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Journal articles on the topic 'Pop Songs'

Author: Grafiati
Published: 11 December 2022
Last updated: 26 January 2023

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1

Ntabo, Victor Ondara, Moses Gatambuki Gathigia, and Naom Moraa Nyarigoti. "A Cognitive Approach to EkeGusii Pop Songs." Advances in Language and Literary Studies 9, no. 3 (2018): 166. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.166.

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A review of literature on pop songs reveals that composers use metaphors to communicate their feelings. In particular, the meaning of the metaphors in EkeGusii pop songs needs to be interpreted to reveal the message of the composers. The EkeGusii pop singer Christopher Mosioma’s (Embarambamba) songs have gained fame in Kenya because of their richness in the usage of metaphors. One of Christopher Mosioma’s songs, amasomo (education) which was launched in 2015 has gained acclaim from Kenyans. The song amasomo (education) is basically presented as a piece of advice to students to embrace educatio
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Borisai, Thippawan, and Nutprapha K. Dennis. "A STUDY OF USING POP SONGS TO PROMOTE NEW VOCABULARY LEARNING FOR SECONDARY SCHOOL STUDENTS." International Journal of Research -GRANTHAALAYAH 4, no. 1 (2016): 86–92. http://dx.doi.org/10.29121/granthaalayah.v4.i1.2016.2846.

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The purpose of this study aimed to1) promote students’ ability in learning new vocabulary through pop songs and 2) to investigate students’ opinions toward using pop songs in learning new vocabulary of grade 10 students at YangchumnoiPittayakom school, in Yangchumnoi district of Sisaket province. The sample who participated in this study were 40 grade 10 students at YangchumnoiPittayakom school derived by purposive sampling technique. The instruments were pretest and posttest, lesson plans and a questionnaire which was used to find the student’s opinions towards using pop songs method. The dat
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Marheni, Komang Sri, A. A. Ngurah Anom Kumbara, Ni Made Wiasti, and Mayske Rinny Liando. "Ideology behind character value discourse in a balinese pop song." International journal of linguistics, literature and culture 6, no. 1 (2020): 42–50. http://dx.doi.org/10.21744/ijllc.v6n1.821.

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The research aims to uncover the ideology behind a discourse of character values in a Balinese pop song on the mass culture industry. The method used is qualitative-interpretative with a critical discourse analysis approach and semi-logical theory. Based on this approach, the study found four dominant ideology behind the discourse of character values in Balinese pop song, religious ideology, ajeg Bali or Bali stability, capitalism, and mass media. These four ideologies are driven by varying powers but are tied into the network of production as the growing industrialization of Balinese pop song
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Kushch, Viktoriia. "Pop-song and academic chamber vocal music: points of crossing." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 273–78. http://dx.doi.org/10.32461/2226-3209.2.2021.240083.

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The purpose of the article is to identify the points of crossing of pop songs and academic chamber vocal music in the Ukrainian cultural and artistic space of the second half of the 20th century. The methodology involves the use of analytical, systemic and historical, and cultural methods to identify the relationship between the pop song genre and academic chamber vocal music in the Ukrainian musical culture of the second half of the 20th century. The scientific novelty of the work lies in the characterization of I. Karabits’ pop songs from the point of view of combining the features of pop an
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Ni Wayan Sariani and I. Wayan Rasna. "the Balinese Pop Song which was Semiotic Heuristic study." Widya Accarya 11, no. 2 (2020): 120–29. http://dx.doi.org/10.46650/wa.11.2.878.120-129.

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 This research was about Balinese pop song which was Semiotic Heuristic study. The research underlined was the fact that occurred in the Balinese popular songs as a part of the literary work featured new vocabularies as well as old vocabularies modification and also a combination of vocabularies from other languages such as Indonesian and English, considered as the "Deviate" composition from the rules of standard grammar and literary conventions. The purpose of this research was to describe the phenomenon of linguistic structure in Balinese popular song texts and the philosophic
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Mardika, I. Nyoman, and I. Dewa Putu Sumantra. "LAGU POP BALI DALAM PELESTARIAN BUDAYA BALI." KULTURISTIK: Jurnal Bahasa dan Budaya 4, no. 1 (2020): 74. http://dx.doi.org/10.22225/kulturistik.4.1.1595.

