Relevant bibliographies by topics / Pop music / Dissertations / Theses
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Dissertations / Theses on the topic 'Pop music'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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1

Jones, Michael Lewis. "Organising pop : why so few pop acts make pop music." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367134.

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2

Tiggemann, Marcel. "How Different Are Pop & Punk?" Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-103824.

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A look into song identity and the building blocks of music through a process of analysing five different punk songs and then repackaging them into a modern pop production. After completing these new versions, I compared them to their original recordings and discovered that there are more similarities between the two genres than one might initially think, and that each song’s identity was preserved on slightly different levels and in different forms. I discuss my analyses and process in terms of both music theory and non-musical descriptions, leading to generally positive results. Each song was
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3

Engdahl, Anton. "Minimalism och pop : Pop-produktioner inspirerade av Steve Reich." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74324.

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Det här är ett konstnärligt arbete som handlar om att producera popmusik influerad av Steve Reichs minimalistiska verk. Det inleddes med en analys av de musikaliska parametrarna harmonik, rytmik och klangfärg i tre av Reichs verk. Med resultatet från analysen som mall skapades sedan nya produktioner till tre poplåtar. Poplåtarna skrevs av författaren innan starten för detta arbete. Resultaten blev av varierande kvalitet. I vissa fall upplevde författaren att det mest lät som att man lyssnade på två låtar samtidigt. När författaren tog egna initiativ och lät ljudbilderna smält
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4

Ferdfelt, Henrik. "Pop /." Stockholm : School of Business, Stockholm University, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1349.

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5

Szemere, Anna. "Pop culture, politics, and social transition /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820881.

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6

Garwood, Ian. "Pop music and characterisation in narrative film." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4263/.

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This thesis discusses the use of pop songs in narrative films, with particular attention paid to their role in characterisation. My argument concerns the potential for pop to retain its specificity as a certain type of music whilst it carries out functions normally attributed to a composed score. Many commentators have assumed that, because a song may be known before it is used in a film, its narrative meanings are "pre-packaged". I combine an appreciation of pop music's propensity to come to a film already 'known' with an attempt to demonstrate how individual narratives ask songs to perform d
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7

Donnelly, Kevin J. "Pop music in British cinema : a chronicle /." London : Bristish Film Institute, 2001. http://catalogue.bnf.fr/ark:/12148/cb40204857z.

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8

Wong, Chi-chung Elvin. "Making and using pop music in Hong Kong /." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18736439.

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9

Ekberg, Sebastian. "Varför låter det så? : En studie av pianospel inom jazz, pop och soul." Thesis, Örebro universitet, Musikhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-86665.

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10

Wong, Chi-chung Elvin, and 黃志淙. "Making and using pop music in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B29872583.

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11

Han, Ae Jin. "The aesthetics of cuteness in Korean pop music." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61472/.

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The aesthetic of ‘cuteness' in South Korean popular music (known as K-pop) is a pivotal concept in Korean media and culture and is frequently used to describe performances by both male and female K-pop groups. Aegyo is a fundamental part of this aesthetic, also called ‘K-cute', and it refers to the behaviour of ‘acting cute' that denotes a particular coquettish style not only in K-pop but also in South Korean society in a broader sense. This thesis explores K-pop performance from the mid-2000s to the 2010s through an examination of K-pop artists' training process, an analysis of K-pop music vi
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12

Solomon, Mary Joanna. "Multivariate Analysis of Korean Pop Music Audio Features." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617105874719868.

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13

Christakis, Nicolas. "Pop-music : lieu d'identité et moyen d'expression collective." Paris 10, 1986. http://www.theses.fr/1986PA100193.

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La pop-music se présente habituellement comme une expression des préoccupations et des désirs de la jeunesse moderne, expression qui apparait liée à la "prise de conscience" et aux contre cultures naissant au début des années 60. Elle véhiculerait alors des valeurs telles que l'union, l’égalité, le partage, la libération et la révolte. Aujourd’hui nous observons la coexistence de plusieurs styles musicaux au sein de la pop-music (funk, disco, hard, new-wave etc. . . ) la pop s'est diversifiée tant dans sa forme que dans son contenu. L’adhésion à la pop-music, son écoute, implique la préférence
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14

Christakis, Nicolas. "Pop-music lieu d'identité et moyen d'expression collective." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37596730c.

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15

Schiffner, Wolfgang. "Einflüsse der Technik auf die Entwicklung von Rock/Pop-Musik." Hamburg : [Universität Hamburg], 1991. http://books.google.com/books?id=mz1FAAAAMAAJ.

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16

Koss, Michael Paul. "From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/145489.

