." Journal of Atmospheric and Solar-Terrestrial Physics 66, no. 18 (December 2004): 1745–54. http://dx.doi.org/10.1016/j.jastp.2004.07.038.

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34

Abdool Karim, Safura, and Catherine Kruyer. "Rhodes University v Student Representative Council of Rhodes University: The constitutionality of interdicting non-violent disruptive protest." South African Crime Quarterly, no. 62 (December 13, 2017): 93–102. http://dx.doi.org/10.17159/2413-3108/2017/v0n62a3020.

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Section 17 of the Constitution of the Republic of South Africa, 1996 enshrines the right to assemble, peacefully and unarmed, and the Regulation of Gatherings Act 205 of 1993 enables the exercise of this right peacefully and with due regard to the rights of others. The recent student protests across South Africa have occasioned litigation seeking to interdict protest action, which the universities claim is unlawful. Overly broad interdicts, which interdict lawful protest action, violate the constitutional right to assembly and have a chilling effect on protests. In a decision of the High Court of South Africa, Eastern Cape Division, Grahamstown, a final interdict was granted interdicting two individuals from, among other things, disrupting lectures and tutorials at Rhodes University and from inciting such disruption. In this note, the constitutionality of interdicting non-violent disruptive protest is discussed and analysed, using Rhodes University v Student Representative Council of Rhodes University and Others (1937/2016) [2016] ZAECGHC 141.
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35

Basarir, H. "Poor, Multidimensionally Speaking: Evidence from South Africa." Journal of African Economies 20, no. 3 (March 11, 2011): 463–504. http://dx.doi.org/10.1093/jae/ejr001.

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36

Baiyegunhi, Christopher, and Kuiwu Liu. "Sedimentary facies, stratigraphy, and depositional environments of the Ecca Group, Karoo Supergroup in the Eastern Cape Province of South Africa." Open Geosciences 13, no. 1 (January 1, 2021): 748–81. http://dx.doi.org/10.1515/geo-2020-0256.

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Abstract The stratigraphy of the Ecca Group has been subdivided into the Prince Albert, Whitehill, Collingham, Ripon, and Fort Brown Formations in the Eastern Cape Province, South Africa. In this article, we present detailed stratigraphic and facies analyses of borehole data and road-cut exposures of the Ecca Group along regional roads R67 (Ecca Pass), R344 (Grahamstown-Adelaide), R350 (Kirkwood-Somerset East), and national roads N2 (Grahamstown-Peddie) and N10 (Paterson-Cookhouse). Facies analysis of the Ecca Group in the study area was performed to deduce their depositional environments. Based on the lithological and facies characteristics, the stratigraphy of the Prince Albert, Whitehill, Collingham, and Fort Brown Formations is now subdivided into two informal members each, while the Ripon Formation is subdivided into three members. A total of twelve lithofacies were identified in the Ecca Group and were further grouped into seven distinct facies associations (FAs), namely: Laminated to thin-bedded black-greyish shale and mudstones (FA 1); Laminated black-greyish shale and interbedded chert (FA 2); Mudstone rhythmite and thin beds of tuff alternation (FA 3); Thin to thick-bedded sandstone and mudstone intercalation (FA 4); Medium to thick-bedded dark-grey shale (FA 5); Alternated thin to medium-bedded sandstone and mudstone (FA 6); and Varved mudstone rhythmite and sandstone intercalation (FA 7). The FAs revealed gradually change of sea-level from deep marine (FA 1, FA 2, FA 3 and FA 4, FA 5, and FA 6) to prodelta environment (FA 7). This implies that the main Karoo Basin was gradually filling up with Ecca sediments, resulting in the gradual shallowing up of the water depth of the depositional basin.
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COHEN, ALAN. "Mary Elizabeth Barber: South Africa's first lady natural historian." Archives of Natural History 27, no. 2 (June 2000): 187–208. http://dx.doi.org/10.3366/anh.2000.27.2.187.

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An account of the life of a nineteenth century South African frontiers-woman who, without any formal education, made a name for herself as a plant collector and natural historian. Born in England, she emigrated as a child of 2 years of age with her family as one of the British settlers to the Grahamstown area in 1820. From the age of 20 she corresponded with several eminent English biologists, and had scientific papers on botany and entomology published in a number of journals. She was later involved in the early discoveries of diamonds and gold in South Africa. One of her sons was amongst the first to see and paint the Victoria Falls after their discovery by Livingstone. With her younger brother James Henry Bowker she collected and sent back a large number of plants, many of them previously unknown, to the herbarium of Trinity College, Dublin, and the Royal Botanic Gardens, Kew. She collaborated with her older brother Thomas Holden Bowker in building up one of the earliest collections of stone-age implements in South Africa, some of which are now in the British Museum.
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Bremner, G. Alex. "Out of Africa: G. F. Bodley, William White, and the Anglican Mission Church of St Philip, Grahamstown, 1857–67." Architectural History 51 (2008): 185–210. http://dx.doi.org/10.1017/s0066622x00003075.