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Balinese Pop Songs is an important media to help preserve Balinese culture, especially the Balinese language. In addition to the Balinese language is now increasingly less attractive to the younger generation of the main generation who were eroded by the development of globalization due to the increase in technological development. As a media, Balinese Pop Songs have been developing since the 1970s are now facing challenges in the development of the music world. Because, on the other hand, Balinese pop songs are expected to continue to exist, while on the other side, they are expected to help
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Nurhalimah, Lia, Teguh Iman Hermanto, and Ismi Kaniawulan. "Analisis Prediksi Mood Genre Musik Pop Menggunakan Algoritma K-Means dan C4.5." JURIKOM (Jurnal Riset Komputer) 9, no. 4 (2022): 1006. http://dx.doi.org/10.30865/jurikom.v9i4.4597.

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Spotify is a music streaming platform that has a variety of diverse features and is always updated in terms of the latest music. The features in spotify have an interesting thing for users to enjoy music more optimally both in listening to songs based on songs, most popular artists and genres. Research on classifying songs based on mood by using energy and valence in a song is often done, especially in western pop songs. In every thought music has emotional energy that radiates and is strongly related to human psychology. The problem with spotify is that there is no feature to listen to songs
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Kaiser, Gerhard, and Kai Sina. "Pop, Songs und Philologie." Zeitschrift für Literaturwissenschaft und Linguistik 46, no. 2 (2016): 179–82. http://dx.doi.org/10.1007/s41244-016-0019-1.

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Pramudita, Gita Tiara Putri Quraisyma. "AN INTERPRETING ANALYSIS OF IU’S HIT SONGS THAT ACHIEVE PERFECT ALL-KILL." PROJECT (Professional Journal of English Education) 4, no. 3 (2021): 360. http://dx.doi.org/10.22460/project.v4i3.p360-368.

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Nowadays, all about K-Pop (Korean Pop) widely known in the world, South Korea’s music industry is known to have a music chart system that is very influential on the career and achievement of a singer. The system is to measure the success of a group or solo singer when they release a song. Some of the terms that are known by most K-Pop fans are real-time all-kill (RAK) certificates, certified all-kill (CAK), and perfect all-kill (PAK). Songs that receive RAK, CAK, or PAK certificates, can be interpreted as best-selling songs played on digital music services in Korea. This is an interpreting ana
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Saud, Mohan Singh. "Linguistic Hybridity: The Use of Code Mixing in Nepali Folk Pop Songs." Journal of NELTA Gandaki 5, no. 1-2 (2022): 43–54. http://dx.doi.org/10.3126/jong.v5i1-2.49279.

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Code mixing of two or more languages has become a common phenomenon in Nepali folk pop songs. In this context, this study discussed the phenomenon of mixing multilingual terms in Nepali folk pop songs and the reasons for mixing such codes from other languages. This qualitative phenomenological study along with situation analysis used documents and unstructured interviews as the data collection tools. I selected 12 Nepali folk pop songs purposively for analysis. They include Baduliko Khutko (“Sound of a Hiccup”), Champa (“Champa girl”), “Hello Hello”, Meri Chhoretti (“My Girl Friend”), Mudda Ha
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Zilmi, Fauziatus, Abdul Rachman, and Moh Muttaqin. "Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang." Jurnal Seni Musik 10, no. 1 (2021): 17–24. http://dx.doi.org/10.15294/jsm.v10i1.46812.

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Keroncong Music is a music that has different character from other musics, including several techniques in vocal performance, such as luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation,
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Kusumah, Cita Mustika. "SEXUAL EUPHEMISM EXPRESSED IN POP AND HIP HOP LYRIC SONGS: A PRAGMATIC STUDY." English Journal Literacy Utama 3, no. 2 (2019): 109–22. http://dx.doi.org/10.33197/ejlutama.vol3.iss2.2019.272.

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This research aims to describe and give an overview of the use of sexual euphemism in pop and hip hop lyric songs to avoid taboo words which are usually unfreely to mention in public. The researcher uses qualitative method and descriptive method to analyze the data. The researcher uses forty songs consist of twenty pop songs and twenty hip hop songs to be analysed. From forty songs, the researcher finds ninety seven data. Researcher believes the data are found to contain sexual euphemism in the utterance that included in pragmatic study.Researcher describes and analyzes every single of data th
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Paryatna, Ida Bagus Made Ludy, and Ida Bagus Putra Manik Aryana. "Basita Paribasa dalam Tembang Pop Bali sebagai Bentuk Pemertahanan Kearifan Lokal Bali." Dharma Sastra: Jurnal Penelitian Bahasa dan Sastra Daerah 2, no. 1 (2022): 64–71. http://dx.doi.org/10.25078/ds.v2i1.943.

