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Relevant bibliographies by topics / Pop Songs

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Journal articles

Academic literature on the topic 'Pop Songs'

Author: Grafiati

Published: 11 December 2022

Last updated: 26 January 2023

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Journal articles on the topic "Pop Songs"

1

Ntabo, Victor Ondara, Moses Gatambuki Gathigia, and Naom Moraa Nyarigoti. "A Cognitive Approach to EkeGusii Pop Songs." Advances in Language and Literary Studies 9, no. 3 (2018): 166. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.166.

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A review of literature on pop songs reveals that composers use metaphors to communicate their feelings. In particular, the meaning of the metaphors in EkeGusii pop songs needs to be interpreted to reveal the message of the composers. The EkeGusii pop singer Christopher Mosioma’s (Embarambamba) songs have gained fame in Kenya because of their richness in the usage of metaphors. One of Christopher Mosioma’s songs, amasomo (education) which was launched in 2015 has gained acclaim from Kenyans. The song amasomo (education) is basically presented as a piece of advice to students to embrace educatio

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2

Borisai, Thippawan, and Nutprapha K. Dennis. "A STUDY OF USING POP SONGS TO PROMOTE NEW VOCABULARY LEARNING FOR SECONDARY SCHOOL STUDENTS." International Journal of Research -GRANTHAALAYAH 4, no. 1 (2016): 86–92. http://dx.doi.org/10.29121/granthaalayah.v4.i1.2016.2846.

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The purpose of this study aimed to1) promote students’ ability in learning new vocabulary through pop songs and 2) to investigate students’ opinions toward using pop songs in learning new vocabulary of grade 10 students at YangchumnoiPittayakom school, in Yangchumnoi district of Sisaket province. The sample who participated in this study were 40 grade 10 students at YangchumnoiPittayakom school derived by purposive sampling technique. The instruments were pretest and posttest, lesson plans and a questionnaire which was used to find the student’s opinions towards using pop songs method. The dat

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3

Marheni, Komang Sri, A. A. Ngurah Anom Kumbara, Ni Made Wiasti, and Mayske Rinny Liando. "Ideology behind character value discourse in a balinese pop song." International journal of linguistics, literature and culture 6, no. 1 (2020): 42–50. http://dx.doi.org/10.21744/ijllc.v6n1.821.

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The research aims to uncover the ideology behind a discourse of character values in a Balinese pop song on the mass culture industry. The method used is qualitative-interpretative with a critical discourse analysis approach and semi-logical theory. Based on this approach, the study found four dominant ideology behind the discourse of character values in Balinese pop song, religious ideology, ajeg Bali or Bali stability, capitalism, and mass media. These four ideologies are driven by varying powers but are tied into the network of production as the growing industrialization of Balinese pop song

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4

Kushch, Viktoriia. "Pop-song and academic chamber vocal music: points of crossing." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 273–78. http://dx.doi.org/10.32461/2226-3209.2.2021.240083.

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The purpose of the article is to identify the points of crossing of pop songs and academic chamber vocal music in the Ukrainian cultural and artistic space of the second half of the 20th century. The methodology involves the use of analytical, systemic and historical, and cultural methods to identify the relationship between the pop song genre and academic chamber vocal music in the Ukrainian musical culture of the second half of the 20th century. The scientific novelty of the work lies in the characterization of I. Karabits’ pop songs from the point of view of combining the features of pop an

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5

Ni Wayan Sariani and I. Wayan Rasna. "the Balinese Pop Song which was Semiotic Heuristic study." Widya Accarya 11, no. 2 (2020): 120–29. http://dx.doi.org/10.46650/wa.11.2.878.120-129.

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Abstract. This research was about Balinese pop song which was Semiotic Heuristic study. The research underlined was the fact that occurred in the Balinese popular songs as a part of the literary work featured new vocabularies as well as old vocabularies modification and also a combination of vocabularies from other languages such as Indonesian and English, considered as the "Deviate" composition from the rules of standard grammar and literary conventions. The purpose of this research was to describe the phenomenon of linguistic structure in Balinese popular song texts and the philosophic

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6

Mardika, I. Nyoman, and I. Dewa Putu Sumantra. "LAGU POP BALI DALAM PELESTARIAN BUDAYA BALI." KULTURISTIK: Jurnal Bahasa dan Budaya 4, no. 1 (2020): 74. http://dx.doi.org/10.22225/kulturistik.4.1.1595.

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Balinese Pop Songs is an important media to help preserve Balinese culture, especially the Balinese language. In addition to the Balinese language is now increasingly less attractive to the younger generation of the main generation who were eroded by the development of globalization due to the increase in technological development. As a media, Balinese Pop Songs have been developing since the 1970s are now facing challenges in the development of the music world. Because, on the other hand, Balinese pop songs are expected to continue to exist, while on the other side, they are expected to help

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7

Nurhalimah, Lia, Teguh Iman Hermanto, and Ismi Kaniawulan. "Analisis Prediksi Mood Genre Musik Pop Menggunakan Algoritma K-Means dan C4.5." JURIKOM (Jurnal Riset Komputer) 9, no. 4 (2022): 1006. http://dx.doi.org/10.30865/jurikom.v9i4.4597.

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Spotify is a music streaming platform that has a variety of diverse features and is always updated in terms of the latest music. The features in spotify have an interesting thing for users to enjoy music more optimally both in listening to songs based on songs, most popular artists and genres. Research on classifying songs based on mood by using energy and valence in a song is often done, especially in western pop songs. In every thought music has emotional energy that radiates and is strongly related to human psychology. The problem with spotify is that there is no feature to listen to songs

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8

Kaiser, Gerhard, and Kai Sina. "Pop, Songs und Philologie." Zeitschrift für Literaturwissenschaft und Linguistik 46, no. 2 (2016): 179–82. http://dx.doi.org/10.1007/s41244-016-0019-1.

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9

Pramudita, Gita Tiara Putri Quraisyma. "AN INTERPRETING ANALYSIS OF IU’S HIT SONGS THAT ACHIEVE PERFECT ALL-KILL." PROJECT (Professional Journal of English Education) 4, no. 3 (2021): 360. http://dx.doi.org/10.22460/project.v4i3.p360-368.

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Nowadays, all about K-Pop (Korean Pop) widely known in the world, South Korea’s music industry is known to have a music chart system that is very influential on the career and achievement of a singer. The system is to measure the success of a group or solo singer when they release a song. Some of the terms that are known by most K-Pop fans are real-time all-kill (RAK) certificates, certified all-kill (CAK), and perfect all-kill (PAK). Songs that receive RAK, CAK, or PAK certificates, can be interpreted as best-selling songs played on digital music services in Korea. This is an interpreting ana

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10

Saud, Mohan Singh. "Linguistic Hybridity: The Use of Code Mixing in Nepali Folk Pop Songs." Journal of NELTA Gandaki 5, no. 1-2 (2022): 43–54. http://dx.doi.org/10.3126/jong.v5i1-2.49279.

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Code mixing of two or more languages has become a common phenomenon in Nepali folk pop songs. In this context, this study discussed the phenomenon of mixing multilingual terms in Nepali folk pop songs and the reasons for mixing such codes from other languages. This qualitative phenomenological study along with situation analysis used documents and unstructured interviews as the data collection tools. I selected 12 Nepali folk pop songs purposively for analysis. They include Baduliko Khutko (“Sound of a Hiccup”), Champa (“Champa girl”), “Hello Hello”, Meri Chhoretti (“My Girl Friend”), Mudda Ha

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