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The intent of this dissertation is to examine the way Genesis retained progressive rock elements during its 1978-91 pop-rock period. Genesis began composing music in a pop-rock style in 1978, adapting to the changes in rock by incorporating progressive rock elements into a pop-rock style. This study analyzes thirty-four selected songs from six Genesis albums considered in the pop-rock genre, identifying some of the progressive rock elements in these songs. The project begins with a historical survey of Genesis, shedding light on the development of the band`s progressive style, its transitio
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17

Anderson, Tonya. "Still kissing their posters goodnight : lifelong pop music fandom." Thesis, University of Sunderland, 2012. http://sure.sunderland.ac.uk/3325/.

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Narratives about the discovery of one’s favourite artist are popular discussion topics among adult pop music fans, as are narratives of rediscovery later in life, suggesting that memory and nostalgia are powerful forces that can repeatedly draw fans back to that affective moment when they first discovered, and perhaps rediscovered, their idols. The impact of cultural influences like pop music during the formative period of adolescence cannot be underestimated. Such early identifications with pop music icons enable some adolescents to then carry those attachments with them their entire lives, f
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18

Swords, Edward. "Virtual bass synthesis and balancing bass in pop music." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74121.

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A bass enhancement technique using the missing fundamental called VBS is presented. There are Several different approaches for using VBS in different applications. The technique is most useful in speakers that has a poor low frequency capability. It is presented in this report how it can be used for mixing purposes. How can a mix engineer use this technique to get a more balanced mix in laptop speakers without sacrificing the balance in large loudspeakers and headphones? To investigate this question an A/B style listening test is conducted, where the subjects get to answer both quantitative an
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19

Sigurjónsson, Jóhannes. "Reference Music As Guidelines : Using reference music to create better songs." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-73989.

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This essay examines how reference music can be used as a tool to fix weaknesses within my own songwriting and production process. The weaknesses were found by analysing feedback from other students on my own music. Four reference artists were then analysed with the intent of finding solutions to these weaknesses. Four new songs were then written and produced by implementing the solutions from the reference artists into the creative process. The results were mostly positive, as the songs had improved on various issues found in the feedback analysis. However, the method restricted the creative
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20

Shea, Nicholas Jordan. "Ecological Models of Musical Structure in Pop-rock, 1950–2019." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu158755665247824.

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21

Branstetter, Leah Tallen. "Angels and Arctic Monkeys: A Study of Pop-Opera Crossover." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305.

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22

Skretta, James Edward. "Perceiving meter in romantic, post-minimal, and electro-pop repertoires." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/2013.

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23

Cipollone, Elvio. "Les comportements harmoniques caractéristiques de la "pop music" et leur relation avec les principes de la tonalité." Strasbourg, 2009. http://www.theses.fr/2009STRA1041.

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Cette thèse considère la « pop music » du point de vue harmonique, ce qui en fait, en France, un travail de pionnier : au lieu de traiter les enjeux sociologiques liés à la production ou à la réception de ce répertoire, elle se propose, en effet, de l'analyser. La décision de considérer enfin la « pop music » comme un produit artistique, et non seulement commercial, permet de faire surgir les questions musicalement les plus intéressantes : s'agit-il d'une musique modale, tonale, ou « mixte » ? À mon sens, l'histoire séculaire de la tonalité ne peut que conditionner l'écoute contemporaine d’une
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24

Wesley, Chelcie Melissa. "Cowboys, pop stars, pimps and players: themes in music videos." Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/2395.

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Television is something that is a part of the everyday lives of a majority of people in America. The content of what is on television can vary in nature from being positive to being negative. However, what people are exposed to through music videos, in particular, a very popular form of artistic expression, has not been thoroughly investigated. This study uses structural ritualization affect, gender schema theory, media and audience power theories, cultivation theory, agenda setting and framing theories, and (cognitive) social learning theory in order to investigate what people are actually ex
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25

McLaughlin, Noel. "Pop and the periphery : nationality, culture and Irish popular music." Thesis, Ulster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326322.

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This thesis seeks to consider the relationship between 'rock' and 'Irishness' • between transnational pop and the nation-state • challenging the 'orthodox' view that Irish rock embodies uniquely Irish characteristics. It is about Irish popular music and identity and is primarily concerned with the relationship between culture and meaning. It argues that the study of popular music as 'text' is important to the more general study of culture (even though the notion of text in popular music is problematic). The thesis seeks to explore how meaning is made in popular music culture across a shifting
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26

Pringle, Wendy. "Remediating lost pop: the recirculation of North American B-Music." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121540.

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This thesis looks at the role of older North American pop music as cultural waste in new media environments. It builds on existing scholarship examining the political implications of collecting, recirculating and archiving cultural ephemera. I argue that as discredited and obsolete media, the discarded physical remains of failed or forgotten music— such as old vinyl records—provide personal and alternative ethnographies of North American mass culture. Crucial to this research is the concept of remediation, whereby media are made and remade in new conditions. In particular, I examine an assembl
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27

Pires, M. "Popular music reviewing in the French press, 1956-1996." Thesis, Roehampton University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298927.