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This study aims to determine the basita paribasa in Balinese pop songs. Balinese pop songs are one of the means that are still consistent in the use of basita paribasa so that Balinese pop songs can be said to be a medium for maintaining local wisdom of basita paribasa. In this study, the selection of songs on the Ketut Bimbo album was limited by using a qualitative descriptive method. In the lyrics of Ketut Bimbo's songs on three albums, namely provocateur, playing bliyard, ipah-ipuh, containing paribasa cecangkitan, sesonggan, sesmbing, wewangsalan, sesemon, sesenggakan, sesawangan. Baribasa
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Borčak, Lea Wierød. "The sound of nonsense - on the function of nonsense words in pop songs." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 7, no. 1 (2017): 27–43. http://dx.doi.org/10.7146/se.v7i1.97177.

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Nonsense words in songs challenge the common assumption that song meaning resides in song texts. Songs containing verbal nonsense thus make evident that meaning cannot be deduced from one element (e.g. text), but rather emerges as a constant negotiation between the different medialities involved: music, text, the visual, the aural etc. It has been pointed out by several musicologists that content analysis of texts, despite having had a long historical tradition, is nonetheless insufficient or even downright misleading as a methodological approach to interpreting songs. The extensive use of non
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Sinaga, Yanti Kristina, Herman Herman, and Arwin Tannuary. "Discovering the Pattern of Pop Song Artist’s Word Formation Processes for Slangs." Elsya : Journal of English Language Studies 4, no. 2 (2022): 157–67. http://dx.doi.org/10.31849/elsya.v4i2.6337.

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Songs is one of the most popular creations of human language, but linguistic study of this medium is still limited. One popular trend is to study the slangs in songs, but previous studies often used a single song or albums with little data, thus this study aims to explore the word formation of slangs in a pop album known for its numerous slangs in each song, namely the album Heaven & Hell by Ava Max. This study is descriptive qualitative research. The data is the lyrics of the 15 songs of the album which were analysed with content analysis to identify the slang word formation processes. Of
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Murphey, Tim. "The Discourse of Pop Songs." TESOL Quarterly 26, no. 4 (1992): 770. http://dx.doi.org/10.2307/3586887.

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Blankenship, Courtney, and Stan Renard. "Pop songs on political platforms." Journal of Popular Music Studies 29, no. 3 (2017): e12222. http://dx.doi.org/10.1111/jpms.12222.

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Colwell, B. "Computer lessons from pop songs." Computer 37, no. 2 (2004): 7–9. http://dx.doi.org/10.1109/mc.2004.1266285.

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Indrowaty, Sri Aju, and Sumarlam Sumarlam Sumarlam. "LIRIK LAGU FIRST LOVE DAN PRISONER OF LOVE OLEH UTADA HIKARU DALAM ANALISIS WACANA KRITIS CRITICAL DISCOURSE ANALYSIS OF UTADA HIKARU’S SONG LYRICS: FIRST LOVE AND PRISONER." Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan 8, no. 2 (2019): 121. http://dx.doi.org/10.26594/diglossia.v8i2.848.

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Sri Aju Indrowaty Sumarlam Universitas BrawijayaUniversitas Sebelas Maret ayumirza9220@gmail.comsumarlamwd@gmail.com AbstrakLagu adalah sesuatu yang membuat pendengar menjadi terhibur, apalagi bila lagu itu mempunyai tema yang tak lekang oleh masa yaitu tema Cinta. Pada Japan Pop atau J-Pop nama Utada Hikaru merupakan penyanyi pop dan pencipta lagu yang tidak asing lagi. Disamping itu termasuk bintang besar di Jepang. Sangat menarik apabila teks lagu dari penyanyi ini dianalisis melalui analisis wacana kritis (Anawa). Artikel ini bertujuan untuk memaparkan analisis teks lagu first love dan Pri
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Kreyer, Rolf. "“Funky fresh dressed to impress”." International Journal of Corpus Linguistics 20, no. 2 (2015): 174–204. http://dx.doi.org/10.1075/ijcl.20.2.02kre.

