Relevant bibliographies by topics / Pop Arts / Pop Culture

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  1. Journal articles

Academic literature on the topic 'Pop Arts / Pop Culture'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Pop Arts / Pop Culture"

1

Dye, Wanda. "Pop Regionalism." Architectural Research Quarterly 13, no. 2 (2009): 112–26. http://dx.doi.org/10.1017/s1359135509990200.

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‘As it stands, the concept of popular culture is virtually useless, a melting pot of confused and contradictory meanings capable of misdirecting inquiry up any number of theoretical blind alleys’ […] popular culture is in effect an empty conceptual category, one which can be filled in a wide variety of often conflicting ways, depending on the context of use.Tony Bennett [quoted] and John Storey in Cultural Theory and Popular Culture
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2

Whitney, Elizabeth, and With poetry by Jamie Sorenson. "Pop Culture Princess." Text and Performance Quarterly 26, no. 2 (2006): 199–207. http://dx.doi.org/10.1080/10462930500517873.

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Markowitz, Sally, and Cecile Whiting. "A Taste for Pop: Pop Art, Gender, and Consumer Culture." Journal of Aesthetics and Art Criticism 57, no. 1 (1999): 73. http://dx.doi.org/10.2307/432066.

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DEMIDOVA, OLGA, and VLADISLAV REZEN’KOV. "CONTEMPORARY POP CULTURE: PHENOMENOLOGY, AXIOLOGY, AESTHETICS." Studia Humanitatis 12, no. 1 (2019): 24–29. http://dx.doi.org/10.15393/j12.art.2019.3363.

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The article discusses pop culture as a modern phenomenon, the authors analyz-ing the notion of pop culture, its connection with «the mass», the axiological sys-tem of the young technological age generation as well as with the technical pro-gress as the basis of the epoch under discussion. Besides, comparing mass culture works (artefacts) with and juxtaposing them to those of classical culture, the au-thors explore pop culture structure and its connection with mass production conditioning the consumer society standards. Among of the foci of attention are the role of cinema in the formation, dev
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5

Foray, Caroline Keisha. "Afrofuturisme et féminisme : culture pop, culture de résistance." Revue Possibles 47, no. 2 (2023): 17–24. http://dx.doi.org/10.62212/revuepossibles.v47i2.726.

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Cet article explore la futurité noire à travers l’Afrofuturisme. En contestant le droit futur d’exister et les conditions d’existence pour les communautés noires, l’article propose des réflexions sur le pouvoir de l’imagination et de la résistance par les arts. Ancré dans les théories critiques et féministes noires, l’article aborde la subversion, la réappropriation et la resignification à travers l’œuvre de Janelle Monáe.
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6

Khalaf, Rami. "Pop Culture Arab World!: Media, Arts, and Lifestyle." Journal of Popular Culture 39, no. 2 (2006): 330–31. http://dx.doi.org/10.1111/j.1540-5931.2006.00243.x.

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7

Kurmanbayeva, Zarina, and Zulfiya Kasimova. "FEATURES OF INTERMEDIALITY IN THE PREPARATION OF A POP ARTIST." Central Asian Journal of Art Studies 8, no. 4 (2024): 209–20. http://dx.doi.org/10.47940/cajas.v8i4.757.

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Abstract. The article examines the main functions of intermediality in the preparation of a pop performer in the context of modern trends in the development of popular music in Kazakhstan. The concept of “intermediality” in popular culture, which correlates with the synthesis of arts, is analyzed in terms of its use in Soviet, Russian and Western European science. Through comparative research, the differences in this concept in different national cultures are revealed. The intermedial approach, which is directly related to the issue of improving the process of training pop vocalists in higher
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8

Stoitchkova, Tatiana. "Similar Links Between Advertising, Pop, and the Arts." Postmodernism Problems 10, no. 2 (2020): 165–76. http://dx.doi.org/10.46324/pmp2002165.

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This paper explores the views of different ideas regarding popular culture and uses them as a framework to compare other ideas regarding images, messages, and emotional approaches in advertising. In addition to identifying areas of interactions between popular culture, advertising, and pop arts, the research exposes some observations in advertising professionals' working theories. We also argue that dialogue among different fields and practitioners provides an opportunity to enhance advertising theory and practice in postmodern culture. To analyze the functioning of advertising in today’s post
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9

Attfield, Nicholas. "From punk into pop (via hardcore): Re-reading the Sub Pop manifesto." Punk & Post-Punk 00, no. 00 (2021): 1–17. http://dx.doi.org/10.1386/punk_00086_1.

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Bruce Pavitt’s music fanzine Sub Pop, the first issue of which appeared in 1980, is often presented as a simple case of independent culture versus the reviled mainstream, with little reference to the actual written and graphic content of its pages. This article challenges and complicates that view with an account of Pavitt’s usage of language and specific genre terms – in particular, his tendency to rebrand punk as (indie) ‘pop’. This he reinforces with all manner of written and visual references to 1950s pre-corporate means of production and consumption. In so doing, I argue, he projects what
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10

Nandakumar, Aparna. "K-pop fandom as ‘sub-visible culture’: Digital work and enjoyment in the precarious present." Studies in South Asian Film & Media 15, no. 1 (2023): 27–42. http://dx.doi.org/10.1386/safm_00068_1.

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In this article, I attempt to understand the global K-pop fandom among young women, from the perspective of non-metropolitan locations like the state of Kerala in southern India. I examine the ‘sub-visible’ nature of K-pop fandom and situate it in relation to existing discourses surrounding visibility in youth subcultures and fan cultures, both in India and the West. I argue that the key to understanding this fandom is in the cultural process of feminization that it produces – a feminization of male K-pop idols through the ‘free labour’ (to use a concept by Tiziana Terranova) that K-pop fans e
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