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Books on the topic 'Pop music'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 May 2025

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1

Harding, Phil. Pop Music Production. Edited by Mike Collins. New York, NY : Routledge, 2019. | Series: Perspectives on music production: Routledge, 2019. http://dx.doi.org/10.4324/9781351189798.

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2

Caiani, Manuela, and Enrico Padoan. Populism and (Pop) Music. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-18579-3.

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3

Tim, B̊yrne, ed. The pop music business. New York: M. Cavendish, 1989.

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4

Brasch, Nicolas. Pop and rock music. North Mankato, Minn: Smart Apple Media, 2004.

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5

Krulik, Nancy E. Pop quiz: Country music. New York: Pocket Books, 1999.

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6

Heinz, Geuen, and Rappe Michael 1964-, eds. Pop & Mythos: Pop-Kultur, Pop-Ästhetik, Pop-Musik. Schliengen: Edition Argus, 2001.

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7

Carr, Aaron. Pop. New York: AV2 by Weigl, 2015.

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8

Butterfield, Moira. Pop diva. London: Chrysalis Children's, 2003.

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9

group), Black Grape (Musical. Pop voodoo. Baarn, Netherlands: UMC, 2017.

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10

Brunning, Bob. 1970s pop. New York: Peter Bedrick Books, 1999.

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11

Brunning, Bob. 1960s pop. New York: P. Bedrick Books, 1999.

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12

Martin, Cloonan, and Garofalo Reebee, eds. Policing pop. Philadelphia: Temple University Press, 2003.

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13

Heleen, Schneiders, ed. Pop Babylon. Utrecht: Bruna, 2009.

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14

Cohn, Rachel. Pop Princess. New York: Simon & Schuster Books for Young Readers, 2004.

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15

Pop music, pop culture. Cambridge, U.K: Polity Press, 2011.

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16

Pop Music. Hern Books, Limited, Nick, 2018.

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17

Rains, Dalton. Pop Music. North Star Editions, 2024.

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18

Pop Music. World Book, Incorporated, 2020.

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19

Kenneth and Valerie McLeish (Editor), ed. Pop Music. Oxford University Press, USA, 1985.

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20

Nice, Phil. Pop Music. Silver Burdett Pr, 1988.

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21

Rains, Dalton. Pop Music. North Star Editions, 2024.

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22

Rains, Dalton. Pop Music. North Star Editions, 2024.

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23

Jordan, Anna. Pop Music. A Nick Hern Book, 2018. https://doi.org/10.5040/9781784605148.

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24

Tieck, Sarah. Pink : Pop Music Superstar: Pop Music Superstar. ABDO Publishing Company, 2014.

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25

Tieck, Sarah. Justin Bieber : Pop Music Superstar: Pop Music Superstar. ABDO Publishing Company, 2012.

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26

Schultz, Robert. Pop Music Collection. Alfred Pub Co, 1996.

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27

Schütte, Uwe, ed. German Pop Music. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110425727.

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28

Johnson, Michael. Pop Music Theory. MonoMyth Music, 2009.

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29

Pop Music Production. Taylor & Francis Group, 2019.

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30

Korean Pop Music. 2006.

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31

Pop Music History. ABDO Publishing Company, 2019.

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32

Carmichael, Nicole. Pop Music (Super.Activ). Hodder Children's Books, 2000.

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33

Collins, Mike, and Phil Harding. Pop Music Production. Taylor & Francis Group, 2019.

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34

Abdo, Kenny. Pop Music History. ABDO Publishing Company, 2019.

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35

Aloisio, Gerard, and Simon Anderson. Pop Music U.S.A. Primedia eLaunch LLC, 2020.

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36

Abdo, Kenny. Pop Music History. ABDO Publishing Company, 2019.

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37

Pop music USA. Needham Heights, MA: Simon & Schuster Custom Pub., 1997.

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38

Cherry, T. S. Pop Academy of Music: Alley Pop Girls. Tiil books, 2017.

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39

Staff, Hal Leonard Corp. Pop/Rock. Leonard Corporation, Hal, 2015.

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40

group), Pop Evil (Musical. Pop Evil. 2018.

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41

Butterfield, Moira. Pop Diva. Chrysalis Books, 2004.

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42

Krulik, Nancy E. Pop Quiz Country Music. Simon Spotlight Entertainment, 1999.

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43

Wierzbicki, James. The Pop Music Mainstream. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040078.003.0002.

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Abstract:

This chapter examines the two most successful commodities in the field of popular music in 1950: “The Tennessee Waltz” and “Goodnight, Irene”—both of which are composed in 3/4 time. In terms of meter alone, these two extraordinarily successful songs stand as much in contrast to the rock 'n' roll music that captured the attention of American teenagers later in the decade as to the swing music that appealed to Americans of diverse age groups in the years leading up to and including World War II. But meter is not the main thing that distinguishes “The Tennessee Waltz,” and “Goodnight, Irene.” Rather than meter, or tempo, or even rhythm, what most distinguishes these songs from earlier and later efforts is their treatment of rhythm.

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44

Hawkins, Stan. Queerness in Pop Music. Routledge, 2015. http://dx.doi.org/10.4324/9781315743639.

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45

Challis, Helen. Women in Pop Music. Crescent Moon Publishing, 1997.

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46

Hawkins, Stan. Queerness in Pop Music. Taylor & Francis Group, 2020.

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47

Pop Music (I-quiz). Top That Publishing PLC, 2002.

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48

Kim, Joseph Hyosup, Sung-Ho Kwon, and Chung-Sok So. Korea's Pop Music Industry. Taylor & Francis Group, 2021.

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49

Krulik and Nancy E. Krulik. Pop Quiz Country Music. Tandem Library, 1999.

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50

Cuellar, Carol. Encyclopedia of Pop Music. Alfred Publishing Company, 1997.

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