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Since the beginnings of modern popular music, listening to pop songs has been one of the major pastimes in Western countries, raising the question how popular music contributes to the shaping of beliefs and attitudes in general and gender roles and stereotypes in particular. While there is a considerable body of research concerning the depiction of men and women in pop music videos, the lyrics of pop songs, so far, have largely been neglected as a viable source of data. On the basis of two corpora of contemporary pop songs by male and female artists, respectively, the present paper explores di
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Skjerseth, Amy. "Ride-along listening: Inclusive modes of musical analysis in Switched on Pop." Radio Journal: International Studies in Broadcast & Audio Media 20, no. 1 (2022): 33–48. http://dx.doi.org/10.1386/rjao_00054_1.

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Popular music and pop song-dissection podcasts often compete for top 40 listeners’ attention, but podcasts interject hosts’ opinions of songs that listeners may not share. This article introduces a phenomenon I call ‘ride-along listening’, where podcast hosts play isolated musical features to closely examine a song’s production and reception. Hosts’ instantaneous explanations of musical terms have the potential to make pop podcasts more inclusive for non-musically trained listeners. As I show, Switched on Pop’s Episode 80 dissects Janelle Monáe’s ‘Make Me Feel’ by playing the single’s harmonie
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Papineau, Brandon. "“Hooked on Celebri[ɾ]y”". Lifespans and Styles 6, № 2 (2020): 22–31. http://dx.doi.org/10.2218/ls.v6i2.2020.5218.

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T-glottaling in Scotland has been studied as a salient linguistic variable, which has been found to index (in)formality, socio-economic class, and region, among other speaker and situational characteristics. Realisations of /t/ have also been studied in a musical context, where they have been found to be linked to genre and identity. This study examines Scottish singer-songwriter Nina Nesbitt, and her realisations of the intervocalic /t/ variable in both speech and song. She shows high rates of t-glottaling in speech, but within song, her realisations vary; the only significant predictor of /t
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Putra, I. Putu Lukita Wiweka Nugraha. "Kearifan Lokal Musikal dalam Lagu-lagu Album Bali Kumara." Journal of Music Science, Technology, and Industry 1, no. 1 (2018): 99. http://dx.doi.org/10.31091/jomsti.v1i1.506.

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ABSTRAKTopik dari artikel ini adalah kearifan lokal pada lagu-lagu album Bali Kumara I. Tujuan dari penulisan artikel ini adalah untuk mendeskripsikan kearifan lokal pada lagu-lagu album Bali Kumara. Metode yang digunakan dalam studi ini adalah deskriptif kualitatif. I Komang Darmayuda selaku komposer lagu-lagu album Bali Kumara merupakan informan dalam penelitian ini. Data berupa rekaman audio lagu-lagu album Bali Kumara. Kearifan lokal dalam lagu-lagu album Bali Kumara terletak pada penggunaan tangga nada/titi laras pelog dan slendro, serta penggunaan bahasa Bali singgih dan sor. Tangga nada
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Tôyô, Nakamura. "Early pop song writers and their backgrounds." Popular Music 10, no. 3 (1991): 263–82. http://dx.doi.org/10.1017/s0261143000004645.

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What was the first Japanese pop hit? The answer will vary according to definition, but undoubtedly come from one of the following five songs:(1) ‘Kachûsha no Uta’ (Kachusha's Song): first sung on stage by Matsui Sumako in March 1914; words by Shimamura Hôgetsu and Sôma Gyofû, music by Nakayama Shimpei; recorded by Matsui for Orient Records under the title of ‘Fukkatsu Shôka.(2) ‘Sendô Kouta’ (A Boatman's Ditty): released in sheet music form in March 1921; words by Noguchi Ujō, music by Nakayama Shimpei.(3) ‘Habu no Minato’ (The Harbour of Habu): written in 1923; words by Noguchi Ujô, music by
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Lumban Batu, Purnama Nancy, and Katharina Sukamto. "Translanguaging Practices in Indonesian Pop Songs." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 2 (2020): 308–16. http://dx.doi.org/10.34050/els-jish.v3i2.9706.