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The Anglican mission church of St Philip, Grahamstown, is to this day a relatively little-known building (Fig. i). Erected at the height of Anglican missionary fervour in the 1860s, it is at first sight a small, nondescript structure the likes of which could be found throughout South Africa — indeed, the entire British empire — during the nineteenth century. On closer inspection, however, St Philip’s reveals itself to be anything but ordinary. It is one of very few buildings of its type remaining in South Africa that is entirely original in its design and almost completely unaltered in its condition. Although a number of noteworthy Anglican churches in the region survive from this period (especially those by Sophia Gray), many have been restored and/or extended. St Philip’s, however, remains today virtually the same as it was when consecrated over 140 years ago.
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39

DAVIS, GEOFFREY V. "“Days of Miracle and Wonder”: Standard Bank National Arts Festival Grahamstown, South Africa. July 3–13, 1997." Matatu 20, no. 1 (April 26, 1998): 287–92. http://dx.doi.org/10.1163/18757421-90000295.

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40

Becker, Charles M. "Economic Sanctions against South Africa." World Politics 39, no. 2 (January 1987): 147–73. http://dx.doi.org/10.2307/2010438.

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In this paper, I shall dispute the widely held belief that all effective sanctions would greatly hurt poor South African blacks. Rather, it is likely that bans on exports of high technology to South Africa and imports of South African gold and diamonds would cause labor-intensive sectors to expand, thereby limiting the impact of a general recession on unskilled nonwhites. Still, several types of sanctions, such as those on oil, would have a severe impact on poor nonwhites. In addition, forced divestment would result in windfall capital gains for white South Africans; such gains would not be realized, however, if the ban were on new investments only. Finally, I shall discuss the need for infrastructural aid to help South Africa's neighbors weather the storm. Judicious aid to these countries is also important in inducing both Western and South Africanowned investments away from South Africa.
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41

Cima, Gibson Alessandro. "RESURRECTING SIZWE BANZI IS DEAD (1972–2008): JOHN KANI, WINSTON NTSHONA, ATHOL FUGARD, AND POSTAPARTHEID SOUTH AFRICA." Theatre Survey 50, no. 1 (April 22, 2009): 91–118. http://dx.doi.org/10.1017/s0040557409000088.

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On 30 June 2006 at the annual National Arts Festival in Grahamstown, South Africa, two giants of South African protest theatre, John Kani and Winston Ntshona, performed as the original cast of the landmark struggle drama Sizwe Banzi Is Dead (1972). The revival marked the first production of the play in over twenty-five years. After its brief stint at the National Arts Festival (30 June–5 July 2006), the play transferred to the Baxter Theatre in Cape Town (11 July–5 August) and then entertained a monthlong run at the State Theatre in Pretoria (17 August–17 September). After its turn at the State, the production stopped shortly at the Hilton College Theatre in KwaZulu Natal (19–23 September) before settling into an extended engagement at Johannesburg's Market Theatre (28 September to 22 October). In March 2007, the original cast revival of Sizwe traveled to the British National Theatre before finally ending its tour at the Brooklyn Academy of Music in April 2008.
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42

Karodia, Anis, and Dhiru Soni. "The Politics of Poor Health in South Africa." British Journal of Education, Society & Behavioural Science 6, no. 2 (January 10, 2015): 122–33. http://dx.doi.org/10.9734/bjesbs/2015/13516.

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43

Nolan, Albert. "The option for the poor in South Africa." New Blackfriars 67, no. 787 (January 1986): 5–15. http://dx.doi.org/10.1111/j.1741-2005.1986.tb06510.x.

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44

Foligno, Silvia. "Publishing in South Africa." LOGOS 26, no. 3 (November 14, 2015): 31–39. http://dx.doi.org/10.1163/1878-4712-11112081.

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South Africa is an emerging market for publishing; it has a number of small and medium-sized local publishers but is dominated by publishing groups and multinationals that import international trends. Along with textbooks, imported trade books are the heart of South African publishing. The major obstacles the industry faces are linked to the poor distribution network as well as the lack of access to financial resources for local publishers, and a readership characterized by the plurality of official languages and an educational gap left over from the social inequalities of the apartheid era. Digital publishing, although not yet thriving, appears to be a promising opportunity to deal with both production costs and distribution and may provide a pathway towards the democratization of reading. A number of commercial platforms and non-profit initiatives are already in place in South Africa to support the development of the publishing market.
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Adewale, A. O., E. O. Oyeyemi, and U. D. Ofuase. "Comparison between observed ionospheric foF2 and IRI-2001 predictions over periods of severe geomagnetic activities at Grahamstown, South Africa." Advances in Space Research 45, no. 3 (February 2010): 368–73. http://dx.doi.org/10.1016/j.asr.2009.09.026.

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Gillwald, Alison. "Good intentions, poor outcomes: Telecommunications reform in South Africa." Telecommunications Policy 29, no. 7 (August 2005): 469–91. http://dx.doi.org/10.1016/j.telpol.2005.05.005.

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Gay Seidman. "Brazil's 'pro-poor' strategies: what South Africa could learn." Transformation: Critical Perspectives on Southern Africa 72, no. 1 (2010): 86–103. http://dx.doi.org/10.1353/trn.0.0059.

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van Horen, Clive, and Anton Eberhard. "Energy, environment and the rural poor in South Africa." Development Southern Africa 12, no. 2 (April 1995): 197–211. http://dx.doi.org/10.1080/03768359508439805.

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Maxted, Julia. "Environmental Entitlements and the Rural Poor in South Africa." Journal of Asian and African Studies 37, no. 3-5 (October 2002): 353–75. http://dx.doi.org/10.1177/002190960203700306.

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Dewar, D. "Political changes and the urban poor in South Africa." Urban Forum 2, no. 1 (March 1991): 93–98. http://dx.doi.org/10.1007/bf03036671.

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