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28

Rocha, Marcel Eduardo Leal. "A tecnologia como meio expressivo do guitarrista atuante no mercado musical pop." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284480.

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Orientador: José Eduardo Ribeiro de Paiva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T07:57:29Z (GMT). No. of bitstreams: 1 Rocha_MarcelEduardoLeal_D.pdf: 1511252 bytes, checksum: 31cce2dc1a1f22d0663cd62cde894493 (MD5) Previous issue date: 2011<br>Resumo: A guitarra elétrica é um instrumento musical que nasceu das tentativas de se aumentar a projeção sonora de instrumentos como o violão, a guitarra havaiana e a guitarra acústica archtop. As primeiras guitarras elétricas foram guitarras havaianas e archtops às quais for
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29

Körner, Stefan. "Theologie als Beat, Pop und Heavy Metal." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-101963.

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Der erste Eindruck, er täuscht. Viele Besucher, die das „Schallarchiv“ zum ersten Mal betreten, äußern sich verhalten, die leichte Enttäuschung kaum verhehlend: „Das ist es also“. Ja, das ist es, das weltgrößte Archiv für christliche Popmusik. Und in der Tat: 2.500 LPs sind optisch weit weniger eindrücklich als die gleiche Anzahl Bücher. Was sich aber in den Plattenhüllen, in den Rillen des Vinyl verbirgt, das hörbar wird, sobald die Nadel die Vertiefungen nach den darin eingepressten Tönen abtastet, bringt den Hörer unvermittelt ins Staunen. Manch angestaubte Platte lässt vernehmen, wie sehr
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30

Sandén, Johanna. "You know who pop the most shit? : A study of profanity and gender differences in modern pop music." Thesis, Umeå universitet, Institutionen för språkstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-173998.

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Are there any gender differences in how profanity is used in modern pop music in 2019? The purpose of this study was to analyse music lyrics with particular attention paid to frequency and profanity profiles between female and male artists. The corpus used in the investigation contains a total of 34 music lyrics equally divided between the genders and was collected from a Billboard chart called “Hot 100 Songs”. Although this sample was small and may not be representative of all modern pop music lyrics, trends in this data show that the female artists sampled from the Billboard chart actually u
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31

Wong, Chi-chung Elvin. "The working of pop music culture in the age of digital reproduction." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44140101.

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32

Farmer, Ajia. "Pop! Goes the music : a content analysis of popular music in prime-time television commercials." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/812.

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33

Wong, Chi-chung Elvin, and 黃志淙. "The working of pop music culture in the age of digital reproduction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44140101.

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34

Stark, Alicia. "Virtual pop : gender, ethnicity, and identity in virtual bands and vocaloid." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/110112/.

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Virtual bands have been present in popular culture for decades, and they have become the topic of increased scholarly interest over the past few years. Despite this new work, however, there remains a need for more indepth critical studies into gender and ethnicity in virtual phenomena, as this approach promises to open up new areas of enquiry. Focussing on questions of gender and ethnicity, my thesis will investigate the mechanics through which identity is constructed in animated, puppet, and hologram virtual band characters. My thesis will draw on a range of empirical, theoretical, and ethnog
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35

Hovmark, Olle. "Den sjungande låtskrivaren : Att komponera melodier ämnade för min egen röst." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43557.

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Det här arbetet har handlat om att komponera sångmelodier bestående av vers, refräng och eventuellt en brygga med hjälp av sex olika metoder. Jag ville ta reda på vilken metod jag ska använda för att min arbetsprocess ska flyta på så bra som möjligt och samtidigt få resultat som jag är nöjd med. Melodierna var menade att passa inom genren pop och tanken var att de skulle passa min röst, eftersom jag planerar att sjunga dem själv. Jag kom fram till att den metod som fick arbetsprocessen att flyta på bäst för mig var att improvisera fram melodier med rösten till en färdig text, men den metod som
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36

Huang, Chun-Ming. "Mediated music, mediated nations : Taiwanese popular music in China." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/28985.

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Taiwan’s pop music is enormously popular in China. This study aims to probe the reasons for this success as it has taken place against a backdrop of hostile political relations between the Taiwanese and the Chinese. The study explores the ways in which Chinese people and the Chinese media have negotiated and practised the work of ‘imagined communities’ through the consumption of Taiwan’s pop. It focuses on the cultural-political struggles of Taiwan’s pop in China, its mediation, and consumption as a cultural practice. The study suggests that deliberative mediation and a sociable mediation are
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37

Donnelly, K. J. "From specialization to integration : pop music in British cinema, 1960-1990." Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389202.

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38

Strand, Simon. "Att skriva låtar till andra artister : Låtskapande inom den kommersiella popen." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43932.