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This paper focuses on the practice of translanguaging in Indonesian pop songs and highlights the possible reasons behind the practice. In this study, translanguaging is viewed from the context of the Indonesian singers’ linguistic repertoire, which allows varieties in the production (Canagarajah, 2013) of the songs. Three pop songs, composed by the singers themselves, are used for samples. The result indicates that translanguaging, performed using Indonesian and English, is utilized by the artists as a strategy to exercise their agency, either as Indonesian artists or as members of the global
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Kurniawati, Kurniawati, Yona Wahyuningsih, and Uus Uus Kusnadi. "Rancang Cipta Lagu Anak-Anak Berbasis Karakter Nilai Kesantunan." DIDAKTIKA: Jurnal Pendidikan Sekolah Dasar 2, no. 1 (2019): 29–34. http://dx.doi.org/10.21831/didaktika.v2i1.28095.

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The phenomenon of children's song crises, especially those based on the values of politeness, is an important issue that must be addressed wisely. Children's songs are rarely taught at school because children feel bored with the songs that have been delivered when in kindergarten. This causes children to tend to prefer adult songs which, of course, are inadequate for the mental maturity conditions of children. Adult songs, whether they are pop, rock, metal, or dangdut lack the modesty characters needed by children because they are not consumed by children. Charity value characters have not bee
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Napier, Kathleen, and Lior Shamir. "Quantitative Sentiment Analysis of Lyrics in Popular Music." Journal of Popular Music Studies 30, no. 4 (2018): 161–76. http://dx.doi.org/10.1525/jpms.2018.300411.

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Popular music has been changing significantly over the years, revealing clear, audible differences when compared with songs written in other eras. A pop music composition is normally made of two parts—the tune and the lyrics. Here we use a digital humanities and data science approach to examine how lyrics changed between the 1950’s and the more recent years, and apply quantitative analysis to measure these changes. To identify possible differences, we analyzed the sentiments expressed in the songs of the Billboard Hot 100, which reflects the preferences of popular music listeners and fans in e
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Kiio, Emmanuel Mutiso, Mugo Muhia, and Stephen Mutie. "The Commodification of the Female Body in the Akamba Pop Music." East African Journal of Arts and Social Sciences 5, no. 2 (2022): 97–107. http://dx.doi.org/10.37284/eajass.5.2.905.

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This paper interrogates the objectified and commodified images of women constructed in the Akamba pop songs, especially those selected for this study. It analyses how these construed femininities offer a gender imbalance between men and women. From this standpoint, the paper discusses the various representations of gender and the significance attached to the gendered implication. The paper interrogates the images of women and their underlying meanings. The key goal is to examine how pop artists use imagery as a linguistic resource to foreground representations of gender while using the female
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Feld, Steven, Michael Webb, and Don Niles. "Riwain: Papua New Guinea Pop Songs." Ethnomusicology 34, no. 2 (1990): 335. http://dx.doi.org/10.2307/851703.

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Bloomfield, Terry. "Resisting songs: negative dialectics in pop." Popular Music 12, no. 1 (1993): 13–31. http://dx.doi.org/10.1017/s0261143000005328.

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But there isn't Al. If Al were there he would be giving a private performance to Chris Roberts as patron: an odd conception in the present-day world. In fact Al Green sings in a domain that is public although the musical commodity of the disc or tape turns it into a potentially solitary experience. In his comment Roberts has been captured by the Romantic understanding of the song: that its essence is (artistic) interiority made exterior. He is not alone in his fantasy of access to the pop singer. It constitutes the prevailing, if unformulated, view – a considerable irony in the postmodern worl
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Hendrawaty, Nurmala. "The Influence of Listening English Pop Songs to Improve Learners' Vocabulary at LKP Nuansa Jaya." Loquen: English Studies Journal 12, no. 1 (2019): 56. http://dx.doi.org/10.32678/loquen.v12i01.1192.

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Improving English vocabulary through listening can be done by using English songs that are liked by learners. Therefore, the objectives of this research are to know whether there is an influence of listening to English songs on learners’ vocabulary at LKP Nuansa Jaya English Course in Jakarta or not and to identify and classify the word classes of six selected English pop songs. This is a quantitative and qualitative descriptive research employed by 15 young learners. There is an influence of listening English song on learners’ vocabulary at LKP Nuansa Jaya since the average score of listening
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Manggong, Lestari, and Amaliatun Saleha. "Beyond Anpanman the (Super)hero: Investigating Figures of Hero and Idol in BTS’s Songs." Jurnal Lingua Idea 12, no. 1 (2021): 51. http://dx.doi.org/10.20884/1.jli.2021.12.1.3435.

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Released in May 2018, the song “Anpanman” by the world’s most popular K-Pop boy group to date, BTS, shares the idea of being a hero by setting an example from the Japanese superhero Anpanman. Anpanman, whose head is made of red bean paste-filled pastry, is well-known for his superpower ability to share parts of his head to those in need. This humble and self-sacrifice mode of helping others seems to be the basic idea of the song, to represent what BTS is about. This essay aims to further dissect the song lyrics of “Anpanman” to show the ambivalence presented between the concept of hero and sup
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Squires, Lauren. "Genre and linguistic expectation shift: Evidence from pop song lyrics." Language in Society 48, no. 1 (2018): 1–30. http://dx.doi.org/10.1017/s0047404518001112.

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AbstractPopular song lyrics constitute an exception to dominant, standard language ideologies of English: nonstandard grammatical forms are common, relatively unstigmatized, and even enregistered in the genre. This project uses song lyrics to test whether genre cues can shift linguistic expectations, influencing how speakers process morphosyntactic variants. In three self-paced reading experiments, participants read sentences from pop songs. Test sentences contained either ‘standard’ NPSG + doesn't or ‘nonstandard’ NPSG + don't. In Experiment 1, some participants were told that the sentences c
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Amien, Jabarul Akbar Khairul, Nikken Anugerahing Prasetyo, and Rina Husnaini Febriyanti. "Investigating Listening to English Pop Song in Augmenting Vocabulary Mastery: A Case Study of Indonesian Undergraduate Students' Views." JEdu: Journal of English Education 2, no. 3 (2022): 247–54. http://dx.doi.org/10.30998/jedu.v2i3.8099.

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Mastering vocabulary is one of the difficulties for EFL learners in learning English due to various factors such as diverse cultures, language constructions, and learning motivation. Thus, elevating vocabulary needs promising activities such as listening to English pop songs. This study investigates listening to English pop songs to augment vocabulary mastery in Indonesian undergraduate students’ views. This study used a descriptive qualitative study as the research design. The participants of this study were 20 university students from diverse public and private universities with distinct maj
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Fondevilla, Herb L. "Philippine J-Pop Covers." Journal of Popular Music Studies 34, no. 3 (2022): 80–103. http://dx.doi.org/10.1525/jpms.2022.34.3.80.

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From the 1980s to the 2000s, Philippine television and radio were filled with the sounds of J-Pop. The majority of Filipino listeners, however, were not aware of their Japanese origins as they were all performed in the vernacular by local artists. This paper demonstrates how local cultures are produced within the context of hybridization and cultural indigenization through J-Pop cover songs. By comparing and exploring the history of J-Pop, OPM (Original Pilipino Music), P-Pop, and idol groups, this work reflects on the globalized trend of forming new distinctions, connections, and authenticity
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ZEMLIANSKA, Nataliia. "USING POP SONGS IN TEACHING ENGLISH LANGUAGE TO STUDENTS MAJORING IN MUSIC ARTS. PHONOLOGICAL ASPECT." ART-platFORM 4, no. 2 (2021): 45–59. http://dx.doi.org/10.51209/platform.2.4.2021.45-59.

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In the process of foreign language acquisition, students can face various obstacles, which can prevent them from achieving the desired goal. English pronunciation is traditionally considered one of the most challenging issues, which require special approach and teaching techniques to tackle. Teaching English language using popular songs appears to be a very effective method as songs provide students with plethora of pronunciation patterns they can master in an effective and at the same time enjoyable way. Moreover, music influences students' feelings thus developing their emotional intelligenc
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MCDANIEL, BYRD. "All Songs Considered: The Persuasive Listening of Music Podcasts." Twentieth-Century Music 19, no. 3 (2022): 411–26. http://dx.doi.org/10.1017/s1478572222000275.

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AbstractMusic podcasts have proliferated as public discourse about popular music. A significant part of the expanding podcast industry, music podcasts include titles such as All Songs Considered, Switched on Pop, Song Exploder, Sound Opinions, New York Times Popcast, and Lost Notes. These podcasts often feature a combination of conversation and musical selections, which highlight aspects of the music for podcast listeners. In this article, I argue that we should think of music podcasts as persuasive demonstrations of music consumption. Music podcasts present music as a subject for discussion a
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Satyan, Urmi. "Content Analysis: Pop-Songs in the English Language Teaching Classes." Journal of NELTA Gandaki 3, no. 1-2 (2020): 36–44. http://dx.doi.org/10.3126/jong.v3i1-2.33143.