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I examensarbetet har syftet varit att jag skulle lära mig mer om att skriva låtar till andra artister, och samtidigt undersöka om mitt låtskapande ser annorlunda ut när jag gör det, jämfört med när jag skriver till mig själv som artist. Slutresultatet av den konstnärliga delen blev fyra låtar inom den kommersiella popgenren. När jag skrev musiken valde jag artist till två av låtarna innan jag började skapandet, och till de två andra valdes artist i ett senare skede. Jag diskuterade sedan om och hur valen kan ha påverkat låtarna. I arbetet framkom att musiken förhållandevis lätt blev en kopia a
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39

Wall, Axel. "Att analysera och skriva hitlåtar." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45132.

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40

Nunes, Pedro. "Popular music and the public sphere : the case of Portuguese music journalism." Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/24.

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Music journalism has been acknowledged as an important space of mediation between artists and consumers. Journalists and critics have played an historical role in the creation of discourse on popular music and are acknowledged by the music industry as an important referent in promotion strategies. Research on the subject has been mostly focused either on the relationship between music journalism and the wider music industry in which it operates or on its status as a field of cultural production. Little consideration has been given to the role played by music journalists in articulating popular
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Carter, Paul Scott. "Retrogressive Harmonic Motion as Structural and Stylistic Characteristic of Pop-Rock Music." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116202928.

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Parszyk, Lovisa. "Jazzsax i pop eller popsax i jazz? : En studie om hur mina saxofonsolon skiljer sig beroende av om jag spelar jazzmusik eller populärmusik." Thesis, Örebro universitet, Musikhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-86676.

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Lee, Wonseok. "Diversity of K-Pop: A Focus on Race, Language, and Musical Genre." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1526067307402648.

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Kavka, Daniel Robert. "Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

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45

Oxenham, Michelle L. "Processes of transformation : art into pop and back again." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/78374/1/Michelle_Oxenham_Thesis.pdf.

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This research project was a case study for managing and innovating an interdisciplinary practice: specifically across music, performance and contemporary art. Key works included painting/sound/video installation, experimental performance, electronic pop music, music video and electronic pop music performance. An idiosyncratic and transformative use of colour emerged as an underlying theme and strategy for cohesion. The project offers strategies for the challenges of interdisciplinary practice specifically addressing the limitations related to institutionalised value systems, aesthetic traditio
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Zabrovskaya, Yulia, and Monika Pavilonyte. "Revenue determinants of music festivals : A case of pop/rock, jazz and classical music festivals in Scandinavia." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13771.

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We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden, Denmark and Finland), selected the biggest music events in each of the regions and marked the main factors affecting the revenue of the festival, why some of festivals occurring every year and some just have lack of visitors, as we suppose. Purpose is to define the main factors which influence revenues of festivals of classic, rock/pop and jazz genre. Methodology is to determine these factors. Quantitative analysis was used in order to collect necessary data. Organizers of festivals in Sweden,
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Howard, Dori Elizabeth. "Recollective gender analysis and popular music contexts : a consideration of sunshine pop." Thesis, Liverpool Hope University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722165.

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48

Ho, Wing-see Vincie, and 何詠詩. "A phonological study of the tone-melody correspondence in Cantonese pop music." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B50899752.

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This PhD research aims at revealing the underlying complexity of the grammar of tone-melody mapping in Cantonese pop music. While linguists have shown a growing interest and invested painstaking effort in finding out whether lexical tones and musical melody interact in vocal music, the attention of these scholars mainly focuses on whether a lexical item remains intelligible to speakers of the given language when the tonal integrity is not preserved in the song. Others are interested in quantifying the degree of tone-melody correspondence and in carrying out cross-linguistic comparisons. The m
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49

Johnson, Alfred B. "Fascination machine : a study of pop music, mass mediation, and cultural iconography." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.

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The mediation of popular musicians in the twentieth century results in the construction of cultural formations-mass mediated pop musician icons-that are, to various degrees, weighted down by the ideologies and concerns of those who receive them as mediated texts. In passing judgment on these cultural icons, the public engages in a massive act of reading, and in the process the icons become sites of personal and cultural signification. This study examines the nature of signification in and through mass mediated popular music icons by exploring the processes by which popular music icons are prod
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Menrath, Stefanie Margot. "Anonymity performance as critical practice in electronic pop music : a performance ethnography." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18730/.

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Through practices of anonymity electronic music culture has advanced a critique of the institution of star personality in pop music. This study investigates how academic research can learn from such pop music-related critical practices. As it becomes an object of academic knowledge, the notoriously anti-representational electronic music culture calls for an experimental research methodology. This performance ethnography experiments, in the tradition of activist and performative anthropology, with research practice as performance. Resisting the tendency to objectify culture as a factual researc
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