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Along with Hindi, English is given a status of an official language in India as per the Official Language Act, 1963.(Dept. of Official Language, India). English is studied in India as a Second Language and so English is the most sought after language in India. There are many university students who aspire to obtain a Bachelor’s and a Master’s degree in English. With a view to make the process of teaching English language interesting as well as enriching, some popular English songs were selected for the class of postgraduate students of English Language. It was realised, during and after the ac
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Abdullaeva, Elmira Bashirovna. "FROM FOLKLORE TO POP MUSIC. DAGESTAN SONG: STATE, PROBLEMS, ADAPTATION IN MODERN TIMES." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 23 (September 14, 2020): 76–80. http://dx.doi.org/10.31029/vestiyali23/11.

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The article considers the forms of existence and adaptation of a folk song in the modern musical context of Dagestan. The author shows the positive experience of the development of pop songs in the works of Dagestan composers, critically assesses the state and problems of Dagestan popular music and its stage forms.
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Laing, Dave. "31 Songs and Nick Hornby's pop ideology." Popular Music 24, no. 2 (2005): 269–71. http://dx.doi.org/10.1017/s0261143005000486.

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31 Songs (re-titled Songbook in the United States) is ‘a little book of essays about songs I loved’ written in 2002 by Nick Hornby, author of the 1996 hit novel High Fidelity and latterly pop critic of the New Yorker. Hornby's assumption of the role of music critic echoed the wish of the protagonist of High Fidelity whose No. 1 in a list of ‘my five dream jobs’ was ‘NME (New Musical Express) journalist 1976–1979’.
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clover, joshua, ange mlinko, greil marcus, ann powers, and daphne a. brooks. "critical karaoke." Popular Music 24, no. 3 (2005): 423–27. http://dx.doi.org/10.1017/s0261143005000619.

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the critical karaoke project was a specific response to the endless parade of polls, lists and casual questions about ‘the greatest songs of all time’ – particularly to how that measure seems mismatched to pop, which bets everything on transitory pleasures, intensities, its own evanescence. a number of critics, scholars, poets and musicians were invited to the experience music project's annual pop conference in seattle, in the spring of 2004, to talk about any one song of their choosing, without making a case for its lasting worth, or cultural importance, truth, beauty, or any of the other hig
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Benmassoud, Jihane, and Fatima Zohra Kroum. "THE DEPICTION OF GENDER IN MOROCCAN POP LYRICS." International Journal of Applied Language Studies and Culture 2, no. 2 (2019): 11–18. http://dx.doi.org/10.34301/alsc.v2i2.20.

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The aim of the study is to investigate song lyrics within the most popular Moroccan Pop music from a cultural and a gender perspective, focusing on the depiction of both women and men. More specifically, the question that motivated the present study was: What cultural messages about women and men have been depicted to society through Moroccan song lyrics? Listening to music is the dominant hobby of a great majority of the population, as well as the fact that the lyrics of some popular songs are highly restrictive of gender roles (Weitzer & Kubrin, 2009). The study questions the way the Mor
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Limbong, Roimma. "Enriching Students’ Vocabulary Using English Pop Songs." JET (Journal of English Teaching) 2, no. 3 (2012): 223. http://dx.doi.org/10.33541/jet.v2i3.58.

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This study aimed at enriching kindergarten students’ English vocabulary was conducted in Singa School, Jakarta. The 21 students of the K-2 grade who participated in a two-cycled action research were taught vocabularies by using pop-songs. The quantitative data, collected using tests, and the qualitative data, collected using observation and document study techniques indicated that the use of pop-songs enriched the participants’ vocabulary, as shown by the increase of the mean scores of the tests conducted, i.e. 33.57 (in the pre-test) to 50 ( post-test of cycle I) to and 80 (post-test of cycle
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Suryani, Ade Nine. "BANGTAN SONYEONDAN (BTS) AS NEW AMERICAN IDOL." Rubikon : Journal of Transnational American Studies 6, no. 1 (2020): 48. http://dx.doi.org/10.22146/rubikon.v6i1.61489.

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South Korean pop songs or colloquially K-pop has spread globally. America also has a massive impact on this K-pop wave phenomenon. America now gives its enormous attention to the Bangtan Sonyeondan group or BTS group because this K-pop group is prevalent and becomes the new idol in America. In the beginning, K-pop is not successful, but until BTS comes and becomes a global sensation there. This paper tries to analyze which factors enable BTS to be the new idol in America. The writer uses a qualitative method to conduct the data and reception theory from Stuart Hall in the analysis. This analys
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Maheshwari, Tanish, Tarpara Nisarg Bhaveshbhai, and Mitali Halder. "The power of visual analytics and language processing to explore the underlying trend of highly popular song lyrics." Engineering and Applied Science Letters 4, no. 3 (2021): 19–29. http://dx.doi.org/10.30538/psrp-easl2021.0072.

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The number of songs are increasing at a very high rate around the globe. Out of the songs released every year, only the top few songs make it to the billboard hit charts .The lyrics of the songs place an important role in making them big hits combined with various other factors like loudness, liveness, speech ness, pop, etc. The artists are faced with the problem of finding the most desired topics to create song lyrics on. This problem is further amplified in selecting the most unique, catchy words which if added, could create more powerful lyrics for the songs. We propose a solution of findin
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Soetanty, Etik, and M. Shoim Anwar. "GAYA BAHASA DALAM LIRIK LAGU POP GAYA BAHASA DALAM LIRIK LAGU POPULER YANG DINYANYIKAN OLEH SYAHRINI." Buana Bastra 2, no. 1 (2022): 75–81. http://dx.doi.org/10.36456/bastra.vol2.no1.a4992.

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The language style or known the Figure of Speech is an expression of feelings that have deep meaning for others. This research was conducted to look at the style of the language in the lyrics of popular songs by Syahrini. The analuses covered were stylistic repetition, alliteration, assonance, parallelism, “Simploke”, and redundancy. Analysis methods of this research used descriptive qualitative method. Based on the analysis of the lyrics of a popular song Syahrini explained that the style of repetitipn languange is a classification of words in a few times to amplify the pressure. We can see t
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Vaitonytė, Julija, and Julija Korostenskienė. "FEMININE IMAGERY IN CONTEMPORARY AMERICAN POP SONGS: A CONTRASTIVE ANALYSIS." Sustainable Multilingualism 6 (2015): 109–31. http://dx.doi.org/10.7220/2335-2027.6.6.

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Berger, Jonah, and Grant Packard. "Are Atypical Things More Popular?" Psychological Science 29, no. 7 (2018): 1178–84. http://dx.doi.org/10.1177/0956797618759465.

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Why do some cultural items become popular? Although some researchers have argued that success is random, we suggest that how similar items are to each other plays an important role. Using natural language processing of thousands of songs, we examined the relationship between lyrical differentiation (i.e., atypicality) and song popularity. Results indicated that the more different a song’s lyrics are from its genre, the more popular it becomes. This relationship is weaker in genres where lyrics matter less (e.g., dance) or where differentiation matters less (e.g., pop) and occurs for lyrical to
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Hill, Sarah. "Ending it all: Genesis and Revelation." Popular Music 32, no. 2 (2013): 197–221. http://dx.doi.org/10.1017/s0261143013000044.

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AbstractBecause of their brevity, many pop songs of the last 50 years seemingly elude the application of narrative theory. But the deliberate lengthening of individual tracks during the early years of progressive rock exposes them to precisely that kind of examination. One such song is ‘Supper's Ready’, which closes the 1972 Genesis album Foxtrot. This allegorical 23-minute epic, abundant with references to the Book of Revelation, provides an intriguing model for the ‘concept song’, and confounds the listener's expectations – lyrical, musical, narrative, structural and temporal. In this articl
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Murniaty, Murniaty. "THE IMPACT OF APPLYING ENGLISH SONG IN LISTENING COMPREHENSION." Journal MELT (Medium for English Language Teaching) 2, no. 2 (2019): 126. http://dx.doi.org/10.22303/melt.2.2.2017.126-143.

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The study investigated about the sluggishness of students in English language lesson that caused them have low score. Due to that reason, it had researched teaching and learning process of listening comprehension. The students of one public junior high school, class VII were trained to listen songs as an experiment for several times in one semester, such as : folk songs, pop songs, etc. The research findings by applying Wilcoxon signed-rank test showed that Z > 1,96, that is Z > 5,147; which means there is significant difference after giving the treatment, or the score raised up
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